The son of a noble, or even of a commoner, intended for the ranks

of knighthood, was at the age of seven taken away from the care of

the women; who, however, never allowed him to reach that age without

instilling into him such sentiments of right and valour as should

govern his conduct during the rest of his life. He was then entrusted

to the men, of whom he became not only the pupil, but the servitor;

for, says the “Ordène de Chevalerie,” “it is proper that he should

learn to obey before he governs; for otherwise he would not appreciate

the nobility of his rank when he became a knight.” Moreover, the

chivalric code, which distrusted the prejudices and weaknesses of

paternal affection, required “every knight to place his son in the

service of some other knight.” These youthful novices, particularly if

they belonged to a noble and honourable family, always found plenty

of princely courts, seignorial households, manors, and castles to

receive them, which were, so to speak, the public schools of chivalry.

There existed, besides, hospitals founded and maintained by wealthy

and generous nobles, in the same manner as are the colleges of the

University of Paris; and these hospitals were governed by old knights

without family or fortune, who considered it no shame to accept, not a

salary in money, but a retiring pension in the shape of a house with

board, in which to hold a kind of school of chivalry for the benefit of

the youths, who promised at some future time to prove a credit to the

institution.

These youths were termed pages, varlets, and damoiseaux, and they

performed under their masters and mistresses the most humble and the

most domestic functions: they followed them in their travels and to the

chase; they formed part of their suites on occasions of ceremony; they

wrote their letters and carried their messages; they waited on them at

meals, carved their dishes, and poured out their drinks.

In the eyes even of those nobles who were most jealous of their birth

and of their name, this temporary and casual servitude had nothing

in it either of a humiliating or degrading character, and its only

effect was to knit still closer the ties of respect, obedience, and

sympathy which bound the youth to his adopted parents, the aspirant for

knighthood to his master and teacher. The latter by no means neglected

the moral and religious education of the neophyte; the first lessons

which were given him taught him not only to love God, but to respect

women.

As soon as the young page had acquired sufficient experience and

discernment to direct his own movements in the intricacies of chivalric

life, he was bidden to choose an ideal sovereign from among the noble

and beautiful ladies of the aristocratic world that he frequented, a

sort of terrestrial divinity whom he was to swear to serve, and to whom

he was henceforth to recount all his thoughts and actions, treating her

at the same time with all the delicacy and devotion which the example

of those around him had shown him to be her due.

He was taught, above all, to revere the august character of chivalry,

and to respect, in the persons of the knights who composed this

institution, the dignity to which he himself aspired. It was thus that,

led by the instinct of imitation peculiar to the young, the pages

habitually played at doing everything they saw done by the knights.

They practised wielding the lance and the sword; they played at

combats, attacks, and duels between themselves. Excited by emulation,

they coveted the honour of being considered brave, hoping if they

attained their wish, that it would lead to their being attached to the

service of some person of mark, or to their being promoted to the rank

of esquire.

When the young men abandoned the position of pages in order to be

made esquires, an event that never took place before their fourteenth

year, their change of social condition was celebrated by a religious

ceremony, which the Church appointed for the purpose of consecrating

their knightly vocation, and of hallowing the use of the arms they were

henceforward destined to carry. Standing at the altar and surrounded

by his nearest relations, the youthful novice received the consecrated

sword from the hands of the priest, promising always to wield it in the

interests of religion and honour. A higher position in the household of

his lord or lady was then assigned to the new esquire. He was admitted

to their private gatherings, he took part in all assemblies and state

ceremonies, and it was now his duty to superintend the reception, that

is to say, to regulate the laws of etiquette relating to the foreign

nobles who visited his master’s court.

[Illustration: Fig. 120.--The Game of Quintain: tilting at

a quintain (revolving effigy of a knight).--Fac-simile of a

Miniature in the “Chroniques de Charlemagne” (Fifteenth Century).

Burgundian Library, Brussels.]

