I am not successful with serious poetry.

Sunday, October 10th, 1875.

I was going to talk with my aunt, but why appeal to human beings?

What can men do? God alone can help! God does not hear me! Just God!

Holy Virgin! Jesus! I am not worthy to be heard, but I pray you for

it on my knees, I pray so earnestly! Is not prayer a merit, however

small it may be? Do not the most unworthy obtain what they ask

through prayer? Is it nothing to believe and to turn to God? And

though I should write until to-morrow I could say nothing but the

words:

"My God, have pity on me!"

* * * * *

I who thought I must succeed in everything, see that I am failing

everywhere. I shall never console myself for it. How everything in

this world repeats itself! I went lately to the Aquaviva terrace and

looked to the right. It was in winter, and the mist was gathering on

the Promenade. I saw the Duc de H---- go into G----'s, and now it is

precisely the same thing, only then I ordered myself to love him,

and now I forbid myself to love.

Then I was crazy over the man; now he interests me because he looked

at me.

In a word, why and how? What do the reasons matter? I do not love

him. Oh, but I am so provoked! "Come," I said, "rouse yourself, I

won't cry about that."

To straighten myself, throw back my head, smile scornfully, then

indifferently, and that is all; moisten the ropes, as they did in

moving the obelisk of Sixtus Quintus, and I shall be on my

pedestal--and I have not an instant's strength. I preferred to stay

in my armchair and murmur:

"I fail in everything now."

Confess, you who will read these lines, am I a man? Confess that I

have reason to be angry over it.

I, the queen, the goddess. I, who should be worshipped kneeling; I,

who do not want to move my little finger lest I should bestow too

much honour; I with my ideas; I with my ambition; I with my pride! I

confess that, after having seen him go into G----'s like a master, I

feel a sort of respect for him; he acts the duke.

This evening "_Alice de Nevers_," a comic opera by Hervé, was given

for the first time. Our box had been engaged a long while, first

proscenium at the right. I was dressed with more care than usual;

hair arranged in Marie Antoinette style, without the powder. The

whole was drawn up, even the fringe in front. I left only a few

little locks at each side. My beautiful white forehead, thus bared,

gave me a royal air, and at the back I let two curls hang, waved

just at the end.

Gown of dove-grey taffeta and a white fichu. In short, Marie

Antoinette in miniature. I felt well satisfied, and gazed at the

base multitude from the height of my grandeur. Lighting _a giorno_.

I was looked at quite enough.

He could not help staring at me like the rest. Everybody came to our

box.

At every intermission I went to the back, so that I would not have

to turn my head at each visit. Just as the curtain was rising the

Prefect's son and A---- entered our box. I received them with

perfect ease; he has a foreign air.

"What, Mademoiselle, are you really going away?"

"Oh, yes, Monsieur."

"No, no," he said, as if he had been pricked by a pin, "Mademoiselle

shall not go."

I did not deign to answer. I was courteous, agreeable, but cold. He

turned and asked me if I always gave trouble.

"Yes, always."

* * * * *

We are going to the S----'s. I do not see M----. She is shut up at

home. This is what has happened--during the two months since the

C---- family arrived from Mexico, he has no longer written to her.

I know that people who say what I have just said are not popular. We

prefer those who, like Dina, veil what they know by a false

sentiment of sham delicacy and misplaced pity.

Listen carefully to these commonplace, but true words. C---- deserts

you. Write him a letter full of pride and withdraw with honour.

Marie Bashkirtseff (From Childhood to Girlhood) · 第 8 / 15 题