The moment for escape at last came. Melville, sadly in need of medical

aid, hobbled down to the shore: a boatload of tabooed Kanakas had come

with presents of calico and a musket to ransom the captive. The Typees

were unwilling to part with Melville, and the boat was about to pull

off without him, when, in the midst of the clamour, he broke away

and threw himself into the arms of his rescuers, escaping only after

he himself had killed a ferocious old chief, hot in pursuit, who in

a happier and more apathetic day had been kind to him. Fayaway and

Hautia’s bliss lay behind him; Fayaway clutching a piece of calico

Melville had thrown her for consolation: Yillah lay in an unfathomable

distance beyond, and what stood between was a tortured filthy life in

a broken-down whaler, whose planks were rotting and whose hold swarmed

with cockroaches and rats. Many a time during the next two years,

Melville must have regretted leaving Fayaway’s arms! Yes: and she must

have regretted Melville, for a little later an American traveller,

Henry Augustus Wise, discovered a brown maid from the valley of Typee,

named Fayaway, working as maid-of-all-work to the French commissary

of the garrison at Nukuheva--a proper snivelized anti-climax to the

unsullied tropical summer of Melville’s residence and courtship among

the Typees.

3

A harsh captain is a bad fellow to sail under, but a weak captain

is worse. When Melville came to on the Julia, a drab little barque,

with a jaunty way of catching the wind, he found himself under the

orders of an uncertain cockney landsman from Melbourne, with a crew

of discontented scalawags, and a roving commission to hunt whales or

seals or pick up a living somehow on the South Seas. Paper Jack, as

the men called this landlubber of a captain, signed him on for one

cruise, with the stipulation that he be discharged at the next port;

and when Melville looked around him, he discovered that between the

slack disorder of the Little Jule and the tyranny of the Acushnet he

had little to choose.

The physician on board, Dr. Long Ghost, had parted company with the

captain and had made his bunk in the forecastle. The mate, a hale,

bullet-headed fellow with a kind heart and a heavy fist, John Jermin

by name, was always half-seas-over; the captain was one of those

watchful, ineffectual, capriciously determined men who achieved the

dignity of isolation and got the semblance of obedience by never

delivering an order through his own mouth. Without any success in

whaling, the ship remained at sea, lest by lying in harbour and

replenishing its provisions it might incidentally lose the whole crew

by desertion.

Melville was contemptuous of the captain, he admired the bluff,

bustling Jermin, and he fell in with the doctor, who was an educated

man, as naturally as one globule of mercury will coalesce with another

as soon as they touch. The doctor was a capital fellow to finish off

Melville’s education and to while away the sleepy hours of the night:

“he had certainly at some time or other spent money, drunk Burgundy,

and associated with gentlemen. As for his learning, he quoted Virgil,

and talked of Hobbes of Malmesbury, besides repeating poetry by the

Canto, especially Hudibras. He was, moreover, a man who had seen the

world. In the easiest possible way he could refer to an amour he had

in Palermo, his lion-hunting before breakfast among the Caffres, and

the quality of the coffee he had drunk in Muscat.” Such a man did not

merely bring authentic reports of books and conversations; he was

himself a picaresque library, and he who ran with him had much to read.

This was the sort of acquaintance Melville could never have picked up

in Albany, nor in New York: one first must become an outcast before he

can have the privilege of such company.

The captain became seriously ill; and he purposed to send his men to

sea under command of Jermin while he recuperated on shore. Heartily

sick of the voyage, the crew rebelled at the notion, and when the ship

lay off the harbour of Papeetee, they sent a round robin to the English

consul, stating their grievances and petitioning to be put ashore.

Wilson, the consul, would not hear of it: to cow them into submission,

he delivered them over to the French frigate, La Reine Blanche, that

lay in the harbour; and for five days and nights Melville had a chance

to live on a French man-of-war and to observe the contrast between

French customs and character, and the American and English ways he was

used to; but the imprisonment was only a demonstration; and the ship

returned so that Wilson might again utter his ultimatum to the crew.

