We shall now give a brief account of their high mass, which we do the

more readily, because Mr. Palmer represents it in a very mutilated

form. The celebrant, whether priest or bishop, is vested in the

sacristy: the vestments bear some resemblance to those of the Greeks.

The beginning of the mass is the only part probably taken from the

Roman liturgy, but it contains an invocation of the B. Virgin and of

the saint of the day. When the celebrant goes up to the altar, the

veil is drawn: he uncovers the chalice, blesses the host, which is

like ours of unleavened bread; pours wine and water into the chalice,

and recites the beautiful prayer of S. John Chrysostom: "O Lord our

God, who hast sent our Lord Jesus Christ the celestial bread, the

nourishment of the whole world; do thou bless this proposition etc."

The veil is then drawn back, and the offerings, the altar, and the

people are incensed. The Celebrant recites the prayer of the festival,

followed by other prayers composed by S. John Chrysostom: the

Trisagion is sung, and the gospel is carried in procession, and is

kissed by one of the congregation. Then follow the epistle, gospel,

and creed. After two prayers, and two benedictions imparted to the

people; the offerings are carried in procession to the altar, the

celebrant offers them up to God, and prays that Jesus Christ will make

him worthy to consecrate, and receive his "holy and immaculate body

and precious blood; for thou, O Christ our God, art he who offers

and is offered". After he has washed his hands, he says "O Lord God

of armies, let this victim become "the true body and blood of thy

only begotten Son". He then blesses the people, says prayers which

correspond to our preface and _Sanctus_, and pronounces the words of

consecration. After he has said other prayers, and made the sign of

the cross several times over the host and chalice, he invokes the holy

Ghost, begging also that the body and blood of Christ may produce "the

salvation of our souls and the remission of our sins". He then prays,

through the merits of the holy sacrifice, for the whole world, the

church and state, all conditions of men and for all the faithful

departed: he invokes the intercession of the B. Virgin and all the

Saints: he prays for the Pope and all present; and after other similar

supplications, he says the _Pater noster_. The elevation takes place

at this part of the mass, and also the blessing of the people with

the consecrated host and chalice, accompanied by appropriate prayers.

After the curtains have been drawn, the priest breaks the host, and

puts a particle of it into the chalice: he then receives communion,

blesses the people with the chalice and particle, and distributes

communion; before its distribution the curtains are drawn back. When

the ablutions and prayers after the celebrant's communion are ended,

turning towards the people, he recites a prayer of S. John Chrisostom,

which is followed by the last gospel. Then invoking the holy cross he

blesses the people, who unite in praising God. He finally blesses them

again, and distributes blessed bread (not consecrated) among them. At

S. Gregorio Illuminatore Vespers are added and said _in circolo_: the

clergy carry tapers; and the gospel is held up by the Celebrant to

implore blessings on the people.

[Sidenote: Reflections.]

These ceremonies may appear singular to us, who are of a different

clime and different customs; their music in particular is little in

accordance with our taste, or notions of melody and harmony. Yet the

remark of Montfaucon (Diario Italico) "æra Dodonæa dixisses", alluding

to the brass kettles of the oracle (Potter Arch. Graec. B. 2, § 8)

is an exaggeration. Their _flabelli_ are of metal, of a round form,

surrounded with little bells, which are sounded at the seraphic hymn,

to express, if we might believe Cancellieri, "by the trembling of the

hands, that of the blessed spirits, who assist at the throne of the

Divine Majesty with fear and trembling". (Tre Pontific. Not. VI).

