TO PAGE M. BAKER

KŌBE, January, 1896.

DEAR PAGE,--What a pleasure your letter was--in spite of the

typewriting! How shall I answer it? From the end backwards,--as the last

was the most pleasant.

Of course it was _really_ long ago that we used to sit

together--sometimes in your office, sometimes upon a doorstep,

sometimes at a little marble-topped table somewhere over a glass of

something,--and talk such talk as I never talked since. It is very

nearly ten years ago. That is quite true. But you say that my flitting

has been my gain, and that I have made myriads of friends by my books.

That is not quite so true as you think. You think so only because you

have still the heart of the old Southern gentleman,--the real aristo.

and soldier,--the man who said exactly what he thought, and expected

other people to do the same, and lived in a world where people did so.

That is why also you remain for me quite distinct and different from

other men: you have never lost your ideals--therefore you can remain

ideal to others, as you will always do to me. But you are enormously

mistaken in supposing that I have made myriads of friends, or gained

anything--except what one gains by disillusion, and the change that

comes with the care and love of others: this, of course, is gain. But

book-success! No: it seems to me just the reverse. The slightest success

has to be very dearly paid for. It brings no friends at all, but many

enemies and ill-wishers. It brings letters from autograph-hunters,

and letters enclosing malicious criticisms, and letters requesting

subscriptions to all sorts of shams, and letters of invitation to

join respectable-humbug societies, and requests to call on people who

merely want to gratify the meanest sort of curiosity,--that which

views a fellow creature _only_ as a curiosity. Then, of course, there

are uncounted little tricks and advertising dodges to be avoided like

pitfalls,--and extravagant pretences of sympathy, often so clever as to

seem really genuine, made for utilitarian purposes. Then there are all

sorts of little snobberies and patronizings and disappointments. And

after the work is done, it soon begins to get shabby and threadbare in

memory; and I pick it up and wonder how I could have written it, and

marvel how anybody could have bought it, and find that the criticisms

which I didn't like were nearly all true. Sometimes I feel good, and

think I have really done well; but that very soon passes, and in a day

or two I find I have been all wrong, and sure never to write anything

quite right.

The fact seems to be that when ideals go away, writing becomes mere

downright hard work; and the reward of the pleasure of finishing it is

not for me, because I have nobody to talk to about it, and nobody to

take it up, and read it infinitely better than I could do myself. The

most delightful criticisms I ever had were your own readings aloud of my

vagaries in the _T.-D_. office, after the proofs came down. How I should

like to have that experience once more--just to hear you read something

of mine quite fresh from the composition-room,--with the wet sharp inky

smell still on the paper!

But I suppose I have gained otherwise. You also. For there is something

in everybody--the best of him, too, isn't it?--which only unfolds in him

when he has to think about his double,--the other self to which he has

given existence; and then he sees things differently. I suppose you do.

I imagine you must now be ever so much more lovable than you used to

be--but that you have less of yourself proportionately to give away. If

I were in New Orleans I don't think that I could coax you to talk after

a fixed hour: you would say, "--! it's after twelve o'clock: I must be

off!"

What you write about little Miss Constance is very sweet. I hope soon to

send her some Japanese fairy-tales written by your humble servant;--that

is, I _hope_; for the Tōkyō publisher is awfully slow in getting

them out. You have had anxiety, I find. But the delicacy that causes it

means a highly complex nervous organization; and the anxieties will be

well compensated, I fancy, later on. She will become, judging from the

suggestion of that gold-head in the photograph, almost too beautiful:

I hope to see another photograph later on. I shall send one of Kazuo

in a few days. We were terribly frightened about him,--for he caught a

serious cold on the lungs; but after a few weeks he picked up well. He

gets taller, and every day surprises us with some new observation. He

seems to get fairer always instead of darker--nobody now ever takes him

to be a Japanese boy. He is very jealous of his mother,--won't allow

me to monopolize her for even five minutes; and I am no longer master

in my own house. Servants and relatives and grandparents, they all

obey him,--and pay no attention at all to my wishes unless they happen

to be in harmony with his own. Certainly Japanese people are kinder

to children than any other people in the world,--too good altogether.

Still, they do not spoil children,--for as a general rule they manage

to make them grow up strangely, incomprehensibly obedient. I don't

understand it,--except as heredity: indeed, I may as well frankly say

that the longer I live in Japan, the less I know about the Japanese.

"That is a sign," says one Oriental friend, "that you are beginning to

understand. It is only when a foreigner confesses he knows nothing about

us that there is some reason to expect he will understand us later on."

About the letters, I need only say, perhaps, that I shall give you the

best of what I write this year (excepting, of course, essays on Buddhist

philosophy, or stuff of that sort, which would be out of place, no

doubt, in a newspaper). I may include a few little stories....

"Kokoro" ought to reach you next March. It is rather a crazy book; but I

wish I could hear you _read_ one or two pages in it....

Ever affectionately,

LAFCADIO HEARN.

The Life and Letters of Lafcadio Hearn, Volume 2 · 第 220 / 436 题