Our demeanor with our equals is more a matter of policy. To be

indiscreetly familiar, to allow of liberties being taken with your

good-nature; all this is likely to happen with people of the same

rank with ourselves, unless we hold our mere acquaintance at a proper

distance, by a certain reserve. A woman may be gay, ingenuous,

perfectly amiable to her associates, and yet reserved. Avoid all

sudden intimacies, all needless secret-telling, all closeting about

nonsense, caballing, taking mutual liberties with each other in regard

to domestic arrangements; in short, beware of familiarity! The kind

of familiarity which is common in families, and amongst women of the

same classes in society, is that of an indiscriminate gossiping; an

interchange of thoughts without any effusion of the heart. Then an

unceremonious way of reproaching each other, for a real or supposed

neglect; a coarse manner of declaring your faults; a habit of jangling

on trifles; a habit of preferring your own whims or ease before that of

the persons about you; an indelicate way of breaking into each other’s

privacy. In short, doing everything that declares the total oblivion of

all politeness and decent manners.

This series of errors happens every day amongst brothers and sisters,

husbands and wives, and female acquaintances: and what are the

consequences? Distaste, disgust, everlasting quarrels, and perhaps

total rupture in the end!

I have seen many families bound together by the tenderest affection; I

have seen many hearts wrought into each other by the sweet amalgamation

of friendship; but with none did I ever find this delicious foretaste

of the society in Elysium, where a never-failing politeness was not

mingled in all their thoughts, words, and actions, to each other.

Deportment to superiors must ever carry with it that peculiar degree

of ceremony which their rank demands. No intimacy of intercourse with

them, no friendship and affection from them, ought ever to make us

forget the certain respect which their stations require. Thus, for a

mere gentlewoman to think of arrogating to herself the same homage of

courtesy that is paid to a lady of quality, or to deny the just tribute

of precedence, in every respect, to that lady, would be as absurd as

presumptuous. Yet we see it; and ridicule, from the higher circles,

is all she derives from her vain pretensions. By the same rule, every

woman of rank must yield due courtesy to those above her, in the just

gradation, according to their elevation in the scale of nobility. The

law of courts on this subject is soon understood, and, as a guide to

my young readers, who may not yet have been sufficiently informed, I

shall, beneath, give them a list of female titles, according to their

precedence in the march of hereditary and other honors. I shall begin

with the highest rank, as it is that which, in all public processions,

or in private parties, has the right of standing or moving first.

As the crown of the whole, I set down a Queen. Then Princesses. Then

follow, in regular order, Duchesses, Marchionesses, Countesses. The

Wives of the eldest sons of Marquisses. The Wives of the younger sons

of Dukes. Daughters of Dukes. Daughters of Marquisses. Viscountesses.

Wives of the Eldest sons of Earls. Daughters of Earls. Wives of the

younger sons of Marquisses. Baronesses. Wives of the eldest sons of

Viscounts. Daughters of Viscounts. Wives of the younger sons of Earls.

Wives of the eldest sons of Barons. Daughters of Barons. Wives of the

younger sons of Viscounts. Wives of the younger sons of Barons. Wives

of Baronets. Wives of Privy Counsellors. Commoners. Wives of Judges.

Wives of Knights of the Garter. Wives of Knights of the Bath. Wives of

Knights of the Thistle. Wives of Knights Bachelors. Wives of Generals.

Wives of Admirals. Wives of the eldest sons of Baronets. Daughters of

Knights, according to their fathers’ precedence. Wives of the younger

sons of Baronets. Wives of Esquires and Gentlemen. Daughters of

Esquires and Gentlemen. Wives of Citizens and Burgesses. The Wives of

Military and Naval Officers of course take precedence of each other in

correspondence with the rank of their husbands.

This scale, if every young lady would bear in mind and conform to it,

is a sufficient guide to the mere ceremony of precedence; and would

effectually prevent those dangerous disputes in ball-rooms about

places, and those rude jostlings in going in and out of assemblies,

which are not more disagreeable than ill-bred. It is the perfection

of fine breeding to know your place, to be acquainted with that of

others; and to fall gracefully into your station accordingly. While

the gentlewoman is content to move in the train of female honors,

the dignified decorum of step forms one graceful link in the chain

of society; but if she struggles to get before, strikes one to her

right, and the other to her left; treads down alike her equals and her

superiors, in her eagerness for pre-eminence; we fly from the shrew,

and declare her unworthy of fellowship with any class of well-ordered

females.

