FASHIONABLE ZEN.

The warden Shinshū had lost the Patriarchate and with it the spiritual

headship of Zen. But as a compensation Fate had in store for him

worldly triumphs of the most dazzling kind. Leaving the rural monastery

of Kōnin, he entered the Temple of the Jade fountain in the great

city of Kingchau. His fame soon spread over central China. He was a

man of “huge stature, bushy eyebrows and shapely ears.” The Empress

Wu Hou, who had usurped the throne of China, notoriously cultivated

the society of handsome priests. About 684 A.D. she summoned

him to the Capital. Instead of commanding his presence at Court she

came in a litter to his lodgings and actually knelt down before him.

The friendship of this murderous and fiendishly cruel woman procured

for him temporal dignities which in the eyes of the world completely

outshone the rustic piety of the Sixth Patriarch. Shinshū at the

Capital became as it were the Temporal Father of Zen, while Enō at his

country monastery remained its spiritual pope. The successors of Enō

became known as the Fathers of the Southern School; while the courtly

and social Zen of Shinshū is called Zen of the North.

Was it in sincere goodwill or with the desire to discredit his rival

that Shinshū invited Enō to join him at the Capital? In any case Enō

had the good sense to refuse. “I am a man of low stature and humble

appearance,” he replied; “I fear that the men of the North would

despise me and my doctrines”--thus hinting (with just that touch of

malice which so often spices the unworldly) that Shinshū’s pre-eminence

in the North was due to outward rather than to spiritual graces.

Shinshū died in 706, outliving his august patroness by a year. To

perpetuate his name a palace was turned into a memorial monastery; the

Emperor’s brother wrote his epitaph; his obsequies were celebrated with

stupendous pomp.

His successor, Fujaku, at first remained at the Kingchau monastery

where he had been Shinshū’s pupil. But in 724 the irresolute Emperor

Ming-huang, who had proscribed Buddhism ten years before, summoned

Fujaku to the Imperial City. Here princes and grandees vied with one

another in doing him honour. “The secret of his success,” says the

historian,[7] “was that he seldom spoke and generally looked cross.

Hence his rare words and occasional smiles acquired in the eyes of his

admirers an unmerited value.” He died at the age of 89. On the day of

his interment the great streets of Ch’ang-an were empty. The whole city

had joined in the funeral procession. The Governor of Honan (one of

the greatest functionaries in the State), together with his wife and

children, all of them clad in monastic vestments, followed the bier,

mingling with the promiscuous crowd of his admirers and disciples.

[7] _Old T’ang History_, 191.

Religion was at that time fashionable in the high society of Ch’ang-an,

as it is to-day in the great Catholic capitals of Munich, Vienna or

Seville. When I read of Fujaku’s burial another scene at once sprang

into my mind, the funeral of a great Bavarian dignitary, where I saw

the noblemen of Munich walk hooded and barefoot through the streets.

I shall not refer again to the Northern School of Zen. One wonders

whether the founders of religions are forced by fate to watch the

posthumous development of their creeds. If so, theirs must be the very

blackest pit of Hell.

Let us return to the Southern School, always regarded as the true

repository of Zen tradition.

Zen Buddhism, and Its Relation to Art · 第 8 / 24 题