1. "The five colours," see note 5, Tale IV.

"The seven precious things," are variously stated. Sometimes they

are gold, silver, lapis lazuli, crystal, red pearls, diamond and

coral. Sometimes gold and silver are left out of the reckoning,

and rubies and emeralds substituted. See Köppen, i. 540 et seq. The

extravagant and incongruous description in the text is not artistic.

2. The month Pushja. Before the time of Vikramâditja astronomy was not

studied in India as a science; the course of the heavenly bodies was

observed, but only for the sake of determining the times and seasons

of feasts and sacrifices. The moon was the chief subject of observation

and of the more correct results of the same. Her path was divided into

twenty-eight "houses" or "mansions" called naxatra. This division

was invented by the Chinese, and India received it from them about

1100 B.C. The naxatravidjâ or the knowledge of the moon-mansions,

is set down in one of the oldest Upanishad as a special kind of

knowledge. In the oldest enumeration extant of the moon-mansions only

twenty-seven are mentioned, and the first of them is called Krittikâ,

and Abhigit, which is the 20th, according to the latest enumeration,

is wanting; other lists have other discrepancies. It is worthy of

notice that Kandramas, the earliest name by which the moon is invoked

in the Vêda, is composed of kandra, "shining," and mas, "to measure,"

because the moon measured time, and the various names of the moon

in all the so-called Indo-European languages are supposed to come

from this last word. There were also four moon-divinities invoked,

as Kuhû, Sinivali, Râkâ, and Anumati, in the Rig Vêda hymns; these

are all feminine deities. Soma, the later moon-divinity, however,

was masculine, and had twenty-seven of the fifty daughters of Daxa

for his wives. Kandramas was also a male divinity. The worship of

the four goddesses I have named was afterwards superseded by four

(also feminine) deifications of the phases of the moon. There seems a

little difficulty, however, about fitting their names to them. Pushja,

with which we are more particularly concerned, would properly imply

"waxing," but she presided nevertheless over the last quarter; Krita,

meaning the "finished" course, over the new moon; the appellations

of the others fit better. Drapura (derived from dva, two) designated

the second quarter, and Khârvâ, "the beginning to wane," the full

moon. In the list given by Amarasinha of the moon-mansions, Pushja

is the name of the eighth, in the Mahâ Bhârata it stands for the sixth.

Sagas from the Far East; or, Kalmouk and Mongolian Traditionary Tales · 第 164 / 214 题