But we shall not trifle on these points. Among the public buildings of

Athens, in what our author calls the fashionable quarter, the most

prominent, certainly, are the palace and the university. The ground, as

we have already mentioned, rises with a very gentle slope from the level

of the plain in which the Ilissus and Cephissus are lost, to the base of

Lycabettus, which overhangs the city in a most effective conical mass to

the north-east. Along the highest part of this slope runs, from north to

south generally, though with a considerable bend in the middle, a long

street, principally occupied with public buildings and other houses, in

size and elegance much surpassing the best houses in the two principal

streets described by Mr Hettner. This is the same street which is above

described as sweeping down to the Ilissus, and, under the name of Amalia

Street, opening up a view of the sea. Now it is on this upper part of

the city, just beneath the base of Lycabettus, that the palace and the

university are situated. The former especially is, next to the

Acropolis, both from its situation and its size, the most prominent

object in the city. No eye can miss its glaring extent of white wall,

and the glimmering of its long uniform ranges of windows, tier upon

tier, like the arches in the Coliseum;—but, like the Coliseum,

certainly, in nothing else—like a huge Manchester cotton-factory rather,

new and whitewashed, as the English say—or like a large Austrian

barracks, as the Germans say—or one of those immense cloister-like

baronial halls, which sometimes stare upon the flitting eye of the

tourist from amid the vine-clad heights of Germany. Altogether, not

architecturally only—for even Bavarian architects are not infallible—but

economically much more, we are disposed to think the palace was a

blunder. Nothing, indeed, can exceed the beauty and chaste magnificence

of its internal decoration—that part of the work is in every respect

worthy of the classical fame of Munich. But what has all this

magnificence to do, the practical mind will ask, with a petty and

beggarly kingdom, that has neither roads, nor people, nor water, nor

money to pay its lawful debts? We are afraid the artistic sentimentality

of Bavarian Louis had something to do with this; he was too much of a

poet, and too little of a practical man, to know what the infant kingdom

of Greece required in the first place. What it required, our readers may

see in a small but very sensible book noted below.[15] Certainly among

the last of necessary things was a royal residence, which, had it been

intended for the Queen of Great Britain and India, or the Czar of all

the Russias, could not have been raised larger in scale, or more

magnificent in embellishment.

Our German traveller had the good fortune to inspect the show-rooms of

King Otho’s palace, not in their pure naturals, as they are commonly

shown to strangers, but when furnished with fair ladies and gay knights,

on occasion of a court-ball. Let us see how they looked when lighted.

A GREEK COURT-BALL.

“I have just returned from a grand court-ball. The ball-room is

finished in the same style of luxuriant but chaste magnificence in

which the whole palace is built. It is of truly colossal dimensions.

In height it occupies two entire floors of the building. It is divided

into three parts, separated from each other by tall marble pillars,

whose Ionic capitals are adorned with painting and gilding. More than

a thousand persons can move about with ease in every part of this

magnificently lighted hall, and yet it does not appear

crowded—scarcely even filled. In the most remote parts, where no

dancing is going on, parties can saunter up and down with ease and

freedom.

