CHAPTER XIII

SKYLARK (HORNED LARK)

"Under the greenwood-tree,

Who loves to lie with me,

And tune his merry note

Unto the sweet bird's throat;

Come hither, come hither, come hither;

Here shall he see

No enemy

But winter and rough weather."

In Shakespeare's play, "As You Like It," scene v., Amiens, a close

student of nature, is made to sing this song.

It probably caused his companion, Jaques, to remember the skylark

of his own boyhood, for he besought Amiens to "sing it again." But

Amiens argued with his friend that it would make him "melancholy."

However, he sang again, and it is supposed that the two lived over

the days of their boyhood, when they lay on the grass under the

greenwood-tree, just on the edge of a corn-field, and listened to the

skylark tuning his merry note in his own sweet throat.

Dear to the heart of English boys and other people is the skylark, on

account of which, and for the reason that Britishers of any age may

like to meet an old friend should they chance to take up this book

in their travels, we are giving a chapter to this bird. In the play,

Jaques and Amiens sing later together all about their favorite lark

(it is presumed):

"Who loves to live i' the sun,

Seeking the food he eats

And pleased with what he gets."

Surely the skylark loves to live i' the sun, for he is always in the

open, summer and winter, as if he would be sure to not miss a single

sunbeam. As is the case with most of our birds who dwell or nest near

our homes, the skylark does not seek man for his own sweet sake,

but for the sake of what the farm holds; though no marauder is this

lark, for it eats ground insects nearly the whole year--crickets, and

beetles, and grubs, and worms, and little folk who see no further

than their noses. To be sure, in late fall, after the farmer's

buck-wheat and other grains are ripened and mostly harvested, the

larks visit the fields in flocks to gather up the crumbs and grow fat

on the change from a meat to a vegetable diet.

This growing fat, by reason of his generous diet in late fall, just

before the snows come, serves the same purpose as does the fattening

of bear just before winter. The snow covers lark's "meat victuals"

all up, and the birds must fall back at times on their stores laid by

under their skin for this very season. Though they do not hibernate,

they still have use for their fat. So has the gunner, and the people

with snares ready to set for the unwary and hungry birds.

A recent writer, commenting on this autumn sport of the Englishman,

excuses their seemingly wanton destruction by observing that "were

they not thus taken, large numbers would doubtless meet natural death

in their autumn flights." To quote Shakespeare again, "Oftentimes,

excusing of a fault doth make the fault the worse."

There seems to be a sort of inconsistency in the fact that, from

earliest times, the human family have been guilty of eating what most

they love--or what most they do declare they love. The flavor of the

flesh of a bobolink or skylark is hardly out of the mouth before the

tongue takes to praising the favorite bird with a psalm or hymn; in

due time the poet and singer bethinks him of his annual feast of

flesh, and his spiritual appreciation grows thin.

[Illustration: HORNED LARK.]

We are thankful, in spite of all this, that the poets and singers

sing on. They have immortalized the skylark of Europe as no other

known bird is immortalized.

Superstition claims the bird as peculiarly its own. Do not its

prophets divine things mysterious and darkly subtle by the skyward

flight of the bird? And its song! Any priest of the craft may read in

its varying notes all sorts of fortunes to people and clans.

And the eggs of the skylark! Were they not speckled and streaked

by passing night winds in the shape of fairies with garden gourds

filled with the ink juice of the deadly night-shade berries? Were the

skylark's eggs white they would be "moon-struck," and the hatchlings

would sing the song of the night-owl. In spite of the speckled eggs

and the usual grassy cover of the nest, these are too often the

successful object of the prowling boy. Though it must be confessed

that in this, as in the case of the robbery of other birds, it is

not always the original finder of the nest who is guilty of theft.

Shakespeare was aware of this fact, for in "Much Ado About Nothing"

he makes Benedick speak of "the flat transgression of a school-boy,

who, being overjoyed with finding a bird's nest, shows it his

companion, and _he_ steals it."

The mistake was in "showing it his companion." Though, should the

companion happen to be a girl, he need have no fear. The nest will be

undisturbed next time he visits the spot.

For eight months of the English year does the skylark sing, prodding

the lazy, comforting the sorrowful, accusing the guilty, making more

merry the glad. On account of its ever-circling upward flight, the

bird is believed to hold converse with heaven. In captivity it is

supposed to be "longing for the sky" when it flings itself against

the roof of its cage. To protect it against harm in this last, soft

cloth is sometimes used for the cover to its home.

In winter, when the skylarks cover the sandy plains of Great Britain,

they have but a single cry, having laid by their songs with which

to "wake the spring"; or it may be with them as in the case of

our bobolinks--after a diet of ripe grains they are "too full for

utterance." But when spring is actually astir, then are the larks

abroad in the sky. Francis Rabelais, as long ago as the fourteenth

century, loved the English spring for the sake of the skylark,

and the thoughts the bird inspired in him. Having no appetite,

apparently, for the bird when he is fattened for eating, the poet

longed for larks in the act of singing, as if, could he hold one

of them in his hand when it was articulating, he might come by its

written song, as the telegrapher reads the scroll as it unwinds. But

he wouldn't be content with one bird, oh, no!--if ever the "skies

should fall" he made up his mind to "catch larks" by the basketfuls.

But the heavens never were known to fall in lark-singing time, and

the poet is long since under the sod with the skylarks nesting above

him.

To be like a singing bird has been the longing of human hearts in

all ages; as if we realize that there is medicine in song as in

nothing else--medicine to the singer. And so there is. No higher

compliment could be paid by a poet to the memory of his friend than

the following, dated in the seventeenth century. There is a happy

lesson of work, and good nature, and lightness of heart in a trying

occupation too good to lose.

"There was a jolly miller once,

Lived on the River Dee;

He work'd and sung from morn to night,

No lark more blithe than he."

Several attempts to introduce the English skylark into America have

been made, with no satisfactory results. It is hoped to some day

have them feel at home on the Pacific coast, where the varying moist

and dry climates of north and south would give them the pleasures of

their natural migrations. But although we may never have the skylark

with us, we have its relative in our horned or shore larks. In its

habits it resembles its lark kindred in the Old World, singing on

the wing, nesting on the ground, feeding on the same food, walking

rapidly, reserving flight as the last resort when pursued.

The horned lark is so named on account of a little tuft of feathers

on each side of the forehead, which it raises or lowers at pleasure.

It nests in the North very early, even before the snow is all melted,

and brings off two or more broods in a season. In the autumn it

exchanges its beautiful song for a good appetite, and fattens itself

on grains and berries in anticipation of possible winter hunger. It

may be seen all over North America at some season of the year, in

fall and winter in flocks.

In California we have the Mexican horned larks, which cover the mesas

and rise reluctantly in large numbers when surprised. They love

to follow the open country roads, running out of the track while

we pass, but returning as soon as we have gone our way. On rainy

days--which, by the way, are the best of bird days--we have taken our

umbrellas and strolled out to the flat lands on purpose to see these

larks in their greatest numbers. They will fly, with a whirr of

sound, and alight almost at our feet, to repeat the act for a mile if

we choose.

In midsummer they are seen in the vicinity of their nesting-places,

standing in rows under fences or plants with mouths wide open,

seeming to choose hot sand to flying straight across the short desert

to mountain retreats. The horned larks, wherever seen, suggest

contentment, and pleasure in life as they find it.

Birds of Song and Story · 第 13 / 16 章