«Brown for Cotton.»—Catechu or terra japonica gives cotton a brown

color; blue vitriol turns it to the bronze; green copperas darkens it,

when applied as a mordant and the stuff is boiled in the bath. Acetate

of alumina as a mordant brightens it. The French color Carmelite is

given with catechu, 1 pound; verdigris, 4 ounces; and sal ammoniac, 5

ounces.

«Dark Snuff Brown for Wool.»—For 50 pounds of goods, take camwood, 10

pounds, boil for 20 minutes, then dip the goods for 3⁠/⁠4 of an hour;

take them out, and add to the dye, fustic, 25 pounds, boil 12 minutes,

and dip the goods 3⁠/⁠4 of an hour; then add blue vitriol, 10 ounces,

copperas, 2 pounds, 8 ounces; dip again 40 minutes. Add more copperas

if the shade is required darker.

«Brown for Wool and Silk.»—Infusion or decoction of walnut peels

dyes wool and silk a brown color, which is brightened by alum.

Horse-chestnut peels also impart a brown color; a mordant of muriate of

tin turns it on the bronze, and sugar of lead the reddish brown.

«Alkali Blue and Nicholson’s Blue.»—Dissolve 1 pound of the dye in 10

gallons boiling water, and add this by small portions to the dye bath,

which should be rendered alkaline by borax. The fabric should be well

worked about between each addition of the color. The temperature must

be kept under 212° F. To develop the color, wash with water {268} and

pass through a bath containing sulphuric acid.

«Aniline Blue.»—To 100 pounds of fabric, dissolve 1 1⁠/⁠4 pounds

aniline blue in 3 quarts hot alcohol, strain through a filter, and add

it to a bath of 130° F.; also 10 pounds Glauber’s salts, and 5 pounds

acetic acid. Immerse the goods and handle them well for 20 minutes.

Next heat slowly to 200° F.; then add 5 pounds sulphuric acid diluted

with water. Let the whole boil 20 minutes longer; then rinse and dry.

If the aniline be added in 2 or 3 proportions during the process of

coloring, it will facilitate the evenness of the color.

«Blue on Cotton.»—For 40 pounds of goods, use copperas, 2 pounds; boil

and dip 20 minutes; dip in soapsuds, and return to the dye 3 or 4

times; then make a new bath with prussiate of potash, 1⁠/⁠2 pound; oil

of vitriol, 1 1⁠/⁠4 pints; boil 1⁠/⁠2 hour, rinse out and dry.

«Sky Blue on Cotton.»—For 60 pounds of goods, blue vitriol, 5 pounds.

Boil a short time, then enter the goods, dip 3 hours, and transfer to

a bath of strong limewater. A fine brown color will be imparted to the

goods if they are then put through a solution of prussiate of potash.

«Blue Dye for Hosiery.»—One hundred pounds of wool are colored with 4

pounds Guatemala or 3 pounds Bengal indigo, in the soda or wood vat.

Then boil in a kettle a few minutes, 5 pounds of cudbear or 8 pounds

of archil paste; add 1 pound of soda, or, better, 1 pail of urine;

then cool the dye to about 170° F. and enter the wool. Handle well for

about 20 minutes, then take it out, cool, rinse, and dry. It makes no

difference whether the cudbear is put in before or after the indigo.

Three ounces of aniline purple dissolved in alcohol, 1⁠/⁠2 pint, can be

used instead of the cudbear. Wood spirit is cheaper than alcohol, and

is much used by dyers for the purpose of dissolving aniline colors. It

produces a very pretty shade, but should never be used on mixed goods

which have to be bleached.

«Dark-Blue Dye.»—This dye is suitable for thibets and lastings. Boil

100 pounds of the fabric for 1 1⁠/⁠2 hours in a solution of alum,

25 pounds; tartar, 4 pounds; mordant, 6 pounds; extract of indigo,

6 pounds; cool as usual. Boil in fresh water from 8 to 10 pounds of

logwood, in a bag or otherwise, then cool the dye to 170° F. Reel the

fabric quickly at first, then let it boil strongly for 1 hour. This is

a very good imitation of indigo blue.

