1844.] OCTOBER.

[Illustration]

SIX RICHARDS IN THE FIELD.

A NEW ACTING SHAKSPEARE.

It is quite evident that Shakspeare, in its present state, is not suited

to the capacity of the existing race of tragic actors. On the same

principle that somebody is said to have gone to bed because the bed

would not go to somebody, it seems advisable to bring Shakspeare down to

the actors because the actors can't come up to Shakspeare.

It was once suggested that the play of "Hamlet," with the character of

Hamlet omitted, might probably lose some of its effect in dramatic

representation. If this theory is a good one, it follows, as a matter of

course, that the play of "Richard the Third," with six Richards instead

of one, must be six times as good as it is with only a single embodiment

of that extraordinary character. That this is the opinion of modern

tragedians is shown by their all requiring to perform the principal part

in all tragedies: an arrangement that could only be carried out by

multiplying the chief character in a piece by the number of individuals

in a theatre who want to act it. Whether the negative capacities of

three or four individual performers can make an affirmative capacity, is

an experiment that might be tried, at all events. "Division of labour"

is a very favourite project amongst speculators in the present day; and

if Messrs. A., P., and V., are separately unequal to the effort of

sustaining the weight of the crook-backed tyrant, why should not the

tyrant be cut into three—some actors, by-the-bye, cut him all to pieces—

so that each of the performers hinted at might bear a portion of the

burden? Mr. A. might do the love scene with Lady Anne; Mr. P. might

growl through the opening soliloquy; and Mr. V. might go to sleep

throughout the dream: an achievement which the drowsiness of his style

renders him fully equal to.

That the bard of Avon contemplated the possibility of something of the

kind is shown by the expression he puts into the mouth of Richard

himself, who, in making the well-known exclamation,

"Methinks I see six Richmonds in the field,"

may be supposed to have hinted at the possibility of there being six

competitors for his own position—that of hero of the tragedy.

The Comic Almanack, Volume 2 An Ephemeris in Jest and Earnest, Containing Merry Tales, Humerous Poetry, Quips, and Oddities · 第 58 / 535 题