“‘In Virginia I always visit every sick person on the plantation every

day. We send for a doctor in every case, and we women sit up night after

night to nurse every one that needs it. We provide proper food for the

sick and the convalescent from our own tables. We take care of the old

and decrepit, and of all the children. From birth to death they know

that they will be abundantly provided for. What poor family around the

Five Points has any such assurance? Who provides doctors and medicine

and dainties for them when they are ill? Who cares for their children?

Who assures them, in childhood and in old age, of as abundant a supply

of food and clothing, and as good a roof, as we give to the negroes? I

go every morning, as I just now said, to see every sick or afflicted

negro on my own plantation and on that of my guardian. How often have

you gone to the region of the Five Points to minister to those who are

ill and suffering and perhaps starving there?’

“‘Oh, that is all cared for by the charitable organizations’ she said,

‘and by the city missionaries.’

“‘Is it?’ I answered. ‘I do not find it so. I have emptied my purse a

dozen times in an effort to get a doctor for a very ill person here, and

to buy the medicines he prescribed, and to provide food for starving

ones. And then, next day I have found that the sick have died because

the well did not know how to cook the food I had provided, or how to

follow the doctor’s directions in the giving of medicine. I tell you

these poor people are immeasurably worse off than any negro slave at the

South is, or ever was. So far as I can learn there is no working

population in the world that gets half so much of comfort and care and

reward of every sort for its labor, as the negroes of Virginia get.’

“Then the woman broke out. She said: ‘You are dressed in a superb

satin’--it was at a social function--‘and every dollar of its cost was

earned by a negro slave on your plantation.’ I answered, ‘You are

equally well dressed. Will you tell me who earned the money that paid

for your satin gown?’ Then, Cousin Arthur, I lost my temper and my

manners. I told her that while we in Virginia profited by the labor of

our negroes, we gave them, as the reward of their labor, every desire of

their hearts and, besides that, an assurance of support in absolute

comfort for their old age, and for their children; while the laboring

class in New York, from whose labor she profited, and whose toil

purchased her gown, had nobody to care for them in infancy or old age,

in poverty and illness and suffering. ‘It is all wrong on both sides,’ I

said. ‘The toilers ought to have the full fruits of their toil in both

cases. The luxury of the rich is a robbery of the poor always and

everywhere. There ought not to be any such thing anywhere. The woman who

made your underclothing was robbed when you bought it at the price you

did. You wronged and defrauded the silk spinners and weavers and the

sewing women when you bought your gown. Worse than that; you have among

you men who have accumulated great fortunes in manufactures and

commerce. How did they do it? Was it not in commerce by paying the

producers for their products less than they were worth? Was it not in

manufactures by paying men and women and children less than they have

earned? Was not the great Astor estate based upon a shrewd robbery of

the Indian trappers and hunters? And has it not been swelled to its

present proportions by the growth of a city to whose growth the Astors

have never contributed a single dollar? Isn’t the whole thing a wrong

and a robbery? Isn’t the “Song of the Shirt” a reflection of truth?

Isn’t there slavery in New York as actually as in Virginia, and isn’t it

infinitely more cruel?’

