EGYPT.

We know more about the religion of the early Egyptians than about any other

ancient religion. Its development can be traced back three or four thousand

years; we can read its sacred texts, mythical narratives, hymns, rituals,

and the Book of the Dead in the original, and we can ascertain its various

ideas as to the nature of the divine powers and of future life. A great

number of monuments have preserved for our inspection the pictures of

divinities and representations of liturgic scenes, while numerous

inscriptions and papyri enlighten us in regard to the sacerdotal

organization of the principal temples. It would seem that the enormous

quantity of documents of all kinds that have been deciphered in the course

of nearly an entire century should have dispelled every uncertainty about

the creed of ancient Egypt, and should have furnished exact information

with regard to the sources and original character of the worship which the

Greeks and the Romans borrowed from the subjects of the Ptolemies.

And yet, this is not the case. While of the four great Oriental religions

which were transplanted into the Occident, the religion of Isis and Serapis

is the one whose relation to the ancient belief of the mother country we

can establish with greatest accuracy, we {74} know very little of its first

form and of its nature before the imperial period, when it was held in high

esteem.

One fact, however, appears to be certain. The Egyptian worship that spread

over the Greco-Roman world came from the Serapeum founded at Alexandria by

Ptolemy Soter, somewhat in the manner of Judaism that emanated from the

temple of Jerusalem. But the earliest history of that famous sanctuary is

surrounded by such a thick growth of pious legends, that the most sagacious

investigators have lost their way in it. Was Serapis of native origin, or

was he imported from Sinope or Seleucia, or even from Babylon? Each of

these opinions has found supporters very recently. Is his name derived from

that of the Egyptian god Osiris-Apis, or from that of the Chaldean deity

Sar-Apsi? _Grammatici certant_.[1]

Whichever solution we may adopt, one fact remains, namely, that Serapis and

Osiris were either immediately identified or else were identical from the

beginning. The divinity whose worship was started at Alexandria by Ptolemy

was the god that ruled the dead and shared his immortality with them. He

was fundamentally an Egyptian god, and the most popular of the deities of

the Nile. Herodotus says that Isis and Osiris were revered by every

inhabitant of the country, and their traditional holidays involved secret

ceremonies whose sacred meaning the Greek writer dared not reveal.[2]

Recognizing their Osiris in Serapis, the Egyptians readily accepted the new

cult. There was a tradition that a new dynasty should introduce a new god

or give a sort of preeminence to the god of its own district. From time

immemorial politics had changed the {75} government of heaven when changing

that of earth. Under the Ptolemies the Serapis of Alexandria naturally

became one of the principal divinities of the country, just as the Ammon of

Thebes had been the chief of the celestial hierarchy under the Pharaohs of

that city, or as, under the sovereigns from Sais, the local Neith had the

primacy. At the time of the Antonines there were forty-two Serapeums in

Egypt.[3]

But the purpose of the Ptolemies was not to add one more Egyptian god to

the countless number already worshiped by their subjects. They wanted this

god to unite in one common worship the two races inhabiting the kingdom,

and thus to further a complete fusion. The Greeks were obliged to worship

him side by side with the natives. It was a clever political idea to

institute a Hellenized Egyptian religion at Alexandria. A tradition

mentioned by Plutarch[4] has it that Manetho, a priest from Heliopolis, a

man of advanced ideas, together with Timotheus, a Eumolpid from Eleusis,

thought out the character that would best suit the newcomer. The result was

that the composite religion founded by the Lagides became a combination of

the old creed of the Pharaohs and the Greek mysteries.

First of all, the liturgic language was no longer the native idiom but

Greek. This was a radical change. The philosopher Demetrius of Phalerum,

who had been cured of blindness by Serapis, composed poems in honor of the

god that were still sung under the Cæsars several centuries later.[5] We

can easily imagine that the poets, who lived on the bounty of the

Ptolemies, vied with each other in their efforts to celebrate their

benefactors' god, and the old rituals that were translated from the

Egyptian were also enriched with {76} edifying bits of original

inspiration. A hymn to Isis, found on a marble monument in the island of

Andros,[6] gives us some idea of these sacred compositions, although it is

of more recent date.

In the second place, the artists replaced the old hieratic idols by more

attractive images and gave them the beauty of the immortals. It is not

known who created the figure of Isis draped in a linen gown with a fringed

cloak fastened over the breast, whose sweet meditative, graciously maternal

face is a combination of the ideals imagined for Hera and Aphrodite. But we

know the sculptor of the first statue of Serapis that stood in the great

sanctuary of Alexandria until the end of paganism. This statue, the

prototype of all the copies that have been preserved, is a colossal work of

art made of precious materials by a famous Athenian sculptor named Bryaxis,

a contemporary of Scopas. It was one of the last divine creations of

Hellenic genius. The majestic head, with its somber and yet benevolent

expression, with its abundance of hair, and with a crown in the shape of a

bushel, bespoke the double character of a god ruling at the same time both

the fertile earth and the dismal realm of the dead.[7]

As we see, the Ptolemies had given their new religion a literary and

artistic shape that was capable of attracting the most refined and cultured

minds. But the adaptation to the Hellenic feeling and thinking was not

exclusively external. Osiris, the god whose worship was thus renewed, was

more adapted than any other to lend his authority to the formation of a

syncretic faith. At a very early period, in fact before the time of

Herodotus, Osiris had been identified with Dionysus, and Isis with Demeter.

