I seem to be introducing you to all Rome.

Mr. and Mme. Minghetti are old friends--that is, I have known her from

1866. Then she was Princess Camporeale, very handsome and captivating.

She is just as attractive now and holds Rome in her hand. Her _salon_

is the _salon_ where all fashionable Rome flocks. She has arranged it

in the most artistic manner. It is crowded with furniture, with cozy

corners and flirtatious nooks between _armoires_ and palm-trees.

Valuable old pictures and tapestries decorate the walls. The _salon_ is

two stories high and has an ornamental little winding staircase on

which an enormous stuffed peacock stands with outspread tail, as if

guarding things below. On her Sunday afternoons one is sure to hear

some good music. No one refuses, as it gives a person a certain

prestige to be heard there.

Mr. Minghetti, possessing the order of the Annunciata (the highest

decoration of Italy), is called "_Le cousin du Roi_." He is a great

personage. He has been Prime Minister and still plays a very

conspicuous part in politics. He has written many books on

constitutional law. He is tall, handsome, and altogether delightful.

The Storys still live in the third heaven of the Barberini Palace,

where on Fridays there is a steady procession of tea-thirsty English

and Americans who toil upward.

The two sons are what Mr. Story calls "promising." Waldo (the elder)

promises to rival his father as a sculptor. Julian promises to be a

great painter. His picture of Cardinal Howard, all in red against a red

background, is a fine study in color besides being an excellent

likeness.

The Haseltines are flourishing like green bay-trees. Their beautiful

apartment in the Altieri Palace, where his _atelier_ is, is filled with

his exquisite water-colors and paintings. Her brother, Mr. Marshall, is

staying with them. He is very amusing. Last evening he held the table

in a roar when he told of a recent experience.

At the Duchess Fiano's costume ball he had worn a costume of a

Mignon-Henri-II. He described it to us. A light-blue satin jacket, and

trunk-hose, slashed to exaggeration, with white satin puffs, a jaunty

velvet cap with a long feather, and white satin shoes turned up at the

ends.

Worth had made it and put a price on it almost equal to Marshall's

income, and just because it had cost so much and he had received a good

many compliments he thought it was his duty to have it and himself

photographed as a memento of his reckless extravagance before the

costume was consigned to oblivion. On the day of his appointment with

the artist he was dressed and ready in his costume. As it was a rainy

day, he provided himself with an umbrella and a pair of india-rubbers

big enough to go over the gondola-like shoes. He also carried a stuffed

falcon in his hand so that there should be no doubt as to what he was.

Unluckily, the horse fell down on the slippery _Corso_, and the

coachman insisted upon Marshall's getting out.

"You may imagine my feelings," he said, "at being obliged to show

myself in broad daylight in this get-up. A crowd of gaping idiots

gathered about me and made particularly sarcastic remarks. One said,

'_E il Re!_' ('It is the King'). Another screamed, '_Quante e bello i

piccolo_!' There was I stranded in the middle of the _Corso_, holding

an umbrella over my head in one hand and that ridiculous falcon in the

other, my feather dripping down my back; and when I looked down at blue

legs fast turning another color and my huge india-rubbers I realized

what a spectacle I was making of myself...."

We laughed till the tears rolled down our cheeks. He showed us the

photograph, and I must say that a less Mignon-Henri-II-like Mignon and

a more typical American face and figure could not be imagined. If Henri

II had caught sight of him with his thin legs, side-whiskers, and

eye-glasses he would have turned in his grave.

Dr. Nevin, our pastoral shepherd, has really done a great deal for the

American church here and ought to have a vote of thanks. He has

collected so much money that he has not only built the pretty church,

but has decorated it with Burne-Jones's tall angels and copies of the

mosaics from Ravenna. He has also built a comfortable rectory, which he

has filled with rare _bric-à-brac_. They say that no one is a better

match for the wily dealers in antiquities than the reverend gentleman,

and the pert little cabmen don't dare to try any of their tricks on

him.

He shows another side of his character when in the pulpit.

