Yet I must resolutely deny that any sort of hoydenishness or indecorum

is an especial characteristic of radicals, or even “provincials,” as a

class. Some of the fine ladies who would be most horrified at the

“girlsterousness” of this young maiden would themselves smoke their

cigarettes in much worse company, morally speaking, than she ever

tolerated. And, so far as manners are concerned, I am bound to say that

the worst cases of rudeness and ill-breeding that have ever come to my

knowledge have not occurred in the “rural districts,” or among the lower

ten thousand, but in those circles of America where the whole aim in

life might seem to be the cultivation of its elegances.

And what confirms me in the fear that the most profound and serious

types of this disease are not to be found in the wildcat regions is the

fact that so much of is transplanted to Europe, among those who have the

money to travel. It is there described broadly as “Americanism;” and, so

surely as any peculiarly shrill group is heard coming through a European

picture-gallery, it is straightway classed by all observers as belonging

to the great Republic. If the observers are enamoured at sight with the

beauty of the young ladies of the party, they excuse the voices;

“Strange or wild, or madly gay,

They call it only pretty Fanny’s way.”

But other observers are more apt to call it only Columbia’s way; and if

they had ever heard the word “girlsterousness,” they would use that too.

Emerson says, “A gentleman makes no noise; a lady is serene.” If we

Americans often violate this perfect maxim of good manners, it is

something that America has, at least, furnished the maxim. And, between

Emerson and “girlsterousness,” our courteous philosopher will yet carry

the day.

XLVI.

ARE WOMEN NATURAL ARISTOCRATS?

A clergyman’s wife in England has lately set on foot a reform movement

in respect to dress; and, like many English reformers, she aims chiefly

to elevate the morals and manners of the lower classes, without much

reference to her own social equals. She proposes that “no servant, under

pain of dismissal, shall wear flowers, feathers, brooches, buckles or

clasps, ear-rings, lockets, neck-ribbons, velvets, kid gloves, parasols,

sashes, jackets, or trimming of any kind on dresses, and, above all, no

crinoline; no pads to be worn, or frisettes, or _chignons_, or

hair-ribbons. The dress is to be gored and made just to touch the

ground, and the hair to be drawn closely to the head, under a round

white cap, without trimming of any kind. The same system of dress is

recommended for Sunday-school girls, school-mistresses, church-singers,

and the lower orders generally.”

The remark is obvious, that in this country such a course of discipline

would involve the mistress, not the maid, in the “pain of dismissal.”

The American clergyman and clergyman’s wife who should even “recommend”

such a costume to a school-mistress, church-singer, or Sunday-school

girl,—to say nothing of the rest of the “lower orders,”—would soon find

themselves without teachers, without pupils, without a choir, and

probably without a parish. It is a comfort to think that even in older

countries there is less and less of this impertinent interference: the

costume of different ranks is being more and more assimilated; and the

incidental episode of a few liveries in our cities is not enough to

interfere with the general current. Never yet, to my knowledge, have I

seen even a livery worn by a white native American; and to restrain the

Sunday bonnets of her handmaidens, what lady has attempted?

This is as it should be. The Sunday bonnet of the Irish damsel is only

the symbol of a very proper effort to obtain her share of all social

advantages. Long may those ribbons wave! Meanwhile I think the fact that

it is easier for the gentleman of the house to control the dress of his

groom than for the lady to dictate that of her waiting-maid,—this must

count against the theory that it is women who are the natural

aristocrats.

Women are no doubt more sensitive than men upon matters of taste and

breeding. This is partly from a greater average fineness of natural

perception, and partly because their more secluded lives give them less

of miscellaneous contact with the world. If Maud Müller and her husband

had gone to board at the same boarding-house with the Judge and his

wife, that lady might have held aloof from the rustic bride, simply from

inexperience in life, and not knowing just how to approach her. But the

Judge, who might have been talking politics or real estate with the

young farmer on the doorsteps that morning, would certainly find it

easier to deal with him as a man and a brother at the dinner-table. From

these different causes women get the credit or discredit of being more

aristocratic than men are; so that in England the Tory supporters of

female suffrage base it on the ground that these new voters at least

will be conservative.