«Saxon Blue.»—For 100 pounds thibet or comb yarn, use alum, 20 pounds;

cream of tartar, 3 pounds; mordant, 2 pounds; extract of indigo,

3 pounds; or carmine, 1 pound, makes a better color. When all is

dissolved, cool the kettle to 180° F.; enter and handle quickly at

first, then let the fabric boil 1⁠/⁠2 hour, or until even. Long boiling

dims the color. Zephyr worsted yarn ought to be prepared, first, by

boiling it in a solution of alum and sulphuric acid; the indigo is

added afterwards.

«Logwood and Indigo Blue.»—For 100 pounds of cloth. Color the cloth

first by one or two dips in the vat of indigo blue, and rinse it well,

and then boil it in a solution of 20 pounds of alum, 2 pounds of

half-refined tartar, and 5 pounds of mordant, for 2 hours; finally take

it out and cool. In fresh water boil 10 pounds of good logwood for half

an hour in a bag or otherwise; cool off to 170° F. before entering.

Handle well over a reel, let it boil for half an hour; then take it

out, cool and rinse. This is a very firm blue.

«Blue Purple for Silk.»—For 40 pounds of goods, take bichromate of

potash, 8 ounces; alum, 1 pound; dissolve all and bring the water to a

boil, and put in the goods; boil 1 hour. Then empty the dye, and make

a new dye with logwood, 8 pounds, or extract of logwood, 1 pound 4

ounces, and boil in this 1 hour longer. Grade the color by using more

or less logwood, as dark or light color is wanted.

«Blue Purple for Wool.»—One hundred pounds of wool are first dipped in

the blue vat to a light shade, then boiled in a solution of 15 pounds

of alum and 3 pounds of half-refined tartar, for 1 1⁠/⁠2 hours, the

wool taken out, cooled, and let stand 24 hours. Then boil in fresh

water 8 pounds of powdered cochineal for a few minutes, cool the kettle

to 170° F. Handle the prepared wool in this for 1 hour, when it is

ready to cool, rinse and dry. By coloring first with cochineal, as

aforesaid, and finishing in the blue vat, the fast purple or dahlia, so

much admired in German broadcloths, will be produced. Tin acids must

not be used in this color.

«To Make Extract of Indigo Blue.»—Take of vitriol, 2 pounds, and stir

into it finely pulverized indigo, 8 ounces, stirring briskly for the

first half hour; then {269} cover up, and stir 4 or 5 times daily for

a few days. Add a little pulverized chalk, stirring it up, and keep

adding it as long as it foams; it will neutralize the acid. Keep it

closely corked.

«Light Silver Drab.»—For 50 pounds of goods, use logwood, 1⁠/⁠2 pound;

alum, about the same quantity; boil well, enter the goods, and dip them

for 1 hour. Grade the color to any desired shade by using equal parts

of logwood and alum.

«GRAY DYES:»

«Slate Dye for Silk.»—For a small quantity, take a pan of warm water

and about a teacupful of logwood liquor, pretty strong, and a piece of

pearlash the size of a nut; take gray-colored goods and handle a little

in this liquid, and it is finished. If too much logwood is used, the

color will be too dark.

«Slate for Straw Hats.»—First, soak in rather strong warm suds for 15

minutes to remove sizing or stiffening; then rinse in warm water to get

out the soap. Scald cudbear, 1 ounce, in sufficient water to cover the

hat; work it in this dye at 180° F., until a light purple is obtained.

Have a vessel of cold water, blued with the extract of indigo, 1⁠/⁠2

ounce, and work or stir the bonnet in this until the tint pleases. Dry,

then rinse out with cold water, and dry again in the shade. If the

purple is too deep in shade the final slate will be too dark.

«Silver Gray for Straw.»—For 25 hats, select the whitest hats and

soften them in a bath of crystallized soda to which some clean

limewater has been added. Boil for 2 hours in a large vessel, using for

a bath a decoction of the following: Alum, 4 pounds; tartaric acid,

3⁠/⁠8 pound; some ammoniacal cochineal, and carmine of indigo. A little

sulphuric acid may be necessary in order to neutralize the alkali of

the cochineal dye. If the last-mentioned ingredients are used, let

the hats remain for an hour longer in the boiling bath, then rinse in

slightly acidulated water.

«Dark Steel.»—Mix black and white wool together in the proportion of

50 pounds of black wool to 7 1⁠/⁠2 pounds of white. For large or small

quantities, keep the same proportion, mixing carefully and thoroughly.

