That night, before she fell asleep, Stella recalled her brother's face

and words in the brief conversation that had passed, and she felt her

heart failing her in a curious way. 'It is true,' she thought; 'the

chief attachment of my life is crumbling away. As long as I was first

with Cuthbert, he did not see what a faulty, foolish, inconsistent

creature I am. Dora's placid little perfections show me up in a lurid

light. After this he cannot see me without criticising me--without

wondering how, at one time, I seemed to him so dear and lovable. And

I--I shall always be conscious of it, and always say horrid things. Oh,

it is no use my drawing out a little set of rules, resolving to be more

gentle, and sweet, and patient. The things I say, for which I

afterwards hate myself, come to me with handles. "Is this a dagger that

I see before me?" No, it is a stupid little bodkin, that generally

contrives to scratch me. I seem to have got to that stage of life in

which I must take myself for better or worse, as people do in

marriage--meaning mostly for worse. Perhaps, when the glow of courtship

and the honeymoon are over, Cuthbert may cease to criticise me--but that

is too far away to be consoling. I have the unfortunate Australian

temperament. I want the share that falleth to my lot now. And then

there will be not only Dora, whose eyes get rounder at everything I say,

but there will be an elder sister eternally singing out of

tune--practising a little song with a moral in its tail, to sing at a

servantmaids' friendly association. Poor things! it is no wonder they

disappear like the mangles that are bought with subscriptions. After

all, Shah and Ted are less objectionable than many things in life.'

She mocked herself, as she habitually did when she was bent on keeping

sterner, more serious thoughts at a distance. Yet before she fell asleep

her pillow was wet with tears. In the days that followed the brother

and sister gradually drifted apart. He was constantly with the Carters

and their friends during his hours of relaxation from parochial work.

Stella, swayed by a variety of motives, conceived almost a horror of the

Carter household. She even repented of having called Dora 'a little

darling' at their first interview. She described her to Ted as opening

her eyes wide like an automatic doll.

'You don't like having your nose put out of joint, I can see that,'

answered Ted, with an amused chuckle.

Stella made a slight grimace at him, and gave Shah his head. As they

were trotting up the Toorak road, Ted spoke again:

'You see, Stella, that's one strong point about me. I'll never throw

you over for anybody.'

'Oh, for the matter of that, Cuth hasn't; only he's got engaged to the

wrong sort of family. When you get engaged, Ted, please see that the

lady you love has not three unmarried sisters--the eldest desperately

unmusical, but bent on singing.'

'Well, you see, the lady I love has only one unmarried sister. But, of

course, you had that in your mind when you spoke,' said Ted, smiling to

himself under his moustache.

Stella laughed merrily at the imputation.

'Now confess,' said Ted, as they slackened their horses' pace and

dropped into a walk, 'you would be horribly cross if I came to-morrow

morning and said I had got engaged, and instead of begging you to ride

Shah, took out the other young woman.'

*CHAPTER XXIII.*

Next morning the rain came down in torrents. It was out of the question

to go out riding. Nor could Ted make an appointment for the afternoon,

in case it cleared. Mrs. Anstey-Hobbs had formed one of those sudden

attachments for Miss Courtland which characterized the Melbourne lady's

social career. Already, in writing to Stella, she addressed her as an

'ever dear,' and this was the day on which the new 'ever dear' was to be

at Toorak House at twelve o'clock, and spend a quiet evening with a few

special friends.

'That means the people who have souls and pens, Stella,' said Laurette.

'Mrs. Anstey-Hobbs always reads people's characters at a glance. She

quite took you in the first day. You are so sweet and fresh and

naive--so open to new ideas. Fancy my listening to all this without

betraying you!'

'By Jove! you women are a rum lot,' broke in Ted, who stood staring out

through the window, beating a tattoo on his boot with a riding-whip.

'Thank you, dear,' said Laurette, with a pert little bow.

'Yes; here's that Hobbs woman flying at Stella with both arms when they

meet, and Stella going for all the day and most of the night with her;

and then I'll swear she'll have some comic story when she comes back,

like that one about the lean sheep and the Mallee and the native

companion.'