M. Foucart has {77} endeavored to prove in an ingenious essay that this

assimilation was not arbitrary, that Osiris and Isis came into Crete and

Attica during the prehistoric period, and that they were mistaken for

Dionysus and Demeter[8] by the people of those regions. Without going back

to those remote ages, we shall merely say with him that the mysteries of

Dionysus were connected with those of Osiris by far-reaching affinities,

not simply by superficial and fortuitous resemblances. Each commemorated

the history of a god governing both vegetation and the underworld at the

same time, who was put to death and torn to pieces by an enemy, and whose

scattered limbs were collected by a goddess, after which he was

miraculously revived. The Greeks must have been very willing to adopt a

worship in which they found their own divinities and their own myths again

with something more poignant and more magnificent added. It is a very

remarkable fact that of all the many deities worshiped by the Egyptian

districts those of the immediate neighborhood, or if you like, the cycle of

Osiris, his wife Isis, their son Harpocrates and their faithful servant

Anubis, were the only ones that were adopted by the Hellenic populations.

All other heavenly or infernal spirits worshiped by the Egyptians remained

strangers to Greece.[9]

In the Greco-Latin literature we notice two opposing attitudes toward the

Egyptian religion. It was regarded as the highest and the lowest of

religions at the same time, and as a matter of fact there was an abyss

between the always ardent popular beliefs and the enlightened faith of the

official priests. The Greeks and Romans gazed with admiration upon the

splendor of the temples and ceremonial, upon the fabulous {78} antiquity of

the sacred traditions and upon the erudition of a clergy possessed of a

wisdom that had been revealed by divinity. In becoming the disciples of

that clergy, they imagined they were drinking from the pure fountain whence

their own myths had sprung. They were overawed by the pretensions of a

clergy that prided itself on a past in which it kept on living, and they

strongly felt the attraction of a marvelous country where everything was

mysterious, from the Nile that had created it to the hieroglyphs engraved

upon the walls of its gigantic edifices.[10] At the same time they were

shocked by the coarseness of its fetichism and by the absurdity of its

superstitions. Above all they felt an unconquerable repulsion at the

worship of animals and plants, which had always been the most striking

feature of the vulgar Egyptian religion and which, like all other archaic

devotions, seems to have been practised with renewed fervor after the

accession of the Saite dynasty. The comic writers and the satirists never

tired of scoffing at the adorers of the cat, the crocodile, the leek and

the onion. Juvenal says ironically: "O holy people, whose very

kitchen-gardens produce gods."[11] In a general way, this strange people,

entirely separated from the remainder of the world, were regarded with

about the same kind of feeling that Europeans entertained toward the

Chinese for a long time.

A purely Egyptian worship would not have been acceptable to the Greco-Latin

world. The main merit of the mixed creation of the political genius of the

Ptolemies consisted in the rejection or modification of everything

repugnant or monstrous like the phallophories of Abydos, and in the

retention of none but {79} stirring or attractive elements. It was the most

civilized of all barbarian religions; it retained enough of the exotic

element to arouse the curiosity of the Greeks, but not enough to offend

their delicate sense of proportion, and its success was remarkable.

It was adopted wherever the authority or the prestige of the Lagides was

felt, and wherever the relations of Alexandria, the great commercial

metropolis, extended. The Lagides induced the rulers and the nations with

whom they concluded alliances to accept it. King Nicocreon introduced it

into Cyprus after having consulted the oracle of the Serapeum,[12] and

Agathocles introduced it into Sicily, at the time of his marriage with the

daughter-in-law of Ptolemy I (298).[13] At Antioch, Seleucus Callinicus

built a sanctuary for the statue of Isis sent to him from Memphis by

Ptolemy Euergetes.[14] In token of his friendship Ptolemy Soter introduced

his god Serapis into Athens, where the latter had a temple at the foot of

the Acropolis[15] ever after, and Arsinoë, his mother or wife, founded

another at Halicarnassus, about the year 307.[16] In this manner the

political activity of the Egyptian dynasty was directed toward having the

divinities, whose glory was in a certain measure connected with that of

their house, recognized everywhere. Through Apuleius we know that under the

empire the priests of Isis mentioned the ruling sovereign first of all in

their prayers.[17] And this was simply an imitation of the grateful

devotion which their predecessors had felt toward the Ptolemies.

