[5088]Peter Aretine's Lucretia telleth as much and more of herself, I

counterfeited honesty, as if I had been virgo virginissima, more than a

vestal virgin, I looked like a wife, I was so demure and chaste, I did

add such gestures, tunes, speeches, signs and motions upon all

occasions, that my spectators and auditors were stupefied, enchanted,

fastened all to their places, like so many stocks and stones. Many

silly gentlewomen are fetched over in like sort, by a company of gulls

and swaggering companions, that frequently belie noblemen's favours,

rhyming Coribantiasmi, Thrasonean Rhadomantes or Bombomachides, that

have nothing in them but a few player's ends and compliments, vain

braggadocians, impudent intruders, that can discourse at table of

knights and lords' combats, like [5089]Lucian's Leonitiscus, of other

men's travels, brave adventures, and such common trivial news, ride,

dance, sing old ballad tunes, and wear their clothes in fashion, with a

good grace; a fine sweet gentleman, a proper man, who could not love

him! She will have him though all her friends say no, though she beg

with him. Some again are incensed by reading amorous toys, Amadis de

Gaul, Palmerin de Oliva, the Knight of the Sun, &c., or hearing such

tales of [5090]lovers, descriptions of their persons, lascivious

discourses, such as Astyanassa, Helen's waiting-woman, by the report of

Suidas, writ of old, de variis concubitus modis, and after her Philenis

and Elephantine; or those light tracts of[5091]Aristides Milesius

(mentioned by Plutarch) and found by the Persians in Crassus' army

amongst the spoils, Aretine's dialogues, with ditties, love songs, &c.,

must needs set them on fire, with such like pictures, as those of

Aretine, or wanton objects of what kind soever; no stronger engine than

to hear or read of love toys, fables and discourses ([5092]one saith)

and many by this means are quite mad. At Abdera in Thrace (Andromeda

one of Euripides' tragedies being played) the spectators were so much

moved with the object, and those pathetical love speeches of Perseus,

amongst the rest, O Cupid, Prince of Gods and men, &c. that every man

almost a good while after spake pure iambics, and raved still on

Perseus' speech, O Cupid, Prince of Gods and men. As carmen, boys and

apprentices, when a new song is published with us, go singing that new

tune still in the streets, they continually acted that tragical part of

Perseus, and in every man's mouth was O Cupid, in every street, O

Cupid, in every house almost, O Cupid, Prince of Gods and men,

pronouncing still like stage-players, O Cupid; they were so possessed

all with that rapture, and thought of that pathetical love speech, they

could not a long time after forget, or drive it out of their minds, but

O Cupid, Prince of Gods and men, was ever in their mouths. This belike

made Aristotle, Polit. lib. 7. cap. 18. forbid young men to see

comedies, or to hear amorous tales.

[5093]Haec igitur juvenes nequam facilesque puellae

Inspiciant———

let not young folks meddle at all with such matters. And this made the

Romans, as [5094]Vitruvius relates, put Venus' temple in the suburbs,

extra murum, ne adolescentes venereis insuescant, to avoid all

occasions and objects. For what will not such an object do? Ismenias,

as he walked in Sosthene's garden, being now in love, when he saw so

many [5095]lascivious pictures, Thetis' marriage, and I know not what,

was almost beside himself. And to say truth, with a lascivious object

who is not moved, to see others dally, kiss, dance? And much more when

he shall come to be an actor himself.

To kiss and be kissed, which, amongst other lascivious provocations, is

as a burden in a song, and a most forcible battery, as infectious,

[5096] Xenophon thinks, as the poison of a spider; a great allurement,

a fire itself, prooemium aut anticoenium, the prologue of burning lust

(as Apuleius adds), lust itself, [5097]Venus quinta parte sui nectaris

imbuit, a strong assault, that conquers captains, and those all

commanding forces, ([5098]Domasque ferro sed domaris osculo).