Laurette looked thoroughly mystified. Though Stella dearly loved to

tell a funny story, she was very careful not to make a confidante of one

with so slippery a tongue as Laurette's. Ted perceived the situation,

and his heart beat with joy. Stella was sitting on a low arm-chair near

the fire, cutting the leaves of a magazine. Ted sat down on the

fender-stool at her feet, and said in an undertone: 'After all, what you

told me in the top of the she-oak so many years ago is quite true.'

'Oh, as for Mrs. Anstey-Hobbs, she gives herself away to everyone,' said

Laurette viciously. There had been an ardent friendship at one time

between the two, which had long since been offered up as alms to

oblivion, and Laurette suspected that Mrs. Anstey-Hobbs had confided

some story to Stella under the bond of secrecy. 'There was that absurd

story about herself and the Russian commander last season. Oh, I mean

when the Russian man-of-war was here. Of course, Mrs. Anstey-Hobbs gave

a grand ball, and Joseph--that's her husband--rather forgot himself. She

was so mortified, she began to speak to the commander in a bow-window,

and a broken voice, of the withering bonds of the conjugal life, just

merely to show off how sensitive and refined she was. She didn't mean a

word of it, you know. The commander thought she was proposing to elope

with him, and explained in fragmentary English that his official

position would not permit any irregularity, but that he hoped to return

before long.'

'Really, Laurette, I don't think you should tell a story like that

before me,' said Ted, who was engaged in trying to purloin a bow of

ribbon off Stella's shoe.

'And then the way she dresses,' said Laurette, who, like many others,

found it difficult to curb her enthusiasm as soon as she had begun

discussing an absent friend. 'You noticed her the other evening at

Government House, arrayed in an extraordinary pea-green, with yellow

marabout feathers on the train? She reads the "Court Circular," you

know, and makes a point of dressing like a young princess--quite

forgetting she is getting on in life, and never had a complexion.'

'If you say much more, I shall stay to see you hugging and kissing her

when she comes in,' said Ted, slipping a knot of crimson satin ribbon

into his vest pocket.

'That reminds me; I must write a note or two before I go,' said Stella.

One of these was to Louise, her brother Hector's wife, at

Lullaboolagana.

'You say you are not very well, and are longing to see me,' she wrote.

'Well, if you write in your answer "I want you at once," you will see me

twenty-four hours after I get it. I feel an ungrateful wretch--for

Laurette is all kindness in her way--but the Mallee Scrub spoils one for

the kind of society in which money is the one great distinction, and

where women have no time for anything but to be insignificant victims of

those sinister successes of life which end in choking it with

superfluities. As for Cuth--ah me!--one little dimple of Dora's pretty

face is worth all I am or can be. Yes, this is partly jealousy--a mean

sort of reptile which I used to think I was quite above. I suppose we

are above most failings as long as there is no temptation.'

'Well, Ted,' said his sister, when the two were alone, 'it seems to me

that you and Stella are getting on.'

Laurette did not really think so; but money affairs were day by day

assuming a sterner aspect, and she was anxious to make belief in the

success of Ted's suit a ground for making 'sacrifices' on his behalf.

Laurette's ideal of a sacrifice was making someone pay very heavily for

an action that had cost her nothing.

'Oh, do you think so?' answered Ritchie. Then he walked up and down the

room for a little. 'Look here, Larry,' he said suddenly, 'do you think

Stella has heard anything?'

Laurette was just then like a _chiffonnier_, who discards nothing that

comes to hand till it is examined at leisure.

'I do not know,' she answered slowly; 'what makes you ask?'

'Well, at times she is so merry and full of fun; then she gets a silent

fit; and though we are friendly, we never seem to get any further. The

more I see of her the less I know what is going to happen.'