Protected by the Egyptian squadrons, sailors and merchants propagated the

worship of Isis, the goddess of navigators, simultaneously on the coasts of

Syria, {80} Asia Minor and Greece, in the islands of the Archipelago,[18]

and as far as the Hellespont and Thrace.[19] At Delos, where the

inscriptions enable us to study this worship somewhat in detail, it was not

merely practised by strangers, but the very sacerdotal functions were

performed by members of the Athenian aristocracy. A number of funereal

bas-reliefs, in which the deified dead wears the _calathos_ of Serapis on

his head, prove the popularity of the belief in future life propagated by

these mysteries. According to the Egyptian faith he was identified with the

god of the dead.[20]

Even after the splendor of the court of Alexandria had faded and vanished;

even after the wars against Mithridates and the growth of piracy had ruined

the traffic of the Ægean Sea, the Alexandrian worship was too deeply rooted

in the soil of Greece to perish, although it became endangered in certain

seaports like Delos. Of all the gods of the Orient, Isis and Serapis were

the only ones that retained a place among the great divinities of the

Hellenic world until the end of paganism.[21]

* * * * *

It was this syncretic religion that came to Rome after having enjoyed

popularity in the eastern Mediterranean. Sicily and the south of Italy were

more than half Hellenized, and the Ptolemies had diplomatic relations with

these countries, just as the merchants of Alexandria had commercial

relations with them. For this reason the worship of Isis spread as rapidly

in those regions as on the coasts of Ionia or in the Cyclades.[22] It was

introduced into Syracuse and Catana during the earliest years of the third

century by {81} Agathocles. The Serapeum of Pozzuoli, at that time the

busiest seaport of Campania, was mentioned in a city ordinance of the year

105 B. C.[23] About the same time an Iseum was founded at Pompeii, where

the decorative frescos attest to this day the power of expansion possessed

by the Alexandrian culture.

After its adoption by the southern part of the Italian peninsula, this

religion was bound to penetrate rapidly to Rome. Ever since the second

century before our era, it could not help but find adepts in the chequered

multitude of slaves and freedmen. Under the Antonines the college of the

_pastophori_ recalled that it had been founded in the time of Sulla.[24] In

vain did the authorities try to check the invasion of the Alexandrian gods.

Five different times, in 59, 58, 53, and 48 B. C., the senate ordered their

altars and statues torn down,[25] but these violent measures did not stop

the diffusion of the new beliefs. The Egyptian mysteries were the first

example at Rome of an essentially popular religious movement that was

triumphant over the continued resistance of the public authorities and the

official clergy.

Why was this Egyptian worship the only one of all Oriental religions to

suffer repeated persecutions? There were two motives, one religious and one

political.

In the first place, this cult was said to exercise a corrupting influence

perversive of piety. Its morals were loose, and the mystery surrounding it

excited the worst suspicions. Moreover, it appealed violently to the

emotions and senses. All these factors offended the grave decency that a

Roman was wont to {82} maintain in the presence of the gods. The innovators

had every defender of the _mos maiorum_ for an adversary.

In the second place, this religion had been founded, supported and

propagated by the Ptolemies; it came from a country that was almost hostile

to Italy during the last period of the republic;[26] it issued from

Alexandria, whose superiority Rome felt and feared. Its secret societies,

made up chiefly of people of the lower classes, might easily become clubs

of agitators and haunts of spies. All these motives for suspicion and

hatred were undoubtedly more potent in exciting persecution than the purely

theological reasons, and persecution was stopped or renewed according to

the vicissitudes of general politics.

As we have stated, the chapels consecrated to Isis were demolished in the

year 48 B. C. After Cæsar's death, the triumvirs decided in 43 B. C. to

erect a temple in her honor out of the public funds, undoubtedly to gain

the favor of the masses. This action would have implied official

recognition, but the project appears never to have been executed. If Antony

had succeeded at Actium, Isis and Serapis would have entered Rome in

triumph, but they were vanquished with Cleopatra; and when Augustus had

become the master of the empire, he professed a deep aversion for the gods

of his former enemies. Moreover, he could not have suffered the intrusion

of the Egyptian clergy into the Roman sacerdotal class, whose guardian,

restorer and chief he was. In 28 B. C. an ordinance was issued forbidding

the erecting of altars to the Alexandrian divinities inside the sacred

enclosure of the _pomerium_, and seven years later Agrippa extended this

prohibitive regulation to a radius of a thousand paces around the {83}

city. Tiberius acted on the same principle and in 19 A. D. instituted the

bloodiest persecution against the priests of Isis that they ever suffered,

in consequence of a scandalous affair in which a matron, a noble and some

priests of Isis were implicated.

All these police measures, however, were strangely ineffectual. The

Egyptian worship was excluded from Rome and her immediate neighborhood in

theory if not in fact, but the rest of the world remained open to its

propaganda.[27]

With the beginning of the empire it slowly invaded the center and the north

of Italy and spread into the provinces. Merchants, sailors, slaves,

artisans, Egyptian men of letters, even the discharged soldiers of the

three legions cantoned in the valley of the Nile contributed to its

diffusion. It entered Africa by way of Carthage, and the Danubian countries

through the great emporium of Aquileia. The new province of Gaul was

invaded through the valley of the Rhone. At that period many Oriental

emigrants went to seek their fortunes in these new countries. Intimate

relations existed between the cities of Arles and Alexandria, and we know

that a colony of Egyptian Greeks, established at Nimes by Augustus, took

the gods of their native country thither.[28] At the beginning of our era

there set in that great movement of conversion that soon established the

worship of Isis and Serapis from the outskirts of the Sahara to the vallum

of Britain, and from the mountains of Asturias to the mouths of the Danube.