The deference we pay to superiors, our inferiors will refund to

us; and therefore, if we wish to maintain “that proud submission,

that dignified obedience,” which binds the subject, through various

gradations, to the sovereign, we must teach our untractable spirits to

bend to the cogent reasons and salutary ordinances of high authority.

Women in every country have a greater influence than men choose to

confess.

“Men’s earliest words are taught them from her lips.”

Though haughtiness of mind will not allow them always to acknowledge

the truth, yet we see the proof in its effects; and, in consequence,

must exhort women, by yielding their deference to the laws of honorary

precedence, to teach men to obey them; and rather to emulate such

distinctions, than seek to pull down the possessors to the level of the

common herd.

CONCLUSION.

“Can comeliness of form, or shape, or air,

With comeliness of words or deeds compare?

No! those at first th’ unwary heart may gain,

But these, these only, can the heart retain.”

GAY.

When so much has been said of the body and its accoutrements, I cannot

but subjoin a few words on the intelligence which animates the frame,

and of the organ which imparts its meaning.

Connected speech is granted to mankind alone. Parrots may prate, and

monkeys chatter; but it is only to the reasonable being that power of

combining ideas, expressing their import, and uttering, in audible

sounds, in all its various gradations, the language of sense and

judgment, of love and resentment, is awarded as a gift, that gives us a

proud and undeniable superiority to all the rest of the creation.

To employ this faculty well and gracefully, is one grand object of

education. The mere organ itself, as to sound, is like a musical

instrument, to be modulated with elegance, or struck with the

disorderly nerve of coarseness and vulgarity.

I must add to what has been said before on the subject, that excessive

rapidity of speaking is, in general, even with a clear enunciation,

very disagreeable; but, when it is accompanied with a shrill voice,

the effect is inexpressibly discordant and hideous. The first orator

the heathen world ever knew, so far remedied the natural defects of

his speech, (and they were most embarrassing,) as to become the most

easy and persuasive of speakers. In like manner, when a young woman

finds any difficulty or inelegance in her organs, she ought to pay the

strictest attention to rectify the fault.

Should she have too quick or encumbered an articulation, she ought

to read with extreme slowness for several hours in the day, and even

pay attention, in speaking, to check the rapidity or confusion of her

utterance. By similar antidotal means, she must attack a propensity

of talking in a high key. Better err in the opposite extreme,

while she is prosecuting her cure, as the voice will gradually and

imperceptibly attain its most harmonious pitch, than, by at first

attempting the medium, most likely retain too much of the screaming

key. A clear articulation, a tempered intonation, and in a moderate

key, are essentials in the voice of an accomplished female. Her

graceful peculiarities must be the gift of nature, or the effect of

cultivated taste. Fine judgment and delicate sensibility are the best

schoolmistresses on this subject. Indeed, where, in relation to man or

woman, shall we find that an improved understanding, and enlightened

mind, and a refined taste, are not the best polishers of manners, and

in all respects the most efficient handmaids of the Muses?

Let me, then, in one short sentence, in one tender adieu, my fair

readers and endeared friends! enforce upon your minds, that if Beauty

be woman’s weapon, it must be feathered by the Graces, pointed by the

eye of Discretion, and shot by the hand of Virtue!

Look, then, my sweet pupils, not merely to your mirrors, when you would

decorate yourselves for conquest, but consult the _speculum_, which

will reflect your hearts and minds. Remember that it is the affections

of a sensible and reasonable soul you hope to subdue, and seek for arms

likely to carry the fortress.

He that is worthy, must love corresponding excellence. Which of you

all would wish to marry a man merely for the color of his eye, or

the shape of his leg? Think not then worse of him than you would do

of yourselves; and hope not to satisfy his better wishes with the

possession of a merely handsome wife.