“We arrived about nine in the evening. Along the walls several groups

were already seated on the crimson-velvet cushioned divans. How

remarkable the scene that now presented itself! On the right, the men

reclining at ease, in their gay and glittering Greek attire, the

scarlet cap on their heads; on the left, the women, some in Greek,

others in Frankish costumes. A few of the men were parading in the

centre of the saloon, engaged in animated conversation. There could

not be a more attractive sight than the contemplation of such a

variety of costume and outward bearing. The simple black dress-coat

prevailed least of all; then the diplomatic and military uniforms of

the different embassies, and of the French, English, and Austrian

fleets now stationed in the Piræus; but chiefly the Greek national

costume, in all its striking varieties, from the gold-embroidered

fustanella of the royal court marshals, to the simple loose Turkish

trousers of the islanders. How wild and proud are the fine expressive

countenances of these men! It almost seemed as if the smooth inlaid

floor burnt beneath their feet—for their true home is on the rocky

mountains, where they are their own masters, only issuing forth from

time to time, in true middle-age fashion, on some jovial plundering

expedition. There sits, for example, between two captains of Palikari,

a fierce-looking old man, with white hair and a long flowing white

beard, his curved sabre hanging at his side. His features are

expressive of daring, but nobly chiselled: they remind one of the fine

manly forms in which the old Byzantine mosaics represent the apostle

Paul. This man is a warrior every inch. He is the famous Papa

Kostas—called Papa because he was formerly a monk. Latterly he

returned to the world, and became an honoured hero in the Greek

Liberation war. Two years ago he wished to be elected deputy for his

native town of Lamia; but government, to whom he was obnoxious, found

means to frustrate his election. What did he then do? He incited the

whole of his province to rebellion, and for six entire months the king

had to carry on an open war with him. At length the royal troops

succeeded in conquering him, and he then took flight into Turkey.

After some time an amnesty was granted him; and now he is at a

court-ball, but so proud and unsubdued, that, instead of a pardoned

rebel, he looks like one who is waiting for the first favourable

occasion to avenge the humiliation he has endured.

“There is in like manner some history about all these men. They are

barbarians, but there is poetry in them; and it is quite intelligible

that these wild mountaineers should have been victorious over the

superior force of the enervated Turks.

“The saloon gets more and more crowded. Suddenly the general murmur

ceases. The king appears with his blooming consort on his arm. Early

in the morning a new French man-of-war had arrived in the Piræus, and

the officers are now presented by the French ambassador. Immediately

the Polonaise begins, the queen opening the ball with the Austrian

ambassador. She is dressed in blue, embroidered with silver, her hair

magnificently arranged in the European style. The king, on the

contrary, is as usual in the glittering gold and silver gala-dress of

the national Greek costume; he and the sister of the English resident

minister make the second pair. The queen dances the second movement of

the Polonaise with the president of the Chamber. He is a Hydriot, and

wears the dress of the Greek islanders—dark blue, tight-fitting short

jacket, wide bunchy Turkish trousers of the same colour, and between

jacket and hose a simple red girdle. The king leads out the venerable

matron, the wife of the president of the Chamber, who is also dressed

in the costume worn by the women of the Greek islands—a blue silk

dress with yellow stripes, a jacket of the same material, very much

cut open in, front, the bosom covered with a silk handkerchief, also a

little parted in front. In Berlin or Paris it would excite some

wonderment to see such attire recognised as admissible at court.

“And now the ball begins in good earnest; no more national dances, but

all in true European style. The king danced a great deal, and was most

courteous and affable in his demeanour. But the queen shone above

every one, and was the first in all the dances. She is a true knightly

dame, the boldest equestrian in the land, and graceful above all in

the dance. The young Greek ladies have shown great facility in

acquiring the new dances. It would be difficult to discover a single

national trait in them, were it not for the dark glancing eyes, the

brown complexion, and their love of bright showy colours, which betray

their half-southern, half-Oriental character. They almost all appeared

in white ball-dress, but wearing over it an extremely beautiful little

jacket of red velvet, richly embroidered with gold; and on the head,

trimmed around with plaits of deep black hair, is placed coquettishly,

inclined to one side, a little cap, also of red velvet embroidered

with gold, exactly corresponding to the jacket.

“The Greek men do not mix in the dance. Some collect in quiet corners

in groups; others contemplate languidly the strange foreign movements.

How would these stately forms and costumes correspond with such

unpoetic waltzing and whirling? The keenest dancers were the gentlemen

of the diplomatic corps.”

Then follow some sentimental remarks about Themistocles, Pericles, and

Plato, and how they would have looked dancing the polka; and how it is

almost a profanation for young diplomatists to think of enjoying a dance

at all, on ground where grave Aristotle walked, and stern Demosthenes

thundered; and how a fine German “belletrist,” in the midst of such a

gay scene, “cannot but feel every moment as if some sturdy old

Marathonians would rush in, blow the lights out, and tear all the pretty

Parisian frippery to rags.” Shade of Goethe, what nebulous nonsense even

sensible Germans will speak and print! With us a young lady, passing

stupidly out of her teens, and thinking of moonshine and marriage, would

be ashamed formally to enunciate such trash.