Their mass is anticipated, but not at so early an hour as that of

the Latin. (Even in the Latin church, permissions to say mass in

the afternoon of this day have been granted by some Popes; they may

be seen in Cancellieri. _Funz. d. Sett. S. p_. 183, 184). Amid the

numerous differences between their rite and our own, the attentive

spectator will not fail to remark the similarity of the substance and

order of their liturgy, and of that of the Roman church; although,

with the solitary exception of the beginning of the mass, both have

existed independently of one another during the last 1400 years. This

is a powerful argument in favour of the great antiquity, nay of the

apostolic origin of their most important ceremonies, which may be

traced through different channels to the _primitive_ liturgies of Rome

and Antioch. It is also one of those striking illustrations, which

Rome presents, of the unity and catholicity of the church; and at

the same time of the adaptation of her immutable doctrines and sacred

practices to the feelings and customs of widely-separated nations who,

having little in common but human nature, yet all acknowledge "one

Lord, one faith, and one baptism". (Ephes. IV. 5); and all belong to

"one fold and one shepherd". John X, 16.

[Sidenote: Conclusion.]

Having now considered in detail the various ceremonies of Holy Week

at Rome, a philosophic mind will take a general review of them: and

this question will very naturally suggest itself: What judgment

ought I to form concerning them? am I to consider them as mummery, or

superstition, or idolatry, as many most confidently pronounce, who

are unacquainted with their nature, their origin, and their meaning;

and at the same time are little accustomed from early infancy to

any language or gesticulations save those of the tongue? or am I not

rather to regard them as a solemn, and sacred, and pathetic, and most

ancient expression of Christian faith and Christian feeling; which,

united as it is with the noblest productions of divine inspiration and

of Christian art may haply not only instruct and elevate the mind, but

also enkindle in the soul flames of that pure and practical devotion,

which this holy season demands from every follower of Christ? Let the

reader decide for himself; but for our part, we envy not the mind

or heart of him, who can prefer the former of these views. We shall

ever bless God, that we have learnt in another school not to condemn

the customs and manners of other countries and other people, merely

because they differ from our own; and that we are disposed to

attribute to signs the meaning attached to them by those who adopt

them, and not that of our own fancies. Men of warmer climates than our

own convey to others their sentiments and feelings by action as easily

as by the tongue. Italians, as well as Greeks and Orientals, have

inherited from their fathers a language of gesture more powerful and

expressive than that of words. The Hebrew prophets, Isaiah, Ezechiel,

and others, nay Christ himself, spoke by action as well by the tongue.

God appointed in the old law innumerable ceremonies: Christ in the new

law of spirit and truth instituted sacred rites, or sanctified those

which previously existed: the early church imitated His blessed

example: and they have been faithfully preserved as a precious

inheritance till the present time. The very objection, that some of

them were borrowed from Jews or Pagans, is a proof of their primitive

antiquity: Christ or the church removed from them all profaneness or

superstition, and then adopted and sanctified them. (See Wiseman's

Letters to Poynder). If all parties unite in approbation of the

illumination of the cupola of S. Peter's, and of the fireworks of S.

Angelo, considered as outward demonstrations of the exultation of the

church at the resurrection of her Divine Spouse; we shall ever admire

also the expressions of christian feeling exhibited in the interior

of her temples, whether they consist in ceremonies or words; and on

this day emulating the transports of joy of the fervent and eloquent

pilgrim to Jerusalem and Mount Sinai, when shall unite our voices with

those of the angelic spirits in singing, _Alleluja_; "because Jesus

Christ, our Lord, who was delivered up for our sins, rose again for

our justification". Rome. IV, 24, 25.[139]

[Footnote 111: Anciently in some churches, as Thomassin has shewn (de

dierum Festorum celebratione lib. 2. c. 14), fire used to be struck

from a flint to light the church-lamps etc. every day and particularly

on Saturday, and the new fire was blessed; on holy Saturday however

this ceremony was performed with great solemnity; and in the 11th

century it was restricted to that day alone. At Rome in holy week

this practice was not originally confined to holy Saturday, but was

observed on the three days before caster: for the first _Ordo Romanus_

directs, that on holy _thursday_ fire should be struck from a flint

outside the church, and blessed. Amalarius also (4e Ordine Antiph.)