A passage from the history of Boucicaut, a marshal of France in the

reign of Charles VI., will give an idea of the laborious and arduous

existence of the young esquire who aspired to become a worthy knight:

“Now cased in armour, he would practise leaping on to the back of a

horse; anon, to accustom himself to become long-winded and enduring,

he would walk and run long distances on foot, or he would practise

striking numerous and forcible blows with a battle-axe or mallet. In

order to accustom himself to the weight of his armour, he would turn

somersaults whilst clad in a complete suit of mail, with the exception

of his helmet, or would dance vigorously in a shirt of steel; he would

place one hand on the saddle-bow of a tall charger, and the other

on his neck, and vault over him.... He would climb up between two

perpendicular walls that stood four or five feet asunder by the mere

pressure of his arms and legs, and would thus reach the top, even if

it were as high as a tower, without resting either in the ascent or

descent.... When he was at home, he would practise with the other

young esquires at lance-throwing and other warlike exercises, and this

continually.”

Besides all this, it was necessary for an esquire who wished to fulfil

his duties properly to possess a number of physical qualities, great

versatility of talent and capability, and a zeal that never flagged.

At court, as in the larger seignorial households, there were various

classes or categories of esquires who performed totally distinct

duties, which in less important households were all entrusted to the

same individual. The first in importance was the body esquire, or

the esquire of honour; then the chamber esquire, or chamberlain; the

carving esquire, the stable esquire, the cup-bearing esquire, &c., all

separate personages, whose names sufficiently indicate their duties.

It is scarcely necessary to remark that esquires, besides the domestic

services expected from them within their master’s house, had especially

to give proofs of their vigilance and skill in the duties of the

stable--duties which, as an historian aptly observes, were of necessity

noble, since the military aristocracy never fought but on horseback.

It was the duty of all first esquires to break in their master’s

chargers, and to teach the younger esquires the routine of the stable.

The duty of attending to the arms and armour devolved upon another

class of esquires. We may add that, as each seignorial castle was also

a species of fortress, most of the esquires, in addition to their other

tasks, were required to perform certain military duties analogous to

those practised in a regular stronghold, such as rounds, sentry duty,

watches, &c. (Fig. 121).

When their lord mounted his horse, his esquires shared amongst them

the honour of assisting him; some held his stirrup, others carried

various parts of his armour, such as the armlets, the helmet, the

shield, the gauntlets, &c. When a knight was merely going for a ride or

on a journey, he usually bestrode a sober kind of hack that was called

a palfrey, but when he was going to take the field, one of his esquires

led at his right hand (whence the name of _destrier_ given to this

sort of steed) a charger or high horse, which the knight only mounted

at the last moment. Hence the expression, “to ride the high horse,”

which has become proverbial.

[Illustration: Fig. 121.--German Knight, engraved by Burgmayer

from designs by Albert Dürer, taken from a collection entitled

“Vita Imperatoris Maximiliani” (Fifteenth Century).]

As soon as the knight had decided to mount his charger, his squires

proceeded to arm him, that is to say, they firmly fastened together all

the different pieces of his armour on his body with straps attached

to metal buckles for the purpose; and it may be well conceived that

no slight care was required to properly adjust such a cumbrous and

complicated steel or iron casing; an esquire’s neglect, indeed,

frequently caused his master’s death.

When a single combat took place, the esquires, drawn up behind their

lord, remained for a few moments inactive spectators of the struggle,

but as soon as it had once fairly begun their share in the affray

commenced. Watching the slightest movement, the smallest signals

of their master, they stood ready to assist him in an indirect but

efficacious manner if he attained any advantage, without actually

becoming aggressors themselves, in order to assure his victory; if

the knight were hurled from his steed, they helped him to remount,

they brought him a fresh horse, they warded off the blows that were

aimed at him; if he were wounded and placed _hors de combat_,

they did their utmost, at the risk of their own life, to carry him off

before he was slain outright. Again, it was to his esquires that a

successful knight confided the care of the prisoners he had taken on

the battle-field. In fine, the esquires, short of actually fighting

themselves, a thing forbidden by the code of chivalry, were expected

to display the greatest zeal, the greatest skill, and the greatest

courage, and consequently had it very materially in their power to

contribute to their master’s success.