Let us now look to

THE UNIVERSITY.

“All the more highly educated Greeks exhibit a lively interest in the

newly-erected university at Athens, which is formed entirely on the

German model. The professors are chiefly Greeks, who have studied at

the French and German universities. Since the revolution of 1843,

Landerer the chemist, and Fraas[16] the botanist, are the only

foreigners in the university, but they, like the others, lecture in

Greek. The teachers, with the exception of the private tutors, are

paid by the state; they have, on an average, seven hundred dollars,

but no honorarium for the lectures. The influx of students is very

great, amounting to more than four hundred, which would be

inconceivable in so thinly-populated a country, were it not that

numbers come from Epirus, Thessaly, and Asia Minor; also from Turkish

Greece, and even, (so great is the feeling of nationality,) from the

Ionian Islands, although there is a Greek university in Corfu. The

Athenian professors point with pride to this fact, alleging that their

university forms thus the centre of all the Grecian countries, many of

them now under foreign rule, and as such is perhaps the nursery of a

future political union.

“No university in the whole world is placed on a site so rich in

associations. When the student comes out of the lecture-room, and

saunters in the open piazzas which form the entrance, he has before

him the empurpled range of Hymettus, whose bees are proverbially

associated with the glory of Attic wisdom and art; and the venerable

Acropolis, with the towering pillars of the Parthenon, remind him of

the ancient glory of his country. Where is the youth who would not

feel his heart elevated by such noble recollections?

“And yet these wings are only the wings of Icarus; they cannot perform

impossibilities. True culture and a national literature and art can

only exist where there is material prosperity, and an education

extending to all ranks of the people. There is, however, no sense of

the importance of instruction; for in most places the lowest

elementary schools are not to be found, scarcely even a few miserable

attempts at such. Government has committed the fault of working from

above downwards, instead of from beneath upwards, and has proceeded

forcibly to engraft the most extreme points—even the excrescences of

European customs and refinement—on the prevailing barbarism. They have

erected four gymnasia at Athens, Syra, Patras, and Nauplia; but the

people’s schools are still in the condition in which Capo d’Istria

left them; indeed, general evil report says rather worse than better.

How can we reap unless we sow? How can the building stand firm, when

the foundation is awanting?

“It is, therefore, a quite fruitless and premature, though well-meant,

endeavour that has been made by some of the more noble-minded Greeks,

since the happy issue of the Liberation War, to found a modern Greek

literature. The attempt, however, has had the merit of purifying the

language, and assimilating it to the ancient Greek. But so long as

Greek culture has no firm root in itself, all such endeavours must

prove imperfect imitations of foreign models. I fear much that a

hideous mildew is already nipping the blossom in the bud. Among the

many discouraging impressions caused by the present state of Greece,

the most so to me was, that the booksellers’ shops are almost

exclusively filled with the worst sort of new French romances. It is

here much as with the poor inhabitants of the South Sea Islands, who

have gained nothing by their intercourse with enlightened Europe but

the poison of whisky.”

These remarks open up the whole question of education and intellectual

culture in Greece—a vista far too wide for our detailed survey on the

present occasion; but we must add a few remarks by way of necessary

correction. We have met persons to whom the university of Athens was as

much “a myth” as any of those nebulous allegories into which German

scepticism weens that it has dissipated the solid traditions of an old

Attic Theseus, and other classical monarchs. But the testimony of our

traveller here is most decided to the point, that the university of

Athens is an existing fact, and one of the most real and significant in

the whole history of the restored nationality of this remarkable people.