testifies that on good _friday_ "new fire was enkindled and reserved

till the nocturnal office". Leo IV however (A.D. 847) appears to have

first ordered that on Easter Eve "the old fire should be put out, and

new fire blessed and distributed among the people" (Homil. de cura

Pastorali). For Pope Zachary, about the year 731. in answer to

the enquiries of Boniface, bishop of Mayence, states that "on holy

thursday, when the sacred chrism is consecrated, three lamps of a

large size filled with oil collected from the different lamps of the

church, and placed in a secret part of the said church, should burn

there constantly, so that the oil may suffice till the third day,

that is saturday. Then let the fire of the lamps which is used for the

sacred font be renewed. But concerning the fire taken _ex cristallis_,

as you have asserted, we have no tradition". Pouget (Inst. Cathol. l.

1) observes that the new fire is blessed with great solemnity on this

day, "because the fire struck from a flint appears to be a type of

Christ arising from the dead". Formerly not only the lights of the

church, but all the fires of the city were enkindled from the blessed

fire (as we learn from a MS. Sancti Victoris (ap. Martene, De ant.

Eccl. Ritibus lib. IV, c. XXIV). "After the _Ite Missa est_" says

the Ordinarium of Luke archbishop of Cosenza "the bishop gives his

blessing, and immediately the deacon commands the people, saying

"Receive the new fire from the holy candle, and having put out the

old, light it in your houses in the name of Christ; then rejoicing

they depart with the light". This custom is mentioned also in Leo

IVth's homily above quoted.]

[Footnote 112: As for the Paschal candle, Anastasius says that

Zosimus, who was elected pope in 417, gave leave that candles should

be blessed in the churches. Bened. XIV, Merati and Gretser understand

by these words, that that Pontiff only extended to the parish churches

a custom already practised in the greater churches: however this may

be, the blessing of this candle is at least as old as the time of Pope

Zosimus. It is inserted in the ancient sacramentary of Pope Gelasius

(A.D. 495). S. Augustine (lib. 15 de Civ. Dei) mentions some verses

written by himself in praise of the paschal candle. S. Jerome also

speaks of it in his epistles; and Ennodius bishop of Pavia in

519 wrote two formulas, according to which it might be blessed.

Cancellieri, at the end of his _Funzioni della Settimana Santa_,

describes two blessings of the paschal candle contained in manuscripts

of the 12th century. Du Vert as usual rejects every mystical meaning

of the candle: but why then should it be lighted on this night, and

not on christmas and other nights? The 4th Council of Toledo, held in

633, states that the paschal candle is blessed, in order that we may

receive the mystery of Christ's resurrection; and hence the abbot

Rupert says, that the candle when lighted represents Christ's

resurrection from the dead. That such is its meaning appears from the

five holes made in it in the form of a cross, to represent the five

wounds of Christ: in them the five grains of incense are fixed by the

Deacon, in order to represent, according to Rupert, the spices applied

to Christ's body by Joseph of Arimathea. In confirmation of this

explanation, we may observe that this candle is not removed from the

church till the gospel has been sung on Ascension-day when Christ

departed from among men: and it is lighted at solemn mass before the

_gospel_ and at vespers before the _Magnificat_ on the Sundays and

holidays which occur between holy saturday and the ascension. To the

same symbolical meaning of this candle we must attribute the ancient

custom of affixing to it (as a symbol of Christ) a tablet on which

the current year of our Lord and its indiction were marked: sometimes

these, if not other chronological dates, were inscribed on the candle

itself by the deacon, before he sang the _Exultet_, as Ven. Bede

testifies, The same idea was preserved in the practice of forming the

_Agnus Dei_ with the wax of the paschal candle. "On this day" (holy

saturday) says Durandus "the acolythes of the Roman church make

_lambs_ of newly blessed wax, or of the _wax of the paschal candle_

of the preceding year mixed with chrism: on Saturday in Albis they

are distributed by the Lord Pope to the people in the churches".

Amalarius likewise mentions this custom. It appears also from the

two benedictions of Ennodius mentioned above, that the faithful used

particles of the pascal candle as a preservative against storms: the

good effects hoped for in this and similar cases are attributed to the

prayers of the church, which God in His goodness has promised to hear.

