CHAPTER XXVII. A RECIPE FOR MAKING COLOURS & COLOURING THE GILDED

PARTS.

The first is colour for thin gilding. You take equal proportions of

sulphur, tartar well-pounded, and salt, grinding them separately,

then you take half a part of cuccuma[178] and you mix them all

four together. When you have the gilded parts well cleaned &

scratch-brushed, as I described above, you take a little urine of

children or boys, put it tepid into a clean pipkin and apply it with

hog sables, and the virtue of the urine and the sables will remove

any dirt or grease that may have come on the gold. This done, you

get a copper cauldron, or mayhap an earthen pot, & in one of the

twain, after filling it with boiling water, you put your colour

composition & stir it well up with a rod or a bunch of twigs till it

is thoroughly dissolved and mixed. Then you tie a bit of string, long

enough to hold it by, on to the work, and dangle it in for such time

as one might say an Ave Maria; after this you pull it out and dip it

into a vase of clear cold water. If it has not taken colour enough

you put it back again into the hot water, and so on for two or three

times till it be sufficient, minding, however, not to let it stay

in over long or else it will turn black and spoil the gilding. This

colouring matter is the weakest one can make and can only be used

for one turn.

FOOTNOTES:

[178] _More correctly, ‘curcuma’: turmeric root._

The treatises of Benvenuto Cellini on goldsmithing and sculpture · 第 27 / 37 章