THE ZEN MASTERS.

Let us begin with Enō, a master of the seventh century. He lost his

parents when he was young and earned his living by gathering firewood.

One day when he was in the market-place he heard some one reading the

Diamond Sūtra.[6] He asked where such books were to be had and was

told “From Master Kōnin on the Yellow Plum-blossom Hill.” Accordingly

he went to Kōnin’s Monastery in Anhui and presented himself before the

Master. “Where do you come from?” “From the South.” “Bah! In the South

they have not Buddha in their souls.” “North and South,” replied Enō,

“are human distinctions that Buddha knows nothing of.”

[6] Translated by W. Gemmell, 1912. Its use by Kōnin shows that Zen did

not long avoid the use of scriptures.

Kōnin accepted him as a lay-brother and put him to pound rice in the

bakery.

Kōnin was growing old and wished to choose his successor. He therefore

instituted a poetical competition in which each monk was to epitomise

in a quatrain the essence of Zen. The favourite candidate was the

warden Shinshū, who sent in the following verses:

_The body is the trunk of the Bodhi-tree;

The mind is the bright mirror’s stand;

Scrub your mirror continually,

Lest the dust eclipse its brightness._

Enō, as a lay-brother, was not qualified to compete. Some one told him

of Shinshū’s quatrain. “Mine would be very different,” he exclaimed,

and persuaded one of the boys employed in the bakery to go stealthily

by night and inscribe the following poem on the monastery-wall:

_Knowledge is not a tree;

The Mirror has no stand;

Since nothing exists,

How could dust rise and cover it?_

The authorship of the poem was discovered and the abbot Kōnin visited

Enō in the bakery. “Is your rice white or no?” he asked. “White?”

answered Enō; “it has not yet been sifted.” Thereupon the abbot

struck three times on the rice-mortar with his staff and departed.

Enō understood his meaning. That night at the third watch he came to

Kōnin’s cell and was invested with the abbot’s mantle, thereby becoming

the Sixth Patriarch of the Zen Church. He died in 712 A.D.,

without having learned how to read or write.

Zen Buddhism, and Its Relation to Art · 第 7 / 24 题