But, on the other hand, it is women, even more than men, who are

attracted by those strong qualities of personal character which are

always the antidote to aristocracy. No bold revolutionist ever defied

the established conventionalisms of his times without drawing his

strongest support from women. Poet and novelist love to depict the

princess as won by the outlaw, the gypsy, the peasant. Women have a way

of turning from the insipidities and proprieties of life to the wooer

who has the stronger hand; from the silken Darnley to the rude Bothwell.

This impulse is the natural corrective to the aristocratic instincts of

womanhood; and though men feel it less, it is still, even among them,

one of the supports of republican institutions. We need to keep always

balanced between the two influences of refined culture and of native

force. The patrician class, wherever there is one, is pretty sure to be

the more refined; the plebeian class, the more energetic. That woman is

able to appreciate both elements, is proof that she is quite capable of

doing her share in social and political life. This English clergyman’s

wife, who devotes her soul to the trimmings and gored skirts of the

lower orders, is no more entitled to represent her sex than are those

ladies who give their whole attention to the “novel and intricate

bonnets” advertised this season on Broadway.

XLVII.

MRS. BLANK’S DAUGHTERS.

Mrs. Blank, of Far West—let us not draw her from the “sacred privacy of

woman” by giving the name or place too precisely—has an insurmountable

objection to woman’s voting. So the newspapers say; and this objection

is, that she does not wish her daughters to encounter disreputable

characters at the polls.

It is a laudable desire, to keep one’s daughters from the slightest

contact with such persons. But how does Mrs. Blank precisely mean to

accomplish this? Will she shut up the maidens in a harem? When they go

out, will she send messengers through the streets to bid people hide

their faces, as when an Oriental queen is passing? Will she send them

travelling on camels, veiled by _yashmaks_? Will she prohibit them from

being so much as seen by a man, except when a physician must be called

for their ailments, and Miss Blank puts her arm through a curtain, in

order that he may feel her pulse and know no more?

Who is Mrs. Blank, and how does she bring up her daughters? Does she

send them to the post-office? If so, they may wait a half-hour at a time

for the mail to open, and be elbowed by the most disreputable

characters, waiting at their side. If it does the young ladies no harm

to encounter this for the sake of getting their letters out, will it

harm them to do it in order to get their ballots in? If they go to hear

Gough lecture, they may be kept half an hour at the door, elbowed by

saint and sinner indiscriminately. If it is worth going through this to

hear about temperance, why not to vote about it? If they go to

Washington to the President’s inauguration, they may stand two hours

with Mary Magdalen on one side of them and Judas Iscariot on the other.

If this contact is rendered harmless by the fact that they are receiving

political information, will it hurt them to stay five minutes longer in

order to act upon the knowledge they have received?

This is on the supposition that the household of Blank are plain,

practical women, unversed in the vanities of the world. If they belong

to fashionable circles, how much harder to keep them wholly clear of

disreputable contact! Should they, for instance, visit Newport, they may

possibly be seen at the Casino, looking very happy as they revolve

rapidly in the arms of some very disreputable characters; they will be

seen in the surf, attired in the most scanty and clinging drapery, and

kindly aided to preserve their balance by the devoted attentions of the

same companions. Mrs. Blank, meanwhile, will look complacently on, with

the other matrons: they are not supposed to know the current reputation

of those whom their daughters meet “in society;” and, so long as there

is no actual harm done, why should they care? Very well; but why, then,

should they care if they encounter those same disreputable characters

when they go to drop a ballot in the ballot-box? It will be a more

guarded and distant meeting. It is not usual to dance round-dances at

the ward-room, so far as I know, or to bathe in clinging drapery at that

rather dry and dusty resort. If such very close intimacies are all right

under the gas-light or at the beach, why should there be poison in

merely passing a disreputable character at the City Hall?