“Then the woman shifted her ground. ‘But at least our laborers are

free,’ she said. ‘Are they?’ I answered. ‘Are they free to determine for

whom they will work or at what wages? Cannot their masters, who are

their employers, discharge them at will, when they get old or feeble or

otherwise incompetent, and leave them to starve? No master of a Virginia

plantation can do that. His neighbors would actually lynch him should he

turn a decrepit old negro out to die or even should he deny to him the

abundant food and clothing and housing that he gives to the able-bodied

negroes who make crops. And,’ I added, for I was excited, ‘this cruelty

is not confined to what are ordinarily called the laboring classes. I

know a man of unusual intellectual capacity, who has worked for years to

build up the fortunes of his employers. He has had what is regarded as a

very high salary. But being a man of generous mind he has spent his

money freely in educating the ten or a dozen sons and daughters of his

less fortunate brother. He is growing old now. He has earned for his

master, a thousand dollars for every dollar of salary that he ever

received just as all his fellow workers in the business have done. But

he is growing old now, and under the strain of night and day work, he

has acquired the habit of drinking too much. He hasn’t a thousand

dollars in the world as his reward for helping to make this other man,

his master, absurdly, iniquitously rich. Yet in his age and infirmity,

the other man, luxuriating in his palatial summer home which is only one

of the many palaces that other men’s toil late into the night has

provided for him, decides that the old servitor is no longer worth his

salary, and decrees his discharge. Is there anything so cruel as that in

negro slavery? Is that man half so well off as my negro mammy, who has a

house of her own and all the food and clothes she wants at the age of

eighty, and who could have the service of a dozen negro attendants for

the mere asking?’

“Now, Cousin Arthur, please don’t misunderstand me. Even what I have

seen at the Five Points doesn’t tempt me to believe in slavery. I want

of all things to see that exterminated. But, really and truly, I find an

immeasurably worse slavery here in New York than I ever saw in Virginia,

and I want to see it all abolished together, not merely the best and

kindliest and most humane part of it. I want to see the time when every

human being who works shall enjoy the full results of his work; when no

man shall be any other man’s master; when no man shall grow rich by

pocketing the proceeds of any other man’s genius or industry. I said all

this to that woman, and she replied: ‘You are obviously a pestilent

socialist. You are as bad as Fourier and Albert Brisbane and Horace

Greeley.’ That was very rude of her, seeing that Mr. Greeley was

present, but I’ve noticed that the people who most highly pride

themselves on good manners are often rude and inconsiderate of others to

a degree that would not be tolerated in Virginia society--except perhaps

from Mr. Madison Peyton. By the way, Mr. Jefferson Peyton was present,

and to my regret he said some things in defence of slavery which I could

not at all approve. Mr. Greeley interrupted him to say something like

this:

“‘The dear young lady is quite right. We have a horrible slavery right

here in New York, and we ought to make war on that as earnestly as we do

on African slavery at the South. I’m trying to do it in the

Try-bune’--that’s the way he pronounces the name of his paper--‘and I’m

going to keep on trying.’

“That encouraged me, for I find myself more and more disposed to respect

Mr. Greeley as I come to know him better. I don’t always agree with him.

I sometimes think he is onesided in his views, and of course he is

enormously self-conceited. But he is, at any rate, an honest man, and a

brave and sincere one. He isn’t afraid to say what he thinks, any more

than you are, and I like him for that. Another great editor whom I have

met frequently, seems to me equally courageous, but far less

conscientious. He is inclined to take what he calls ‘the newspaper view’

of things,--by which he means the view that appeals to the multitude for

the moment, without much regard for any fixed principle. Socially he is

a much more agreeable man than Mr. Greeley, but I don’t think him so

trustworthy. Mr. Greeley impresses me as a man who may be enormously

wrong-headed, under the influence of his prejudiced misconceptions, but

who, wrong-headed or right-headed, will never consciously wrong others.

If he had been born the master of a Virginia plantation he would have

dealt with his negroes in the same spirit in which he has insisted upon

giving to his fellow workers on the Tribune a share in the profits of

their joint work. Mr. Greeley is odd, but I like him better than any

editor I have met.”

So the girl went on, writing objectively and instinctively avoiding the

subjective. But she did not always write so seriously. She had “caught

the patter” of society and she often filled pages with a sparkling,

piquant flippancy, which had for Arthur a meaning all its own.

XXX

AT SEA

_T_he voyage to Europe in 1860 was a much more serious undertaking than

the like voyage is in our later time. It occupied a fortnight or three

weeks, for one thing, where now a week is ample time for the passage.

The steamers were small and uncomfortable--the very largest of them

being only half the size of the very smallest now regarded as fit for

passenger service. There was no promenade deck or hurricane deck then,

above the main deck, which was open to the sky throughout its length and

breadth, except for the interruption of one small deck house, covering

the companion way, a ventilator pipe here and there, and perhaps a

chicken coop to furnish emaciated and sea sick fowls for the table

d’hôte. There was no ice machine on board, and no distilling apparatus

for the production of fresh water. As a consequence, after two days out,

the warm water which passengers must drink began to taste of the ancient

wood of the water tanks; at the end of a week it became sickeningly

foul; and before the end of the voyage it became so utterly undrinkable

that the most aggressive teetotaler among the passengers was compelled

to order wine for his dinner and to abstain from coffee at breakfast.