The paschal candle is painted according to an ancient custom.

"Ast alii _pictis_ accendant lumina _ceris_".

S. Paulinus Nat. VI. S Felicis

Pierin del Vaga, whom Vasari considered as the most distinguished

of Raffaello's assistants, was originally nothing more than a

candlepainter. His creation of Eve at S. Marcello at Rome, and

his frescoes in the Doria place at Genoa, are well-known; at the

Vatican he assisted Giovanni d'Udine in his arabesques, Polidoro in

his antique chiaroscuri, and executed some of the most beautiful

historical paintings of the loggie di Raffaello. Hence may we judge of

the versatility of his talents.]

[Footnote 113: Why does a deacon perform this ceremony? since other

benedictions are reserved to bishops and priests. Rupert assigns as a

reason, that Christ's body was wrapped in spices by his disciples, and

not by the apostles whose successors are bishops and priests: besides,

the hymn sung by the deacon is the præconium Paschale, or announcement

of the Resurrection, which was first made by inferiors to their

superiors, by the women to the apostles. We may add that both the fire

and the 5 grains of incense are previously blessed by the priest, and

in the præconium itself there is not any form of blessing, strictly

speaking. In the church of Ravenna however the bishop used to

bless this candle (S. Gregory ep. 28, lib. 9). In the Roman church,

according to cardinal Gaetani, the last of the Cardinal priests

usually blessed the fire, and the last Card. deacon lighted the _lumen

Christi_, or triple candle, and the Paschal candle. The deacon used

to bless the latter either at the steps of the presbytery, or from the

ambo; and hence we find a marble column, intended to support it, fixed

to the ambo in S. Clement's S. Laurence's, and S. Pancras' churches

at Rome. See another marble column destined for the same use ap.

Ciampini, Vet. mon. cap. 2.]

[Footnote 114: Martene (De antiquis Eccl. rit. lib. 4, c. 24)

maintains that this hymn was composed by S. Augustine, and this

opinion is adopted also by Baillet and Benedict XIV, and confirmed by

a MS. pontifical of the church of Pavia of the 9th century, and other

documents cited by Martene, ibid: it was corrected by S. Jerome, if

we may believe an ancient Pontifical of Poitiers (quoted ibid.) The

_chant_ of this beautiful hymn is very ancient. "I have seen," says

Baini "in many manuscripts both anterior and posterior to the 11th

century the melodies of the preface, of the _Pater noster_, of the

_Exultet_, and of the _Gloria_ precisely such as the modern" (T. 2,

p. 92). In a splendid roll of the Minerva (signed D. 1. 2) of the 9th

century, are contained the _Exultet_, the solemn benediction of the

baptismal font, and the administration of all the ecclesiastical

orders. Nor is this the only roll containing the chant precisely

similar to the modern. D'Agincourt left another to the Vatican

library. See also MS. no. 333 of the Barberini library, of the year

1503.]

[Footnote 115: Prudentius speaks of the "guttas olentes" or

odoriferous drops of the candle, and S. Paulinus of Nola of "odora

lumina": hence P. Arevalo conjectures that the grains of incense were

fixed in the paschal candle even at the time of Prudentius in the 4th

century.]

[Footnote 116: In churches, at the words _Apis mater eduxit_, the

lamps also are lighted. With regard to the triple candle, we may

observe that on an ancient marble column preserved in the Piazza

before the cathedral of Capua is a bas-relief representing the

lighting of the paschal candle by means of a reed surmounted by 3

small candles, as the Canonico Natali testifies in a letter printed at

Naples in 1776. The triple candle is mentioned in the Ordo Romanus

of Card. Gaetano, in that of Amelius, and in a MS. Pontifical of the

church of Apamea, ap. Martene. As Thomassin observes, "we light a

candle divided into three in honour of the Trinity, considering that

enlightened by Christ we know that recondite mystery". Gavant also

gives the same explanation. In the Greek service the bishop gives

his blessing, as often as he sings mass, with a triple candle. In the

Latin church it is used only on holy Saturday.]