The resistance still offered by the central power could not last much

longer. It was impossible to dam in this overflowing stream whose

thundering waves struck the {84} shaking walls of the _pomerium_ from every

side. The prestige of Alexandria seemed invincible. At that period the city

was more beautiful, more learned, and better policed than Rome. She was the

model capital, a standard to which the Latins strove to rise. They

translated the works of the scholars of Alexandria, imitated her authors,

invited her artists and copied her institutions. It is plain that they had

also to undergo the ascendancy of her religion. As a matter of fact, her

fervent believers maintained her sanctuaries, despite the law, on the very

Capitol. Under Cæsar, Alexandrian astronomers had reformed the calendar of

the pontiffs, and Alexandrian priests soon marked the dates of Isis

holidays upon it.

The decisive step was taken soon after the death of Tiberius. Caligula

erected the great temple of Isis Campensis on the Campus Martius probably

in the year 38.[29] In order to spare the sacerdotal susceptibilities, he

founded it outside of the sacred enclosure of the city of Servius. Later

Domitian made one of Rome's most splendid monuments of that temple. From

that time Isis and Serapis enjoyed the favor of every imperial dynasty, the

Flavians as well as the Antonines and the Severi. About the year 215

Caracalla built an Isis temple, even more magnificent than that of

Domitian, on the Quirinal, in the heart of the city, and perhaps another

one on the Coelian. As the apologist Minucius Felix states, the Egyptian

gods had become entirely Roman.[30]

The climax of their power seems to have been reached at the beginning of

the third century; later on the popular vogue and official support went to

other divinities, like the Syrian Baals and the Persian {85} Mithras. The

progress of Christianity also deprived them of their power, which was,

however, still considerable until the end of the ancient world. The Isis

processions that marched the streets of Rome were described by an eye

witness as late as the year 394,[31] but in 391 the patriarch Theophilus

had consigned the Serapeum of Alexandria to the flames, having himself

struck the first blow with an ax against the colossal statue of the god

that had so long been the object of a superstitious veneration. Thus the

prelate destroyed the "very head of idolatry," as Rufinus put it.[32]

As a matter of fact, idolatry received its death blow. The worship of the

gods of the Ptolemies died out completely between the reigns of Theodosius

and Justinian,[33] and in accordance with the sad prophecy of Hermes

Trismegistus[34] Egypt, Egypt herself, lost her divinities and became a

land of the dead. Of her religions nothing remained but fables that were no

longer believed, and the only thing that reminded the barbarians who came

to inhabit the country of its former piety, were words engraved on stone.

* * * * *

This rapid sketch of the history of Isis and Serapis shows that these

divinities were worshiped in the Latin world for more than five centuries.

The task of pointing out the transformations of the cult during that long

period, and the local differences there may have been in the various

provinces, is reserved for future researches. These will undoubtedly find

that the Alexandrian worship did not become Latinized under the empire, but

that its Oriental character became more and more pronounced. When Domitian

restored the Iseum of the Campus Martius and that of Beneventum, he {86}

transferred from the valley of the Nile sphinxes, cynocephali and obelisks

of black or pink granite bearing borders of hieroglyphics of Amasis,

Nectanebos or even Rameses II. On other obelisks that were erected in the

propyleums even the inscriptions of the emperors were written in

hieroglyphics.[35] Half a century later that true dilettante, Hadrian,

caused the luxuries of Canopus to be reproduced, along with the vale of

Tempe, in his immense villa at Tibur, to enable him to celebrate his

voluptuous feasts under the friendly eyes of Serapis. He extolled the

merits of the deified Antinous in inscriptions couched in the ancient

language of the Pharaohs, and set the fashion of statues hewn out of black

basalt in the Egyptian style.[36] The amateurs of that period affected to

prefer the hieratic rigidity of the barbarian idols to the elegant freedom

of Alexandrian art. Those esthetic manifestations probably corresponded to

religious prejudices, and the Latin worship always endeavored to imitate

the art of temples in the Nile valley more closely than did the Greek. This

evolution was in conformity with all the tendencies of the imperial period.

By what secret virtue did the Egyptian religion exercise this irresistible

influence over the Roman world? What new elements did those priests, who

made proselytes in every province, give the Roman world? Did the success of

their preaching mean progress or retrogression from the standard of the

ancient Roman faith? These are complex and delicate questions that would

require minute analysis and cautious treatment with a constant and exact

observation of shades. I am compelled to limit myself to a rapid sketch,

which, I {87} fear, will appear rather dry and arbitrary, like every

generalization.

The particular doctrines of the mysteries of Isis and Serapis in regard to

the nature and power of the gods were not, or were but incidentally, the

reasons for the triumph of these mysteries. It has been said that the

Egyptian theology always remained in a "fluid state,"[37] or better in a

state of chaos. It consisted of an amalgamation of disparate legends, of an

aggregate of particular cults, as Egypt herself was an aggregate of a

number of districts. This religion never formulated a coherent system of

generally accepted dogmas. It permitted the coexistence of conflicting

conceptions and traditions, and all the subtlety of its clergy never

accomplished, or rather never began, the task of fusing those

irreconcilable elements into one harmonious synthesis.[38] For the

Egyptians there was no principle of contradiction. All the heterogeneous

beliefs that ever obtained in the various districts during the different

periods of a very long history, were maintained concurrently and formed an

inextricable confusion in the sacred books.