The passenger who did not grow seasick in those days was a rare

exception to an otherwise universal rule, while, in our time, when the

promenade deck is forty or fifty feet above the waves, and the

passengers are abundantly supplied both with palatable food and with

wholesome water, only those suffer with _mal de mer_ who are bilious

when they go on board, or who are beset by a senseless apprehension of

the sea.

The passenger lists were small, too, even allowing for the diminutive

size of the ships. One person crossed the ocean then where perhaps a

hundred cross in our time.

There were perhaps twenty passengers in the cabin of the ship in which

Dorothy sailed. By the second day out only two of the ship’s company

appeared at meals or at all regularly took the air on deck. Dorothy was

one of these two. The other she herself introduced, as it were, to

Arthur, in a long, diary-like letter which she wrote on shipboard and

mailed at Liverpool.

“I’m sitting on a great coil of rope, just behind the deck house,” she

wrote, “where I am sheltered from the wind and where I can breathe my

whole body full of the delicious sea air. The air is flavored with great

quantities of the finest sunshine imaginable. Every now and then I lay

my paper down, and a very nice old sailor comes and puts two big iron

belaying pins on it, to keep it from blowing overboard while I go

skipping like a ten-year-old girl up and down the broad, clean deck, and

enjoying the mere being alive, just as I do on horseback in Virginia

when the sun is rising on a perfect morning.

“I ought to be down stairs--no, I mustn’t say ‘down stairs,’ when I’m at

sea, I must say ‘below.’ Well, I ought to be below ministering to

Edmonia and her friend Mrs. Livingston,--or Mildred, as she insists on

my calling her--both of whom are frightfully sick; but really and truly,

Edmonia won’t let me. She fairly drove me out, half an hour ago. When I

didn’t want to go she threatened to throw her shoes at my head, saying

‘You dear little idiot, go on deck and keep your sea-well on, if you

can.’ And when I protested that she seemed very ill and that I hadn’t

the heart to go on the beautiful deck and be happy in the delicious air

and sunshine while she was suffering so, she said: ‘Oh, I’m always so

for the first three or four days, and I’m best let alone. My temper is

frightful when I’m seasick. That’s why I took separate staterooms for

you and me. I don’t want you to find out what a horribly ill-tempered,

ill-mannered woman I am when I’m seasick. How can I help it? I’ve got a

mustard plaster on my back and two on my chest, and I’ve drunk half a

bottle of that detestable stuff, champagne, and I’m really fighting mad.

Go away, child, and let me fight it out with myself and the

stewardesses. They don’t mind it, the dear good creatures. They’re used

to it. I threw a coffee cup full of coffee all over one of them this

morning because she presumed to insist upon my swallowing the horrible

stuff, and she actually laughed, Dorothy. I couldn’t get up a quarrel

with her no matter what I did, and so I tried my hand on the ship’s

doctor. I don’t like him anyhow. He’s just the kind that would make love

to me if he dared, and I don’t like men that do that.’ Then Edmonia

added: ‘He wouldn’t quarrel at all. When I told him he was trying to

poison me with bicarbonate of soda in my drinking water, he seriously

assured me that bicarbonate of soda isn’t poisonous in the least

degree, that it corrects acidity, and all that sort of thing. I gave him

up as hopeless,--but remind me, Dorothy, that when we go ashore I must

put half a dozen sovereigns into his hand--carefully wrapped up in

paper, so that he shan’t even guess what they are--as his well earned

fee for enduring my bad temper. But now, Dorothy, you see clearly that

this ship doesn’t provide any proper person for me to quarrel with, and

so I must fall back upon you, if you persist in staying here and

arrogantly insulting me with your sublime superiority to seasickness. So

get out of my room and stay out till I come on deck with my mind

restored to a normal condition.’ I really think she meant it, and so I’m

obeying her. And I should be very happy with the air and the sunshine

and my dear old sailorman who tells me sailor stories and sings to me

the very quaintest old sailor songs imaginable, if I could be sure that

I’m doing right in being happy while Edmonia is so very miserable.