[5099]Aretine's Lucretia, when she would in kindness overcome a suitor

of hers, and have her desire of him, took him about the neck, and

kissed him again and again, and to that, which she could not otherwise

effect, she made him so speedily and willingly condescend. And 'tis a

continual assault,—[5100]hoc non deficit incipitque semper, always

fresh, and ready to [5101]begin as at first, basium nullo fine

terminatur, sed semper recens est, and hath a fiery touch with it.

[5102]———Tenta modo tangere corpus,

Jam tua mellifluo membra calore fluent.

Especially when they shall be lasciviously given, as he feelingly said,

[5103]et me praessulum deosculata Fotis, Catenatis lacertis, [5104]

Obtorto valgiter labello.

[5105]Valgiis suaviis,

Dum semiulco suavio

Meam puellam suavior,

Anima tunc aegra et saucia

Concurrit ad labia mihi.

The soul and all is moved; [5106]Jam pluribus osculis labra

crepitabant, animarum quoque mixturam facientes, inter mutuos complexus

animas anhelantes,

[5107]Haesimus calentes,

Et transfudimus hinc et hinc labellis

Errantes animas, valete curae.

They breathe out their souls and spirits together with their kisses,

saith [5108]Balthazar Castilio, change hearts and spirits, and mingle

affections as they do kisses, and it is rather a connection of the mind

than of the body. And although these kisses be delightsome and

pleasant, Ambrosial kisses, [5109]Suaviolum dulci dulcius Ambrosia,

such as [5110] Ganymede gave Jupiter, Nectare suavius, sweeter than

[5111]nectar, balsam, honey, [5112]Oscula merum amorem stillantia,

love-dropping kisses; for

The gilliflower, the rose is not so sweet,

As sugared kisses be when lovers meet;

Yet they leave an irksome impression, like that of aloes or gall,

[5113]Ut mi ex Ambrosia, mutatum jam foret illud

Suaviolum tristi tristius helleboro.

At first Ambrose itself was not sweeter,

At last black hellebore was not so bitter.

They are deceitful kisses,

[5114]Quid me mollibus implicas lacertis?

Quid fallacibus osculis inescas?&c.

Why dost within thine arms me lap,

And with false kisses me entrap.

They are destructive, and the more the worse: [5115]Et quae me perdunt,

oscula mille dabat, they are the bane of these miserable lovers. There

be honest kisses, I deny not, osculum charitatis, friendly kisses,

modest kisses, vestal-virgin kisses, officious and ceremonial kisses,

&c. Osculi sensus, brachiorum amplexus, kissing and embracing are

proper gifts of Nature to a man; but these are too lascivious kisses,

[5116]Implicuitque suos circum meet colla lacertos, &c. too continuate

and too violent, [5117]Brachia non hederae, non vincunt oscula conchae;

they cling like ivy, close as an oyster, bill as doves, meretricious

kisses, biting of lips, cum additamento: Tam impresso ore (saith

[5118]Lucian) ut vix labia detrahant, inter deosculandum mordicantes,

tum et os aperientes quoque et mammas attrectantes, &c. such kisses as

she gave to Gyton, innumera oscula dedit non repugnanti puero, cervicem

invadens, innumerable kisses, &c. More than kisses, or too homely

kisses: as those that [5119]he spake of, Accepturus ab ipsa venere 7,

suavia, &c. with such other obscenities that vain lovers use, which are

abominable and pernicious. If, as Peter de Ledesmo cas. cons. holds,

every kiss a man gives his wife after marriage, be mortale peccatum, a

mortal sin, or that of [5120]Hierome, Adulter est quisquis in uxorem

suam ardentior est amator; or that of Thomas Secund. quaest. 154.

artic. 4. contactus et osculum sit mortale peccatum, or that of Durand.

Rational. lib. 1. cap. 10. abstinere debent conjuges a complexu, toto

tempore quo solennitas nuptiarum interdicitur, what shall become of all

such [5121]immodest kisses and obscene actions, the forerunners of

brutish lust, if not lust itself! What shall become of them that often

abuse their own wives? But what have I to do with this?