All persons who have lived even for a short period in familiar converse

with the Greek people, have felt that, in a remarkable degree, they have

retained that quickness of intellectual perception, that eagerness for

knowledge, which was so characteristic of their ancestors. It is well

known, also, to persons who have looked into the recent history of this

people, that the political revolution, by which they threw off the yoke

of Turkish oppression, was preceded by an intellectual revolution which

taught them to shake off the night of Turkish ignorance; and Corais is,

in fact, a name not less mighty in the history of Greek liberty than

Miaulis or Mavrocordato. Under these circumstances, that education

should have been a main concern with the new Greek government was just

what was to have been expected. To have shown indifference in such a

matter would have argued a complete blindness to the finest capabilities

of the materials under hand. Nor has Bavarian Otho, so far as we can

see, laid himself open to any charge of neglect on this score. Mr

Hettner, in the strictures which he pays in the above passage, proceeds,

we are afraid, on a very insufficient basis of facts, and is also

vulnerable in point of logic. It is far from being true, as he says,

that a people must be educated from below upwards. The upper classes are

everywhere more open to educational influences than the lower; and in

semi-barbarous countries, such as Greece and Russia, it is a necessity

which cannot be avoided, that the elements of intellectual culture

shall, in the first place, be imported from the more advanced

surrounding nations; and the importers of such merchandise must be the

upper classes. To enable them to appropriate, elaborate, and assimilate

the materials thus thrown in upon them, a university is the natural and

most convenient, if not the absolutely indispensable instrument. How, it

may be asked, is the state to obtain well-informed statesmen, lawyers,

theologians, physicians, and teachers, without a university? Surely the

judge must be made wise before the attorney, and the parish priest

rather than the parishioner. A peasant may hew wood and draw water

without learning, but scarcely will a gospel text be well expounded, or

a surgeon’s cut dexterously performed. There appears to us, therefore,

nothing blameworthy in a government of a new country erecting a

university first, and parish schools afterwards. But the facts with

regard to elementary education in Greece are by no means such as our

German reporter represents. It may be quite true that the educational

law of the Greek kingdom, according to which there should be a primary

school in every δημος or _commune_, has not yet been everywhere carried

out; it may be true, also, considering the immense extent of desolate

districts in Greece, that some of the miserable ill-peopled villages

that compose a district are at very inconvenient distances from the

δημος where their school is situated; but this is only a hardship

arising out of the general state of poverty in which the whole country

lies, to which familiar analogies are at hand in the ecclesiastical

condition of many of our own Highland parishes. And with regard to the

general state of education among the lower orders of Greece, the writer

can state, from personal observation, that it is by no means suffering

generally from any such neglect as Mr Hettner imputes to the present

government. During a tour of several weeks in continental Greece, the

present writer was constantly in the habit of conversing with the

peasant boys, as a sort of pleasant amusement after the fatigues of

equestrian travel in the hot days of June; and as the conversation,

however it might start, often ended with schooling and school-books, he

had frequent opportunities of observing, not only the remarkable

quickness of their juvenile Hellenic wit, but the general prevalence of

a fair school-training among the rising generation. The subjects with

which they seemed most conversant, and on which they always produced

three well-thumbed school-books, were Greek history, Scripture history,

and general geography. They very often also produced a Romaic New

Testament; and there seemed to be not the least shyness (as there might

be in Italy) of exhibiting a familiarity with its contents. The New

Testament, indeed, in the Greek Church, does not seem to be a forbidden

book at all. A certain class of priests, no doubt, with Oeconomus at

their head, will look with shyness on the preachings of Protestant

missionaries, and exhibit more or less of that tendency to monopolise

the Scriptures in the hands of self-authorised interpreters, which is so

characteristic of Popery; but in general the Greeks seem to entertain no

suspicion that there is anything in the Scriptures contrary to their

“orthodox faith;” and a jealous sacerdotal tyranny never was established

in the East during the middle ages, and is not at all likely to be

carried through now.[17]