«GREEN DYES:»

«Aniline Green for Silk.»—Iodine green or night green dissolves easily

in warm water. For a liquid dye 1 pound may be dissolved in 1 gallon

alcohol, and mixed with 2 gallons water, containing 1 ounce sulphuric

acid.

«Aniline Green for Wool.»—Prepare two baths, one containing the

dissolved dye and a quantity of carbonate of soda or borax. In this

the wool is placed, and the temperature raised to 212° F. A grayish

green is produced, which must be brightened and fixed in a second bath

of water 100° F., to which some acetic acid has been added. Cotton

requires preparation by sumac.

«Green for Cotton.»—For 40 pounds of goods, use fustic, 10 pounds; blue

vitriol, 10 ounces; soft soap, 2 1⁠/⁠2 quarts; and logwood chips, 1

pound 4 ounces. Soak the logwood overnight in a brass vessel, and put

it on the fire in the morning, adding the other ingredients. When quite

hot it is ready for dyeing; enter the goods at once, and handle well.

Different shades may be obtained by letting part of the goods remain

longer in the dye.

«Green for Silk.»—Boil green ebony in water, and let it settle. Take

the clear liquor as hot as the hands can bear, and handle the goods in

it until of a bright yellow. Take water and put in a little sulphate of

indigo; handle goods in this till of the shade desired. The ebony may

previously be boiled in a bag to prevent it from sticking to the silk.

«Green for Wool and Silk.»—Take equal quantities of yellow oak and

hickory bark, make a strong yellow bath by boiling, and shade to the

desired tint by adding a small quantity of extract of indigo.

«Green Fustic Dye.»—For 50 pounds of goods, use 50 pounds of fustic

with alum, 11 pounds. Soak in water until the strength is extracted,

put in the goods until of a good yellow color, remove the chips, and

add extract of indigo in small quantities at a time, until the color is

satisfactory.

«PURPLE AND VIOLET DYES:»

«Aniline Violet and Purple.»—Acidulate the bath by sulphuric acid, or

use sulphate of soda; both these substances render the shade bluish.

Dye at 212° F. To give a fair middle shade to 10 pounds of wool, a

quantity of solution equal to 1⁠/⁠2 to 3⁠/⁠4 ounces of the solid dye

will be required. The color of the dyed fabric is improved by washing

in soap and water, and then passing through a bath soured by sulphuric

acid.

«Purple.»—For 40 pounds of goods, use {270} alum, 3 pounds; muriate

of tin, 4 teacups; pulverized cochineal, 1 pound; cream of tartar, 2

pounds. Boil the alum, tin, and cream of tartar, for 20 minutes, add

the cochineal and boil 5 minutes; immerse the goods 2 hours; remove and

enter them in a new dye composed of brazil wood, 3 pounds; logwood, 7

pounds; alum, 4 pounds, and muriate of tin, 8 cupfuls, adding a little

extract of indigo.

«Purple for Cotton.»—Get up a tub of hot logwood liquor, enter 3

pieces, give them 5 ends, and hedge out. Enter them in a clean alum

tub, give them 5 ends, and hedge out. Get up another tub of logwood

liquor, enter, give them 5 ends, and hedge out; renew the alum tub,

give 5 ends in that, and finish.

«Purple for Silk.»—For 10 pounds of goods, enter the goods in a blue

dye bath, and secure a light-blue color, dry, and dip in a warm

solution containing alum, 2 1⁠/⁠2 pounds. Should a deeper color be

required, add a little extract of indigo.