That which I aim at, is to show you the progress of this burning lust;

to epitomise therefore all this which I have hitherto said, with a

familiar example out of that elegant Musaeus, observe but with me those

amorous proceedings of Leander and Hero: they began first to look one

on another with a lascivious look,

Oblique intuens inde nutibus,—

Nutibus mutuis inducens in errorem mentem puellae.

Et illa e contra nutibus mutuis juvenis

Leandri quod amorem non renuit, &c. Inde

Adibat in tenebris tacite quidem stringens

Roseos puellae digitos, ex imo suspirabat

Vehementer———Inde

Virginis autem bene olens collum osculatus.

Tale verbum ait amoris ictus stimulo,

Preces audi et amoris miserere mei, &c.

Sic fatus recusantis persuasit mentem puellae.

With becks and nods he first began

To try the wench's mind.

With becks and nods and smiles again

An answer he did find.

And in the dark he took her by the hand,

And wrung it hard, and sighed grievously,

And kiss'd her too, and woo'd her as he might,

With pity me, sweetheart, or else I die,

And with such words and gestures as there past,

He won his mistress' favour at the last.

The same proceeding is elegantly described by Apollonius in his

Argonautics, between Jason and Medea, by Eustathius in the ten books of

the loves of Ismenias and Ismene, Achilles Tatius between his Clitophon

and Leucippe, Chaucer's neat poem of Troilus and Cresseide; and in that

notable tale in Petronius of a soldier and a gentlewoman of Ephesus,

that was so famous all over Asia for her chastity, and that mourned for

her husband: the soldier wooed her with such rhetoric as lovers use to

do,—placitone etiam pugnabis amori? &c. at last, frangi pertinaciam

passa est, he got her good will, not only to satisfy his lust,

[5122]but to hang her dead husband's body on the cross (which he

watched instead of the thief's that was newly stolen away), whilst he

wooed her in her cabin. These are tales, you will say, but they have

most significant morals, and do well express those ordinary proceedings

of doting lovers.

Many such allurements there are, nods, jests, winks, smiles,

wrestlings, tokens, favours, symbols, letters, valentines, &c. For

which cause belike, Godfridus lib. 2. de amor. would not have women

learn to write. Many such provocations are used when they come in

presence, [5123]10 they will and will not,

Malo me Galatea petit lasciva puella,

Et fugit ad salices, et se cupit ante videri.

My mistress with an apple woos me,

And hastily to covert goes

To hide herself, but would be seen

With all her heart before, God knows.

Hero so tripped away from Leander as one displeased,

[5124]Yet as she went full often look'd behind,

And many poor excuses did she find

To linger by the way,———

but if he chance to overtake her, she is most averse, nice and coy,

Denegat et pugnat, sed vult super omnia vinci.

She seems not won, but won she is at length,

In such wars women use but half their strength.

Sometimes they lie open and are most tractable and coming, apt,

yielding, and willing to embrace, to take a green gown, with that

shepherdess in Theocritus, Edyl. 27. to let their coats, &c., to play

and dally, at such seasons, and to some, as they spy their advantage;

and then coy, close again, so nice, so surly, so demure, you had much

better tame a colt, catch or ride a wild horse, than get her favour, or

win her love, not a look, not a smile, not a kiss for a kingdom.