'She doesn't know herself. Stella Courtland is one of those girls who

seem to be wise and even strong-minded--but all the time she is torn in

twenty directions. It runs all through her. At seventeen she wouldn't

be confirmed, because she wanted to be a Catholic. She has never been

confirmed to this day, and never turned Catholic. She stays away from

Church far more than I do, and yet she'll read her Bible by the hour, as

if it were a French novel. She scoffs at people thinking they can do

any good to the poor, and still she has a trick of going to see them and

listening to everything they choose to say far more patiently than she

would to you or me. She has been absurdly fond of her brother Cuthbert

all her life; and instead of being glad he has got engaged to a pretty

well-connected girl, she mopes over it. I have no doubt she thinks in

her heart that I am a very poor shallow creature; but at any rate I know

what I want, and I generally succeed in getting it; and for once I

change my mind, she changes hers fifty times. Let her go on a little

longer, and if the whim should take her in the end that she doesn't care

to marry you, I think I can bring her to her bearings. It used to be a

great weakness with her, even as a girl, to believe she could do good.

It's a sort of family superstition. She may not have it very strong

now; but still enough to get at her through her conscience.'

'Through her conscience!' repeated Ritchie; as though in the case of a

woman this were a theological abstraction, not to be lightly brought up

in secular conversation.

'Yes, precisely,' returned Laurette, with a firm voice. Conscience was,

on the whole, the mental faculty of which she knew least, and she felt

therefore all the better qualified to reckon on its mystic influence

with a character so unstable. 'But after giving you so much

encouragement, she'll never finally reject you.'

'Well, as to the encouragement, Larry, it's more that I won't give in,

you see--and take "no" for an answer.'

'Then don't be impatient. The longer you are thrown together in this

sort of way the better for you.'

When Stella came back from Mrs. Anstey-Hobbs' that evening, she found

Laurette looking very much discomposed over a telegram that awaited her

return from a musical evening at Sir Thomas and Lady Danby's, who were

next-door neighbours at Monico Lodge. She said nothing, however, as to

the cause of her evident vexation, but chatted about the events of the

day until Ted came in. He launched into details of a dinner that had

been given at the Melbourne Club to Colonel Aldersley, prior to his

departure for England.

'There was little Jingo of Wyoming,' he said, 'laying it on as usual

with a trowel: "The presence of men like Colonel Aldersley amongst us,"

says he, "has more than social significance. It is the influence of

such high-toned people that rivets the bonds that bind us to the

mother-country," and a lot more I can't remember. And there was the

colonel trying to look as if he believed it, and the other fellows

jogging each other, and little Eardley Everson--a brat of a boy of

eighteen, who has lost over L20,000 to the colonel--pinching himself to

see if he was awake.'

Stella was much diverted by this, but Laurette re-read her telegram with

a care-laden face. Then she left the room, saying she would be back in

a few minutes.

On this, Ted entered into more personal talk.

'I say, Stella, what do you call that dress you have on--I mean, what

stuff is it?'

'Crepe de Chine--pale pink, as you see!'

'And that stuff peeping out round your shoulders?'

'Cream-coloured crepe lisse.'

'Would you mind being married just in a dress like that?'

'Why, Ted, that's like fishing for an invitation!'

'Nothing of the sort. Who ever heard of a bridegroom asking to be

invited to---- Now, Stella, don't move; sit just as you are. And what

are these roses in your hair and bosom?'

'Scarlet fairy roses. Aren't they too dear and sweet? Mrs. Anstey-Hobbs

still has heaps of them, though they were nearly over with us when I

left home.'

'Tell me about Mrs. Anstey-Hobbs before Larry comes back. I won't let

the cat out of the bag on you this time!'

Stella was sitting on her favourite chair, near the fire. The flames

leaped rosily, and cast rosy reflections on her face--stealing to it on

each side of the Japanese screen, with its flock of wide-winged storks

hovering above their slender bamboos. Ritchie had planted himself

straight in front of her, sitting horseback fashion on a chair, his

hands, which were crossed on the back of it, supporting his chin.

At this request Stella began to laugh, and her eyes sparkled with

amusement. It was the expression that her companion best loved to see

her wear. When she looked like that he always understood what she said.