The mere sound of his own voice in reading the Scriptures affects him

to tears. Last Sunday he almost broke down completely when he was

reading about Elijah and the bears (a tale which does not seem in the

least pathetic to me). He is a great sportsman and plays all games with

enthusiasm, and is a fervent but bad whist-player, and when he revokes

(which he often does) we suppose he is thinking out his next Sunday's

sermon. In the summer vacation he goes to the Rocky Mountains and kills

bears.

A few Sundays ago it was, if ever, the occasion to say, "Don't kill the

organist; he is doing his best." Signor Rotoli (the organist), who does

not know one word of English, was dozing through Dr. Nevin's usual

sermon, and, having the music open before him of the solo that Mr.

Grant (the tenor) was going to sing, heard the first words of the

prayer, "O Lord, grant--" thought that it was the signal for the

anthem, and crashed down the opening chords.

Dr. Nevin looked daggers at him, as if he could have killed him on the

spot, and had there been anything at hand heavier than his sermon he

certainly would have thrown it at him.

_March, 1881._

Dear ----,--The carnival is over. As it is the first carnival I have

ever seen, I must describe it to you. It lasts almost a week. It

commenced last Wednesday and finished yesterday. Mr. Saumares, of the

English Embassy, had taken a balcony just opposite the Palazzo Fiano,

where the Queen always goes. He invited us for the whole week, and when

we were not in the fray ourselves, we went there at five o'clock to

take tea and to see the _corso di barbeir_ (the race of the wild

horses). The first day of the carnival we were full of energy and

eagerness. We were all in our shabbiest clothes, as this is the

customary thing. The coachman and the valet also had their worst

clothes on, which is saying a good deal, and the horses were even worse

than usual, which is saying a good deal more. The carriages were filled

to overflowing with flowers, bonbons, and confetti by the bushel. Our

servant, Giuseppe, had been since early morning bargaining for the

things, and after tucking us in the carriage he contemplated us with

pride as we drove off.

We started from the Piazzo del Popolo at three o'clock, and pelted

every one, exhausting our ammunition recklessly. Dirty little

beggar-boys would jump on the step of the carriage and snatch what

flowers they could, even out of our hands, and would then sell them

back to us, scrambling for the soldi which we threw at them; and, what

was worse, they picked the same bouquets up, which by this time had

become mere stems without flowers and covered with mud, and threw them

at us. They wanted their fun, too.

At five o'clock we stood on the balcony to watch the race of the wild

horses. These are brought straight in from the country, quite wild and

untamed. They are covered with all sorts of dangling pointed tin things

and fire-crackers, which not only frighten them dreadfully, but hurt

them. They started at the Piazza del Popolo and were hooted and goaded

on by the excited screams of the populace all the way down the narrow

_Corso_, which is a mile long. It is a wonder that the poor creatures

in their fright did not dart into the howling crowd, but they did not.

They kept straight on their way, stung to desperation by the fireworks

on their backs. At the Piazza di Venezia the street narrows into a very

small passage, which divides the palazzo from its neighbor opposite.

Here sheets (or, rather, sails) were hung across this narrow place,

into which the horses, blinded with terror, puzzled and confused, ran

headlong, and were easily caught. The one who gets there first gets the

prize, and is led back through the streets, tired and meek, wearing his

number on a card around his neck. It is a cruel sport, but the Italians

enjoy it, believing, as they do, that animals have no souls, and

therefore can support any amount of torture.

Nothing is done on Friday. The following Tuesday--Mardi-gras--was the

last day. Then folly reigned supreme. After the horses had run their

race and twilight had descended on the scene, the _moccoletti_ began.

This is such a childish sport that it really seems impossible that

grown-up men and women could find any amusement in taking part in it.

Lighting your own small tallow candle and trying to put out your

neighbor's--that is what it amounts to. Does it not sound silly? Yet

all this vast crowd is as intent on it as if their lives and welfare

were at stake. At eight o'clock, however, this came to an end, the last

flickering light was put out, and we went home--one would think to play

with our dolls.

The Sunny Side of Diplomatic Life, 1875-1912 · 第 70 / 126 题