[Footnote 117: See Appendix.]

[Footnote 118: This custom is proved from the letter of Siricius

Pope in the 4th century to Himmerius, from letters of S. Leo and

Pope Gelasius, as well as other ancient documents (ap. Bened. XIV,

Institut. prima ed lat.); and vestiges of it are preserved in the

liturgy of the weeks of Easter and Pentecost. Ordinations were

generally conferred before Christmas, as is evident from the lives of

the early Popes. Baptism was administered before the great festivals

of Easter and Pentecost, that the newly-baptised might be prepared to

celebrate them worthily, and receive the graces therein commemorated.

Perhaps another reason for selecting the eve of Easter may be found in

the parallel drawn by S. Paul between baptism and Christ's death and

resurrection (Rom. VI, 5 and foll.): "we who are baptised in Christ

Jesus are baptised in his death. For we are buried together with him

by baptism unto death: that as Christ is risen from the dead by the

glory of the Father, so we also may walk in newness of life" etc.]

[Footnote 119: See on such subjects Del Signore's Institut. Hist.

Eccles. with notes by Prof. Tizzani Cap. V. § 19 seq.]

[Footnote 120: See Comm. ad Ord. Rom. Mabillonii tom. 2, Mus. Ital. p.

95.]

[Footnote 121: According to the Ordo Romanus, children after baptism

on this day were to take no food or milk before Communion "and on all

days of Easter-week let them go to Mass, and let their parents offer

for them, and let all communicate". As Cabassutius proves in his

notitia Ecclesiastica sæculi primi, they used to receive the B.

Sacrament under the form of wine alone. The bishop dipped his finger

into the sacred blood, and then put it into the mouth of the child a

practice observed in modern times in some parts of the East, according

to the learned Maronite Abraham Ecchellensis; afterwards a little milk

and honey was put into their mouths, as an emblem (according to John

the deacon) of the promised land, to which they were called. This

custom of giving communion to children was not of necessity for

salvation, as Cardinal Noris proves in Vindiciis Augustinianis § 4,

and the Council of Trent observes. In some places an abuse crept in

of putting the milk and honey into the consecrated chalice, but it was

prohibited by an African Council.]

[Footnote 122: In the 4th century, S. Basil writing to the clergy of

Neocesarea observes, that the litanies, which they then used, were

introduced after the time of S. Gregory Thaumaturgus (Epist. 63). In

Gaul about the year 452, S. Mamertus bishop of Vienne appointed solemn

litanies to be recited on the three _rogation_ days. "At Rome," say

Palmer, "no doubt litanies were in use at an early period, since we

find that in the time of Gregory the great (A.D. 590), the appellation

of litany had been so long given to processional supplications,

that it was then familiarly applied to those persons who formed the

procession". Vol. 1, p. 271. That holy Pontiff gave the following

directions; "Let the litany of the clergy set out from the church of

S. John the Baptist, the litany of the men from the church of the holy

martyr Marcellus, the litany of the monks from the church of SS John

and Paul: the litany of the handmaids of God from the church of the

blessed martyrs Cosmas and Damian, the litany of the married women

from the church of the blessed protomartyr Stephen; the litany of the

widows from the church of the blessed martyr Vitalis, the litany of

the poor and children from the church of the blessed martyr Cecilia".

Vita S. Gregorii a Joanne Diacono, lib. 1, c. 42. That the litanies

were recited on holy-saturday appears from several ancient _rites_

quoted by Marlene (De Ant. Eccl. Ritibus, lib. 4, c. XXV, and lib. 1,

c. I, art. 18). Palmer, wishing to defend the liturgy of the church

of England, maintains the antiquity of litanies, but pretends that the

invocations of saints were not originally contained in them, but were

added to them in the west about the eighth century (vol. I, p. 289).

