Easter was over, but the church at Dry Coulter was still full of the

scent of flowers mingled with the odour of their corruption. A necklace

of decayed marsh-mallows hung forlornly round the neck of the eagle;

its brazen beak held a bunch of wilted cowslips, but the daffodils and

narcissus on the altar still breathed out their perfume. Easter was

over, and Mr. Dunnock heaved a sigh of relief for he had come to feel

the church festivals a great strain upon him.

Easter was over; Mrs. Pattle marched up the aisle on her flat feet and

began tearing down the flowers which her children had gathered three

days before.

Mr. Dunnock walked by the little pathway from the vestry to his wife’s

grave, and stood there looking at the headstone. He stayed there so

long and stood so still that a robin, recognizing a friend in him, came

to perch on his shoulder.

“The resurrection of the flesh has come to pass,” Mr. Dunnock said

aloud. “These ones come to me and they commune with me; why does she

alone delay?”

At last a cow lowing on the other side of the hedge, interrupted the

clergyman’s reverie; he started slightly and coming to himself began

to pull his beard with a gesture of despair, and the robin, who had

been wondering if he could induce his wife to nest in it, flew off to a

tombstone, disappointed.

“I live in two worlds,” Mr. Dunnock reflected. “Only the saints know

how terrible the strain of such an experience can be. I cannot bear

it much longer; something will break in me. My head aches when I am

recalled from the contemplation of so much glory to the pettiness in

which men live, their eyes on the ground and their ears stopped to

the voices of the angels. I cannot endure it any longer; it would be

better, I think, if I were to live alone.” He clutched at his head

suddenly, and then walked rapidly from the churchyard towards the

vicarage. But the song of a willow wren caught his ear as he passed

under the elms, and he paused to listen. The clear top note was

followed by a stream of softer sounds and ended with a cadence of lower

notes, a touch of melancholy in which the vicar felt his own heart

expressed. The bird sang, and sang again, and Mr. Dunnock, resting his

shoulder against the rough bark of an elm, listened without seeing the

approach of two village women, or noticing their inquisitive glances

as they passed near him, or hearing their words, for, in answer to a

nudge, one of them had protested to her companion: “Oh, dear me, Fanny.

Don’t.”

They were silent for fear of laughing, but when they had passed the

vicar, one of them said: “Maggie told me she couldn’t make anything of

his sermon on Easter Sunday. It was all about Easter Eggs being the

promise of glory. She didn’t know what he meant by it.”

But the women did not laugh, and soon turned to safer and more

interesting topics of conversation.

The willow wren had been silent a long while, and was looking for

worms, when at last for Mr. Dunnock also the mood of ecstasy passed;

he looked about him startled and bewildered, and then, reassured by

finding he was alone, he shook his head sadly, and the first glance of

fear was replaced by a bitter smile as he hurried back to the vicarage

at top speed.

“Lay my meals on a tray in future,” he said to Maggie a few minutes

later. “And put the tray on the table in the passage outside my study.

I shall hear if you tap on the door.” Words which were repeated to

Anne when she came down to lunch. She was content to be alone, but at

dinner she was disturbed at this alteration in her father’s habits,

wondering whether he were unwell, or whether by any chance Maggie were

right in believing that he wished the change to be permanent. But this

seemed to her so unlikely a possibility that she did not dwell on it,

and, when the meal was over, she lit the lamp and settled down with

her drawing-board in front of her; she had at last begun the fashion

plates which she had been projecting all the winter. The fine weather

had returned after Richard Sotheby’s departure, and for the first day

of warm sunshine Anne had found happiness enough in being out of doors,

a happiness shot through with irritation against herself.

“I am wasting my life looking at this pear blossom. What does it

matter to me whether the fruit set or not? I shall be gone before the

gathering.” But her habitual interest had been too strong for her, and

she had watched the bees flying in and out among the masses of curdy

petals with delight.

“I am lingering on. I shall linger all my life. I must go now; I must

leave home to-day.”

But it was impossible to leave on the day before Easter, and instead

of packing her box, she had gone to the church to pin up the notice

saying: “There will be no service on Saturday, when the church will be

open for decoration.”

When Saturday had come she had gone herself to help the little girls,

and it was not until after Easter was over that the fashion plates had

been begun. The results of her labours surpassed Anne’s expectations;

such fashion plates as hers she felt sure would excite the Parisian

dressmakers.

