I have shown that a dwelling, rented or owned by a man, in which his own

wife keeps house, is not always, or of course, a home. What is it, then,

that makes a home? All men and women have the indefinite knowledge of

what they want and long for when that word is spoken. “Home!” sighs the

disconsolate bachelor, tired of boarding-house fare and buttonless

shirts. “Home!” says the wanderer in foreign lands, and thinks of

mother’s love, of wife and sister and child. Nay, the word has in it a

higher meaning, hallowed by religion; and when the Christian would

express the highest of his hopes for a better life, he speaks of his

_home_ beyond the grave. The word home has in it the elements of love,

rest, permanency, and liberty; but besides these it has in it the idea

of an education by which all that is purest within us is developed into

nobler forms, fit for a higher life. The little child by the

home-fireside was taken on the Master’s knee when he would explain to

his disciples the mysteries of the kingdom.

Of so great dignity and worth is this holy and sacred thing, that the

power to create a HOME ought to be ranked above all creative faculties.

The sculptor who brings out the breathing statue from cold marble, the

painter who warms the canvas into a deathless glow of beauty, the

architect who built cathedrals and hung the world-like dome of St.

Peter’s in mid-air, is not to be compared, in sanctity and worthiness,

to the humblest artist, who, out of the poor materials afforded by this

shifting, changing, selfish world, creates the secure Eden of a _home_.

A true home should be called the noblest work of art possible to human

creatures, inasmuch as it is the very image chosen to represent the last

and highest rest of the soul, the consummation of man’s blessedness.

Not without reason does the oldest Christian church require of those

entering on marriage the most solemn review of all the past life, the

confession and repentance of every sin of thought, word, and deed, and

the reception of the holy sacrament; for thus the man and woman who

approach the august duty of creating a home are reminded of the sanctity

and beauty of what they undertake.

In this art of home-making I have set down in my mind certain first

principles, like the axioms of Euclid, and the first is,—

_No home is possible without love._

All business marriages and marriages of convenience, all mere culinary

marriages and marriages of mere animal passion, make the creation of a

true home impossible in the outset. Love is the jewelled foundation of

this New Jerusalem descending from God out of heaven, and takes as many

bright forms as the amethyst, topaz, and sapphire of that mysterious

vision. In this range of creative art all things are possible to him

that loveth, but without love nothing is possible.

We hear of most convenient marriages in foreign lands, which may better

be described as commercial partnerships. The money on each side is

counted; there is enough between the parties to carry on the firm, each

having the appropriate sum allotted to each. No love is pretended, but

there is great politeness. All is so legally and thoroughly arranged,

that there seems to be nothing left for future quarrels to fasten on.

Monsieur and Madame have each their apartments, their carriages, their

servants, their income, their friends, their pursuits,—understand the

solemn vows of marriage to mean simply that they are to treat each other

with urbanity in those few situations where the path of life must

necessarily bring them together.

We are sorry that such an idea of marriage should be gaining foothold in

America. It has its root in an ignoble view of life,—an utter and pagan

darkness as to all that man and woman are called to do in that highest

relation where they act as one. It is a mean and low contrivance on both

sides, by which all the grand work of home-building, all the noble pains

and heroic toils of home-education,—that education where the parents

learn more than they teach,—shall be (let us use the expressive Yankee

idiom) _shirked_.

It is a curious fact that in those countries where this system of

marriages is the general rule there is no word corresponding to our

English word _home_. In many polite languages of Europe it would be

impossible neatly to translate the sentiment with which we began this

essay, that a man’s _house_ is not always his _home_.

Let any one try to render the song, “Sweet Home,” into French, and one

finds how Anglo-Saxon is the very genius of the word. The structure of

life, in all its relations, in countries where marriages are matter of

arrangement, and not of love, excludes the idea of home.

How does life run in such countries? The girl is recalled from her

convent or boarding-school, and told that her father has found a husband

for her. No objection on her part is contemplated or provided for; none

generally occurs, for the child is only too happy to obtain the fine

clothes and the liberty which she has been taught come only with

marriage. Be the man handsome or homely, interesting or stupid, still he

brings these.

How intolerable such a marriage! we say, with the close intimacies of

Anglo-Saxon life in our minds. They are not intolerable, because they

are provided for by arrangements which make it possible for each to go

his or her several way, seeing very little of the other. The son or

daughter, which in due time makes its appearance in this _menage_, is

sent out to nurse in infancy, sent to boarding-school in youth, and in

maturity portioned and married, to repeat the same process for another

generation. Meanwhile, father and mother keep a quiet establishment, and

pursue their several pleasures. Such is the system.