On the whole, the prospects of Mrs. Blank are not encouraging. Should

she consult a physician for her daughters, he may be secretly or openly

disreputable; should she call in a clergyman, he may, though a bishop,

have carnal rather than spiritual eyes. If Miss Blank be caught in a

shower, she may take refuge under the umbrella of an undesirable

acquaintance; should she fall on the ice, the woman who helps to raise

her may have sinned. There is not a spot in any known land where a woman

can live in absolute seclusion from all contact with evil. Should the

Misses Blank even turn Roman Catholics, and take to a convent, their

very confessor may be secretly a scoundrel; and they may be glad to flee

for refuge to the busy, buying, selling, dancing, voting world outside.

No: Mrs. Blank’s prayers for absolute protection will never be answered,

in respect to her daughters. Why not, then, find a better model for

prayer in that made by Jesus for his disciples: “I pray Thee, not that

Thou shouldst take them out of the world, but that Thou shouldst keep

them from the evil.” A woman was made for something nobler in the world,

Mrs. Blank, than to be a fragile toy, to be put behind a glass case, and

protected from contact. It is not her mission to be hidden away from all

life’s evil, but bravely to work that the world may be reformed.

XLVIII.

THE EUROPEAN PLAN.

Every mishap among American women brings out renewed suggestions of what

maybe called the “European plan” in the training of young girls,—the

plan, that is, of extreme seclusion and helplessness. It is usually

forgotten, in these suggestions, that not much protection is really

given anywhere to this particular class as a whole. Everywhere in

Europe, the restrictions are of caste, not of sex. Even in Turkey,

travellers tell us, women of the humbler vocations are not much

secluded. It is not the object of the “European plan,” in any form, to

protect the virtue of young women, as such, but only of young ladies;

and the protection is pretty effectually limited to that order. Among

the Portuguese, in the island of Fayal, I found it to be the ambition of

each humble family to bring up one daughter in a sort of ladylike

seclusion: she never went into the street alone, or without a hood which

was equivalent to a veil; she was taught indoor industries only; she was

constantly under the eye of her mother. But, in order that one daughter

might be thus protected, all the other daughters were allowed to go

alone, day or evening, bare-headed or bare-footed, by the loneliest

mountain-paths, to bring oranges or firewood or whatever their work may

be—heedless of protection. The safeguard was for a class: the average

exposure of young womanhood was far greater than with us. So in London,

while you rarely see a young lady alone in the streets, the housemaid is

sent on errands at any hour of the evening with a freedom at which our

city domestics would quite rebel; and one has to stay but a short time

in Paris to see how entirely limited to a class is the alleged restraint

under which young French girls are said to be kept.

Again, it is to be remembered that the whole “European plan,” so far as

it is applied on the Continent of Europe, is a plan based upon utter

distrust and suspicion, not only as to chastity, but as to all other

virtues. It is applied among the higher classes almost as consistently

to boys as to girls. In every school under church auspices, it is the

French theory that boys are never to be left unwatched for a moment; and

it is as steadily assumed that girls will be untruthful if left to

themselves, as that they will do every other wrong. This to the

Anglo-Saxon race seems very demoralizing. “Suspicion,” said Sir Philip

Sidney, “is the way to lose that which we fear to lose.” Readers of the

Brontë novels will remember the disgust of the English pupils and

teachers in French schools at the constant espionage around them; and I

have more than once heard young girls who had been trained at such

institutions say that it was a wonder if they had any truthfulness left,

so invariable was the assumption that it was the nature of young girls

to lie. I cannot imagine any thing less likely to create upright and

noble character, in man or woman, than the systematic application of the

“European plan.”

And that it produces just the results that might be feared, the whole

tone of European literature proves. Foreigners, no doubt, do habitual

injustice to the morality of French households; but it is impossible

that fiction can utterly misrepresent the community which produces and

reads it. When one thinks of the utter lightness of tone with which

breaches, both of truth and chastity, are treated even, in the better

class of French novels and plays, it seems absurd to deny the

correctness of the picture. Besides, it is not merely a question of

plays and novels. Consider, for instance, the contempt with which Taine

treats Thackeray for representing the mother of Pendennis as suffering

agonies when she thinks that her son has seduced a young girl, his

social inferior. Thackeray is not really considered a model of elevated

tone, as to such matters, among English writers; but the Frenchman is

simply amazed that the Englishman should describe even the saintliest of

mothers as attaching so much weight to such a small affair.