“As for Mildred--Mrs. Livingston--she lies white-faced and helpless in

her bunk--there, I got the sailor term right that time at the first

effort--while her husband simply sleeps and moans on the sofa. The

doctor says they are ‘progressing very satisfactorily’ and so I am

taking his advice and letting them alone. But why anybody should be

seasick, _how_ anybody _can_ be sick at sea, I simply cannot understand.

The ship’s doctor tried to explain it to me this morning, but he forgot

his explanation. He--well, never mind. He ought to have a wife with a

plantation or something of that sort, so that his abilities might have

an opportunity. I don’t think much of his abilities, and I don’t like

him half as well as I do my old sailor. He is going to tell me--the old

sailor, I mean and not the doctor--all about his life history tonight.

We are to have a moon, you know, and, as he’s on the ‘port watch,’

whatever that may mean, he’s going to come on deck and tell me all about

himself. I’ll tell you about it in tomorrow’s instalment of this

rambling letter.”

On the following day, or perhaps a day later even than that, Dorothy

wrote:

“This is another day. I don’t just know what day. You know they keep

changing the clock at sea, and I’ve got mixed up. Edmonia still throws

shoes and medicine bottles and coffee cups at me whenever I thrust my

head inside the portière of her stateroom, and Mildred, though she has

sufficiently recovered to come on deck, lies helpless in a deck chair

which my sailor has ‘made fast’--you see I’m getting to be an expert in

nautical terms--to a mast or a spar or something, and when I speak to

her, says, ‘Go away, child, and be happy in the midst of human misery,

if you can. Let me alone.’ When I ask her concerning her husband she

answers: ‘I suppose he’s comfortable in his misery. At any rate, he has

two bottles of champagne by his side, and he is swearing most hopefully.

I always know he is getting over it when he begins to swear in real

earnest, and with a certain discretion in the choice of his oaths. Now,

run away, you ridiculously well girl or I’ll begin to borrow from Rex’s

vituperative vocabulary.’ Rex is her husband you know.

“The sailor’s story didn’t amount to anything, so I’ll not bother you

with a repetition of it.”

[As a strictly confidential communication, not to be mentioned to

anybody, the author so far intrudes upon attention at this point, as to

report that the sailorman, at the end of his picturesque and imaginative

narrative, professed a self-sacrificing willingness to abandon the

delights of a sea-faring existence, and to content himself thereafter

with the homelier and less romantic duties of master of Pocahontas

plantation. Dorothy, in continuing her letter, was quite naturally

reticent upon this point. But she went on liking that old sailorman, in

whose devotion to her comfort on deck nothing seemed to make the

slightest difference. Perhaps this chronic mariner already had ‘a wife

in every port’ and was only ‘keeping his hand in’ at courtship. At any

rate after duly disciplining him, Dorothy went on liking him and

accepting his manifold, sailorly attentions. Ah, these women! How very

human they are in face of all their airs and pretensions!]

It was a day later that Dorothy wrote:

“There is a very extraordinary lady on board, and I have become

acquainted with her, in a way. I didn’t see her at all during the first

day out. As she tells me she is never seasick, I suppose she kept her

cabin for some other reason. At any rate the first time I met her was on

the morning of that second day out, when I was skipping about the deck

and making believe that I was little Dorothy again--little ten-year-old

Dorothy, who didn’t care if people were seeing her when she skipped. The

captain saw me first. He’s a dear old fellow with a big beard and nine

children and a nice little baby at home. And, think of it, the people

that hire him to run their ship won’t let him bring his wife on board

or any of his children on any account! That isn’t quite correct either,

for two voyages ago it was the twenty-first anniversary of his marriage,

and when he asked permission to bring his wife and baby with him on his

trip to New York and back, just to celebrate, you see, the company gave

permission without any hesitation. But when he came on board, he found

another captain in command for that one trip, and himself only a

passenger. That’s because the company don’t want a captain’s attention

distracted, and I suppose a new baby whom he had never seen before would

have distracted him a great deal. Anyhow that’s the way it was and the

only reason the captain told me about it was that I asked him why he

didn’t have his wife and children on board with him always. But I set

out to tell you about the lady. After the captain had ‘captured’ me, as

he put it, and had taken me up on the bridge, and had shown me how to

take an observation and how to steer--he let me steer all by myself for

more than a mile and I didn’t run the ship into anything, perhaps

because there wasn’t anything within five hundred miles to run into--I

went down on deck again, hoping that maybe Diana had got well enough to

come out, but she hadn’t. She isn’t violently ill, but she’s the most

entirely, hopelessly, seasick person I’ve seen yet. She--well, never

mind. She’ll get well again, and in the meanwhile I must tell you about

the lady. She spoke to me kindly and said:

“‘As you and I seem to be the only well passengers on board, I think I’m

entitled to a sea acquaintance with you, Miss Dorothy. You know sea

acquaintances carry no obligations with them beyond the voyage, and so

no matter how chummy we may become out here on the ocean you needn’t

even bow to me if we meet again on shore.’ She seemed so altogether nice

that I told her I wouldn’t have a mere sea acquaintance with her, but

would get acquainted with her ‘for truly,’ as the children say. She

seemed glad when I said that, and we talked for two hours or more, after

which we went to luncheon and sat side by side--as everybody else is

seasick we had the table all to ourselves and didn’t need to mind whose

chairs we sat in.

“Well, she is a strangely fascinating person, and the more I know of her

the more she fascinates me. Sometimes she seems as young as I myself am;

sometimes she seems very old. She is tall and what I call willowy. That

is to say she bends as easily in any direction as a willow wand could,

and with as much of grace. Indeed grace is her dominant characteristic,

as I discovered when she danced a Spanish fandango to my playing--just

all to ourselves you know, behind the deck house. She knows everybody

worth knowing, too--all the editors and artists and actors and singers

and pianists and people in society that I have met, and a great many

others that I haven’t met at all. And she really does know them, too,

for one day in her cabin I saw a great album of hers, and when she saw I

was interested in it she bade me take it on deck, saying that perhaps it

might amuse me during the hour she must give to sleep. And when I read

it, I found it full of charming things in prose and verse, all addressed

to her, and all signed by great people, or nearly all. She told me

afterwards that she valued the other things most--the things signed by

people whose names meant nothing to me. ‘For those,’ she said, ‘are my

real friends. The rest--well, no matter. They are professionals, and

they do such things well.’ I don’t just know what she meant by that, but

I have a suspicion that she loves truth better than anything else, and

that she doesn’t think distinguished people always tell the truth when

they write in albums. At any rate when I asked her if I might write and

sign a little sentiment in her album, she said, with more of emotion

than the occasion seemed to call for: ‘Not in that book, my child! Not

as a tag to all those people. If you will write me three or four lines

of your own on a simple sheet of paper and sign it, I’ll have it

sumptuously bound when I get to Paris, in a book all to itself, and

nobody else shall ever write a line to go with it while I live.’

“Wasn’t it curious? And especially when you reflect how many

distinguished people she knows! But she brought me a sheet of very fine

paper that afternoon, and said: ‘I don’t want you to write now. I don’t

want you to write till our voyage is nearly over. Then I want you to

write the truth as to your feeling for me. No matter what it is, I want

it to be the truth, so that I may keep it always.’ I took the sheet and

wrote on it, ‘I wish you were my mother.’ That was the truth. I do wish

every hour that this woman were my mother. But she refused to read what

I had written, saying: ‘I will keep it, child, unread until the end of

the voyage. Then I’ll give it back to you if you wish, and you shall

write again whatever you are prompted to write, be it this or something

quite different.’

“Curiously enough, her name is in effect the same as my own, translated

into French. She is Madame Le Sud. That means Mrs. South, of course, and

when I called her attention to the fact, she said: ‘perhaps that may

suggest an additional bond of affection between us.’”

Several days passed before Dorothy resumed her writing.

Dorothy South: A Love Story of Virginia Just Before the War · 第 15 / 20 段