Houses built for this kind of life become mere sets of reception-rooms,

such as are the greater proportion of apartments to let in Paris, where

a hearty English or American family, with their children about them,

could scarcely find room to establish themselves. Individual character,

it is true, does something to modify this programme. There are charming

homes in France and Italy, where warm and noble natures, thrown

together, perhaps, by accident, or mated by wise paternal choice, infuse

warmth into the coldness of the system under which they live. There are

in all states of society some of such domesticity of nature that they

will create a home around themselves under any circumstances, however

barren. Besides, so kindly is human nature, that Love uninvited before

marriage, often becomes a guest after, and with Love always comes a

home.

My next axiom is,—

_There can be no true home without liberty._

The very idea of home is of a retreat where we shall be free to act out

personal and individual tastes and peculiarities, as we cannot do before

the wide world. We are to have our meals at what hour we will, served in

what style suits us. Our hours of going and coming are to be as we

please. Our favorite haunts are to be here or there, our pictures and

books so disposed as seems to us good, and our whole arrangements the

expression, so far as our means can compass it, of our own personal

ideas of what is pleasant and desirable in life. This element of

liberty, if we think of it, is the chief charm of home. “Here I can do

as I please,” is the thought with which the tempest-tossed earth-pilgrim

blesses himself or herself, turning inward from the crowded ways of the

world. This thought blesses the man of business, as he turns from his

day’s care, and crosses the sacred threshold. It is as restful to him as

the slippers and gown and easy-chair by the fireside. Everybody

understands him here. Everybody is well content that he should take his

ease in his own way. Such is the case in the _ideal_ home. That such is

not always the case in the real home comes often from the mistakes in

the house-furnishing. Much house-furnishing is _too fine_ for liberty.

In America there is no such thing as rank and station which impose a

sort of prescriptive style on people of certain income. The consequence

is that all sorts of furniture and belongings, which in the Old World

have a recognized relation to certain possibilities of income, and which

require certain other accessories to make them in good keeping, are

thrown in the way of all sorts of people.

Young people who cannot expect by any reasonable possibility to keep

more than two or three servants, if they happen to have the means in the

outset, furnish a house with just such articles as in England would suit

an establishment of sixteen. We have seen houses in England having two

or three house-maids, and tables served by a butler and two waiters,

where the furniture, carpets, china, crystal, and silver were in one and

the same style with some establishments in America where the family was

hard pressed to keep three Irish servants.

This want of servants is the one thing that must modify everything in

American life; it is, and will long continue to be, a leading feature in

the life of a country so rich in openings for man and woman that

domestic service can be only the stepping-stone to something higher.

Nevertheless, we Americans are great travellers; we are sensitive,

appreciative, fond of novelty, apt to receive and incorporate into our

own life what seems fair and graceful in that of other people. Our

women’s wardrobes are made elaborate with the thousand elegancies of

French toilet,—our houses filled with a thousand knick-knacks of which

our plain ancestors never dreamed. Cleopatra did not set sail on the

Nile in more state and beauty than that in which our young American

bride is often ushered into her new home. Her wardrobe all gossamer lace

and quaint frill and crimp and embroidery, her house a museum of elegant

and costly gewgaws; and amid the whole collection of elegancies and

fragilities, she, perhaps, the frailest.

Then comes the tug of war. The young wife becomes a mother, and while

she is retired to her chamber, blundering Biddy rusts the elegant

knives, or takes off the ivory handles by soaking in hot water,—the

silver is washed in greasy soap-suds, and refreshed now and then with a

thump, which cocks the nose of the teapot awry, or makes the handle

assume an air of drunken defiance. The fragile China is chipped here and

there around its edges with those minute gaps so vexatious to a woman’s

soul; the handles fly hither and thither in the wild confusion of

Biddy’s washing-day hurry, when cook wants her to help hang out the

clothes. Meanwhile, Bridget sweeps the parlor with a hard broom, and

shakes out showers of ashes from the grate, forgetting to cover the

damask lounges, and they directly look as rusty and time-worn as if they

had come from an auction-store; and all together unite in making such

havoc of the delicate ruffles and laces of the bridal outfit and

baby-_layette_, that, when the poor young wife comes out of her chamber

after her nurse has left her, and, weakened and embarrassed with the

demands of the new-comer, begins to look once more into the affairs of

her little world, she is ready to sink with vexation and discouragement.

Poor little princess. Her clothes are made as princesses wear them, her

baby’s clothes like a young duke’s, her house furnished like a lord’s,

and only Bridget and Biddy and Polly to do the work of cook,

scullery-maid, butler, footman, laundress, nursery-maid, house-maid, and

lady’s maid. Such is the array that in the Old Country would be deemed

necessary to take care of an establishment got up like hers. Everything

in it is _too fine_,—not too fine to be pretty, not in bad taste in

itself, but too fine for the situation, too fine for comfort or liberty.