An able newspaper writer, quoted with apparent approval by the Boston

Daily Advertiser, praises the supposed foreign method for the “habit of

dependence and deference” that it produces; and because it gives to a

young man a wife whose “habit of deference is established.” But it must

be remembered, that, where this theory is established, the habit of

deference is logically carried much farther than mere conjugal

convenience would take it. Its natural outcome is the authority of the

priest, not of the husband. That domination of the women of France by

the priesthood which forms to-day the chief peril of the republic,—which

is the strength of legitimism and imperialism and all other conspiracies

against the liberty of the French people,—is only the visible and

inevitable result of this dangerous docility.

One thing is certain, that the best preparation for freedom is freedom;

and that no young girls are so poorly prepared for American life as

those whose early years are passed in Europe. The worst imprudences, the

most unmaidenly and offensive actions, that I have ever heard of in

decent society, have been on the part of young women educated in Europe,

who have been launched into American life without its early

training,—have been treated as children until they suddenly awakened to

the freedom of women. On the other hand, I remember with pleasure, that

a cultivated French mother, whose daughter’s fine qualities were the

best seal of her motherhood, once told me that the models she had chosen

in her daughter’s training were certain families of American young

ladies, of whom she had, through peculiar circumstances, seen much in

Paris.

XLIX.

“FEATHERSES.”

One of the most amusing letters ever quoted in any book is that given in

Curzon’s “Monasteries of the Levant,” as the production of a Turkish

sultana who had just learned English. It is as follows:—

NOTE FROM ADILE SULTANA, THE BETROTHED OF ABBAS PASHA, TO HER

ARMENIAN COMMISSIONER.

CONSTANTINOPLE, 1844.

_My Noble Friend_:—Here are the featherses sent my soul, my noble

friend, are there no other featherses leaved in the shop beside

these featherses? and these featherses remains, and these featherses

are ukly. They are very dear, who buyses dheses? And my noble

friend, we want a noat from yorself; those you brought last tim,

those you sees were very beautiful; we had searched; my soul, I want

featherses again, of those featherses. In Kalada there is plenty of

feather. Whatever bees, I only want beautiful featherses; I want

featherses of every desolation to-morrow.

(Signed)

YOU KNOW WHO.

The first steps in culture do not, then, it seems, remove from the

feminine soul the love of finery. Nor do the later steps wholly

extinguish it; for did not Grace Greenwood hear the learned Mary

Somerville conferring with the wise Harriet Martineau as to whether a

certain dress should be dyed to match a certain shawl? Well! why not?

Because women learn the use of the quill, are they to ignore

“featherses”? Because they learn science, must they unlearn the arts,

and above all the art of being beautiful? If men have lost it, they have

reason to regret the loss. Let women hold to it, while yet within their

reach.

Mrs. Rachel Howland of New Bedford, much prized and trusted as a public

speaker among Friends, and a model of taste and quiet beauty in costume,

delighted the young girls at a Newport Yearly Meeting, a few years

since, by boldly declaring that she thought God meant women to make the

world beautiful, as much as flowers and butterflies, and that there was

no sin in tasteful dress, but only in devoting to it too much money or

too much time. It is a blessed doctrine. The utmost extremes of dress,

the love of colors, of fabrics, of jewels, of “featherses,” are, after

all, but an effort after the beautiful. The reason why the beautiful is

not always the result is because so many women are ignorant or merely

imitative. They have no sense of fitness: the short wear what belongs to

the tall, and brunettes sacrifice their natural beauty to look like

blondes. Or they have no adaptation; and even an emancipated woman may

show a disregard for appropriateness, as where a fine lady sweeps the

streets, or a fair orator the platform, with a silken or velvet train

which accords only with a carpet as luxurious as itself. What is

inappropriate is never beautiful. What is merely in the fashion is never

beautiful. But who does not know some woman whose taste and training are

so perfect that fashion becomes to her a means of grace instead of a

despot, and the worst excrescence that can be prescribed—a _chignon_, a

hoop, a panier—is softened into something so becoming that even the

Parisian bondage seems but a chain of roses?