[5125]Aretine's Lucretia was an excellent artisan in this kind, as she

tells her own tale, Though I was by nature and art most beautiful and

fair, yet by these tricks I seemed to be far more amiable than I was,

for that which men earnestly seek and cannot attain, draws on their

affection with a most furious desire. I had a suitor loved me dearly

(said she), and the [5126]more he gave me, the more eagerly he wooed

me, the more I seemed to neglect, to scorn him, and which I commonly

gave others, I would not let him see me, converse with me, no, not have

a kiss. To gull him the more, and fetch him over (for him only I aimed

at) I personated mine own servant to bring in a present from a Spanish

count, whilst he was in my company, as if he had been the count's

servant, which he did excellently well perform: [5127]Comes de monte

Turco, my lord and master hath sent your ladyship a small present, and

part of his hunting, a piece of venison, a pheasant, a few partridges,

&c. (all which she bought with her own money), commends his love and

service to you, desiring you to accept of it in good part, and he means

very shortly to come and see you. Withal she showed him rings, gloves,

scarves, coronets which others had sent her, when there was no such

matter, but only to circumvent him. [5128]By these means (as she

concludes) I made the poor gentleman so mad, that he was ready to spend

himself, and venture his dearest blood for my sake. Philinna, in

[5129]Lucian, practised all this long before, as it shall appear unto

you by her discourse; for when Diphilus her sweetheart came to see her

(as his daily custom was) she frowned upon him, would not vouchsafe him

her company, but kissed Lamprius his co-rival, at the same time

[5130]before his face: but why was it? To make him (as she telleth her

mother that chid her for it) more jealous; to whet his love, to come

with a greater appetite, and to know that her favour was not so easy to

be had. Many other tricks she used besides this (as she there

confesseth), for she would fall out with, and anger him of set purpose,

pick quarrels upon no occasion, because she would be reconciled to him

again. Amantium irae amoris redintegratio, as the old saying is, the

falling out of lovers is the renewing of love; and according to that of

Aristenaetis, jucundiores amorum post injurias deliciae, love is

increased by injuries, as the sunbeams are more gracious after a cloud.

And surely this aphorism is most true; for as Ampelis informs Crisis in

the said Lucian, [5131]If a lover be not jealous, angry, waspish, apt

to fall out, sigh and swear, he is no true lover. To kiss and coll,

hang about her neck, protest, swear and wish, are but ordinary

symptoms, incipientis adhuc et crescentis amoris signa; but if he be

jealous, angry, apt to mistake, &c., bene speres licet, sweet sister he

is thine own; yet if you let him alone, humour him, please him, &c.,

and that he perceive once he hath you sure, without any co-rival, his

love will languish, and he will not care so much for you. Hitherto

(saith she) can I speak out of experience; Demophantus a rich fellow

was a suitor of mine, I seemed to neglect him, and gave better

entertainment to Calliades the painter before his face, principio

abiit, verbis me insectatus, at first he went away all in a chafe,

cursing and swearing, but at last he came submitting himself, vowing

and protesting he loved me most dearly, I should have all he had, and

that he would kill himself for my sake. Therefore I advise thee (dear

sister Crisis) and all maids, not to use your suitors over kindly;

insolentes enim sunt hoc cum sentiunt, 'twill make them proud and

insolent; but now and then reject them, estrange thyself, et si me

audies semel atque iterum exclude, shut him out of doors once or twice,

let him dance attendance; follow my counsel, and by this means

[5132]you shall make him mad, come off roundly, stand to any

conditions, and do whatsoever you will have him. These are the ordinary

practices; yet in the said Lucian, Melissa methinks had a trick beyond

all this; for when her suitor came coldly on, to stir him up, she writ

one of his co-rival's names and her own in a paper, Melissa amat

Hermotimum, Hermotimus Mellissam, causing it to be stuck upon a post,

for all gazers to behold, and lost it in the way where he used to walk;

which when the silly novice perceived, statim ut legit credidit,

instantly apprehended it was so, came raving to me, &c. [5133]and so

when I was in despair of his love, four months after I recovered him

again. Eugenia drew Timocles for her valentine, and wore his name a

long time after in her bosom: Camaena singled out Pamphilus to dance,

at Myson's wedding (some say), for there she saw him first; Felicianus

overtook Caelia by the highway side, offered his service, thence came

further acquaintance, and thence came love. But who can repeat half

their devices? What Aretine experienced, what conceited Lucian, or

wanton Aristenaetus? They will deny and take, stiffly refuse, and yet

earnestly seek the same, repel to make them come with more eagerness,

fly from if you follow, but if averse, as a shadow they will follow you

again, fugientem sequitur, sequentem fugit; with a regaining retreat, a

gentle reluctancy, a smiling threat, a pretty pleasant peevishness they

will put you off, and have a thousand such several enticements. For as

he saith,

[5134]Non est forma satis, nec quae vult bella videri,

Debet vulgari more placere suis.