What ensues in a house so furnished? Too often ceaseless fretting of the

nerves, in the wife’s despairing, conscientious efforts to keep things

as they should be. There is no freedom in a house where things are too

expensive and choice to be freely handled and easily replaced. Life

becomes a series of petty embarrassments and restrictions, something is

always going wrong, and the man finds his fireside oppressive,—the

various articles of his parlor and table seem like so many temper-traps

and spring-guns, menacing explosion and disaster.

There may be, indeed, the most perfect home-feeling, the utmost

coseyness and restfulness, in apartments crusted with gilding, carpeted

with velvet, and upholstered with satin. I have seen such, where the

home-like look and air of free use was as genuine as in a Western

log-cabin; but this was in a range of princely income that made all

these things as easy to be obtained or replaced as the most ordinary of

our domestic furniture. But so long as articles must be shrouded from

use, or used with fear and trembling, because their cost is above the

general level of our means, we had better be without them, even though

the most lucky of accidents may put their possession in our power.

But it is not merely by the effort to maintain too much elegance that

the sense of home-liberty is banished from a house. It is sometimes

expelled in another way, with all painstaking and conscientious

strictness, by the worthiest and best of human beings, the blessed

followers of Saint Martha. Have we not known them, the dear, worthy

creatures, up before daylight, causing most scrupulous lustrations of

every pane of glass and inch of paint in our parlors, in consequence

whereof every shutter and blind must be kept closed for days to come,

lest the flies should speck the freshly washed windows and wainscoting?

Dear shade of Aunt Mehitabel, forgive our boldness? Have we not been

driven for days, in our youth, to read our newspaper in the front

veranda, in the kitchen, out in the barn,—anywhere, in fact, where

sunshine could be found, because there was not a room in the house that

was not cleaned, shut up, and darkened? Have we not shivered with cold,

all the glowering, gloomy month of May, because the august front-parlor

having undergone the spring-cleaning, the andirons were snugly tied up

in the tissue-paper, and an elegant frill of the same material was

trembling before the mouth of the once glowing fireplace? Even so, dear

soul, full of loving-kindness and hospitality as thou wast, yet ever

making our house seem like a tomb! And with what patience wouldst thou

sit sewing by a crack in the shutters, an inch wide, rejoicing in thy

immaculate paint and clear glass! But was there ever a thing of thy

spotless and unsullied belongings which a boy might use? How I trembled

to touch thy scoured tins, that hung in appalling brightness! with what

awe I asked for a basket to pick strawberries! and where in the house

could I find a place to eat a piece of gingerbread? How like a ruffian,

a Tartar, a pirate, I always felt, when I entered thy domains! and how,

from day to day, I wondered at the immeasurable depths of depravity

which were always leading me to upset something, or break or tear or

derange something, in thy exquisitely kept premises! Somehow, the

impression was burned with overpowering force into my mind, that houses

and furniture, scrubbed floors, white curtains, bright tins and brasses

were the great, awful, permanent facts of existence,—and that men and

women, and particularly children, were the meddlesome intruders upon

this divine order, every trace of whose inter-meddling must be scrubbed

out and obliterated in the quickest way possible. It seemed evident to

me that houses would be far more perfect, if nobody lived in them at

all; but that, as men had really and absurdly taken to living in them,

they must live as little as possible. My only idea of a house was a

place full of traps and pitfalls for boys, a deadly temptation to sins

which beset one every moment; and when I read about a sailor’s free life

on the ocean, I felt an untold longing to go forth and be free in like

manner.

But a truce to these fancies, and back again to our essay.

If liberty in a house is a comfort to a husband, it is a necessity to

children. When we say liberty, we do not mean license. We do not mean

that Master Johnny be allowed to handle elegant volumes with

bread-and-butter fingers, or that little Miss be suffered to drum on the

piano, or practise line-drawing with a pin on varnished furniture. Still

it is essential that the family-parlors be not too fine for the family

to sit in,—too fine for the ordinary accidents, haps and mishaps, of

reasonably well-trained children. The elegance of the parlor where papa

and mamma sit and receive their friends should wear an inviting, not a

hostile and bristling, aspect to little people. Its beauty and its order

gradually form in the little mind a love of beauty and order, and the

insensible carefulness of regard.