“I must send them to Richard at once,” she said as she took out the

drawing-pins. But the thought of waiting for a letter, and the agony

of uncertainty in which she saw herself, dismayed her. In her mood of

exultation delay of any kind seemed impossible.

“But I will wait all the same,” she said, “until I have finished a

dozen, and then I shall go to Paris myself to seek my fortune. I will

write and tell Richard that I am coming.”

The letter was put off; she would not write until she knew the day and

the hour of her arrival, and for several days she worked hard, shutting

herself up in her room every morning when the bed had been made. When

she laid down her brush it was to plan how she would have her hair cut

off in London, and how she would buy herself a smart dress for the

journey, for she believed that she would never impress a dressmaker in

such rags as she possessed. With her mind full of such matters, Anne

rose and looked out of her window; the first blush of pink petals was

showing through the early green of the apple trees; in another week

they would be in full blossom. Under the trees Mr. Dunnock was standing

with his arms raised above his head, gazing up at the sky, a pose which

Anne found sufficiently startling to make her look again, carefully

screening her eyes from the sunlight. Her father stood motionless;

every little while she could see a small bird fly up and settle on his

shoulder.

“I have scarcely spoken to father for three days; I must speak to him

now and tell him of my plans,” and as she made this resolution, she

saw him moving slowly across the lawn. As he came nearer she saw that

a crowd of little birds was following him, a wild twittering came from

them, they were mobbing him as though he were a cat or an owl; at every

moment birds would settle on his head or shoulders, or on his up-raised

hands, and then would fly off again.

A beautiful spectacle it seemed to Anne, and she felt a new tenderness

for her father as she watched. The thin black figure with the head

thrown back, the eyes turned up, and the beard jutting out, no longer

seemed queer as it had a moment before, when she had first caught

sight of it standing under the apple trees.

“He will feel my desertion,” she murmured, a sudden sympathy with her

father coming to her, and she felt a love which had been forgotten for

many months.

“First mother, and then me,” she said. But her love did not weaken her

determination to speak to him of her departure, but strengthened it.

When Mr. Dunnock reached the house, he shook his head, first gently,

but then, as a blue-tit still remained perched there, more violently,

and then turning round waved his hands towards the birds which had

settled in the rose bushes about the door. Anne saw that he was

bestowing a benediction. She did not wait longer, but hurrying

downstairs, followed her father into his study.

“We see very little of each other now, father,” she said.

Mr. Dunnock started at her words and looked round at her with guilty

eyes.

“Yes, Anne, yes,” he murmured. “Do you wish to speak to me? Something

perhaps about the housekeeping?” and he began to fidget with his

fingers, wishing that she would go away.

“I have wanted to speak to you for some time,” said Anne. “I have been

thinking a great deal about my own life. It will seem very selfish to

you, and very heartless. It is very selfish....”

“We are all of us selfish,” said Mr. Dunnock. “What is it that you

want?”

“I want to go away, at least for a time,” said Anne. “I do not want to

settle down for the rest of my life without seeing something of the

world. I have never been to London.”

There was a silence, and after a little she went on: “I shall have to

earn my own living, of course, but that should not be impossible. An

experiment ... an experience ... the experience would be good for me. I

have never been to London. There are so many things.”

“That seems a very sensible plan, if it can be managed,” said Mr.

Dunnock, cutting her short. “But then you have plenty of good sense,

Anne, more than I have in some ways.”

He sat down suddenly at his writing table, dropping his head between

his hands, and there he remained, silent for so long that Anne began to

wonder if he had forgotten her, but she said nothing, only repeating

under her breath: “It is settled: I am leaving home.”

But at last Mr. Dunnock looked up, saying: “Let me see.... What was

I going to say? You will require some money, Anne, if you are going

away. I can give you twenty pounds, enough to enable you to look about

you. Do as you think best, dear child, in every way.” His head began to

nod again, and then, as if suddenly waking up, he said:

“I am glad you are going, Anne. I am glad the suggestion came from you:

that it should be your own wish. I am rather bad company, I know, but

there is a reason for that. You think my life here is narrow perhaps,

but you see only one side. I can assure you that you are mistaken; my

life is incredibly rich and overflowing with happiness. But that has to

be hidden; there is a reason for that. I need loneliness; you perhaps

need to see the world at present, but we shall meet again, and I have

no fear that ultimately ... you will understand what is hidden....” He

broke off disconnectedly, and suddenly Anne felt her happiness shot

through by a feeling of dismay, in which she wondered if she could

leave her father to fend for himself. Such phrases were familiar to her

from his lips, but they seemed strange coming at such a moment and when

she went from the room it was with a conviction that she would be doing

wrong to go away.