About the same state of affairs prevailed in the Occidental worship of the

Alexandrian divinities. In the Occident, just as in Egypt, there were

"prophets" in the first rank of the clergy, who learnedly discussed

religion, but never taught a theological system that found universal

acceptance. The sacred scribe Cheremon, who became Nero's tutor, recognized

the stoical theories in the sacerdotal traditions of his country.[39] When

the eclectic Plutarch speaks of the character of the Egyptian gods, he

finds it agrees surprisingly with his own philosophy,[40] and when the

neo-Platonist {88} Iamblichus examines them, their character seems to agree

with his doctrines. The hazy ideas of the Oriental priests enabled every

one to see in them the phantoms he was pursuing. The individual imagination

was given ample scope, and the dilettantic men of letters rejoiced in

molding these malleable doctrines at will. They were not outlined sharply

enough, nor were they formulated with sufficient precision to appeal to the

multitude. The gods were everything and nothing; they got lost in a

_sfumato_. A disconcerting anarchy and confusion prevailed among them. By

means of a scientific mixture of Greek, Egyptian and Semitic elements

"Hermetism"[41] endeavored to create a theological system that would be

acceptable to all minds, but it seems never to have imposed itself

generally on the Alexandrian mysteries which were older than itself, and

furthermore it could not escape the contradictions of Egyptian thought. The

religion of Isis did not gain a hold on the soul by its dogmatism.

It must be admitted, however, that, owing to its extreme flexibility, this

religion was easily adapted to the various centers to which it was

transferred, and that it enjoyed the valuable advantage of being always in

perfect harmony with the prevailing philosophy. Moreover, the syncretic

tendencies of Egypt responded admirably to those that began to obtain at

Rome. At a very early period henotheistic theories had been favorably

received in sacerdotal circles, and while crediting the god of their own

temple with supremacy, the priests admitted that he might have a number of

different personalities, under which he was worshiped simultaneously. In

this way the unity of the supreme being was affirmed for the thinkers, and

polytheism with its {89} intangible traditions maintained for the masses.

In the same manner Isis and Osiris had absorbed several local divinities

under the Pharaohs, and had assumed a complex character that was capable of

indefinite extension. The same process continued under the Ptolemies when

the religion of Egypt came into contact with Greece. Isis was identified

simultaneously with Demeter, Aphrodite, Hera, Semele, Io, Tyche, and

others. She was considered the queen of heaven and hell, of earth and sea.

She was "the past, the present and the future,"[42] "nature the mother of

things, the mistress of the elements, born at the beginning of the

centuries."[43] She had numberless names, an infinity of different aspects

and an inexhaustible treasure of virtues. In short, she became a

pantheistic power that was everything in one, _una quae est omnia_.[44]

The authority of Serapis was no less exalted, and his field no less

extensive. He also was regarded as a universal god of whom men liked to say

that he was "unique." ([Greek: Heis Zeus Sarapis]) In him all energies were

centered, although the functions of Zeus, of Pluto or of Helios were

especially ascribed to him. For many centuries Osiris had been worshiped at

Abydos both as author of fecundity and lord of the underworld,[45] and this

double character early caused him to be identified with the sun, which

fertilizes the earth during its diurnal course and travels through the

subterranean realms at night. Thus the conception of this nature divinity,

that had already prevailed along the Nile, accorded without difficulty with

the solar pantheism that was the last form of Roman paganism. This

theological system, which did not gain the upper hand in the Occident until

the {90} second century of our era, was not brought in by Egypt. It did not

have the exclusive predominance there that it had held under the empire,

and even in Plutarch's time it was only one creed among many.[46] The

deciding influence in this matter was exercised by the Syrian Baals and the

Chaldean astrology.

The theology of the Egyptian mysteries, then, followed rather than led the

general influx of ideas. The same may be said of their ethics. It did not

force itself upon the world by lofty moral precepts, nor by a sublime ideal

of holiness. Many have admired the edifying list in the Book of the Dead,

that rightfully or otherwise sets forth the virtues which the deceased

claims to have practised in order to obtain a favorable judgment from

Osiris. If one considers the period in which it appears, this ethics is

undoubtedly very elevated, but it seems rudimentary and even childish if

one compares it with the principles formulated by the Roman jurists, to say

nothing of the minute psychological analyses of the Stoic casuists. In this

range of ideas also, the maintenance of the most striking contrasts

characterizes Egyptian mentality, which was never shocked by the cruelties

and obscenities that sullied the mythology and the ritual. Like Epicurus at

Athens, some of the sacred texts actually invited the believers to enjoy

life before the sadness of death.[47]

Isis was not a very austere goddess at the time she entered Italy.

Identified with Venus, as Harpocrates was with Eros, she was honored

especially by the women with whom love was a profession. In Alexandria, the

city of pleasure, she had lost all severity, and at Rome this good goddess

remained very indulgent to human weaknesses. Juvenal harshly refers to {91}

her as a procuress,[48] and her temples had a more than doubtful

reputation, for they were frequented by young men in quest of gallant

adventures. Apuleius himself chose a lewd tale in which to display his

fervor as an initiate.

But we have said that Egypt was full of contradictions, and when a more

exacting morality demanded that the gods should make man virtuous, the

Alexandrian mysteries offered to satisfy that demand.