A long novitiate and the consciousness of an aptitude for a military

career were not always, however, sufficient to enable an esquire

to obtain the rank of knight. He was frequently obliged, in the

intermediate rank of _pursuivant-at-arms_, to travel through

foreign countries, either as the acknowledged envoy of some prince or

noble, or merely in the character of an ordinary traveller, and be

present at chivalric games and tournaments, without actually taking

part in them himself; he thus acquired, by constant intercourse with

distinguished soldiers and high-born ladies, a thorough technical

knowledge of the military calling, and an intimate acquaintance with

all the elegant refinements of courtesy.

In this way pursuivants-at-arms went about everywhere, one day being

ceremoniously received at the court of a powerful noble, the next being

simply entertained in the lowly manor of a poor gentleman; acting,

wherever they might be, honourably both in word and in deed, observing

scrupulously the precepts both of honour and virtue, showing themselves

to be noble, brave, and devoted, and seeking every opportunity of

proving themselves worthy of ranking with the noble knights whose deeds

and whose names were the theme of constant and universal praise.

Chance alone was not allowed to direct their wandering and adventurous

steps, they eagerly sought the most renowned princely and seignorial

courts, at which they were certain to meet with chivalry’s loftiest

traditions; they thought themselves fortunate indeed when they were

able to make their obeisance to some hero famous for his deeds in arms,

or to elicit a smile from some lady celebrated for her beauty and her

worth.

[Illustration: Fig. 122.--The Count of Artois, who has come

from Arras to take part in the tournament at Boulogne, presents

himself at the Castle of the Count of Boulogne, and is received

by the Countess and her daughter.--Fac-simile of a Miniature in

the “Livre du très-chevalereux Comte d’Artois et de sa Femme,”

Barrois Manuscript (Fifteenth Century).]

[Illustration: Fig. 123.--Knight setting out for the War.--“Il

prist le dur congié de sa bonne et belle femme, en si grans

pleurs et gemissemens qu’elle demoura toute pasmée” (“He said

farewell to his good and beautiful wife with such tears and

groans that she was ready to swoon”).--Fac-simile of a Miniature

in the “Livre du très-chevalereux Comte d’Artois et de sa Femme,”

Barrois Manuscript (Fifteenth Century).]

And while the most perfect respect and courtesy to ladies were the

first duties instilled into each youthful aspirant, it must be owned

that the education received by the former was one calculated to make

them in every way worthy of such homage. To fit ladies for the queenly

part they were destined to play in the world of chivalry, they were

taught from their childhood to practise every virtue, to cherish every

noble feeling, and generally to emulate the dignity demanded by the

social privileges of their rank. They were profuse in their acts of

kindness and civility to the knights, whether friends or strangers, who

entered the gates of their castles (Figs. 122 and 123); on a knight’s

return from tournament or battle, they unbuckled his armour with their

own hands, they prepared perfumes and spotless linen for his wear, they

clothed him in gala dress, in mantle and scarf that they had themselves

embroidered, they prepared his bath, and waited on him at table.

Destined to become the wives of these same knights who frequented

their homes, they did their utmost to bring themselves under their

notice by their modest demeanour, and to make themselves beloved by

the courtesy and the attentions which they lavished upon them. It was

theirs to respond, with admiration and tenderness, to the boldness and

to the bravery of the knights, who sought glory only to lay it at their

mistresses’ feet, and who asked for nothing better than to be subject

to the gentle sway of beauty, grace, and virtue.

It was thus, for instance, that in Provence, from the eleventh to

the fourteenth century, the most powerful nobles humbly obeyed,

in everything that concerned the heart, the decrees issued by the

_courts_ or _tribunals of love_, a kind of feminine areopagus

which was held with great ceremony on certain days, and at which

the ladies most distinguished by birth, beauty, intelligence, and

knowledge, met to deliberate, publicly or with closed doors, with

proper gravity and solemnity, on delicate questions of gallantry,

which in those days were considered highly important. These courts of

love, which appear to have been regular and permanent institutions in

the twelfth century, had a special code, in accordance with which the

sentences pronounced were more or less rigorously in conformity; but

this code has not been handed down to our day, and we only possess

its outline conveyed in the commentaries of the legal writers of the

fifteenth century. Causes in these courts were sometimes decided on

written evidence, sometimes the parties themselves were allowed to

appear in person. Among the celebrated women who at different epochs

and in different places presided over these romantic assizes, may

be cited the beautiful Eleanor of Aquitaine, Queen of France, and

afterwards of England; Sibyl of Anjou, who married Thierry, Count of

Flanders; the Countess of Die, surnamed the Sappho of France; and the

famous Laura or Lauretta of Sade, whom Petrarch, who chose her for the

lady of his love, has immortalised in his verse.