As little of kindly or reasonable criticism do we find in Herr Hettner’s

remarks on the influence of French literature on the living Greek mind,

and on the existing literature of Greece generally. From the very nature

of the case, as we have already said, the literature of Greece must, for

a considerable period, be a literature of appropriation; and as the

French language, for obvious reasons, happens to be the most generally

known among the educated classes in that part of the world, it is as

necessary that those who are in search of amusement should read French

novels, as that those who are in search of strange philological

erudition among ourselves should go to Germany. What our author means by

his remark, that it is “a quite fruitless and premature endeavour in the

Greeks to attempt the founding of a modern Greek literature,” it were

hard to say. No literature, in the highest sense, can be founded till

God sends forth original genius to found it; and it is true also that,

except upon the basis of a certain degree of material prosperity, that

extent of luxurious intellectual culture which we call a national

literature cannot be expected to rise; but in the mean time, till the

conditions favourable to such a higher development shall arise, the

Greeks are busying themselves, and have been busying themselves since

the time of Corais and Righas, mainly in appropriating whatever their

need most loudly calls for, not only from French, but to a great extent

also from German, Italian, and English sources; while, at the same time,

they have not been averse to give whatever nurture was possible to the

first germ and tender blade of an original and truly Hellenic modern

literature. Into the details of this matter our limits do not allow us

to enter; but were the purification of their language the only fruit

which the renewed activity of the liberated Greek mind had produced, it

would have deserved a more kindly mention than the cold sympathy of Mr

Hettner allows. Those who know to what a state centuries of neglect and

abuse had brought the fine language of Homer and Plato, will at once

perceive the great public service performed by that band of patriotic

translators and original writers who have, in the course of two

generations, made Greek—pure Greek—a second time the grand organ of a

national culture and a popular regeneration.[18]

A glimpse into the Greek Church, as it exists at Athens, will now

gratify the just curiosity of many of our readers. Take the following

graphic account of the celebration of Easter:—

“_10th April._

“All is gaiety here to-day. It is Easter week, and Easter is the

principal festival of the Greek Church. Athens presents at this season

a remarkable appearance. The Greeks observe the fasts with great

strictness, therefore they indemnify themselves on Easter morning by

an exhibition of license, in which the paschal lamb performs the

principal part. I was told as a fact, that at Easter, in Athens alone,

from twelve to fifteen thousand, and throughout Greece more than two

hundred thousand, lambs and sheep are slaughtered and eaten. The

country people out of every part of Attica keep driving their flocks

into the city the whole week. The city of the goddess of wisdom is now

full of nothing but bleating lambs.

“When the Greek carries home his lamb, he slings it round his neck,

holding it by the feet crossed over his breast. This is to be seen

with us also; but the sight is especially attractive here, for it was

in this manner the ancients represent Hermes as the guardian and

multiplier of the flocks. So stood the statue of Hermes at Olympia,

Oechalia, and Tanagra. Small marble statues of this kind have even

come down to us, one of which is to be seen in the Pembroke collection

at Wilton House; another, a smaller one, here in the Stoa of Hadrian.

This representation, however, appears most frequently in the oldest

works of Christian art, in which the laden Hermes is turned into a

laden Christ, who often called himself the Good Shepherd, and

expressly says in the Gospel of St Luke, that when the shepherd finds

the sheep, he lays it joyfully on his shoulders.

“In Easter week a fair is also held, and much skill displayed in

decking out the wares. Candles are the chief article of trade; for no

Greek, on this occasion, enters a church without bearing in his hand a

candle or taper. These candles are mostly painted in variegated

colours, and prettily disposed in the booths according to their

different colours—some alike, others in direct contrast. The Greek

people are still sticking fast in old heathen customs and ways of

thinking. These booths, and the greater number of the shops also, are

decked out with all sorts of pictures and images on which the

possessors can lay their hands. They display images of the saints,

pictures of the battles of the Liberation War, portraits of Napoleon

and Frederick the Great, and, not unfrequently, even modern French

pictures of equivocal meaning, coloured and lithographed, all mixed up

together without any attempt at order. Round these pictures hang lamps

and candles, many of them adorned with gold tinsel and stripes of

coloured paper, often artistically twisted together to represent

chandeliers. In the midst of all this lumber stands a huge image of

Christ or of the Virgin; and the object of this is manifest. In true

heathen fashion, Christ and the Virgin are supposed to be really

present in their images, and enjoying the sight of these motley

groups, and lights are placed there that they may see them the better.

How rude and childish all this seems, and yet how entirely

corresponding to the most ancient image-worship!

Blackwood's Edinburgh magazine, Vol. 74, No. 457, November, 1853 · 第 10 / 21 段