[644] 'The character of Prospero was, beyond all question, occasioned by

Garrick's ostentatious display of furniture and Dresden china.' Murphy's

_Johnson_, p. 144. If Garrick was aimed at, it is surprising that the

severity of the satire did not bring to an end, not only all friendship,

but even any acquaintance between the two men. The writer describes how

he and Prospero had set out in the world together, and how for a long

time they had assisted each other, till his friend had been lately

raised to wealth by a lucky project. 'I felt at his sudden shoot of

success an honest and disinterested joy.' Prospero reproached him with

his neglect to visit him at his new house. When however he went to see

him, he found that his friend's impatience 'arose not from any desire to

communicate his happiness, but to enjoy his superiority.' He was kept

waiting at the door, and when at length he was shewn up stairs, he found

the staircase carefully secured by mats from the pollution of his feet.

Prospero led him into a backroom, where he told him he always

breakfasted when he had not great company. After the visitor had endured

one act of insolence after another, he says:--'I left him without any

intention of seeing him again, unless some misfortune should restore his

understanding.' _Rambler_, No. 200. See _post_, May 15, 1776, where

Johnson, speaking of the charge of meanness brought against Garrick,

said, 'he might have been much better attacked for living with more

splendour than is suitable to a player.'

[645] In C. C. Greville's _Journal_ (ii. 316) we have an instance how

stories about Johnson grew. He writes:--'Lord Holland told some stories

of Johnson and Garrick which he had heard from Kemble.... When Garrick

was in the zenith of his popularity, and grown rich, and lived with the

great, and while Johnson was yet obscure, the Doctor used to drink tea

with him, and he would say, "Davy, I do not envy you your money nor your

fine acquaintance, but I envy you your power of drinking such tea as

this." "Yes," said Garrick, "it is very good tea, but it is not my best,

nor that which I give to my Lord this and Sir somebody t'other."' There

can be little doubt that the whole story is founded on the following

passage in the character of Prospero: 'Breakfast was at last set, and,

as I was not willing to indulge the peevishness that began to seize me,

I commended the tea. Prospero then told me that another time I should

taste his finest sort, but that he had only a very small quantity

remaining, and reserved it for those whom he thought himself obliged to

treat with particular respect.' See _post_, April 10, 1778, where

Johnson maintained that Garrick bore his good-fortune with modesty.

[646] No 98.

[647] Yet his style did not escape the harmless shafts of pleasant

humour; for the ingenious Bonnell Thornton published a mock Rambler in

the _Drury-lane Journal_. BOSWELL. Murphy (_Life_, p. 157), criticising

the above quotation from Johnson, says:--'He forgot the observation of

Dryden: "If too many foreign words are poured in upon us, it looks as if

they were designed, not to assist the natives, but to conquer them."'

[648] _Idler_, No. 70. BOSWELL. In the same number Johnson writes:--'Few

faults of style, whether real or imaginary, excite the malignity of a

more numerous class of readers than the use of hard words.... But words

are hard only to those who do not understand them; and the critic ought

always to inquire, whether he is incommoded by the fault of the writer

or by his own. Every author does not write for every reader.' See

_post_, Sept. 19, 1777, where Johnson says:--'If Robertson's style be

faulty he owes it to me; that is, having too many words, and those too

big ones.'

[649] The following passages in Temple's writings shew that a likeness

may be discovered between his style and Johnson's:--'There may be

firmness and constancy of courage from tradition as well as of belief:

nor, methinks, should any man know how to be a coward, that is brought

up with the opinion, that all of his nation or city have ever been

valiant.' Temple's _Works_, i. 167. 'This is a disease too refined for

this country and people, who are well, when they are not ill, and

pleased, when they are not troubled; are content, because they think

little of it; and seek their happiness in the common eases and

commodities of life, or the increase of riches; not amusing themselves

with the more speculative contrivances of passion, or refinements of

pleasure.' _Ib_. p. 170. 'They send abroad the best of their own butter

into all parts, and buy the cheapest out of Ireland, or the north of

England, for their own use. In short they furnish infinite luxury which

they never practise, and traffic in pleasures which they never taste.'

_Ib_. p. 195. See _post_, April 9, 1778, where Johnson says:--'Temple

was the first writer who gave cadence to English prose.'

[650] Dean Stanley calls Ephraim Chambers 'the Father of Cyclopedias.'