Beauty of person will ever be found a dead letter, unless it be

animated with beauty of mind. “For ’tis the mind that makes the body

rich.” We must, then, not only cultivate the shape, the complexion, the

air, the attire, the manners, but most assiduously must our attention

be devoted to teach “the young idea how to shoot,” and to fashion the

unfolding mind to judgment and virtue. By such culture, it will not be

merely the charming girl, the captivating woman we shall present to

the world, but the dutiful daughter, affectionate sister, tender wife,

judicious mother, faithful friend, and amiable acquaintance.

Let these, then, be fair images which will form themselves on the

models drawn by my not inexperienced pen! Let me see Beauty, whose soul

is virtue, approach me with the chastened step of Modesty; and, ere

she advances from behind the heavenly cloud that envelops her, I shall

behold Love, and all the graces, hovering in air to adorn and attend

her charms.

This may be thy picture, lovely daughter of Albion! Make thyself, then

worthy of the likeness, and thou wilt fulfil the fondest wish of thine

unknown friend.

APPENDIX.

ON THE USE OF CORSETS.

The following pages are abridged by an eminent English physician from

an Essay on the Use of Corsets, by Soemmerring, the German physiologist:

Fashion lives on novelty, and we have on this account much charity for

its wanderings and eccentricities. Bonnets, with a snout as long as an

elephant’s proboscis, or a margin as broad as a Winchester bushel, are

merely ridiculous. Shoulders that look like wings, and sleeves as wide

as a petticoat, we think are not particularly graceful; but they have

at least the merit of being airy, and we take no offence. We cannot,

however, extend our indulgence to the compressed waist, which is the

rage at present. We know that as often as the waist is lengthened to

its natural limits, this tendency to abridge its diameter appears; and

we confess we are puzzled to account for the fact; for surely it is

strange, that a permanent prepossession should exist in favor of a mode

of dress which is at once ugly, unnatural, and pernicious. Were fashion

under the guidance of taste, the principles of drapery in painting

and sculpture would never be lost sight of in its changes. The clothes

that cover us may be disposed in an infinite variety of forms, without

violating those rules which the artist is careful to observe. The true

form of the body ought to be disclosed to the eye, without the shape

being exhibited in all its minutiæ, as in the dress of a harlequin;

but in no case should the natural proportions (supposing the figure to

be good) be changed. Ask the sculptor what he thinks of a fashionable

waist, pinched till it rivals the lady’s neck in tenuity, and he will

tell you it is monstrous. Consult the physician, and you will learn

that this is one of those follies in which no female can long indulge

with impunity; for health, and even life, are often sacrificed to it.

Corsets are used partly as a warm covering to the chest, and partly to

furnish a convenient attachment to other parts of the female dress.

This is all proper and correct; but to these uses fashion superadds

others, originating in fantastical notions of beauty. Corsets are

employed to modify the shape, to render the chest as small below, and

as broad above, as possible, and to increase the elevation, fulness,

and prominence of the bosom. To show how this affects the condition of

the body, we must begin by giving a short description of the thorax or

chest, which is the subject of this artificial compression.

Every one who has seen a skeleton, knows that the chest consists

of a cavity protected by a curious frame-work of bones. These are,

1st, the back-bone, (consisting of _vertebræ_, or short bones jointed

into one another,) which sustains the whole upper part of the trunk;

2d, the breast-bone, about seven or eight inches long, and composed

of three pieces; and 3dly, the ribs, of which there are generally

twentyfour. The twelve ribs on each side are all fixed to the back-bone

behind; seven of these, the seven uppermost, are also attached to the

breast-bone before, and are, therefore, called _true ribs_. The eighth

rib has its end turned up, and rests on the seventh; the ninth rests

in the same way on the eighth; but the tenth, eleventh, and twelfth

are not connected with one another in front at all. The fore extremity

of each rib consists not of bone, but of an elastic substance called

cartilage. The elasticity of this substance, combined with the oblique

position of the ribs, constitutes a beautiful provision, in consequence

of which the chest enlarges and contracts its volume, to afford free

play to the lungs.

We now wish to call attention to the form of this cavity, which, as

we have seen, is surrounded and protected by the back-bone, ribs, and

breast-bone, and is called the _thorax_, or chest. The uppermost pair

of ribs, which lie just at the bottom of the neck, are very short;

the next pair is rather longer; the third longer still; and thus they

go on increasing in length to the seventh pair, or last _true_ ribs,

after which the length diminishes, but without materially contracting

the size of the cavity, because the false ribs only go round a part of

the body. Hence the chest has a sort of conical shape, or it may be

compared to the bee-hives used in this country, the narrow or pointed

end being next the neck, and the broad end undermost. The natural form

of the thorax, in short, is just the reverse of the fashionable shape

of the waist. The latter is narrow below, and wide above; the former is

narrow above, and wide below.