At all times the Egyptian ritual attributed considerable importance to

purity, or, to use a more adequate term, to cleanliness. Before every

ceremony the officiating priest had to submit to ablutions, sometimes to

fumigations or anointing, and to abstain from certain foods and from

incontinence for a certain time. Originally no moral idea was connected

with this purification. It was considered a means of exorcising malevolent

demons or of putting the priest into a state in which the sacrifice

performed by him could have the expected effect. It was similar to the

diet, shower-baths and massage prescribed by physicians for physical

health. The internal status of the officiating person was a matter of as

much indifference to the celestial spirits as the actual worth of the

deceased was to Osiris, the judge of the underworld. All that was necessary

to have him open the fields of Aalu to the soul was to pronounce the

liturgic formulas, and if the soul declared its innocence in the prescribed

terms its word was readily accepted.

But in the Egyptian religion, as in all the religions of antiquity,[49] the

original conception was gradually transformed and a new idea slowly took

its place. The sacramental acts of purification were now {92} expected to

wipe out moral stains, and people became convinced that they made man

better. The devout female votaries of Isis, whom Juvenal[50] pictures as

breaking the ice to bathe in the Tiber, and crawling around the temple on

their bleeding knees, hoped to atone for their sins and to make up for

their shortcomings by means of these sufferings.

When a new ideal grew up in the popular conscience during the second

century, when the magicians themselves became pious and serious people,

free from passions and appetites, and were honored because of the dignity

of their lives more than for their white linen robes,[51] then the virtues

of which the Egyptian priests enjoined the practice also became less

external. Purity of the heart rather than cleanliness of the body was

demanded. Renunciation of sensual pleasures was the indispensable condition

for the knowledge of divinity, which was the supreme good.[52] No longer

did Isis favor illicit love. In the novel by Xenophon of Ephesus (about 280

A. D.) she protects the heroine's chastity against all pitfalls and assures

its triumph. According to the ancient belief man's entire existence was a

preparation for the formidable judgment held by Serapis after death, but to

have him decide in favor of the mystic, it was not enough to know the rites

of the sect; the individual life had to be free from crime; and the master

of the infernal regions assigned everybody a place according to his

deserts.[53] The doctrine of future retribution was beginning to develop.

However, in this regard, as in their conception of the divinity, the

Egyptian mysteries followed the general progress of ideas more than they

directed it. {93} Philosophy transformed them, but found in them little

inspiration.

* * * * *

How could a religion, of which neither the theology nor the ethics was

really new, stir up at the same time so much hostility and fervor among the

Romans? To many minds of to-day theology and ethics constitute religion,

but during the classical period it was different, and the priests of Isis

and Serapis conquered souls mainly by other means. They seduced them by the

powerful attraction of the ritual and retained them by the marvelous

promises of their doctrine of immortality.

To the Egyptians ritual had a value far superior to that we ascribe to it

to-day. It had an operative strength of its own that was independent of the

intentions of the officiating priest. The efficacy of prayer depended not

on the inner disposition of the believer, but on the correctness of the

words, gestures and intonation. Religion was not clearly differentiated

from magic. If a divinity was invoked according to the correct forms,

especially if one knew how to pronounce its real name, it was compelled to

act in conformity to the will of its priest. The sacred words were an

incantation that compelled the superior powers to obey the officiating

person, no matter what purpose he had in view. With the knowledge of the

liturgy men acquired an immense power over the world of spirits. Porphyry

was surprised and indignant because the Egyptians sometimes dared to

threaten the gods in their orations.[54] In the consecrations the priest's

summons compelled the gods to come and animate their {94} statues, and thus

his voice created divinities,[55] as originally the almighty voice of Thoth

had created the world.[56]

The ritual that conferred such superhuman power[57] developed in Egypt into

a state of perfection, completeness and splendor unknown in the Occident.

It possessed a unity, a precision and a permanency that stood in striking

contrast to the variety of the myths, the uncertainty of the dogmas and the

arbitrariness of the interpretations. The sacred books of the Greco-Roman

period are a faithful reproduction of the texts that were engraved upon the

walls of the pyramids at the dawn of history, notwithstanding the centuries

that had passed. Even under the Cæsars the ancient ceremonies dating back

to the first ages of Egypt, were scrupulously performed because the

smallest word and the least gesture had their importance.

This ritual and the attitude toward it found their way for the most part

into the Latin temples of Isis and Serapis. This fact has long been

ignored, but there can be no doubt about it. A first proof is that the

clergy of those temples were organized just like those of Egypt during the

period of the Ptolemies.[58] There was a hierarchy presided over by a high

priest, which consisted of _prophetes_ skilled in the sacred science,

_stolistes_, or _ornatrices_,[59] whose office it was to dress the statues

of the gods, _pastophori_ who carried the sacred temple plates in the

processions, and so on, just as in Egypt. As in their native country, the

priests were distinguished from common mortals by a tonsure, by a linen

tunic, and by their habits as well as by their garb. They devoted

themselves entirely to their ministry and had no other profession. This

{95} sacerdotal body always remained Egyptian in character, if not in

nationality, because the liturgy it had to perform remained so. In a

similar manner the priests of the Baals were Syrians,[60] because they were

the only ones that knew how to honor the gods of Syria.

