TO MASANOBU ŌTANI

KUMAMOTO, January, 1892.

DEAR ŌTANI,--Your long and most interesting letter gave me much

pleasure, as well as much information. I am very glad to have had my

questions so nicely answered; for I am writing an essay on Shintō

home-worship in Izumo,--all about the _kamidana_, etc. I know a good

deal about general forms and rules, but very little about the reverence

paid _in the house_ to the family dead (forefathers, father, mother,

dead children, etc.)--in Shintō, which is very interesting to know.

I think much of the modern customs shows a Chinese origin, though the

spirit of pure Shintō seems to be wholly Japanese.

I think your first explanation of the form of the _omiki dokkuri no

kuchi-sashi_ is the correct one,--so far as this is concerned. I am

not sure, but the shape is strikingly like that of the mystic jewel of

Buddhist art. There is another form in brass, which I have, that seems

intended to represent a folded paper; but I am not sure what it means.

[Illustration]

[Illustration]

Many thanks for your very valuable notes about the January customs.

You told me quite a number of things I did not know before,--such as

the rules about the twist of the straw-rope, and the symbolism of the

charcoal and many other articles. But I would like to know why the

pendent straws should be 3-5-7: is there any mystic signification in

those numbers? I thought the Japanese mystic number was 8....

Take good care of your health.

Ever very truly yours,

LAFCADIO HEARN.

The Life and Letters of Lafcadio Hearn, Volume 2 · 第 92 / 436 题