TO BASIL HALL CHAMBERLAIN

KŌBE, February, 1895.

DEAR CHAMBERLAIN,--Thanks for the curious historical envelopes. My eyes

are nearly well: there is still one small black spot in the centre of

the field of vision; but I trust it will go away as soon as the weather

becomes warm.

I am delighted to know you like the book. A curious fact is that out

of fifty criticisms sent me, in which the critics select "favourites,"

I find that almost every article in the book has been selected by

somebody. It thus seems to appeal to persons of totally different

temperament in different ways, and this fact suggests itself,--that

perhaps no book written entirely in one key can please so well as a book

written in many keys. However, the work must be unconscious. If you

are curious about any of the "inside facts," I shall be glad to tell

you. The "Teacher's Diary" is, of course, strictly true as to means and

facts; and the artistic work is simply one of "grouping." The cruiser

at Mionoseki was the Takachiho,--since become famous. Hino-misaki and

Yaegaki ought to contain something you would like,--so I trust you

will peep at them some time. The Gūji of Hino-misaki is my wife's

relative, and the story of his ancestor is quite true.

As for Japanese words, you might like "Out of the East" better. I don't

think there are five Japanese words in the book. But it is chiefly

reverie--contains little about facts or places. Perhaps you will be less

pleased with it in another way.

As for changing my conclusions,--well, I have had to change a good many.

The tone of "Glimpses" is true in being the feeling of a place and time.

Since then I've seen how thoroughly detestable Japanese can be, and

that revelation assisted in illuminating things. I am now convinced,

for example, that the deficiency of the sexual instinct (using the term

philosophically) in the race is a serious defect rather than a merit,

and is very probably connected with the absence of the musical sense and

the incapacity for abstract reasoning. It does not follow, however, that

the same instinct may not have been overdeveloped in our own case. To an

Englishman, it would appear that such overdevelopment among Latin races

would account for the artistic superiority as well as the moral weakness

of French and Italians in special directions;--and the fact that even

certain classes of music are now called sensual (not sensuous), and

that there is a tendency to abjure Italian music in favour of the more

aspirational German music,--would seem to show that the largest-brained

races are reaching a stage in abstract æsthetics still higher than

the highest possible development of the æsthetics based on the sexual

feeling. That the Japanese can ever reach our æsthetic stage seems to me

utterly impossible, but assuredly what they lack in certain directions

they may prove splendidly capable of making up in others. Indeed the

development of the mathematical faculty in the race--unchecked and

unmollified by our class of æsthetics and idealisms--ought to prove a

serious danger to Western civilization at last. At least it seems to me

that here is a danger. Japan ought to produce scientific, political, and

military haters of "ideologists,"--Napoleons of practical applications

of science. All that is tender and manly and considerate and heroic in

Northern character has certainly grown out of the sexual sentiment:

but the same class of feelings in the far East would seem to have

been evolved out of a different class of emotional habits, and a

class bound to disappear. Imagine a civilization on Western lines with

cold calculation universally substituted for ethical principle! The

suggestion is very terrible and very ugly. One would prefer even the

society of the later Roman Empire.

I am sorry your eyes are not all you could wish. Do you not think it may

be the weather? The doctor tells me my eyes will be all right in summer,

but that I have to be careful in cold weather. And the tropics did me

wonderful good. I want to get to the warm zones occasionally--perhaps

shall be able to. There are some tropics bad for the eyes,--lacking

verdure. I have been unable to get facts about tropical conditions

on this side of the world,--except through Wallace. Ceram suggests

possibilities. But one must be well informed before going. Then there

are the French Marquesas. A French colony ought to be full of romance,

and void of missionaries. But all these are dreams.

Ever faithfully,

LAFCADIO HEARN.

The Life and Letters of Lafcadio Hearn, Volume 2 · 第 175 / 436 题