But to return to the esquire, who was left undergoing his laborious

novitiate. When he had at last performed all its numerous requirements,

the investiture of knighthood was conferred upon him, a symbolical

ceremony, as indeed were all that went to make up a chivalric

ordination, but one of a more serious and solemn character than the

rest.

We have already said that this word ordination (_ordène_) implies

that the arming of a knight was a kind of sacred ceremony. A very

curious poem entitled “L’Ordène de Chevalerie” is still in existence.

Its author, Hugues de Tabarie or de Tibériade, undertook the task

of explaining all the forms of the investiture. In order to make his

explanations more intelligible, Hugues de Tibériade supposes himself

before an aspirant entirely ignorant of all the usages of chivalry: he

pretends that the Sultan Saladin, whose prisoner he is, has forced him

to confer upon him the order of knighthood. The first thing Hugues does

is to order him to comb his hair and beard, and to carefully wash his

face:--

TEXT. TRANSLATION.

Caviaus et barbe, et li viaire His hair, his beard, and his face

Li fist appareiller moult bel; He made him carefully arrange;

Ch’est droit à chevalier nouvel. It is the duty of a new knight.

Puis le fist en un baing entrer. Then he made him enter a bath.

Lors li commenche à demander Then the sultan began to ask

Le soudan, que che senifie. What all this signified.

“Sire,” answers Hugues, “like the babe that leaves the font cleansed

from original sin,--

“Sire, tout ensement devez “Sire, it is thus that you must

Issir, sanz nule vilounie Emerge without any stain

De ce baing, car chevalerie From this bath; for knighthood

Si doit baingnier en honesté, Must be clothed with honesty,

En courtoisie et en bonté With courtesy, and with goodness,

Et fere amer à toutes gens.” And make itself beloved by all.”

“By the great God,” says Saladin, “this is a wonderful beginning!”

“Now,” answers Hugues, “leave the bath and recline on this great bed.

It is an emblem of the one you will obtain in paradise, the bed of rest

that God grants to his followers, the brave knights.” Shortly after,

whilst dressing him from head to foot, he says: “The snow-white linen

shirt with which I am clothing you, and which touches your skin, is to

teach you that you must keep your flesh from every stain if you wish to

reach heaven. This crimson robe indicates--

“Que votre sanc devez épandre “That you must pour out your blood

Pour Dieu servir et hounorer; To serve and honour God;

Et pour défendre Sainte Eglise; And to defend the holy Church;

Car tout chou doit chevalier faire, For all this must a knight do

S’il veust à Dieu de noient plaire; If he wishes entirely to please God;

Ch’est entendu par le vermeil. Such is the meaning of the crimson.

“These trunk-hose of brown silk by their sombre hue are meant to remind

you of--

(TEXT.) (TRANSLATION.)

“La mort, et la terre où gisrez, “Death, and the earth where you will rest,

Dont venistes, et où irez. Whence you came and whither you will return;

A chou doivent garder votre œil; This is what you must keep before your eyes;

Si n’enkerret pas en orguel, Thus you will not fall into pride,

Car orgueus ne doit pas régner For pride should never govern

En chevalier, ni demorer. A knight nor reign within him.

A simpleche doit toujours tendre. Humility should always be his aim.

“This white girdle which I place around your loins is to teach you to

keep your body pure and to avoid luxury. These two golden spurs are

to urge on your horse; imitate its ardour and its docility, and as it

obeys you, so be you obedient to the Lord. Now I fasten your sword to

your side; strike your enemies with its double edge, prevent the poor

from being crushed by the rich, the weak from being oppressed by the

strong. I put upon your head a pure white _coif_ to indicate that

your soul similarly should be stainless.”