_Memorials of Westminster Abbey_, p. 299, note. The epitaph which

Chambers wrote for himself the Dean gives as:--'Multis pervulgatus,

paucis notus, qui vitam inter lucem et umbram, nec eruditus nec

idioticis literis deditus, transegit.' In the _Gent. Mag_. for 1740, p.

262, the last line is given, no doubt correctly, as:--'Nec eruditus nec

idiota, literis deditus.' The second edition of Chambers's _Cyclopaedia_

was published in 1738. There is no copy of his Proposal in the British

Museum or Bodleian. The resemblance between his style and Johnson's is

not great. The following passage is the most Johnsonian that I could

find:--'None of my predecessors can blame me for the use I have made of

them; since it is their own avowed practice. It is a kind of privilege

attached to the office of lexicographer; if not by any formal grant, yet

by connivance at least. I have already assumed the bee for my device,

and who ever brought an action of trover or trespass against that avowed

free-booter? 'Tis vain to pretend anything of property in things of this

nature. To offer our thoughts to the public, and yet pretend a right

reserved therein to oneself, if it be not absurd, yet it is sordid. The

words we speak, nay the breath we emit, is not more vague and common

than our thoughts, when divulged in print.' Chambers's Preface,

p. xxiii.

[651] 'There were giants in the earth in those days.' _Gen_. vi. 4.

[652] A GREAT PERSONAGE first appears in the second edition. In the

first edition we merely find 'by one whose authority,' &c. Boswell in

his _Hebrides_, Aug. 28, 1773, speaks of George III. as 'a Great

Personage.' In his _Letter to the People of Scotland_ (p. 90) he thus

introduces an anecdote about the King--and Paoli:--'I have one other

circumstance to communicate; but it is of the highest value. I

communicate it with a mixture of awe and fondness.--That Great

Personage, who is allowed by all to have the best _memory_ of any man

_born a Briton_, &c. In the _Probationary Odes for the Laureateship_,

published a few months after Boswell's _Letter_, a 'Great Personage' is

ludicrously introduced; pp. xxx. 63.

[653] The first nine lines form the motto.

[654] Horat. _Epist_. Lib. ii. Epist. ii. {1, 110} BOSWELL.

But how severely with themselves proceed

The men, who write such verse as we can read!

Their own strict judges, not a word they spare

That wants or force, or light, or weight, or care,

Howe'er unwillingly it quits its place,

Nay, though at court, perhaps, it may find grace:

Such they'll degrade; and some-times, in its stead,

In downright charity revive the dead;

Mark where a bold expressive phrase appears,

Bright through the rubbish of some hundred years;

Command old words that long have slept to wake,

Words that wise Bacon or brave Rawleigh spake;

Or bid the new be English, ages hence,

(For use will father what's begot by sense;)

Pour the full tide of eloquence along,

Serenely pure, and yet divinely strong,

Rich with the treasures of each foreign tongue.'

Pope, _Imitations of Horace_, ii. 2. 157

[655] 'Horat. _De Arte Poetica_. [1. 48.] BOSWELL.

[656] See Boswell's _Hebrides_, Aug. 29, 1773, where Boswell says that

up that date he had twice heard Johnson coin words, _peregrinity_ and

_depeditation_.

[657] 'The words which our authors have introduced by their knowledge of

foreign languages, or ignorance of their own, by vanity or wantonness,

by compliance with fashion or lust of innovation, I have registered as

they occurred, though commonly only to censure them, and warn others

against the folly of naturalizing useless foreigners to the injury of

the natives.... Our language for almost a century has, by the

concurrence of many causes, been gradually departing from its original

Teutonick character, and deviating towards a Gallick structure and

phraseology, from which it ought to be our endeavour to recall it, by

making our ancient volumes the groundwork of style.... From the authors

which rose in the time of Elizabeth a speech might be formed adequate to

all the purposes of use and elegance.' Johnson's _Works_, v. pp. 31, 39.

See _post_. May 12, 1778.