The upshot of it was that the crew was put inside the British jail, the

Calabooza Beretanee, under the surveillance of a huge, brown Polynesian

dignitary; and after a few weeks of their semi-confinement, the Julia

went off without them; and they finally found themselves at liberty

among the miscellaneous riff-raff that haunted the shores of these

tropical islands.

During the next couple of months, Melville lived the life of a rover,

in the company of Dr. Long Ghost, visiting among the natives, working

for a brief period on a Polynesian farm, for a tall robust Yankee

born in the backwoods of Maine, and finally trying, unsuccessfully,

to advance their fortunes in the court of Queen Pomaree. It was a

rambling, roving, thoroughly outlandish mode of life which must

have had the episodic and incredible quality of a dream: there was

a complete absence of pressure and direction; Melville drifted from

one islet in Imeeo to another as a leaf driven by chance breezes will

drift on the surface of a still pond. Thrown among the superficially

converted Christians of Tahiti, Melville observed no advance over

the untainted pagans of Typee; quite the contrary. “So far as mere

temporal felicity was concerned, the Tahitians are far worse off now

than formerly. Years ago brought to a stand, where all that is corrupt

in barbarism and civilization unite, to the exclusion of the virtues

of either state ... they must here remain stationary until utterly

extinct.”

Away from the purlieus of the Christian “mickonaree” Melville enjoyed

the lazy, savage life. The air was relaxing; but for a young American,

bred in Albany and Pittsfield, the danger was that he might bless his

braces, and damn his relaxes too opprobriously; so, on the whole,

one must count these months of rambling and laziness and observation

as good ones for Melville. Some of the dreamy, unexpected quality of

them went, no doubt, into the fantasy of Mardi when he came to write

it: Omoo, which records the actuality, and Mardi, which utters the

dream, are the morning and night of the same day. Through it all,

Melville kept his shape; he was still a quizzical, modest, slightly

sentimental, sober-minded young man: when he beholds the beautiful wife

of a sugar-planter, mounted gallantly on a white pony, his emotions

are touched by distant adoration and curiosity, just as they might

have been in Lansingburgh; and one suspects that he plagued more than

one incipient brown sweetheart with a far too respectful and brotherly

reserve. Five years later, Melville still remembered how the sugar

planter’s wife had captivated him: when he thinks back to this trivial

incident he sets it apart in a chapter; and he remembers, too, the

brown feminine mockery at his attempts to be sentimental. There is no

likelihood that this young man will succumb to Queen Hautia: he is

always on guard. If he needs any advice at this period it is that of

Koheleth: Be not righteous over-much: why shouldst thou destroy thyself?

4

Whether Melville judged better of his third whaling captain, the

Vineyarder, whom he finally fell in with, he does not tell: whether he

tired of whaling off the coast of Japan one does not know either. One

has a glimpse of him working as a clerk for four months in Honolulu,

the capital of the Sandwich Islands, among the fine dwelling-houses,

the hotels, the barber-shops, the offices, of the whites; and there

one’s knowledge ends. By the summer of 1843 he had shipped aboard the

frigate, United States, upon its homeward voyage. The free, vagrant,

uncertain life of the rover was over: he was in the Navy now. Melville

had not done more than pick up a bare living, certainly, for when

he was in Callao, about to equip himself for the terrible exposure

of rounding the Horn, he could get no pea-jacket from the purser,

and apparently could not afford to purchase one on shore: so he

manufactured a white jacket for himself out of a white duck frock,

folded and padded, cold comfort enough in dry weather, and colder

comfort in wet, when the jacket was so absorbent his shipmates would

cruelly stand up against him, to get rid of their own moisture.

Melville was as sick of adventure as Ulysses himself. When he heard

the words, “Up anchor! Man the capstan: we’re homeward bound,” from

the gruff boatswain, the words ran through his veins like golden wine.

Now the little daily current of anxiety was over: there were a few new

ropes to learn; but a strong, eager fellow, always ready to bear a

hand, always prompt to spring to his post, is pretty sure of getting

a good word from his immediate superiors, even though it is not an

audible one; and with the big ship’s company, the work itself was

not so onerous but that there was time for long chats and lengthier

meditations, particularly if one belonged to the maintop. Melville knew

the value of height and seclusion to stimulate the inward eye: climbing

a high tower, he wrote in The Encantadas, is the best way to see the

country around one; and at sea, he would climb the mast: that was his

watch-tower and his cloister.