In the first place a daily service had to be held just as in the Nile

valley. The Egyptian gods enjoyed a precarious immortality, for they were

liable to destruction and dependent on necessities. According to a very

primitive conception that always remained alive, they had to be fed,

clothed and refreshed every day or else perish. From this fact arose the

necessity of a liturgy that was practically the same in every district. It

was practised for thousands of years and opposed its unaltering form to the

multiplicity of legends and local beliefs.[61]

This daily liturgy was translated into Greek, perhaps later into Latin

also; it was adapted to the new requirements by the founders of the

Serapeum, and faithfully observed in the Roman temples of the Alexandrian

gods. The essential ceremony always was the opening (_apertio_)[62] of the

sanctuary. At dawn the statue of the divinity was uncovered and shown to

the community in the _naos_, that had been closed and sealed during the

night.[63] Then, again as in Egypt, the priest lit the sacred fire and

offered libations of water supposed to be from the deified Nile,[64] while

he chanted the usual hymns to the sound of flutes. Finally, "erect upon the

threshold"--I translate literally from Porphyry--"he awakens the god by

calling to him in the Egyptian language."[65] As we see, the god was

revived by the sacrifice and, as under the Pharaohs, awoke from his slumber

at the calling of {96} his name. As a matter of fact the name was

indissolubly connected with the personality; he who could pronounce the

exact name of an individual or of a divinity was obeyed as a master by his

slave.[66] This fact made it necessary to maintain the original form of

that mysterious word. There was no other motive for the introduction of a

number of barbarian appellatives into the magical incantations.

It is also probable that the toilet of the statue was made every day, that

its body and head were dressed,[67] as in the Egyptian ritual. We have seen

that the _ornatrices_ or _stolistes_ were especially entrusted with these

duties. The idol was covered with sumptuous raiment and ornamented with

jewels and gems. An inscription furnishes us with an inventory of the

jewels worn by an Isis of ancient Cadiz;[68] her ornaments were more

brilliant than those of a Spanish madonna.

During the entire forenoon, from the moment that a noisy acclamation had

greeted the rising of the sun, the images of the gods were exposed to the

silent adoration of the initiates.[69] Egypt is the country whence

contemplative devotion penetrated into Europe. Then, in the afternoon, a

second service was held to close the sanctuary.[70]

The daily liturgy must have been very absorbing. This innovation in the

Roman paganism was full of consequences. No longer were sacrifices offered

to the god on certain occasions only, but twice a day elaborate services

were held. As with the Egyptians, whom Herodotus had termed the most

religious of all peoples,[71] devotion assumed a tendency to fill out the

whole existence and to dominate private and public interests. The constant

repetition of the same prayers {97} kept up and renewed faith, and, we

might say, people lived continually under the eyes of the gods.

Besides the daily rites of the Abydos liturgy the holidays marking the

beginning of the different seasons were celebrated at the same date every

year.[72] It was the same in Italy. The calendars have preserved the names

of several of them, and of one, the _Navigium Isidis_, the rhetorician

Apuleius[73] has left us a brilliant description on which, to speak with

the ancients, he emptied all his color tubes. On March 5th, when navigation

reopened after the winter months, a gorgeous procession[74] marched to the

coast, and a ship consecrated to Isis, the protectress of sailors, was

launched. A burlesque group of masked persons opened the procession, then

came the women in white gowns strewing flowers, the _stolistes_ waving the

garments of the goddess and the _dadophori_ with lighted torches. After

these came the _hymnodes_, whose songs mingled in turn with the sharp sound

of the cross-flutes and the ringing of the brass timbrels; then the throngs

of the initiates, and finally the priests, with shaven heads and clad in

linen robes of a dazzling white, bearing the images of animal-faced gods

and strange symbols, as for instance a golden urn containing the sacred

water of the Nile. The procession stopped in front of altars[75] erected

along the road, and on these altars the sacred objects were uncovered for

the veneration of the faithful. The strange and sumptuous magnificence of

these celebrations made a deep impression on the common people who loved

public entertainments.

But of all the celebrations connected with the worship of Isis the most

stirring and the most suggestive {98} was the commemoration of the "Finding

of Osiris" (_Inventio_, [Greek: Heuresis]). Its antecedents date back to

remote antiquity. Since the time of the twelfth dynasty, and probably much

earlier, there had been held at Abydos and elsewhere a sacred performance

similar to the mysteries of our Middle Ages, in which the events of

Osiris's passion and resurrection were reproduced. We are in possession of

the ritual of those performances.[76] Issuing from the temple, the god fell

under Set's blows; around his body funeral lamentations were simulated, and

he was buried according to the rites; then Set was vanquished by Horus, and

Osiris, restored to life, reentered his temple triumphant over death.

The same myth was represented in almost the same manner at Rome at the

beginning of each November.[77] While the priests and the believers moaned

and lamented, Isis in great distress sought the divine body of Osiris,

whose limbs had been scattered by Typhon. Then, after the corpse had been

found, rehabilitated and revived, there was a long outburst of joy, an

exuberant jubilation that rang through the temples and the streets so

loudly that it annoyed the passers-by.