[658] If Johnson sometimes indulged his _Brownism_ (see _post_,

beginning of 1756), yet he saw much to censure in Browne's style. 'His

style is, indeed, a tissue of many languages; a mixture of heterogeneous

words, brought together from distant regions, with terms originally

appropriated to one art, and drawn by violence into the service of

another. He must however be confessed to have augmented our

philosophical diction.... His innovations are sometimes pleasing, and

his temerities happy.' Johnson's _Works_, vi. 500. 'It is remarkable

that the pomp of diction, which has been objected to Johnson, was first

assumed in the _Rambler_. His _Dictionary_ was going on at the same

time, and in the course of that work, as he grew familiar with technical

and scholastic words, he thought that the bulk of his readers were

equally learned; or at least would admire the splendour and dignity of

the style.' Murphy's _Johnson_, p. 156.

'The observation of his having imitated Sir Thomas Brown has been made

by many people; and lately it has been insisted on, and illustrated by a

variety of quotations from Brown, in one of the popular Essays written

by the Reverend Mr. Knox [the Essay is No. xxii. of _Winter Evenings_,

Knox's _Works_, ii 397], master of Tumbridge school, whom I have set

down in my list [_post_, under Dec. 6, 1784] of those who have sometimes

not unsuccessfully imitated Dr. Johnson's style. BOSWELL.

[659] The following observation in Mr. Boswell's _Journal of a Tour to

the Hebrides_ [p. 9] may sufficiently account for that Gentleman's being

'now scarcely esteem'd a Scot' by many of his countrymen:--If he [Dr.

Johnson] was particularly prejudiced against the Scots, it was because

they were more in his way; because he thought their success in England

rather exceeded the due proportion of their real merit; and because he

could not but see in them that nationality which, I believe, no

liberal-minded Scotchman will deny.' Mr. Boswell, indeed, is so free

from national prejudices, that he might with equal propriety have been

described as--

'Scarce by _South_ Britons now

esteem'd a Scot.'

COURTENAY. BOSWELL.

[660] Malone says that 'Baretti used sometimes to walk with Johnson

through the streets at night, and occasionally entered into conversation

with the unfortunate women who frequent them, for the sake of hearing

their stories. It was from a history of one of these, which a girl told

under a tree in the King's Bench Walk in the Temple to Baretti and

Johnson, that he formed the story of Misella in the _Rambler_ [Nos. 170

and 171].' Prior's _Malone_, p. 161. 'Of one [of these women] who was

very handsome he asked, for what she thought God had given her so much

beauty. She answered:--"To please gentlemen."' Hawkins's _Johnson_, p.

321. See also _post_, under Dec. 2, 1784.

[661] Hawkins (_Life_, p. 270) had said that 'the characteristics of

Addison's style are feebleness and inanity.' He was thus happily

ridiculed by Person:--'Soon after the publication of Sir John's book, a

parcel of Eton boys, not having the fear of God before their eyes, etc.,

instead of playing truant, robbing orchards, annoying poultry, or

performing any other part of their school exercise, fell foul in print

(see the _Microcosm_, No. 36) upon his Worship's censure of Addison's

_middling_ style.... But what can you expect, as Lord Kames justly

observes, from a school where boys are taught to rob on the highway?'

Person, _Tracts_, p. 339.

[662] _Works_, vii. 473.

[663] When Johnson shewed me a proof-sheet of the character of Addison,

in which he so highly extols his style, I could not help observing, that

it had not been his own model, as no two styles could differ more from

each other.--'Sir, Addison had his style, and I have mine.'--When I

ventured to ask him, whether the difference did not consist in this,

that Addison's style was full of idioms, colloquial phrases, and

proverbs; and his own more strictly grammatical, and free from such

phraseology and modes of speech as can never be literally translated or

understood by foreigners; he allowed the discrimination to be just.--Let

any one who doubts it, try to translate one of Addison's _Spectators_

into Latin, French, or Italian; and though so easy, familiar, and

elegant, to an Englishman, as to give the intellect no trouble; yet he

would find the transfusion into another language extremely difficult, if

not impossible. But a _Rambler_, _Adventurer_, or _Idler_, of Johnson,

would fall into any classical or European language, as easily as if it

had been originally conceived in it. BURNEY. Mrs. Piozzi (_Anec_. p.

125) recounts how Johnson recommended Addison's works as a model for

imitation to Mr. Woodhouse, a poetical shoemaker. '"Give nights and

days, Sir, (said he) to the study of Addison, if you mean either to be a

good writer, or, what is more worth, an honest man." When I saw

something like the same expression in his criticism on that author, I

put him in mind of his past injunctions to the young poet, to which he

replied, "That he wished the shoemaker might have remembered them as

well."' Yet he says in his _Life of Pope ( Works_, viii. 284), 'He that

has once studiously formed a style rarely writes afterwards with

complete ease.'