Dicta, sales, lusus, sermones, gratia, risus,

Vincunt naturae candidioris opus.

'Tis not enough though she be fair of hue,

For her to use this vulgar compliment:

But pretty toys and jests, and saws and smiles,

As far beyond what beauty can attempt.

[5135]For this cause belike Philostratus, in his images, makes diverse

loves, some young, some of one age, some of another, some winged, some

of one sex, some of another, some with torches, some with golden

apples, some with darts, gins, snares, and other engines in their

hands, as Propertius hath prettily painted them out, lib. 2. et 29. and

which some interpret, diverse enticements, or diverse affections of

lovers, which if not alone, yet jointly may batter and overcome the

strongest constitutions.

It is reported of Decius, and Valerianus, those two notorious

persecutors of the church, that when they could enforce a young

Christian by no means (as [5136]Hierome records) to sacrifice to their

idols, by no torments or promises, they took another course to tempt

him: they put him into a fair garden, and set a young courtesan to

dally with him, [5137]took him about the neck and kissed him, and that

which is not to be named, manibusque attrectare, &c., and all those

enticements which might be used, that whom torments could not, love

might batter and beleaguer. But such was his constancy, she could not

overcome, and when this last engine would take no place, they left him

to his own ways. At [5138]Berkley in Gloucestershire, there was in

times past a nunnery (saith Gualterus Mapes, an old historiographer,

that lived 400 years since), of which there was a noble and a fair lady

abbess: Godwin, that subtile Earl of Kent, travelling that way,

(seeking not her but hers) leaves a nephew of his, a proper young

gallant (as if he had been sick) with her, till he came back again, and

gives the young man charge so long to counterfeit, till he had

deflowered the abbess, and as many besides of the nuns as he could, and

leaves him withal rings, jewels, girdles, and such toys to give them

still, when they came to visit him. The young man, willing to undergo

such a business, played his part so well, that in short space he got up

most of their bellies, and when he had done, told his lord how he had

sped: [5139]his lord made instantly to the court, tells the king how

such a nunnery was become a bawdy-house, procures a visitation, gets

them to be turned out, and begs the lands to his own use. This story I

do therefore repeat, that you may see of what force these enticements

are, if they be opportunely used, and how hard it is even for the most

averse and sanctified souls to resist such allurements. John Major in

the life of John the monk, that lived in the days of Theodosius,

commends the hermit to have been a man of singular continency, and of a

most austere life; but one night by chance the devil came to his cell

in the habit of a young market wench that had lost her way, and desired

for God's sake some lodging with him. [5140]The old man let her in, and

after some common conference of her mishap, she began to inveigle him

with lascivious talk and jests, to play with his beard, to kiss him,

and do worse, till at last she overcame him. As he went to address

himself to that business, she vanished on a sudden, and the devils in

the air laughed him to scorn. Whether this be a true story, or a tale,

I will not much contend, it serves to illustrate this which I have

said.

Yet were it so, that these of which I have hitherto spoken, and such

like enticing baits, be not sufficient, there be many others, which

will of themselves intend this passion of burning lust, amongst which,

dancing is none of the least; and it is an engine of such force, I may

not omit it. Incitamentum libidinis, Petrarch calls it, the spur of

lust. A [5141] circle of which the devil himself is the centre.

[5142]Many women that use it, have come dishonest home, most

indifferent, none better. [5143] Another terms it the companion of all

filthy delights and enticements, and 'tis not easily told what

inconveniences come by it, what scurrile talk, obscene actions, and

many times such monstrous gestures, such lascivious motions, such

wanton tunes, meretricious kisses, homely embracings.

[5144]———(ut Gaditana canoro

Incipiat prurire choro, plausuque probatae

Ad terram tremula descendant clune puellae,

Irritamentum Veneris languentis)———

The Anatomy of Melancholy · 第 81 / 136 段