The Navy of Melville’s day was not unlike the Navy of today: these

saurian institutions do not add to the quantity of brains in their

brain-pan, nor do they change the quality of their tissue: it was

bound up by red tape, precedent, a stupefying routine, and a set

of regulations designed to establish and maintain the authority of

those marginal officers who may have neither seamanship nor the gift

of command. In addition to the abuses that still exist in the Navy,

some of which are inevitable by the mere act of regimentation and by

an existence that is purposeless except in terms of slaughter and

bellicose action, there was in Melville’s time the further iniquity

of flogging. Melville’s words against this institution are in bold

contrast to Dana’s. Dana was one of those cautious friends of a cause

whose timid counsel is far harder to dispose of than the practices of

its enemies: he minced and compromised, and, dealing only with merchant

sailors, still recommended merely that flogging be mitigated. To

Melville flogging was a degradation of humanity; if discipline could

not be maintained without it, discipline was degrading; if the navy

of a free community could not be maintained without it, navies were

degrading: let us get rid of all these things together.

Life on the man-of-war was difficult and capricious still. Through the

mere punctilio of an officer in charge, Melville was unable to give his

white jacket a coat of paint; and he suffered from terrible exposure

in the journey round the Horn; but after the comparative solitude of

his savage Polynesian existence, with just a stray soul for company,

the ship had something of the stir and variety of a metropolis: it

contained people like Nord, a man of mystery and romance, who, Melville

suspected sympathetically, had been bolted in the mill of adversity:

and there was Lemsford, the poet, who conceived platitudes in Dionysiac

ecstasy, and above all, there was Jack Chase, the captain of the

maintop, a simple, hearty, beautiful soul, who gave young Melville all

a father could have given him; and to whom Melville clung, at sea,

and later, in memory--a starved orphan, finding in Jovian Chase all

that his father’s death, and his father’s marble image, denied him.

The hours spent with Chase on the maintop were happy hours indeed;

and no less so were those that Melville spent with books, Walpole’s

Letters and the Jew of Malta and Volpone, as well as earlier books

of travel and adventure, such as Morgan’s History of Algiers, and

Knox’s Captivity in Ceylon. Coming as they did, after a long period

of abstention and thirst, these books had a profound influence upon

Melville: and they give his literary pedigree. Through his experience

of life, he broke away by necessity from the weak romantics of his

youth, and, seeking the nearest parallels to his own adventures and

meditations and visions, he found them in the Elizabethan dramatists

and the seventeenth-century travellers and literary philosophers.

Melville’s genius followed two separate lines of growth, which joined

in Moby-Dick: one of them was that of Marlowe and Webster, with their

untrammelled emotions, their stertorous vitality, and their keen

transposition of dream into reality and of reality into dream--the

other was that of Knox’s Captivity, direct, honest, well ballasted. Had

not these books been in the ship’s library, Melville might have taken

much longer to find himself. Jack Chase himself added to Melville’s

literary education: he could recite the Lusiad by heart, and Camoëns

made a vivid impression on Melville. In two of his last poems he

assumed Camoëns’ personality.

“Mind you, White-Jacket,” Jack Chase would say, “there are many

great men in the world besides commodores and captains. I’ve that

there, White-Jacket”--touching his forehead--“which under happier

skies--perhaps in yon solitary star there, peeping down from those

clouds--might have made a Homer of me. But Fate is Fate, White-Jacket;

and we Homers who happen to be captains of the tops must write our Odes

in our hearts and publish them in our heads.” Did Melville smile at

Chase’s conceit, or was he already meditating his own odes and epics?

When he wrote Typee, he explained that the incidents of it had been

imprinted in his memory by being told over and over again; and one can

imagine a hundred places where Melville might have found less incentive

to literary activity than he found in the library and the maintop of

the U. S. frigate United States.

