DEFINITIONS OF THE EMOTIONS

I. "Desire" is the actual essence of man, in so far as it is conceived,

as determined to a particular activity by some given modification

of itself.

^^^^^Explanation--We have said above, in the note to

Prop. ix. of this part, that desire is appetite, with consciousness

thereof; further, that appetite is the essence of man, in so far

as it is determined to act in a way tending to promote its own

persistence. But, in the same note, I also remarked that,

strictly speaking, I recognize no distinction between appetite

and desire. For whether a man be conscious of his appetite

or not, it remains one and the same appetite. Thus, in order

to avoid the appearance of tautology, I have refrained from

explaining desire by appetite; but I have taken care to define

it in such a manner, as to comprehend, under one head, all

those endeavours of human nature, which we distinguish by

the terms appetite, will, desire, or impulse. I might, indeed,

have said, that desire is the essence of man, in so far as it is

conceived as determined to a particular activity; but from

such a definition (cf. II. xxiii.) it would not follow that the

mind can be conscious of its desire or appetite. Therefore,

in order to imply the cause of such consciousness, it was

necessary to add, "in so far as it is determined by some given

modification," &c. For, by a modification of man's essence,

we understand every disposition of the said essence, whether

such disposition be innate, or whether it be conceived solely

under the attribute of thought, or solely under the attribute

of extension, or whether, lastly, it be referred simultaneously

to both these attributes. By the term desire, then, I here

mean all man's endeavours, impulses, appetites, and volitions,

which vary according to each man's disposition, and are,

therefore, not seldom opposed one to another, according

as a man is drawn in different directions, and knows not

where to turn.

II. "Pleasure" is the transition of a man from a less to a greater

perfection.

III. "Pain" is the transition of a man from a greater to a less

perfection.

^^^^^Explanation--I say transition: for pleasure is not

perfection itself. For, if man were born with the perfection

to which he passes, he would possess the same, without the

emotion of pleasure. This appears more clearly from the

consideration of the contrary emotion, pain. No one can

deny, that pain consists in the transition to a less perfection,

and not in the less perfection itself: for a man cannot be

pained, in so far as he partakes of perfection of any degree.

Neither can we say, that pain consists in the absence of a

greater perfection. For absence is nothing, whereas the

emotion of pain is an activity; wherefore this activity can

only be the activity of transition from a greater to a less

perfection--in other words, it is an activity whereby a man's

power of action is lessened or constrained (cf. III. xi. note).

I pass over the definitions of merriment, stimulation, melancholy,

and grief, because these terms are generally used in reference

to the body, and are merely kinds of pleasure or pain.

IV. "Wonder" is the conception (imaginatio) of anything,

wherein the mind comes to a stand, because the particular

concept in question has no connection with other concepts

(cf. III. lii. and note).

^^^^^Explanation--In the note to II. xviii. we showed the

reason, why the mind, from the contemplation of one thing,

straightway falls to the contemplation of another thing, namely,

because the images of the two things are so associated and

arranged, that one follows the other. This state of association

is impossible, if the image of the thing be new; the mind will

then be at a stand in the contemplation thereof, until it is

determined by other causes to think of something else.

Thus the conception of a new object, considered in itself,

is of the same nature as other conceptions; hence, I do not

include wonder among the emotions, nor do I see why I

should so include it, inasmuch as this distraction of the mind

arises from no positive cause drawing away the mind from

other objects, but merely from the absence of a cause,

which should determine the mind to pass from the

contemplation of one object to the contemplation of another.

I, therefore, recognize only three primitive or primary emotions

(as I said in the note to III. xi.), namely, pleasure, pain, and

desire. I have spoken of wonder simply because it is customary

to speak of certain emotions springing from the three primitive

ones by different names, when they are referred to the objects

of our wonder. I am led by the same motive to add a definition

of contempt.

V. "Contempt" is the conception of anything which touches

the mind so little, that its presence leads the mind to imagine

those qualities which are not in it rather than such as are in it

(cf. III. lii. note).

The definitions of veneration and scorn I here pass over, for

I am not aware that any emotions are named after them.

VI. "Love" is pleasure, accompanied by the idea of an external

cause.

^^^^^Explanation--This definition explains sufficiently clearly

the essence of love; the definition given by those authors who

say that love is "the lover's wish to unite himself to the loved

object" expresses a property, but not the essence of love; and,

as such authors have not sufficiently discerned love's essence,

they have been unable to acquire a true conception of its

properties, accordingly their definition is on all hands admitted

to be very obscure. It must, however, be noted, that when I

say that it is a property of love, that the lover should wish to

unite himself to the beloved object, I do not here mean by

"wish" consent, or conclusion, or a free decision of the mind

(for I have shown such, in II. xlviii., to be fictitious); neither

do I mean a desire of being united to the loved object when

it is absent, or of continuing in its presence when it is at hand;

for love can be conceived without either of these desires; but

by "wish" I mean the contentment, which is in the lover, on

account of the presence of the beloved object, whereby the

pleasure of the lover is strengthened, or at least maintained.

VII. "Hatred" is pain, accompanied by the idea of an external

cause.

^^^^^Explanation--These observations are easily grasped

after what has been said in the explanation of the preceding

definition (cf. also III. xiii. note).

VIII. "Inclination" is pleasure, accompanied by the idea of

something which is accidentally a cause of pleasure.

IX. "Aversion" is pain, accompanied by the idea of something

which is accidentally the cause of pain (cf. III. xv. note).

Ethics — Part 3 · 第 5 / 11 题