«Solferino and Magenta for Woolen, Silk, or Cotton.»—For 1 pound of

woolen goods, magenta shade, 96 grains, apothecaries’ weight, of

aniline red, will be required. Dissolve in a little warm alcohol,

using, say, 6 fluidounces, or about 6 gills alcohol per ounce of

aniline. Many dyers use wood spirits because of its cheapness. For a

solferino shade, use 64 grains aniline red, and dissolve in 4 ounces

alcohol, to each 1 pound of goods. Cold water, 1 quart, will dissolve

these small quantities of aniline red, but the cleanest and quickest

way will be found by using the alcohol, or wood spirits. Clean the

cloth and goods by steeping at a gentle heat in weak soapsuds, rinse

in several masses of clean water and lay aside moist. The alcoholic

solution of aniline is to be added from time to time to the warm or

hot dye bath, till the color on the goods is of the desired shade. The

goods are to be removed from the dye bath before each addition of the

alcoholic solution, and the bath is to be well stirred before the goods

are returned. The alcoholic solution should be first dropped into a

little water, and well mixed, and the mixture should then be strained

into the dye bath. If the color is not dark enough after working from

20 to 30 minutes, repeat the removal of the goods from the bath, and

the addition of the solution, and the re-immersion of the goods from

15 to 30 minutes more, or until suited, then remove from the bath and

rinse in several masses of clean water, and dry in the shade. Use about

4 gallons water for dye bath for 1 pound of goods; less water for

larger quantities.

«Violet for Silk or Wool.»—A good violet dye may be given by passing

the goods first through a solution of verdigris, then through a

decoction of logwood, and lastly through alum water. A fast violet may

be given by dyeing the goods crimson with cochineal, without alum or

tartar, and after rinsing passing them through the indigo vat. Linens

or cottons are first galled with 18 per cent of gallnuts, next passed

through a mordant of alum, iron liquor, and sulphate of copper, working

them well, then worked in a madder bath made with an equal weight of

root, and lastly brightened with soap or soda.

«Violet for Straw Bonnets.»—Take alum, 4 pounds; tartaric acid, 1

pound; chloride of tin, 1 pound. Dissolve and boil, allowing the hats

to remain in the boiling solution 2 hours; then add enough decoction

of logwood, carmine, and indigo to induce the desired shade, and rinse

finally in water in which some alum has been dissolved.

«Wine Color.»—For 50 pounds of goods, use camwood, 10 pounds, and boil

20 minutes; dip the goods 1⁠/⁠2 hour, boil again, and dip 40 minutes;

then darken with blue vitriol, 15 ounces, and 5 pounds of copperas.

«Lilac for Silk.»—For 5 pounds of silk, use archil, 7 1⁠/⁠2 pounds,

and mix well with the liquor. Make it boil 1 hour, and dip the silk

quickly; then let it cool, and wash in river water. A fine half violet,

or lilac, more or less full, will be obtained.

«RED, CRIMSON, AND PINK DYES:»

«Aniline Red.»—Inclose the aniline in a small muslin bag. Have a kettle

(tin or brass) filled with moderately hot water and rub the substance

out. Then immerse the goods to be colored, and in a short time they are

done. It improves the color to wring the goods out of strong soapsuds

before putting them in the dye. This is a permanent color on wool or

silk.

«Red Madder.»—To 100 pounds of fabric, use 20 pounds of alum, 5 pounds

of tartar, and 5 pounds of muriate of tin. When these are dissolved,

enter the goods and let them boil for 2 hours, then take out, let cool,

and lay overnight. Into fresh water, stir 75 pounds of good {271}

madder, and enter the fabric at 120° F. and bring it up to 200° F. in

the course of an hour. Handle well to secure evenness, then rinse and

dry.

«Red for Wool.»—For 40 pounds of goods, make a tolerably thick paste of

lac dye and sulphuric acid, and allow it to stand for a day. Then take

tartar, 4 pounds, tin liquor, 2 pounds 8 ounces, and 3 pounds of the

paste; make a hot bath with sufficient water, and enter the goods for

3⁠/⁠4 hour; afterwards carefully rinse and dry.

«Crimson for Silk.»—For 1 pound of goods, use alum, 3 ounces; dip

at hand heat 1 hour; take out and drain, while making a new dye, by

boiling for 10 minutes, cochineal, 3 ounces; bruised nutgalls, 2

ounces; and cream of tartar, 1⁠/⁠2 ounce, in 1 pail of water. When a

little cool begin to dip, raising the heat to a boil, continuing to dip

1 hour. Wash and dry.

«Aniline Scarlet.»—For every 40 pounds of goods, dissolve 5 pounds

white vitriol (sulphate of zinc) at 180° F., place the goods in this

bath for 10 minutes, then add the color, prepared by boiling for a few

minutes, 1 pound aniline scarlet in 3 gallons water, stirring the same

continually. This solution has to be filtered before being added to

the bath. The goods remain in the latter for 15 minutes, when they have

become browned and must be boiled for another half hour in the same

bath after the solution of sal ammoniac. The more of this is added the

deeper will be the shade.

