THE MODEL DEMOCRACY.

"I think you left directions that you were to be thawed in 199--

precisely?" said the stranger politely. "Allow me to introduce

myself--NUMBER SEVEN MILLION AND SIX. If you feel equal to the effort,

and would care to see the vast improvements in our social condition

since the close of the benighted Nineteenth Century, I shall be pleased

to conduct you."

MR. PUNCH then began to realise that he had had himself frozen by a

patent process just a hundred years ago, and that he had returned to

animation in time for the close of the marvellous Twentieth Century; so

he prepared, in much curiosity and excitement, to accompany his guide.

"By the way," observed the latter, "you must not be annoyed if

your--hem--habiliments, which we are unaccustomed to nowadays, should

attract some attention."

Singularly enough, MR. PUNCH had just begun to feel a certain

embarrassment at the prospect of being seen in Piccadilly or Regent

Street in the company of a person attired in grey cellular pyjamas, a

drab blanket, and a glazed pot hat. However, on reaching the street, he

found that every man he met was similarly clad, while his own

costume--which, in his original century, would only have been remarkable

for its unimpeachable taste--was, in this, the subject of universal and

invidious comment.

"You'll have your regulation pot hat and pyjamas served out to you in

time!" said MR. SEVEN MILLION AND SIX encouragingly. "Then no one will

say anything to you. In these days we resent anything that tends to

confer an artificial distinction on any man. Surnames, for example,

which occasionally suggested superiority of birth, have long been

abolished, and official numbers substituted. You seem to be looking for

something you do not see?" he added, noting a certain blankness and

disappointment in MR. PUNCH'S expressive countenance.

"I was only wondering why I saw no signs of any new and marvellous

inventions at present," said MR. PUNCH. "I rather expected to see the

air full of electric trains, manageable balloons, or coveys of citizens

darting about on mechanical pinions. But I see none, and even more

people go on foot than in my own time."

"Inventions, I take it," was the reply, "only served to enrich the

Capitalist, and save time or labour. Now we have no Capitalists and no

riches, and no reason for hurrying anywhere, while it would be absurd

and useless to lessen the amount of manual labour when, even as it is,

there is scarcely enough to keep everyone employed for six hours a day."

"Why are all the women I see dressed exactly alike in navy-blue woollen

frocks and coal-scuttle bonnets?" MR. PUNCH inquired presently. "Surely

they can't _all_ be members of the Sal----"

"A uniform costume was decreed by plebiscite some years ago," replied

his mentor, promptly. "Any real equality amongst women was found

hopeless so long as some were able to render themselves exceptionally

attractive by a distinctive toilette."

"What!" exclaimed MR. PUNCH, "did all the pretty women consent to such a

sacrifice?"

"They were in a very decided minority, even then," said MR. SEVEN

MILLION AND SIX; "and it is not our way to think much of minorities. At

present, owing no doubt to an enactment which penalised every pretty

woman by compelling her to wear blue goggles and a respirator, feminine

beauty is practically extinct."

MR. PUNCH could not restrain a sigh. They were now entering a somewhat

gloomy thoroughfare, between massive blocks of buildings, with large

doors and innumerable small windows, which towered into the sky on

either hand.

"I seem to miss the shop-fronts," he said aloud, "with their

plate-glass, and all their glitter and luxury. What has become of them

all?"

"Such necessaries as the citizen requires," said his companion, "are

procured at the Public Storehouses, which you see around you, by the

simple method of presenting a ticket. The luxuries you refer to were

only procurable by the rich, and nobody is rich now. If you will come

with me, I will take you over one of the State Dwelling-houses, and show

you one of the suites of rooms. Every citizen has a room; or, if

married, a couple of rooms, exactly the same shape and size as those of

his fellows.... Beautifully clean, you see!" he remarked, complacently,

as he threw open one of the doors. "Neat whitewashed walls, plain deal

furniture, nice holland blinds--what more can any reasonable citizen

want in the way of comfort?"

"There used to be a celebrated poet in my time," said MR. PUNCH,

with some hesitation, "Who designed and sold very beautiful

upholster--tapestry, wall-papers, curtains, and so on. I fancy _he_

held socialistic views. But I see no trace of his work _here_."

"I think I know whom you refer to," was the reply. "The community would

doubless have been glad of his company's services if they would only

have contracted to supply every citizen with precisely the same pattern

and quality of their manufactures at, say, a pork-pie a yard, but, for

some reason, the firm could not see their way to it, and the industry

declined; which is not to be regretted, for it certainly tended to

foster individualism."