'Oh, the salon, Ted; it was really too funny. You must know that after

dinner we assembled in what Mrs. Anstey-Hobbs calls her boudoir, but it

is as large as any ordinary drawing-room. It is hung with panels of

peach-coloured satin, very beautifully embroidered--some with Graces and

Cupids tumbling over wreaths of roses. But the design I liked best was

a great spray of double white cherry-blossoms, with a pair of sweet

little gray love-birds billing in the midst----'

'Yes, they're jolly little animals. I wish some people would take a

little more after them.'

'Now, if you interrupt I must remember bow late it is. Perhaps I ought

to tell you that this work was done by a Russian countess that Mrs.

Anstey-Hobbs met abroad. She got into trouble with her husband, or the

Government, or something. So one night, instead of returning home from

a ball, she ran away to the Riviera, where she designed and worked

lovely things for people who have two hundred thousand sheep in the

woods of Australia. When you come to think of it, there is something

that fascinates the mind in the idea of eloping with a crewel-needle

from the reach of the police, or an objectionable husband.'

'Nonsense, Stella; no woman worth her salt runs away from her husband

like that,' answered Ted promptly. He may have had reasons of his own

for entertaining strict views on this point. 'Besides, if you knew all,

you may depend it was not with a crewel-needle she eloped.'

'Well, at any rate it was with a crewel-needle she lived. And she was

known as the Countess Olga. But where was I? Oh, the salon--well, you

must figure to yourself that Mrs. Anstey-Hobbs was draped _artistement_

in a wonderful Indian fabric, and that she lived in an enormous armchair

covered with citron-coloured velvet. Beside her was a little octagon

table carved out of Angola ivory; on it the daintiest little notebook in

the world with jewelled clasps--a notebook in which to enter the _bons

mots_ of the evening.'

'What are _bons mots_? Have I ever heard any?'

'Oh, Ted, Ted--to think that I climbed trees with you in my infancy, and

have seen you at intervals ever since, and that you should ask such a

question! How shall I explain--it must be in the concrete. You

remember the last time you were out riding you told me of an Oxford man

who was a knock-about-hand at Strathhaye for some time, and how,

speaking of the old Greeks once, he said their only idea of trade was

piracy, and I answered it remained for modern times to combine the two?

Well, that was something in the nature of a _bon mot_.'

'Oh, you are always saying things of that kind. But why the dickens

should the old frump want to put them in a notebook?'

'Why, indeed,' answered Stella, laughing heartily. 'Well, you see, Ted,

the prosperity of a salon depends on its _bons mots_--but I am obliged

to confess I did not hear any. There were twenty of us, and the first

part of the evening was monopolized by a Yankee newspaper-man, who sends

columns of lies every week to a daily paper in New York. He stood with

his back to the fire, and held forth through his nose for nearly an hour

on the merits of cremation. He proved conclusively that a casket ten

inches by eight would contain the calcined ashes of an adult. And then

he asked the host in an audible aside for a "nip of dog's nose." What

in the world is that?'

It was now Ted's turn to laugh. 'Why, it's a horrid mess made of gin

and beer mixed.'

'Then that accounts for Mrs. Anstey-Hobbs' confusion. She told me

beforehand that in striving to establish a _salon d'esprit_ she was

determined to keep the grosser pleasures of the palate in the

background--to have nothing more material than macaroons and lemonade.

I think Mr. Hobbs himself went to brew the unholy mixture. I am sure he

would not dare to ask it from the butler, who is a magnificent creature,

whose former life has been passed in the bosom of the British nobility.

What can be keeping Laurette so long?'

'Oh, I dare say the kiddies have got measles or something,' answered

Ted. 'Go on, Stella, tell me some more. Were there many to dinner?'

'Yes, about a dozen. These endless costly dinners are my horror. I

like my food plain and unmixed, like a bird or a peasant. On one side

of me there was a parched-up-looking woman, who seemed to be in a state

of nervous tension about her spoons and forks. On the other a man

hardly middle-aged, who gobbled away till the veins on his forehead

stood out. Pastor Fiedler's nine little pigs used to dine much more

peacefully, and then their grunts were so much more eloquent than

anything he said.'

'I've been to Toorak House a few times,' said Ted, laughing. 'It always

seemed crammed up with things from everywhere.'