«Scarlet with Cochineal.»—For 50 pounds of wool, yarn, or cloth, use

cream of tartar, 1 pound 9 ounces; cochineal, pulverized, 12 1⁠/⁠2

ounces; muriate of tin or scarlet spirit, 8 pounds. After boiling the

dye, enter the goods, work them well for 15 minutes, then boil them

1 1⁠/⁠2 hours, slowly agitating the goods while boiling, wash in clean

water, and dry out of the sun.

«Scarlet with Lac Dye.»—For 100 pounds of flannel or yarn, take 25

pounds of ground lac dye, 15 pounds of scarlet spirit (made as per

directions below), 5 pounds of tartar, 1 pound of flavine, or according

to shade, 1 pound of tin crystals, 5 pounds of muriatic acid. Boil

all for 15 minutes, then cool the dye to 170° F. Enter the goods, and

handle them quickly at first. Let boil 1 hour, and rinse while yet hot,

before the gum and impurities harden. This color stands scouring with

soap better than cochineal scarlet. A small quantity of sulphuric acid

may be added to dissolve the gum.

«Muriate of Tin or Scarlet Spirit.»—Take 16 pounds muriatic acid, 22°

Bé.; 1 pound feathered tin, and water, 2 pounds. The acid should be put

in a stoneware pot, and the tin added, and allowed to dissolve. The

mixture should be kept a few days before using. The tin is feathered

or granulated by melting in a suitable vessel, and pouring it from a

height of about 5 feet into a pailful of water. This is a most powerful

agent in certain colors, such as scarlets, oranges, pinks, etc.

«Pink for Cotton.»—For 40 pounds of goods, use redwood, 20 pounds;

muriate of tin, 2 1⁠/⁠2 pounds. Boil the redwood 1 hour, turn off into

a large vessel, add the muriate of tin, and put in the goods. Let it

stand 5 or 10 minutes, and a good fast pink will be produced.

«Pink for Wool.»—For 60 pounds of goods, take alum, 5 pounds 12 ounces;

boil and immerse the goods 50 minutes; then add to the dye cochineal

well pulverized, 1 pound, 4 ounces; cream of tartar, 5 pounds; boil and

enter the goods while boiling, until the color is satisfactory.

«YELLOW, ORANGE, AND BRONZE DYES:»

«Aniline Yellow.»—This color is slightly soluble in water, and for

dyers’ use may be used directly for the preparation of the bath dye,

but is best used by dissolving 1 pound of dye in 2 gallons alcohol.

Temperature of bath should be under 200° F. The color is much improved

and brightened by a trace of sulphuric acid.

«Yellow for Cotton.»—For 40 pounds goods, use sugar of lead, 3 pounds

8 ounces; dip the goods 2 hours. Make a new dye with bichromate of

potash, 2 pounds; dip until the color suits, wring out and dry. If not

yellow enough repeat the operation.

«Yellow for Silk.»—For 10 pounds of goods, use sugar of lead, ounces;

alum, 2 pounds. Enter the goods, and let them remain 12 hours; remove

them, drain, and make a new dye with fustic, 10 pounds. Immerse until

the color suits.

«Orange.»—I.—For 50 pounds of goods, use argal, 3 pounds; muriate of

tin, 1 quart; boil and dip 1 hour; then add to the dye, fustic, 25

pounds; madder, 2 1⁠/⁠2 {272} quarts; and dip again 40 minutes. If

preferred, cochineal, 1 pound 4 ounces, may be used instead of the

madder, as a better color is induced by it.

II.—For 40 pounds of goods, use sugar of lead, 2 pounds, and boil 15

minutes. When a little cool, enter the goods, and dip for 2 hours,

wring them out, make a fresh dye with bichromate of potash, 4 pounds;

madder, 1 pound, and immerse until the desired color is secured. The

shade may be varied by dipping in limewater.

«Bronze.»—Sulphate or muriate of manganese dissolved in water with a

little tartaric acid imparts a beautiful bronze tint. The stuff after

being put through the solution must be turned through a weak lye of

potash, and afterwards through another of chloride of lime, to brighten

and fix it.

Prussiate of copper gives a bronze or yellowish-brown color to silk.