"It is curious," said MR. PUNCH, when they were outside again, "that I

have not as yet seen a single policeman."

"Not at all curious. We _have_ none. Crime simply proceeded from the

galling sense of social inequality. Consequently, as soon as that was

removed, Justice, with all its machinery, became an anachronism."

"I think," said MR. PUNCH, presently, "I should like to take a stroll in

Hyde Park."

"That," said his guide, "has not been possible for at least fifty years.

All the parks are now cut up into three-acre allotments, where every

able-bodied citizen does an hour's compulsory spade-work once a

fortnight. A most admirable reform, as you will agree!"

"Capital!" gasped MR. PUNCH, with an anticipatory pain in his back.

"Then I am curious to see what strides have been made by your modern

painters. Could you take me to a picture-gallery?"

"There are _no_ modern painters. It is perhaps a pity--but quite

unavoidable. It was an obvious injustice that, when all citizens had to

perform their share of more or less distasteful manual labour, there

should be any one class that earned a living by work in which they took

a positive pleasure. So that every artist had to do his six hours'

stone-breaking or brick-making; or what not, as an antecedent condition

of being permitted to paint at all, and naturally the State declined to

provide him with paints and brushes at the expense of the community. A

few artists persisted for a while, from sheer love of the thing; but as

no picture fetched more than a pound of sausages, and the average price

was a bowl of porridge, they found it expedient to turn to some more

useful occupation. And it is undeniable that they contribute more to the

resources of the commonwealth by wielding a trowel or a broom than by

messing about with brushes and paint. As a concession to hereditary

instinct, however, their descendants are still set apart as State

white-washers."

"And the drama?" MR. PUNCH inquired next. "How is _that_ getting on? Has

the New Dramatist made his appearance at last?"

"On the contrary, I am glad to say he has disappeared--let us hope for

ever. For, the essence of Drama, as I understand, was Emotion--Passion,

Jealousy, Marital and Parental relations, and so on. Now that marriages

are the subject of State regulation, and extend only for a limited

period, Passion, of course is obsolete; Jealousy, too, is recognised as

merely Selfishness in disguise, and we have grown too altruistic to

desire the exclusive possession of anything. While as the offspring of

every union are removed at birth to a communal _creche_, and brought up

and educated by the State, there are no longer any opportunities for

filial or parental affection."

"Then I presume Fiction is equally----?"

"Just so. Fiction depended on Contrast. When everybody is on precisely

the same level, the novelist is, happily, unnecessary. What are you

looking for _now_?"

"I was wondering if I could buy an evening paper anywhere," said MR.

PUNCH, wistfully. "But perhaps Journalism is also----?"

"Of course. Everyone is so contentedly and peacefully absorbed in

contributing his share of work to the State, that he has no desire to

read about the doings of other persons, even if there was anything of

interest to be told, which there isn't. We produce just sufficient for

our own wants, so there is no commerce; we have no Army or Navy, since

we don't desire to conquer, and are not worth conquering. No Politics,

because we govern ourselves by our own consent and co-operation; no

Science, as inventors only benefited capital at the expense of labour;

and, this being so, what _is_ there to put into a newspaper, if we had

one?"

"Haven't you even a--a _humorous_ paper?" said MR. PUNCH. "I used to do

a little in that way once."

"You had better not do it _here_. Humour, I believe, consisted in

representing Humanity under ridiculous aspects. _We_'re Humanity, and we

don't see any fun in being laughed at. None of your humour here, mind!"

"But the citizens have a certain amount of leisure, I suppose," said MR.

PUNCH. "How _do_ they amuse themselves? For I can discover no

libraries, no circuses, nor concert-rooms, nor anything!"

[Illustration: "None of your humour here, mind!"]

"It was seen to be invidious to furnish any entertainment at the public

expense which did not give equal amusement to all, and so the idea was

gradually dropped. When our citizens have finished their daily task,

they find their relaxation, in the intervals of eating and sleeping, in

the harmless and soothing practice of chewing gum. They can all do

_that_, and the State provides each with a weekly supply for the

purpose. Now tell me--is there anything _more_ I can do for you?"

"Yes," murmured MR. PUNCH; "if you would be so very kind as to freeze me

again for five hundred years or so, I should be exceedingly obliged. I

don't feel quite at home in _this_ century!"

[Illustration]

Puppets at Large: Scenes and Subjects from Mr Punch's Show · 第 21 / 66 题