'Oh yes; I should think that temples in the far East must have been

rifled for screens, and rugs, and mantel-drapes. There are some things

I have quite fallen in love with. One is a very old Egyptian

drinking-cup--greenish-gray, in the shape of a lotus-leaf. Another is a

slender Etrurian vase in jade.... But how late it is!' she cried

suddenly. 'Laurette must be seeing the children through all the phases

of a lingering malady. Good-night, Ted.'

'Good-night.' But he did not release her hand. 'Oh, Stella, if you

would let me take one kiss--just one. You did once before, you know,

when we were engaged--that afternoon in the garden at Fairacre.'

She drew back, but he had taken both her hands, and held them firmly in

his.

'Let me go at once, Ted,' she cried in quick anger and something of

dismay.

'Stella, when is this to come to an end? How long am I to wait and beg,

and play the fool? Have pity on me. You do like me a little. That's

all I want to begin with. You have thought that you might marry me; you

must have thought that you would let me kiss you. There, don't look as

if I frightened you. Try and make up your mind----'

'I have made up my mind,' she cried, sweeping past him, an indignant

flush on her face.

It was nearly one o'clock in the morning, and she found Maisie fast

asleep in the dressing-room, where she had been waiting her mistress's

return. Stella made her go to bed at once, but she herself sat in a

dressing-gown by her bedroom fire. She was angry; first at Ted and then

herself. It was ridiculous of her to sit and talk with him so long.

Laurette was a sneak, who had no doubt purposely stayed away. Even

chaperons had not been invented without a cause. Probably the most

jaded institutions of society were founded upon some battered relic of

reason. But was it necessary to run full tilt against them before

acknowledging this?

How absurd it was getting, this determined, endless wooing! What would

be the end of it? Her anger died away as she tried to answer the

question. She could not pretend to dislike Ted. She reflected on the

endless variation of dulness that entered so largely into the lives of

the bulk of women. After all, money was one of the greatest safeguards

against that mildew of unexpectant monotony with which the years were so

largely infected when once one began to find things out. She was really

beginning to feel as if Ted had a right to her. Finally, she resolved

that she would hasten her departure for Lullaboolagana, and there make a

final, an irrevocable decision. Then she pictured herself writing to

Ted; no, she would see him, it would be kinder; she would ask him to

meet her in Melbourne on her way back. 'Ted, this must come to an end.

You must take my final answer; I cannot marry you.' Would he call it

'coming a cropper,' and rend her with reproaches? And then a little

panic seized her, that no reason she could urge would stand the tide of

Ted's remonstrances. She did not acknowledge it to herself, and yet a

vague consciousness underlay her musings, that the masterful way in

which he had held her hands, and looked at her with ardent eyes, made

some hitherto unknown chord of her nature vibrate in unison with his

will. Perhaps it was a faint reminiscence in her blood of the remote

ancestresses of pre-civilization, who were knocked on the head if they

did not fall in with the marital arrangements made for them.

*CHAPTER XXIV.*

Stella had not been unfair in conjecturing that Laurette's absence from

the drawing-room, after her brother came in, was not accidental. It had

not, however, been her design to stay away so long, a circumstance which

was in point of fact due to her having a bitter fit of crying. This was

with her an extremely unusual circumstance, and was caused by no

sentimental weakness. The laconic telegram she had received would not

of itself have thrown much light on her emotion. It was dated from

Sydney, and merely contained the words:

'Cannot be back for some days to come.

'TALBOT TARELING.'

That was all; but its bitterness, like that of many other events, lay in

the context. There was no legitimate excuse for his sojourn in Sydney.

Even business, elastic as it is in the hands of a wary and unfaithful

husband, could not in any possible guise be held accountable for this

move. In order to go to Sydney from Banjoleena, Tareling must have

passed through Melbourne. Laurette had no need to waste time in asking

herself why he had done so, like a fugitive. It was owing to the recent

departure for Sydney of a wretched little opera singer who was

Tareling's last infatuation. Laurette reviewed the situation in the

light of past events.

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