There were three main events in the voyage. Two of these experiences

involved deep personal humiliation. One was the time he was called to

the mast and condemned to the scourge for being absent from his post

at general quarters, a post to which he had never to his knowledge

been assigned: in a panic of righteous anger, he measured the distance

between himself and the captain, and had the blind impulse to rush

him overboard, and end his own life, too, rather than undergo the

degradation of this punishment. By a miracle, he was saved from this

fate through the courageous intercession of a corporal of the marines,

who spoke up in his behalf and got the order remitted. The other

humiliation was the massacre of the beards, when, by the capricious

order of “Captain Claret,” the autocrat of the United States, even the

oldest veteran, just completing his last voyage, was ordered to shave

his beard; and when he would not submit to it, was flogged and put in

irons. No one can feel the inner resentment occasioned by such an order

who has not been subject to a similar indignity; on such occasions, the

spirit boils in helpless rebellion. In civilian life, only the poor and

the outcast know this experience; but in every large and regimented

organization, military or commercial, such affronts to human dignity

and autonomy are commonplace; they characterize the system, rather than

the men who conduct it. Had Captain Claret not, on the whole, been a

lenient officer, Melville would have had a hundred other occasions for

this feeling. In gauging Melville’s conduct at a later period, one must

not forget these humiliations; their effect was cumulative.

But the crowning adventure of the voyage happened when the United

States was off the capes of Virginia in a calm sea: the ship gave a

sudden lurch and he was thrown from the yard-arm into the water. Let

him tell the story for himself:

“With a bloody, blind film before my eyes, there was a still stranger

hum in my head, as if a hornet were there; and I thought to myself

Great God! this is death. Yet these thoughts were unmixed with alarm.

Like frostwork that flashes and shifts its scared hues in the sun, all

my braided, blended emotions were in themselves icy cold and calm....

As I gushed into the sea, a thunderboom sounded in my ear; my soul

seemed flying from my mouth. The feeling of death flooded over me with

the billows, the blow from the sea must have turned me, so that I sank

almost feet foremost through a soft, seething, foamy lull. Some current

seemed hurrying me away; in a trance, I yielded, and sank deeper down

with a glide. Purple and pathless was the deep calm around me, flecked

by summer lightnings in an azure afar. The horrible nausea was gone;

the bloody, blind film turned a pale green; I wondered whether I was

yet dead, or still dying. But of a sudden some fashionless form brushed

my side--some inert coiled fish of the sea; the thrill of being alive

again tingled in my nerves, and the strong shunning of death shocked me

through. For one instant an agonizing revulsion came over me as I found

myself utterly sinking. Next moment the force of my fall was expended;

and there I hung, vibrating in the mid-deep.... The Life-and-death

poise soon passed; and then I found myself slowly ascending, and caught

a dim glimmering of light. Quicker and quicker I mounted; till at last

I bounded up like a buoy and my whole head was bathed in the blessed

air.” Melville was rescued; but not before he had rid himself of his

white jacket forever; the ominous whiteness that he found later in

Moby-Dick was accentuated, perhaps, by his memory of that “accursed

jacket” which had delivered him up to the elements, rather than

protected him, and in the moment of extremity, had nearly proved his

shroud.

To have faced life and death, not as abstractions, but as concrete

events, when a sinew less of resolution would have meant his

extinction, in a stove boat off the coast of Japan, at the hands of

the pursuant Typees, or enveloped in the white jacket at sea: to have

thrown himself among strange men, and to have kept his own shape,

always set apart a little by culture and breeding, but never rebuffed

for a feebleness or an unmanliness or inability to bear a hand: to

feel the wild throb of a ship in a gale, sea-wracked but magnificent,

creaking, whining, wind-whistling, slapping into a trough of wave or

climbing dizzily on to a crest, and to feel a wilder, louder, more

victorious throb within: to have been attracted by the languors and

sensuous jollities of a savage life, but still more attracted by all

that civilisation had left with him, in hints and promises, Homer

and Dante and Shakespeare and Cervantes: to have left home a boy,

innocent and unspoiled, and to have returned a man, toughened, bronzed,

firm-fibred, and full of mixed knowledge, yet still essentially

innocent and unspoiled--all this had happened to Melville. He had left

America to seek adventures. Now he had found adventures; and he left

that behind, left the South Seas and the whaleman’s joys and hardships,

and the man-of-war’s settled routine, to pursue adventure farther, but

on a higher plane.