The piece well mordanted with blue vitriol may be passed through a

solution of prussiate of potash.

«Mulberry for Silk.»—For 5 pounds of silk, use alum, 1 pound 4 ounces;

dip 50 minutes, wash out, and make a dye with brazil wood, 5 ounces,

and logwood, 1 1⁠/⁠4 ounces, by boiling together. Dip in this 1⁠/⁠2

hour; then add more brazil wood and logwood, equal parts, until the

color suits.

«FEATHER DYES.»

I.—Cut some white curd soap in small pieces, pour boiling water on

them, and add a little pearlash. When the soap is quite dissolved, and

the mixture cool enough for the hand to bear, plunge the feathers into

it, and draw them through the hand till the dirt appears squeezed out

of them; pass them through a clean lather with some blue in it; then

rinse them in cold water with blue to give them a good color. Beat them

against the hand to shake off the water, and dry by shaking them near a

fire. When perfectly dry, coil each fiber separately with a blunt knife

or ivory folder.

II.—Black.—Immerse for 2 or 3 days in a bath, at first hot, of logwood,

8 parts, and copperas or acetate of iron, 1 part.

III.—Blue.—Same as II, but with the indigo vat.

IV.—Brown.—By using any of the brown dyes for silk or woolen.

V.—Crimson.—A mordant of alum, followed by a hot bath of brazil wood,

afterwards by a weak dye of cudbear.

VI.—Pink or Rose.—With safflower or lemon juice.

VII.—Plum.—With the red dye, followed by an alkaline bath.

VIII.—Red.—A mordant of alum, followed by a bath of brazil wood.

IX.—Yellow.—A mordant of alum, followed by a bath of turmeric or weld.

X.—Green.—Take of verdigris and verditer, of each 1 ounce; gum water, 1

pint; mix them well and dip the feathers, they having been first soaked

in hot water, into the said mixture.

XI.—Purple.—Use lake and indigo.

XII.—Carnation.—Vermilion and smalt.

«DYES FOR ARTIFICIAL FLOWERS.»

The French employ velvet, fine cambric, and kid for the petals, and

taffeta for the leaves. Very recently thin plates of bleached whalebone

have been used for some portions of the artificial flowers.

Colors and Stains.—I.—Blue.—Indigo dissolved in oil of vitriol, and the

acid partly neutralized with salt of tartar or whiting.

II.—Green.—A solution of distilled verdigris.

III.—Lilac.—Liquid archil.

IV.—Red.—Carmine dissolved in a solution of salt of tartar, or in

spirits of hartshorn.

V.—Violet.—Liquid archil mixed with a little salt of tartar.

VI.—Yellow.—Tincture of turmeric. The colors are generally applied with

the fingers.

«DYES FOR FURS:»

I.—Brown.—Use tincture of logwood.

II.—Red.—Use ground brazil wood, 1⁠/⁠2 pound; water, 1 1⁠/⁠2 quarts;

cochineal, 1⁠/⁠2 ounce; boil the brazil wood in the water 1 hour;

strain and add the cochineal; boil 15 minutes.

III.—Scarlet.—Boil 1⁠/⁠2 ounce saffron in 1⁠/⁠2 pint of water, and pass

over the work before applying the red.

IV.—Blue.—Use logwood, 7 ounces; blue vitriol, 1 ounce; water, 22

ounces; boil.

V.—Purple.—Use logwood, 11 ounces; alum, 6 ounces; water, 29 ounces.

VI.—Green.—Use strong vinegar, 1 1⁠/⁠2 pints; best verdigris, 2 ounces,

ground fine; sap green, 1⁠/⁠4 ounce; mix all together and boil. {273}

«DYES FOR HATS.»

The hats should be at first strongly galled by boiling a long time in a

decoction of galls with a little logwood so that the dye may penetrate

into their substance; after which a proper quantity of vitriol and

decoction of logwood, with a little verdigris, are added, and the hats

kept in this mixture for a considerable time. They are afterwards put

into a fresh liquor of logwood, galls, vitriol, and verdigris, and,

when the hats are costly, or of a hair which with difficulty takes the

dye, the same process is repeated a third time. For obtaining the most

perfect color, the hair or wool is dyed blue before it is formed into

hats.

Henley's Twentieth Century Formulas, Recipes and Processes · 第 44 / 139 段