Her scruples were soon forgotten in the excitement of making plans, and

the rest of the day was spent in packing and unpacking a wooden box

with her possessions. Two days later all was ready, and the hour of her

departure had been fixed for the morrow. In the morning she went to say

good-bye to Mrs. Sotheby, and to ask if Rachel would come to have tea

with her.

“We shall miss you very much,” said Mrs. Sotheby. “But I shall try to

think that you are enjoying yourself seeing more of the world than you

would here. I hardly know what to say about Rachel. You know how fond

she is of you. She will want to come to say good-bye; it is a great

pity that Mr. Sotheby has arranged to take us to see the cottages at

Linton. You would not care to come with us, I suppose? Then everyone

would be happy.”

“I should like to come very much,” said Anne, “if I shall not be in the

way.”

“I’ll just ask Mr. Sotheby if there will be room in the dog-cart for us

all,” said the old woman and, through the opened door into the parlour,

Anne could see the grocer sitting at the table, looking up from a sheet

of blue paper with a T-square in his hands.

They set off soon after lunch, Anne sitting on the back seat of the

dog-cart with Rachel, but the pony did not seem to feel the extra

weight. Anne soon set Rachel talking, and the little girl kept her

amused with stories of her school, and how she had been teased about

her brother, and it was some time before she broke the news of her

own departure. Rachel stared down at the road, a yellow river flowing

so swiftly from below the dog-cart that she could not distinguish the

stones in it. “You won’t ever think of me; you won’t write to me; you

won’t ever come back,” were her thoughts, but she knew that she must

hide her unhappiness, and when she spoke, as the trap drew up smartly,

it was to ask: “Will you be going to Paris?” a question which Anne

found so disturbing that she saw little of the first cottage into which

she was led. The smell of fresh paint, mingled with the fragrance

of aromatic pine shavings on the plank floors, recalled her to her

surroundings, and she listened for a moment to Mr. Sotheby, who was

speaking to her.

“These cottages are only a stepping-stone to greater things, Miss

Dunnock. I have mortgaged them already. What Linton lacks is a

high-class Temperance Hotel, overlooking the river. Such a hotel would

attract visitors for the fishing and boating, and would cater also

for the more respectable commercial men. A Temperance Hotel would

wake up trade in the town, and would provide a delightful centre for

holiday-makers and abstainers, and men from the university.”

“What shall I say to Rachel?” Anne asked herself as she followed the

grocer up the little staircase into the poky bedrooms, which smelt of

varnish.

“A little shop like ours is a great snare for a man with ambition. I

have wasted the best years of my life in it, years during which I might

have built up a great merchandising house. But this hotel, and others

like it, will soon make my son a rich man, and provide for Rachel. A

Temperance Hotel with a grand loggia looking over the river, pillars

with climbing roses, a small winter garden with azaleas.... We must

move with the times, you know, Miss Dunnock.”

Anne descended the narrow stairs and followed Mrs. Sotheby across a

patch of sticky clay to the dog-cart.

“Yes, I am going to Paris. Don’t tell anyone; it is a secret,” she said

to the little girl as they drove off. It was only after saying this

that Anne looked up at the cottages, seeing them for the first time.

Their extreme ugliness and the evident signs of jerry-building dismayed

her.

“What will the next thing be like?” she asked herself, remembering

the grocer had spoken of an hotel, and expecting to see it round the

corner. In a moment or two Mr. Sotheby drew rein by the side of the

quiet stream of the Ouse, but there was no building visible, only an

empty field, the site for the new hotel.

“A lounge hall lit entirely by windows of yellow stained glass is my

idea,” said Mr. Sotheby. “It will give the effect of sunshine all

the year round. The landing-stage is to run the entire length of the

building. It will be covered by a glass roof. There is to be a garage

on the right and a boathouse on the left, each under its own dome

of glass, thus giving symmetry to the whole. There will be central

heating, a lift, electric light, a banqueting hall....”