There comes a time--it is the beginning of manhood or womanhood--when

one realizes that adventure is as humdrum as routine unless one

assimilates it, unless one relates it to a central core which grows

within and gives it contour and significance. Raw experience is

empty, just as empty in the forecastle of a whaler as in the chamber

of a counting-house; it is not what one does, but in a manifold

sense, what one _realizes_, that keeps existence from being vain and

trivial. Mankind moves about in worlds not realized: Wordsworth’s

phrase expresses a profound reality, and Melville himself suggests

a similar idea in Mardi, when the philosopher points out that ages

hence people may realize more keenly what has happened today than our

own contemporaries do. It is the artist, the knower, the sayer, who

realizes human experience, who takes the raw lump of ore we find in

nature, smelts it, refines it, assays it, and stamps it into coins

that can pass from hand to hand and make every man who touches them

the richer. “No man can live for another” is a true doctrine as far

as experience goes; but it is the opposite of true in the life of

realization; for into this fuller and more durable apprehension of

experience goes our whole social heritage, all the forms and symbols

that have aided human expression in the past, the cumulative effect of

many cultures and many different modes of life. Those who absorb and

reflect and meditate and relate, play an important part in the economy

of society; and life is abrupt and incomplete when that part is not

performed.

Melville had travelled far and had experienced much; he had run the

gamut, or rather, the gauntlet of every sort of human experience

except the normal and easy and domestic one promised him by birth

and parentage. He will never be a school teacher, a professor, a

ship captain, a lawyer, a political leader; however necessary these

occupations, there is nothing in Melville’s training or temperament

that moves him in one of these directions. What is left? What is left

is something he has been silently preparing himself for all along: he

must become a writer. Though the society to which he returned, unlike

Jack Chase and other humble listeners to Melville’s yarns, regarded

that function as a trivial one, compared to accomplishments in a

dissociated world of action, and by its contemptuous regard and its

dissociation, deprived it of sustenance and made much of it in fact

trivial, here is the occupation which will gain in a hundred ways by

his experiences.

Melville must have had more than a dim anticipation of this career when

he stepped ashore, at Boston, in October, 1844; and had he known where

it would lead him he might well have shrunk from following it further.

His physical adventures were to be welcomed as romantic myths, and

his mental adventures were to be denounced as blasphemies. In short,

“the indefinite Navy Commissioners, so far out of sight aloft,” had

a mission in store for Melville that Hardy’s ironic President of the

Immortals might have concocted in a sinister moment.

CHAPTER THREE: TROPICAL SUMMER

In 1844, when Herman Melville landed in Boston, provincial American

society was in that state of uneasy transformation which means either

a vaster accomplishment or destruction; and in 1844 it was still

possible to think that the result would not be, fatally, destruction.

The Mexican War loomed ahead, thanks partly to the itch of Southern

planters to extend the territory under cotton, abetted by the belief

of men like Seward that by a process of territorial aggrandizement and

conquest the conflict between Northern and Southern economic interests

could be diverted. The American state had already acquired the desire

to crown itself with glory and prestige by conquering one of its

disordered neighbours--a process which mixed an ineffable air of virtue

with the proud consciousness that we had chosen an opponent who could

not possibly lick us.

Already something that aggravated the economic conflict had appeared

on the horizon, a breach between the several states over the ancient

metaphysical question of the one and the many, somewhat confused by

doubts as to whether free institutions could flourish alongside an

empire committed to slavery and expansion. These doubts must have

been even more confusing to a neutral observer, since cities like

Charleston and New Orleans, for all their slavery, were less depressing

and barbarous than such proud emporia as New York and such dingy

manufacturing hives as Philadelphia and Pittsburgh. There was so much

right and wrong on both sides of Mason and Dixon’s line that the

question could only be decided by furious men of action, who would

decisively pound their fist into one side of the scale or the other in

order to make weight and register a conclusion.

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