This mingled despair and enthusiasm acted as strongly upon the feelings of

the believers as did the spring-holiday ceremony in the Phrygian religion,

and it acted through the same means. Moreover, there was an esoteric

meaning attached to it that none but the pious elect understood. Besides

the public ceremonies there was a secret worship to which one was admitted

only after a gradual initiation. The hero of Apuleius had to submit to the

ordeal three times in order to obtain the whole revelation. In Egypt the

{99} clergy communicated certain rites and interpretations only upon a

promise not to reveal them. In fact this was the case in the worship of

Isis at Abydos and elsewhere.[78] When the Ptolemies regulated the Greek

ritual of their new religion, it assumed the form of the mysteries spread

over the Hellenic world and became very like those of Eleusis. The hand of

the Eumolpid Timotheus is noticeable in this connection.[79]

But while the ceremonial of the initiations and even the production of the

liturgic drama were thus adapted to the religious habits of the Greeks, the

doctrinal contents of the Alexandrian mysteries remained purely Egyptian.

The old belief that immortality could be secured by means of an

identification of the deceased with Osiris or Serapis never died out.

Perhaps in no other people did the epigram of Fustel de Coulanges find so

complete a verification as in the Egyptians: "Death was the first mystery;

it started man on the road to the other mysteries."[80] Nowhere else was

life so completely dominated by preoccupation with life after death;

nowhere else was such minute and complicated care taken to secure and

perpetuate another existence for the deceased. The funeral literature, of

which we have found a very great number of documents, had acquired a

development equaled by no other, and the architecture of no other nation

can exhibit tombs comparable with the pyramids or the rock-built sepulchers

of Thebes.

This constant endeavor to secure an after-existence for one's self and

relatives manifested itself in various ways, but it finally assumed a

concrete form in the worship of Osiris. The fate of Osiris, the god who

died and returned to life, became the prototype of the {100} fate of every

human being that observed the funeral rites. "As truly as Osiris lives,"

says an Egyptian text, "he also shall live; as truly as Osiris is not dead,

shall he not die; as truly as Osiris is not annihilated, shall he not be

annihilated."[81]

If, then, the deceased had piously served Osiris-Serapis, he was

assimilated to that god, and shared his immortality in the underworld,

where the judge of the dead held forth. He lived not as a tenuous shade or

as a subtle spirit, but in full possession of his body as well as of his

soul. That was the Egyptian doctrine, and that certainly was also the

doctrine of the Greco-Latin mysteries.[82]

Through the initiation the mystic was born again, but to a superhuman life,

and became the equal of the immortals.[83] In his ecstasy he imagined that

he was crossing the threshold of death and contemplating the gods of heaven

and hell face to face.[84] If he had accurately followed the prescriptions

imposed upon him by Isis and Serapis through their priests, those gods

prolonged his life after his decease beyond the duration assigned to it by

destiny, and he participated eternally in their beatitude and offered them

his homage in their realm.[85] The "unspeakable pleasure" he felt when

contemplating the sacred images in the temple[86] became perpetual rapture

when he was in the divine presence instead of in the presence of the image,

and drawn close to divinity his thirsting soul enjoyed the delights of that

ineffable beauty.[87]

When the Alexandrian mysteries spread over Italy under the republic, no

religion had ever brought to mankind so formal a promise of blest

immortality as these, and this, more than anything else, lent them an {101}

irresistible power of attraction. Instead of the vague and contradictory

opinions of the philosophers in regard to the destiny of the soul, Serapis

offered certainty founded on divine revelation corroborated by the faith of

the countless generations that had adhered to it. What the votaries of

Orpheus had confusedly discovered through the veil of the legends, and

taught to Magna Grecia,[88] namely, that this earthly life was a trial, a

preparation for a higher and purer life, that the happiness of an

after-life could be secured by means of rites and observances revealed by

the gods themselves, all this was now preached with a firmness and

precision hitherto unknown. These eschatological doctrines in particular,

helped Egypt to conquer the Latin world and especially the miserable

masses, on whom the weight of all the iniquities of Roman society rested

heavily.

* * * * *

The power and popularity of that belief in future life has left traces even

in the French language, and in concluding this study, from which I have

been compelled to exclude every picturesque detail, I would like to point

out how a French word of to-day dimly perpetuates the memory of the old

Egyptian ideas.

During the cold nights of their long winters the Scandinavians dreamed of a

Walhalla where the deceased warriors sat in well-closed brilliantly

illuminated halls, warming themselves and drinking the strong liquor served

by the Valkyries; but under the burning sky of Egypt, near the arid sand

where thirst kills the traveler, people wished that their dead might find a

limpid spring in their future wanderings to assuage the heat that devoured

them, and that they might be {102} refreshed by the breezes of the north

wind.[89] Even at Rome the adherents of the Alexandrian gods frequently

inscribed the following wish on their tombs: "May Osiris give you fresh

water."[90] Soon this water became, in a figurative sense, the fountain of

life pouring out immortality to thirsting souls. The metaphor obtained such

popularity that in Latin _refrigerium_ became synonymous with comfort and

happiness. The term retained this meaning in the liturgy of the church,[91]

and for that reason people continue to pray for spiritual

_rafraîchissement_ of the dead although the Christian paradise has very

little resemblance to the fields of Aalu.

* * * * *

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