Anne gazed at the water-logged field, at the slow stream with the

bunches of reeds and the gasworks on the opposite bank, and ceased to

listen to Mr. Sotheby’s words. The mud and water and slime would remain

mud and water and slime; the fine old bridge with the toll house,

which had once been a chapel, would stay there; nothing would move the

gasworks, and Anne felt unable to picture to herself the glittering

abomination of which the grocer spoke, on that melancholy river bank.

But Mr. Sotheby went on talking for some time, and, turning her head,

Anne could see that his wife was not listening, and her own attention

soon wandered. She saw the whip being pointed first in one direction

and then in another, and the white beard which wagged as the grocer

opened and shut his mouth, but the stream of words went on unheard. At

last Mr. Sotheby picked up the reins, cracked his whip, and they set

off for home. Except for Rachel, they had enjoyed themselves as Mrs.

Sotheby had predicted.

No one in Dry Coulter would have recognized the slim figure in a

fashionable tailor-made dress who took her seat in the boat-train three

days later. When she shook her head to refuse the offer of magazines,

no hairpins flew on to the platform, and the reason was explained when

she removed her rakish little hat: Anne wore an Eton crop. Her whole

character seemed to her to have changed, and looking into the mirror

in the lid of her little vanity-case, she was pleased with her new

self. For a moment she fingered an unused lip-stick and then, laughing

to herself, deliberately reddened her lips. She was off to Paris,

alone, to seek her fortune. Her father, everyone at Dry Coulter, every

experience she had ever had in her life seemed never to have existed.

It was a dream which would be speedily forgotten, and reaching for her

bag, Anne opened a French book of which Richard had spoken.

Somewhere in the Weald of Kent, the grinding noise of the brakes,

suddenly applied, disturbed her reading. The train dragged itself to a

halt and a long silence followed.

At last Anne threw open the window and peered into the darkness.

There was nothing to be seen but a red light shining somewhere down

the line, and the vague forms of oak trees near at hand. For a moment

there was nothing to be heard, and then, suddenly, her ear caught a

far-off melodious chuckle and a moment afterwards the first startling

clear notes of a bird’s song. The red light changed to green; there was

a long puff, and a series of snorts from the engine; the ticking of

released brakes, and once more the train was in motion. But Anne had

recognized the note of the nightingale.

“Love,” she said to herself, and began laughing.

TWELVE: RICHARD’S FRIENDS

Two men and a woman were having breakfast in the studio in their

dressing-gowns.

“Oh, my God, Grandison!” exclaimed Richard Sotheby, after looking into

the letter which Anne had posted two days before in London. “What am I

to do? Here is that girl arriving in Paris to-morrow. She asks me to

get her lodgings, and to meet her at the station. What on earth am I to

do? I wonder if I could stop her coming.... She doesn’t give her London

address. No, I can’t stop her. Oh, what a curse....”

Grandison laughed and, turning to the woman beside her, told her the

news in bad French. A look of incredulity passed over her brown face,

and then she also began to laugh. The dark eyes sparkled with malice,

the even white teeth shone, she put the point of her healthy pink

tongue between her painted lips; and then, the humour of the situation

increasing as she turned the news over in her mind, she sprang up and

danced bare-footed round the breakfast table in the middle of the

immense room. The skirts of the silk dressing-gown whirled round the

lithe body; every movement was lovely, but neither of the men looked

at her. When she stopped it was to pour out a flood of questions which

went unanswered.

“It is not a joke,” said Richard Sotheby gloomily. “You will have to

help me. You don’t object, I suppose,” he added in French to the girl,

“if Grandison devotes his time to her?”

“How insolent you are, Richard!” said the woman, taking hold of

Grandison’s arm, and putting her cheek beside his head. “I am to be

sacrificed because you can’t face a woman. I could call you some hard

names if I chose.” She pouted, but at once went on: “But I won’t, for

I sympathize with you. Really I am anxious to see this girl of yours,

Richard. It will be a curiosity. Are you going to bring her to live

with us? I shall be charming to her, and she will keep me company

sometimes. Two men is more than I can manage.” She pouted again, and

added in tones of deep tenderness: “Two dirty Englishmen.”

