LATER DEVELOPMENT OF ZEN.

Zen was at first a purely personal discipline, non-monastic,

non-ethical, not demanding the acceptance of any Scripture or any

tradition. In modern Japan it has to some extent regained this

character. In China the habit of quoting written authority was

too strong to be easily discarded. The Zen masters soon began to

answer difficult questions by quoting from the Buddhist Scriptures.

Convenience dictated that practicants of Zen should live in communities

and monasticism was soon established in their sect, as in every other

sect of Buddhism. Questions of conduct arose, and Zen was squared

with the contemporary ethical outlook; though in medieval Japanese

literature wicked and cynical persons are generally depicted as adepts

of Zen.

Bodhidharma denied the existence of Good and Evil; but it was pointed

out by later apologists that the Zen adept, having viewed the Absolute,

is convinced of the unreality and futility of those pleasures and

possessions which are the incentive to sin. The Zen practicant, though

he makes no moral effort, nevertheless is certain not to sin, because

he is certain not to be tempted.

Finally, Zen forged itself a tradition. Probably during the eleventh

century a Scripture[5] was fabricated which recounts how once when

Buddha was preaching, he plucked a flower and smiled. Only the disciple

Kāshyapa understood the significance of this act. Between him and the

Buddha there passed a wordless communication of Absolute Truths. This

communication was silently passed on by Kāshyapa to his disciple, and

so ultimately to Bodhidharma, who brought it to China.

[5] _Dai Bonten Monbutsu Ketsugi Kyō._

The method of teaching by symbolic acts (such as the plucking of a

flower) was extensively used by the Zen masters. For example, when

a disciple asked Enkwan a question about the nature of Buddha, he

answered, “Bring me a clean bowl.” When the priest brought the bowl,

the master said, “Now put it back where you found it.” He signified

that the priest’s questionings must return to their proper place,

the questioner’s heart, from which alone spiritual knowledge can be

obtained.

The object of the Zen teachers, as of some eccentric schoolmasters

whom I have known, seems at first sight to have been merely to puzzle

and surprise their pupils to the highest possible degree. A peculiar

“brusquerie” was developed in Zen monasteries. The literature of the

sect consists chiefly in an endless series of anecdotes recording

the minutest happenings in the lives of famous Zen monks and their

(apparently) most trivial sayings. But behind these trifling acts

and sayings a deep meaning lay hid. The interpretation of such

teaching depends on a complete knowledge of the symbolism used. I

am not inclined to agree with those students of Zen who assert that

its written teaching are wholly devoid of intellectual content or so

completely esoteric as not to admit of explanation in words. Like other

Buddhist philosophers the Zen masters were chiefly concerned with the

attempt to define the relation between the One and the Many, between

the subjective and objective aspects of life.

The idealism of Zen does not mean that the phenomenal world has no

importance. To those who have not reached complete self-realisation

the urgencies of that world remain paramount and are the only

stepping-stones upon which he can climb higher.

On the day of his arrival at the monastery a novice presented himself

before the abbot, begging to be allowed to begin his spiritual

exercises without further delay. “Have you had supper?” asked the

abbot. “Yes.” “Then go and wash your plate.”

Zen Buddhism, and Its Relation to Art · 第 6 / 24 题