[664] I shall probably, in another work, maintain the merit of Addison's

poetry, which has been very unjustly depreciated. BOSWELL. He proposed

also to publish an edition of Johnson's poems (_ante_, p. 16), an

account of his own travels (_post_, April 17, 1778), a collection, with

notes, of old tenures and charters of Scotland (_post_, Oct. 27, 1779),

and a History of James IV. of Scotland, 'the patron,' as he said, 'of my

family' (Boswell's _Hebrides_, Aug. 23, 1773).

[665] Lewis thus happily translates the lines in _Martial_,--

'Diligat ilia senèm quondam: sed et ipsa marito,

Tunc quoque cum fuerit, non videatur, anus.

'Wrinkled with age, may mutual love and truth

To their dim eyes recall the bloom of youth.'

_Rambler_, No. 167.

Some of Johnson's own translations are happy, as:--

'Quam juvat immites ventos audire cubantem

Aut, gelidas hibernus aquas quum fuderit auster,

Securum somnos, imbre juvante, sequi!

'How sweet in sleep to pass the careless hours,

Lull'd by the beating winds and dashing show'rs.'

_Ib_. No. 117.

[666] [Greek: Augon ek makaron antaxios eiae amoibae.]

'Celestial powers! that piety regard,

From you my labours wait their last reward.'

A modification of the Greek line is engraved on the scroll in Johnson's

monument in St. Paul's (_post_, Dec. 1784).

[667] 'The essays professedly serious, if I have been able to execute my

own intentions, will be found exactly conformable to the precepts of

Christianity.... I therefore look back on this part of my work with

pleasure, which no blame or praise of man shall diminish or augment.'

_Rambler_, No. 208.

[668] I have little doubt that this attack on the concluding verse is an

indirect blow at Hawkins, who had quoted the whole passage, and had

clearly thought it the more 'awful' on account of the couplet. See

Hawkins's _Johnson_, p. 291.

[669] In the original _Raleigh's_.

[670] The italics are Boswell's.

[671] Mrs. Williams is probably the person meant. BOSWELL.

[672] 'In 1750, April 5, _Comus_ was played for her benefit. She had so

little acquaintance with diversion or gaiety, that she did not know what

was intended when a benefit was theatre was offered her. The profits of

the night were only £130, though Dr. Newton brought a large

contribution; and £20 were given by Tonson, a man who is to be praised

as often as he is named.... This was the greatest benefaction that

_Paradise Lost_ ever procured the author's descendants; and to this he

who has now attempted to relate his life had the honour of contributing

a Prologue.' Johnson's _Works, vii. 118_. In the _Gent. Mag_. (xx. 152)

we read that, as on 'April 4, the night first appointed, many in

convenient circumstances happened to disappoint the hopes of success,

the managers generously quitted the profits of another night, in which

the theatre was expected to be fuller. Mr. Samuel Johnson's prologue was

afterwards printed for Mrs. Foster's benefit.'

[673] Johnson is thinking of Pope's lines--

'But still the great have kindness in reserve,

He helped to bury whom he helped to starve.'

Prologue to the _Satires_, 1. 247. In the _Life of Milton_ he

writes:--'In our time a monument has been erected in Westminster Abbey

_To the author of Paradise Lost_ by Mr. Benson, who has in the

inscription bestowed more words upon himself than upon Milton.'

Johnson's _Works_, vii. 112. Pope has a hit at Benson in the _Dunciad_,

iii. 325:--

'On poets' tombs see Benson's titles writ!'

Moore, describing Sheridan's funeral, says:--'It was well remarked by a

French Journal, in contrasting the penury of Sheridan's latter years

with the splendour of his funeral, that "France is the place for a man

of letters to live in, and England the place for him to die in."' Moore

himself wrote:--

'How proud they can press to the funeral array

Of him whom they shunned in his sickness and sorrow--

How bailiffs may seize his last blanket to-day,

Whose pall shall be held up by Nobles to-morrow.'

Moore's _Sheridan_, ii. 460-2.

[674] Johnson's _Works_, i. 115.