Richard Sotheby looked at her with a patient smile, then, ignoring her

questions, he turned to his friend and said, speaking in English: “And

two women is more than I can manage.”

Grandison flushed with anger, but Richard forestalled anything he might

have said by adding: “My dear, you know I am fond of Ginette; don’t

misunderstand what I say. But two women is more than I can put up

with....”

“Why on earth will you persist in regarding Ginette as a woman?”

demanded the younger man in tones of fury. “Woman! woman! It’s always

woman with you. Ginette is Ginette, just as I am Gerald and you are

Richard.”

Sotheby did not reply, and his friend’s angry tones soon subsided.

Harmony was restored while the breakfast dishes were cleared away,

and for the rest of the morning Anne’s arrival was discussed calmly,

sometimes in English, sometimes in French, while the two men painted

and Ginette posed. In the evening everything that had been said in the

morning was repeated, but at last it was decided that Grandison should

meet Anne at the station, instead of Richard, and that he should take

her to an hotel.

“Let it be on the other side of Paris,” said Richard next morning, as

he and Grandison left the studio on their way to the station, for he

had decided to accompany his friend in order to point out the girl whom

he was to meet.

“Everything in France is different,” Anne said to herself as she

looked out of the window of the train. “Those trees must be elms, but

they have been shaved like French poodles so that they are scarcely

recognizable. These are fields of corn, and here are cocks and hens

and cart-sheds, but they do not seem to be the real things so much as

imitations of ours. And the houses! How extraordinarily different are

the houses!” for the train was passing through a station, and building

after building flashed by her: dreary houses with the stucco peeling

off them, each with its broken-slatted shutters beside the windows,

houses such as do not exist in England.

“If there is any beauty in this country it is of another kind from

our English beauty, just as the ugliness is unlike our ugliness.” The

change did not dismay her; it had the same effect of strangeness as the

reflection of her own cropped head in the glass, seen unexpectedly as

she lifted her handbag from off the luggage rack.

The train was approaching Paris, and before many minutes had passed a

porter in a blue blouse had seized upon her handbag and Anne forgot to

look for Richard Sotheby in the effort to produce a good impression

on the porter. But even the inadequacy of her French could not detain

him for more than a moment. His moustache trembled eagerly, his eye

flashed, then he had disappeared.

“What a lovely outline there is to his cheek, how clear his

complexion, how expressive his every movement!” and looking after the

porter she began to fancy that if all Frenchmen were as handsome as the

porter she would be in love with them all. “The beauty of the French

face,” she said, “lies in the beauty of the cheekbones. An English face

is made up of eyes and nose and mouth: the rest of the face is a blank

space, but take away a Frenchman’s eyes: so often like eggs, or olives,

take away his nose, and his mouth (always an uninteresting mouth) and

you find his face is still full of expression and of beauty, indeed the

face is improved.”

But the porter was back, and had set off down the platform with a

commanding gesture to Anne to follow him, when she found herself being

accosted by a stranger.

“Is this Miss Dunnock? My name’s Grandison,” he said. “Richard Sotheby

asked me to meet you here; he is not able to come himself....”

“Ginette Grandison’s brother,” Anne said to herself, looking into the

surly, boyish face, and noticing Grandison’s shyness. Meanwhile the

porter with the lovely cheekbones had disappeared with her suit-case.

“What does the porter matter?” she thought. “What does the suit-case

matter? What does it matter what this young man is mumbling about

Richard? No, nothing matters. This is Paris; I have arrived, and a

delightful happy life awaits me with these charming people. The opera

... friends.” In such a mood it seemed scarcely surprising that Richard

should after all come up to them just as they were climbing into a cab.

“What is the latest news from Dry Coulter?” he asked, taking the seat

beside her. Anne had not slept; the channel crossing by night was too

exciting an experience to be missed, and she had remained on deck,

watching the receding lights of England disappear, and then the lights

of France springing up out of the darkness and growing in brilliance

and in number.

“Dry Coulter?” she asked, and for the first moment the name conveyed

nothing to her. “How can you ask about Dry Coulter when we are in

Paris!” Richard laughed and Anne added at once: “Oh, I went with your

father and mother and Rachel to see the new cottages, and the site for

the hotel.”

Go she must! · 第 7 / 11 段