From a passage in Walafridus Strabo he is led to admit that at _his_

time (the ninth century) "these invocations must have been _for

some time_ in use, and accordingly manuscript litanies containing

invocations have been discovered by learned men, which appear from

internal evidence to be as old as the eighth century". He attempts

however by _negative_ arguments to shew, that these invocations

are not more ancient than that period; although at the same time he

confesses that "we have no _distinct account_ of the _nature_ of the

service which was used on occasions of peculiar supplication during

the earliest ages". p. 272. To his arguments we may oppose the

_positive_ testimony of Walafridus Strabo, who says "The litany of the

holy names is believed to have come into use after Jerome, following

Eusebius of Cesarea, had composed the martyrology". A long time,

about three centuries, elapsed before the _canon_ of the scriptures

was determined; and it is not therefore surprising if the _canon_

of saints, (if such it may be called), who died at considerable

intervals, required some time for its formation. Invocations of the

saints in ancient litanies may be seen ap. Martene (lib. 4f c. 27

and lib. 1, c. 1, art. 18). One would conceive from Palmer's account

of the Ambrosian litany that it did not contain invocations of

the saints, p. 276; yet in the Ambrosian processional, to which he

alludes, we read as follows "Afterwards they go to the altar, were the

litanies are recited on bended knees, in reciting which the _names

of the saints_ without _Intercede pro nobis_ are sung aloud by the

provost and clergy of the first collegiate church; and by the other

clergy with _Intercede pro nobis_ and this rite of singing the

_litanies_ and antiphons is observed in every other stational church".

ap. Martene lib. 4, c. 28. In the Ordo Romanus also De Benedictione

Ecclesiæ these invocations are found. The question however concerning

their antiquity _in the litanies_ is of minor importance. Even Palmer

admits, that "Catholic fathers in the 4th century invoked the saints"

p. 292, though he gravely assures his readers, that "they were too

well instructed in the Christian faith to believe positively that the

saints heard our prayers". He mentions the learned work of Serrarius

called "Litaneutici seu de Litaniis etc." as an instance of the

writings, in which "innumerable passages have been cited from ancient

writers to prove, that the invocation of saints is more ancient than

the eighth century. But most of those passages do not refer to the

invocation of saints, but to prayers made to God for the intercession

of saints". Palmer, vol. I, p. 278. We consider that there is little

difference in principle between these two things: we shall however, to

satisfy him, quote only one passage from an ancient Oriental liturgy.

"Mother of our Lord Jesus Christ, pray for me to the only begotten

Son, who was born of thee, that he may forgive me my offences and

sins, and may receive from my feeble and sinful hands this sacrifice,

which in my weakness I offer on this altar, through thy intercession

for me, O holy Mother". (From the ancient liturgy used by the

Nestorians called the liturgy of the holy apostles. Renaudot, t. II.

See bishop Poynter's Christianity, Note E: and ancient inscriptions

in Rock's Hierurgia, p. 347 and foll.) Though we have the _innumerable

ancient_ passages above-mentioned in favour of the Catholic doctrine,

yet shall we call Mr. Palmer's attention to the following passage of

his own work. Speaking of secrecy, he says: "this primitive discipline

is sufficient to account for the fact, that very few allusions to

the liturgy or eucharistic service are found in the writings of the

Fathers". I, p. 14. His fears of _heresy and blasphemy_ arising from

the invocation of Saints may be calmed by the simple perusal of the

doctrine of the church taught by the Council of Trent, sess. 25. "The

holy synod commands all bishops and other teachers--_diligently to

instruct the faithful, teaching them_ that the Saints reigning with

Christ offer to God their prayers for men; that it is _good and

useful_ to invoke them with supplication, and to have recourse to

their prayers, help, and assistance, in order to obtain benefits _from

God through his Son Jesus Christ our Lord, who alone is our Redeemer

and Saviour_". Accordingly we say in the litany "Lord, have mercy on

us: holy Mary _pray for us_" etc.]

The Ceremonies of the Holy-Week at Rome · 第 9 / 10 段