Nothing is worse for a child than to shut him up in a room which he

understands is his, _because_ he is disorderly,—where he is expected, of

course, to maintain and keep disorder. We have sometimes pitied the poor

little victims who show their faces longingly at the doors of elegant

parlors, and are forthwith collared by the domestic police and consigned

to some attic-apartment, called a play-room, where chaos continually

reigns. It is a mistake to suppose, because children derange a

well-furnished apartment, that they like confusion. Order and beauty are

always pleasant to them as to grown people, and disorder and defacement

are painful; but they know neither how to create the one nor to prevent

the other,—their little lives are a series of experiments, often making

disorder by aiming at some new form of order. Yet, for all this, I am

not one of those who feel that in a family everything should bend to the

sway of these little people. They are the worst of tyrants in such

houses,—still, where children are, though the fact must not appear to

them, _nothing must be done without a wise thought of them_.

Here, as in all high art, the old motto is in force, “_Ars est celare

artem_.” Children who are taught too plainly by every anxious look and

word of their parents, by every family arrangement, by the impressment

of every chance guest into the service, that their parents consider

their education as the one important matter in creation, are apt to grow

up fantastical, artificial, and hopelessly self-conscious. The stars

cannot stop in their courses, even for our personal improvement, and the

sooner children learn this, the better. The great art is to organize a

home which shall move on with a strong, wide, generous movement, where

the little people shall act themselves out as freely and impulsively as

can consist with the comfort of the whole, and where the anxious

watching and planning for them shall be kept as secret from them as

possible.

It is well that one of the sunniest and airiest rooms in the house be

the children’s nursery. It is good philosophy, too, to furnish it

attractively, even if the sum expended lower the standard of

parlor-luxuries. It is well that the children’s chamber, which is to act

constantly on their impressible natures for years, should command a

better prospect, a sunnier aspect, than one which serves for a day’s

occupancy of the transient guest. It is well that journeys should be

made or put off in view of the interests of the children,—that guests

should be invited with a view to their improvement,—that some intimacies

should be chosen and some rejected on their account. But it is _not_

well that all this should, from infancy, be daily talked out before the

child, and he grow up in egotism from moving in a sphere where

everything from first to last is calculated and arranged with reference

to himself. A little appearance of wholesome neglect combined with real

care and never-ceasing watchfulness has often seemed to do wonders in

this work of setting human beings on their own feet for the

life-journey.

Education is the highest object of home, but education in the widest

sense,—education of the parents no less than of the children. In a true

home the man and the woman receive, through their cares, their

watchings, their hospitality, their charity, the last and highest finish

that earth can put upon them. From that they must pass upward, for earth

can teach them no more.

The home-education is incomplete, unless it include the idea of

hospitality and charity. Hospitality is a Biblical and apostolic virtue,

and not so often recommended in Holy Writ without reason. Hospitality is

much neglected in America for the very reasons touched upon above. We

have received our ideas of propriety and elegance of living from old

countries, where labor is cheap, where domestic service is a

well-understood, permanent occupation, adopted cheerfully for life, and

where of course there is such a subdivision of labor as insures great

thoroughness in all its branches. We are ashamed or afraid to conform

honestly and hardily to a state of things purely American. We have not

yet accomplished what our friend the Doctor calls “our weaning,” and

learned that dinners with circuitous courses and divers other

Continental and English refinements, well enough in their way, cannot be

accomplished in families with two or three untrained servants, without

an expense of care and anxiety which makes them heart-withering to the

delicate wife, and too severe a trial to occur often. America is the

land of subdivided fortunes, of a general average of wealth and comfort,

and there ought to be, therefore, an understanding in the social basis

far more simple than in the Old World.

Many families of small fortunes know this,—they are quietly living

so,—but they have not the steadiness to share their daily average living

with a friend, a traveller, or guest, just as the Arab shares his tent

and the Indian his bowl of succotash. They cannot have company, they

say. Why? Because it is such a fuss to get out the best things, and then

to put them back again. But why get out the best things? Why not give

your friend, what he would like a thousand times better, a bit of your

average home-life, a seat at any time at your board, a seat at your

fire? If he sees that there is a handle off your teacup, and that there

is a crack across one of your plates, he only thinks, with a sigh of

relief, “Well, mine aren’t the only things that meet with accidents,”

and he feels nearer to you ever after; he will let you come to his table

and see the cracks in his teacups, and you will condole with each other

on the transient nature of earthly possessions. If it become apparent in

these entirely undressed rehearsals that your children are sometimes

disorderly, and that your cook sometimes overdoes the meat, and that

your second girl sometimes is awkward in waiting, or has forgotten a

table propriety, your friend only feels, “Ah, well, other people have

trials as well as I,” and he thinks, if you come to see him, he shall

feel, easy with you.

“_Having company_” is an expense that may always be felt; but easy daily

hospitality, the plate always on your table for a friend, is an expense

that appears on no account-book, and a pleasure that is daily and

constant.

House and Home Papers Seventh Edition · 第 3 / 19 段