Every pursuivant was perfectly well acquainted with the meaning of the

ordination of knighthood. The vigil of arms, the strict fasts, the

three nights spent in prayer in a lonely chapel, the white garments

of the neophyte, the consecration of his sword in front of the altar,

were sufficient to prove to the novice the gravity of the engagement

he was contracting under the auspices of religion. At last a day was

fixed for the great ceremony, and the neophyte--after hearing mass on

his bended knees, and with his sword, which he had not yet acquired

the right to gird to his side, suspended from his neck--received from

the hands of some noble or of some noble lady his spurs, his helmet,

his cuirass, his gauntlets, and his sword. The ceremony was completed

by the _colée_; that is to say, the investing knight, before

presenting him with the sword, struck him across the shoulder with its

flat side, and then gave him the _accolade_ as a sign of brotherly

adoption. His shield, his lance, and his charger, were then brought to

the new-made knight, and he was thenceforward at liberty to commence

the career of glory, of devotion, and of combat, to which for so many

years he had aspired.

[Illustration: Fig. 124.--Degradation of a Knight.--Fragment of a

Woodcut attributed to Jost Amman, bearing the date 1565 and the

monogram A. J. (Collection of M. Guénebault of Paris).]

The Christian symbolism, which had accompanied the first steps of the

novice, followed and surrounded him in some way or other during the

whole

of his knightly career. Indeed, it took part in his punishment and

degradation if he broke his plighted faith or if he forfeited his

honour. Exposed on a scaffold in nothing but his shirt, he was stripped

of his armour, which was broken to pieces before his eyes and thrown at

his feet, while his spurs were thrown upon a dunghill. His shield was

fastened to the croup of a cart-horse and dragged through the dust, and

his charger’s tail was cut off. A herald-at-arms asked thrice, “Who is

there?” Three times an answer was given naming the knight about to be

degraded, and three times the herald rejoined, “No, it is not so; I see

no knight here, I see only a coward who has been false to his plighted

faith.” Carried thence to the church on a litter like a dead body, the

culprit was forced to listen while the burial service was read over

him, for he had lost his honour, and was now only looked upon as a

corpse (Fig. 124).

Although the Church was the protectress of chivalry, and even invested

it with an almost sacred dignity, she always refused to extend her

protection to tournaments, tilts, and assaults of arms, brilliant,

but often dangerous manifestations of the chivalric spirit, and

particularly to judicial duels, which were of German origin, and

which dated from a period long prior to the institution of Christian

chivalry. When the Church found itself obliged to show indulgence to

these ancient traditions, which custom had interwoven with the habits

of the Middle Ages, she did so in as reserved a manner as possible. She

was always indignantly protesting against the barbarous custom which

compelled or allowed women, children, churches, and convents, to choose

from among the knights a special champion (_campeador_) who should

be always ready to sustain against all the patron’s cause. The Church,

while approving the generous protection which chivalry extended to the

weak and to the oppressed, always endeavoured to destroy the savage

doctrine of paganism which confounded might with right; but it was in

vain that she opposed all her influence and authority to the custom of

duelling; she was obliged to restrict herself to lessening the evil

effects of the opinions that generally prevailed, without hoping to

destroy the opinions themselves.

The _point of honour_ had no existence in the breasts of the

warriors of antiquity. They sacrificed themselves to their country

and to the commonwealth, and they loved glory--a sentiment which with

them was collective and not individual, for with them society, as a

whole, was everything, its unit, nothing. The modern duel, whether it

be considered a brutal and speedy method of settling private quarrels,

or a proper act of submission to the divine will which cannot fail

to crown right with success, springs from the strong individuality

of barbarism, and from the personal tendency of savage dignity and

independence.

[Illustration: Fig. 125.--Fight between Raymbault de Morueil

and Guyon de Losenne. The Abbot of St. Denis at the feet of

the Archbishop of Paris, taking oath that his cause, defended

by Raymbault, is a just one.--Fac-simile of a Miniature in the

“Romance of Charles Martel,” enlarged by David Aubert. Manuscript

of the Fifteenth Century, in the Burgundian Library, Brussels.]

Military and religious life in the Middle Ages and at the period of the Renaissance · 第 11 / 36 段