JOHN MACLAURIN.

One is disposed to pause a moment on Steil’s name, as it is honourably

connected with the history of music in Scotland. Being a zealous lover

of the divine science and a good singer of the native melodies, he had

rendered his house a favourite resort of all who possessed a similar

taste, and here actually was formed (1728) the first regular society of

amateur musicians known in our country. It numbered seventy persons,

and met once a week, the usual entertainments consisting in playing

on the harpsichord and violin the concertos and sonatas of Handel,

then newly published. Apparently, however, this fraternity did not

long continue to use Steil’s house, if I am right in supposing his

retirement from business as announced in an advertisement of February

1729, regarding ‘a sale by auction, of the haill pictures, prints,

music-books, and musical instruments, belonging to Mr John Steill’

(_Caledonian Mercury_).

Coming down to a later time—1760-1770—we find the tavern in highest

vogue to have been _Fortune’s_, in the house which the Earl of

Eglintoune had once occupied in the Stamp-office Close. The gay men

of rank, the scholarly and philosophical, the common citizens, all

flocked hither; and the royal commissioner for the General Assembly

held his levees here, and hence proceeded to church with his cortège,

then additionally splendid from having ladies walking in it in their

court-dresses as well as gentlemen.[143] Perhaps the most remarkable

set of men who met here was the POKER CLUB,[144] consisting of Hume,

Robertson, Blair, Fergusson, and many others of that brilliant galaxy,

but whose potations were comparatively of a moderate kind.

The _Star and Garter_, in Writers’ Court, kept by one Clerihugh (the

_Clerihugh’s_ alluded to in _Guy Mannering_), was another tavern

of good consideration, the favourite haunt of the magistrates and

Town-council, who in those days mixed much more of private enjoyments

with public duties than would now be considered fitting.[145] Here the

Rev. Dr Webster used to meet them at dinner, in order to give them the

benefit of his extensive knowledge and great powers of calculation when

they were scheming out the New Town.

A favourite house for many of the last years of the bygone century

was _Douglas’s_, in the Anchor Close, near the Cross, a good specimen

of those profound retreats which have been spoken of as valued in the

inverse ratio of the amount of daylight which visited them. You went

a few yards down the dark, narrow alley, passing on the left hand the

entry to a scale stair, decorated with ‘THE LORD IS ONLY MY SVPORT;’

then passed another door, bearing the still more antique legend: ‘O

LORD, IN THE IS AL MY TRAIST;’ immediately beyond, under an architrave

calling out ‘BE MERCIFVL TO ME,’ you entered the hospitable mansion

of Dawney Douglas, the scene of the daily and nightly orgies of the

Pleydells and Fairfords, the Hays, Erskines, and Crosbies, of the time

of our fathers. Alas! how fallen off is now that temple of Momus and

the Bacchanals! You find it divided into a multitude of small lodgings,

where, instead of the merry party, vociferous with toasts and catches,

you are most likely to be struck by the spectacle of some poor lone

female, pining under a parochial allowance, or a poverty-struck family

group, one-half of whom are disposed on sick-beds of straw mingled with

rags—the terrible exponents of our peculiar phasis of civilisation.

The frequenter of Douglas’s, after ascending a few steps, found himself

in a pretty large kitchen—a dark, fiery Pandemonium, through which

numerous ineffable ministers of flame were continually flying about,

while beside the door sat the landlady, a large, fat woman, in a

towering head-dress and large-flowered silk gown, who bowed to every

one passing. Most likely on emerging from this igneous region, the

party would fall into the hands of Dawney himself, and so be conducted

to an apartment. A perfect contrast was he to his wife: a thin, weak,

submissive man, who spoke in a whisper, never but in the way of answer,

and then, if possible, only in monosyllables. He had a habit of using

the word ‘quietly’ very frequently, without much regard to its being

appropriate to the sense; and it is told that he one day made the

remark that ‘the Castle had been firing to-day—_quietly_;’ which, it

may well be believed, was not soon forgotten by his customers. Another

trait of Dawney was that some one lent him a volume of Clarendon’s

history to read, and daily frequenting the room where it lay, used

regularly, for some time, to put back the reader’s mark to the same

place; whereupon, being by-and-by asked how he liked the book, Dawney

answered: ‘Oh, very weel; but dinna ye think it’s gay mickle the same

thing o’er again?’ The house was noted for suppers of tripe, rizzared

haddocks, mince collops, and _hashes_, which never cost more than

sixpence a head. On charges of this moderate kind the honest couple

grew extremely rich before they died.

The principal room in this house was a handsome one of good size,

having a separate access by the second of the entries which have been

described, and only used for large companies, or for guests of the

first importance. It was called _the Crown Room_, or _the Crown_—so

did the guests find it distinguished on the tops of their bills—and

this name it was said to have acquired in consequence of its having

once been used by Queen Mary as a council-room, on which occasions

the emblem of sovereignty was disposed in a niche in the wall, still

existing. How the queen should have had any occasion to hold councils

in this place tradition does not undertake to explain; but assuredly,

when we consider the nature of all public accommodations in that time,

we cannot say there is any decided improbability in the matter. The

house appears of sufficient age for the hypothesis. Perhaps we catch a

hint on the general possibility from a very ancient house farther down

the close, of whose original purpose or owners we know nothing, but

which is adumbrated by this legend:

ANGVSTA AD VSVM AVGVSTA[M]

W F B G

The Crown Room, however, is elegant enough to have graced even the

presence of Queen Mary, so that she only had not had to reach it by the

Anchor Close. It is handsomely panelled, with a decorated fireplace,

and two tall windows towards the alley. At present this supposed seat

of royal councils, and certain seat of the social enjoyments of many

men of noted talents, forms a back-shop to Mr Ford, grocer, High

Street, and, all dingy and out of countenance, serves only to store

hams, firkins of butter, packages of groceries, and bundles of dried

cod.[146]

The gentle Dawney had an old Gaelic song called Crochallan, which he

occasionally sang to his customers. This led to the establishment of

a club at his house, which, with a reference to the militia regiments

then raising, was called the Crochallan Corps, or Crochallan Fencibles,

and to which belonged, amongst other men of original character and

talent, the well-known William Smellie, author of the _Philosophy of

Natural History_. Each member bore a military title, and some were

endowed with ideal offices of a ludicrous character: for example, a

lately surviving associate had been _depute-hangman_ to the corps.

Individuals committing a fault were subjected to a mock trial, in which

such members as were barristers could display their forensic talents

to the infinite amusement of the brethren. Much mirth and not a little

horse-play prevailed. Smellie, while engaged professionally in printing

the Edinburgh edition of the poems of Burns, introduced that genius

to the Crochallans, when a scene of rough banter took place between

him and certain privileged old hands, and the bard declared at the

conclusion that he had ‘never been so abominably thrashed in his life.’

There was one predominant wit, Willie Dunbar by name, of whom the poet

has left a characteristic picture:

‘As I came by Crochallan,

I cannily keekit ben—

Rattling roaring Willie

Was sitting at yon board en’—

Sitting at yon board en’,

Amang gude companie;

Rattling roaring Willie,

Ye’re welcome hame to me!’

He has also described Smellie as coming to Crochallan with his old

cocked hat, gray surtout, and beard rising in its might:

‘Yet though his caustic wit was biting, rude,

His heart was warm, benevolent, and good.’

The printing-office of this strange genius being at the bottom of the

close, the transition from the correction of proofs to the roaring

scenes at Crochallan must have been sufficiently easy for Burns.

[Illustration: UPPER BAXTER’S CLOSE.

Where Burns first resided in Edinburgh.

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