CHAPTER XXVIII. A RECIPE FOR MAKING ANOTHER SORT OF GILDING COLOUR.

Take red chalk,[179] verdigris, saltpetre, vitriol,[180] and salts of

ammonia, but half as much of the first as of the other ingredients;

take each by weight, and pound each separately; and be careful to

pound them very fine; when pounded stir them up in clear water to

the consistency of a paste, and while you are stirring see that you

go on grinding them up till all the particles are well blended. This

done, you must put them in a rather big vase because the composition

bubbles up; and mind that the vase has a glazed surface, or better

still be of glass, and let it be corked. In order to put the colour

on, your work must needs be thickly gilded, or else it will turn

black, for this colour is very powerful. But if it be sufficiently

strongly gilded the work will colour beautifully. The colouring

stuff is applied with a paint brush, but you must mind not to touch

the silver or you will black it. Painted over in this wise you set

your work to the fire, give it a good steaming and dip it into fresh

water, but you must mind not to overdo the steaming or the gold

would be eaten away and not hold.

FOOTNOTES:

[179] _Matita rossa._

[180] _Vitriuolo_: _probably green vitriol_, i.e., _sulphate of iron_.

The treatises of Benvenuto Cellini on goldsmithing and sculpture · 第 28 / 37 章