The lower part of the thorax is also much more compressible, and of

course more easily injured by ligatures than the upper. In the upper

part, the bones form a complete circle; and, from the small obliquity

of the ribs, this circle presents a great power of resistance to

external pressure. But the last five ribs, called the false ribs,

besides being placed more obliquely, become weaker as they decrease

in length, and having no support in front, their power of resisting

external pressure is probably six times less than that of the true

ribs. Hence ligatures applied to this part of the body may contract the

natural size of the cavity perhaps one half. Nature, in this instance,

has entrusted the belle with a discretionary power, guarding against

its abuse, however, by severe penalties. If she chooses to _brave the

consequences_, she may always, with the help of lace and cord, produce

a great change on this part of her person.

From the great care nature has bestowed to strengthen the outer shell

of the thorax, and to combine mobility with strength, we may judge of

the importance of the organs within, and of the value of free motion

to their healthy action. It is a further proof of this, as Soemmerring

observes, that the ribs are the first part of the bony frame-work which

nature forms; for, in the unborn child, no other bones except those

of the ear are so perfect. The _contents_ of the thorax are,--first,

the heart, which is the centre of the circulating system, and which,

for the sake of its metaphorical offices, every lady must be anxious

to keep from injury;--next, the lungs, which occupy by far the largest

space, and of the delicacy of whose operations every one may judge.

There are, besides, either within the thorax, or in juxtaposition with

it, the stomach, liver, and kidneys, with the œsophagus, the trachea,

or windpipe, part of the intestines, and many nerves, all intimately

connected with the vital powers. Most of these organs are not only of

primary importance in themselves, but, through the nerves, arteries,

&c., their influence extends to the head, and the remotest parts of

the limbs, so that when they are injured, _health is poisoned at its

source_, and the mischief always travels to other parts of the system.

Imagine, now, what is the consequence of applying compression, by

corsets of some unyielding material, to a cavity enclosing so many

delicate organs, whose free action is essential to health. First, the

lowest part of the shell of the thorax yields most; the false ribs, and

the lower true ribs, are pressed inwards; the whole viscera in this

part of the body, including part of the intestines, are squeezed close

together and forced upwards; and, as the pressure is continued above,

they are forced higher still. If the lacing is carried further, the

breast-bone is raised, and sometimes bent; the collar-bone protrudes

its inner extremity; and the shoulder-blades are forced backwards.

The under part of the lungs is pressed together, and the entrance

of the blood into it hindered; the abdominal viscera, being least

protected, suffer severely; the stomach is compressed, its distention

prevented, and its situation and form changed, giving rise to imperfect

digestion; the blood is forced up to the head, where it generates

various complaints; the liver has its shape altered, and its functions

obstructed; the bones having their natural motions constrained,

distortion ensues, and the high shoulder, the twisted spine, or

breast-bone, begins at last to manifest itself through the integuments

and the clothes.

Another effect of tight corsets, says the essayist, is, that those

who have been long so closely laced, become at last unable to hold

themselves erect, or move with comfort without them, but, as is very

justly said, _fall together_, in consequence of the natural form

and position of the ribs being altered. The muscles of the back are

weakened and crippled, and cannot maintain themselves in their natural

position for any length of time. The spine, too, no longer accustomed

to bear the destined weight of the body, bends and sinks down. Where

tight lacing is practised, young women, from fifteen to twenty years

of age, are found so dependent upon their corsets, that they faint

whenever they lay them aside, and therefore are obliged to have

themselves laced before going to sleep. For as soon as the thorax and

abdomen are relaxed, by being deprived of their usual support, the

blood rushing downwards, in consequence of the diminished resistance

to its motion, empties the vessels of the head, and thus occasions

fainting.