[675] Among the advertisements in the _Gent. Mag_. for February of this

year is the following:--'_An elegy wrote in a country churchyard, 6d_.'

[676] See Boswell's _Hebrides_, Aug. 17, 1773.

[677] 'Lest there should be any person, at any future period, absurd

enough to suspect that Johnson was a partaker in Lauder's fraud, or had

any knowledge of it, when he assisted him with his masterly pen, it is

proper here to quote the words of Dr. Douglas, now Bishop of Salisbury,

at the time when he detected the imposition. 'It is to be hoped, nay it

is _expected_, that the elegant and nervous writer, whose judicious

sentiments and inimitable style point out the authour of Lauder's

Preface and Postscript, will no longer allow one to _plume himself with

his feathers_, who appeareth so little to deserve [his] assistance: an

assistance which I am persuaded would never have been communicated, had

there been the least suspicion of those facts which I have been the

instrument of conveying to the world in these sheets.' _Milton no

Plagiary_, 2nd edit. p. 78. And his Lordship has been pleased now to

authorise me to say, in the strongest manner, that there is no ground

whatever for any unfavourable reflection against Dr. Johnson, who

expressed the strongest indignation against Lauder. BOSWELL. To this

letter Lauder had the impudence to add a shameless postscript and some

'testimonies' concerning himself. Though on the face of it it is evident

that this postscript is not by Johnson, yet it is included in his works

(v. 283). The letter was dated Dec. 20, 1750. In the _Gent. Mag_. for

the next month (xxi. 47) there is the following paragraph:--'Mr. Lauder

confesses here and exhibits all his forgeries; for which he assigns one

motive in the book, and after asking pardon assigns another in the

postscript; he also takes an opportunity to publish several letters and

testimonials to his former character.' Goldsmith in Retaliation has a

hit at Lauder:--

'Here Douglas retires from his toils to relax,

The scourge of impostors, the terror of quacks.

New Lauders and Bowers the Tweed shall cross over,

No countryman living their tricks to discover.'

Dr. Douglas was afterwards Bishop of Salisbury (_ante_, p. 127). See

_post_, June 25, 1763, for the part he took in exposing the Cock Lane

Ghost imposture.

[678] Scott writing to Southey in 1810 said:--'A witty rogue the other

day, who sent me a letter signed Detector, proved me guilty of stealing

a passage from one of Vida's Latin poems, which I had never seen or

heard of.' The passage alleged to be stolen ends with,--

'When pain and anguish wring the brow,

A ministering angel thou!'

which in Vida _ad Eranen. El_. ii. v. 21, ran,--

'Cum dolor atque supercilio gravis imminet angor,

Fungeris angelico sola ministerio.'

'It is almost needless to add,' says Mr. Lockhart, 'there are no such

lines.' _Life of Scott_, iii. 294.

[679] The greater part of this Preface was given in the _Gent. Mag_. for

August 1747 (xvii. 404).

[680] 'Persuasive' is scarcely a fit description for this noble outburst

of indignation on the part of one who knew all the miseries of poverty.

After quoting Dr. Newton's account of the distress to which Milton's

grand-daughter had been reduced, he says:--'That this relation is true

cannot be questioned: but surely the honour of letters, the dignity of

sacred poetry, the spirit of the English nation, and the glory of human

nature require--that it should be true no longer.... In an age, which

amidst all its vices and all its follies has not become infamous for

want of charity, it may be surely allowed to hope, that the living

remains of Milton will be no longer suffered to languish in distress.'

Johnson's _Works_, v. 270.

[681] Hawkins's _Johnson_, p. 275.

[682] In the original _retrospection_. Johnson's _Works_, v. 268.

[683] In this same year Johnson thus ends a severe criticism on _Samson

Agonistes_: 'The everlasting verdure of Milton's laurels has nothing to

fear from the blasts of malignity; nor can my attempt produce any other

effect than to strengthen their shoots by lopping their luxuriance.'

_The Rambler_, No. 140. 'Mr. Nichols shewed Johnson in 1780 a book

called _Remarks on Johnson's Life of Milton_, in which the affair of

Lauder was renewed with virulence. He read the libellous passage with

attention, and instantly wrote on the margin:--"In the business of

Lauder I was deceived; partly by thinking the man too frantic to be

fraudulent.'" Murphy's _Johnson_, p. 66.

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