In such hands, even “featherses” become a fine art, not a matter of

vanity. Are women so much more vain than men? No doubt they talk more

about their dress, for there is much more to talk about; yet did you

never hear the men of fashion discuss boots and hats and the liveries of

grooms? A good friend of mine, a shoemaker, who supplies very high heels

for a great many pretty feet on Fifth Avenue in New York, declares that

women are not so vain of their feet as men. “A man who thinks he has a

handsome foot,” quoth our fashionable Crispin, “is apt to give us more

trouble than any lady among our customers. I have noticed this for

twenty years.” The testimony is consoling—to women.

And this naturally suggests the question, What is to be the future of

masculine costume? Is the present formlessness and gracelessness and

monotony of hue to last forever, as suited to the rough needs of a

work-a-day world? It is to be remembered that the difference in this

respect between the dress of the sexes is a very recent thing. Till

within a century or so men dressed as picturesquely as women, and paid

as minute attention to their costume. Even the fashions in armor varied

as extensively as the fashions in gowns. One of Henry III.’s courtiers,

Sir J. Arundel, had fifty-two complete suits of cloth of gold. No satin,

no velvet, was too elegant for those who sat to Copley for their

pictures. In Puritan days the laws could hardly be made severe enough to

prevent men from wearing silver-lace and “broad bone-lace,” and

shoulder-bands of undue width, and double ruffs and “immoderate great

breeches.” What seemed to the Cavaliers the extreme of stupid sobriety

in dress, would pass now for the most fantastic array. Fancy Samuel

Pepys going to a wedding of to-day in his “new colored silk suit and

coat trimmed with gold buttons, and gold broad lace round his hands,

very rich and fine.” It would give to the ceremony the aspect of a fancy

ball; yet how much prettier a sight is a fancy ball than the ordinary

entertainment of the period!

Within the last few years the rigor of masculine costume is a little

relaxed; velvets are resuming their picturesque sway: and, instead of

the customary suit of solemn black, gentlemen are appearing in blue and

gold editions at evening parties. Let us hope that good sense and taste

may yet meet each other, for both sexes; that men may borrow for their

dress some womanly taste, women some masculine sense; and society may

again witness a graceful and appropriate costume, without being too much

absorbed in “featherses.”

L.

SOME MAN-MILLINERY.

We may breathe more freely. The religious prospects of America brighten.

Our dealers have received the “Catalogue of Clerical Vestments and

Improved Church Ornaments manufactured by Simon Jeune, 34 Rue de Cléry,

Paris.”

Why are we not a nation of saints? Plainly, because the church-apparatus

has hitherto been so very deficient. Religion has been, so to speak,

naked. The dry-goods stores, supplying only the laity, have left the

clergy unclothed. In what ready-made-clothing store can you find any

thing like a proper alb? Ask your tailor, if you dare, for a chasuble.

At Stewart’s shop New Yorkers boast that you can buy any thing; but

fancy a respectable citizen entering those marble portals, and demanding

a cope or a dalmatic! As for an ombrellino, or an antependium, you might

as well attempt to go buffalo-hunting in Broadway. In that case you

would at least find the dried skin of the animal; but we doubt if there

is to be found on sale any thing nearer an ombrellino than a lady’s

parasol. They order this thing otherwise in France.

Mr. Simon Jeune provides every one of these simple luxuries. Not a

device by which a rich man may enter the kingdom of heaven, but he has

it at his fingers’ ends. None of your cheap salvations mar the dignity

of 34 Rue de Cléry. “We do not manufacture these articles at a low

price,” he calmly announces. There is no limit in the other direction.

You can lead souls to heaven in a robe worth twenty-five guineas; but,

if you insist on parsimony in your piety, you must patronize some other

establishment.

Common Sense About Women · 第 9 / 21 段