“From 1760 to about 1770,” says Soemmerring, “it was the fashion in

Berlin and other parts of Germany, and also in Holland a few years

ago, to apply corsets to children. This practice fell into disuse,

in consequence of its being observed, that children who did not wear

corsets grew up straight, while those who were treated with this

extraordinary care, got by it a high shoulder or a hunch. Many families

might be named, in which parental fondness selected the handsomest of

several boys to put in corsets, and the result was, that these alone

were hunched. The deformity was attributed at first to the improper

mode of applying the corsets, till it was discovered that no child

thus invested, grew up straight, not to mention the risk of consumption

and rupture which were likewise incurred by using them. I, for my part,

affirm, that I do not know any woman who, by tight lacing, (that is,

by artificial means,) has obtained ‘a fine figure,’ in whom I could

not, by accurate examination, point out either a high shoulder, oblique

compressed ribs, a lateral incurvation of the spine in the form of

an italic _S_, or some other distortion. I have had opportunities of

verifying this opinion among ladies of high condition, who, as models

of fine form, were brought forward for the purpose of putting me to

silence.”

Young ladies in course of time hope to become wives, and wives to

become mothers. Even in this last stage, few females have the courage

to resist a practice which is in general use, though to them it is

trebly injurious. But it is sufficient to glance at this branch of

the subject, on which, for obvious reasons, we cannot follow our

medical instructer. It is lamentable, however, that mothers who have

themselves experienced the bitter fruits of tight lacing, still permit

their daughters to indulge in it. There is, in truth, no tyranny like

the tyranny of fashion. “I have found mothers of discernment and

experience,” says Soemmerring, “who predicted that in their 25th year,

a hunch would inevitably be the lot of their daughters, whom they

nevertheless allowed to wear corsets, because they were afraid to make

their children singular.”

But it is time to speak of the diseases produced by the passion for

_slender waists_. “One is astonished,” says Soemmerring, “at the number

of diseases which corsets occasion. Those I have subjoined rest on the

authority of the most eminent physicians. Tight lacing produces--

“Headach, giddiness, tendency to fainting, pain in the eyes, pain

and ringing in the ears, bleeding at the nose, shortness of breath,

spitting of blood, consumption, derangement of the circulation,

palpitation of the heart, water in the chest, loss of appetite,

squeamishness, eructations, vomiting of blood, depraved digestion,

flatulence, diarrhœa, colic pains, induration of the liver, dropsy, and

rupture. It is also followed by melancholy, hysteria, and many diseases

peculiar to the female constitution, which it is not necessary to

enumerate in detail.”

But the injury does not fall merely on the inward structure of the

body, but also on its outward beauty, and on the temper and feelings

with which that beauty is associated. Beauty is in reality but another

name for that expression of countenance which is the index of sound

health, intelligence, good feelings, and peace of mind. All are aware,

that uneasy feelings, existing habitually in the breast, speedily

exhibit their signature on the countenance; and that bitter thoughts,

or a bad temper, spoil the human face divine of its grace. But it

is not so generally known that irksome or painful sensations, though

merely of a physical nature, by a law equally certain, rob the temper

of its sweetness, and, as a consequence, the countenance of the more

ethereal and better part of its beauty. Pope attributes the rudeness

of a person usually bland and polished, to the circumstance, that “he

had not dined;” in other words, his stomach was in bad order. But there

are many other physical pains besides hunger that sour the temper; and,

for our part, if we found ourselves sitting at dinner with a man whose

body was girt on all sides by board and bone, like the north pole by

thick-ribbed ice, we should no more expect to find grace, politeness,

amenity, vivacity, and good-humor, in such a companion, than in

Prometheus with a vulture battening on his vitals, or in Cerberus,

whose task is to growl all day long in his chains.

ON THE LADIES’ PASSION FOR LEVELLING ALL DISTINCTION OF DRESS.

Foreigners observe that there are no ladies in the world more

beautiful, or more ill-dressed, than those of England. Our countrywomen

have been compared to those pictures, where the face is the work of

a Raphael, but the draperies thrown out by some empty pretender,

destitute of taste, and entirely unacquainted with design.

If I were a poet, I might observe on this occasion, that so much

beauty, set off with all the advantages of dress, would be too powerful

an antagonist for the opposite sex; and therefore it was wisely ordered

that our ladies should want taste, lest their admirers should entirely

want reason.

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