TEMPERING: THE PART COLOUR PLAYS

When you buy steel for tools from a merchant he will assure you that

the steel he sells you will harden at a cherry-red heat. This is true

provided the metal has not been spoiled either by overheating it or

working it at too low a heat during the making. This causes cracks or

internal fractures.

If these directions for working steel are followed out a tool should

harden at a cherry-red heat when plunged into water. When the steel is

heated to the proper temperature, usually a cherry red, and plunged

into a hardening solution, it will be very brittle, so that a file will

not cut it. One test often used is to take a fine mill cut file and try

to cut the hardened part of the tool. If it slips over the surface

without cutting, the steel is considered hard; if the file cuts, the

steel is not hard enough. Re-heat the steel hotter than before, cool

it off in water, and test again. All cutting tools should possess

a certain amount of hardness or toughness. When the steel has been

plunged into cold water it is too hard for use. It is necessary to then

reduce this hardness so that one can use the tool for the particular

kind of work it is made to do. This process of reducing the hardness is

commonly called drawing the temper, and the colour scheme plays a very

important part in this operation. Perhaps the steps will be clearer if

the process of drawing the temper on a cold chisel is explained: After

the chisel is forged the proper shape, place the body of the tool in

the fire, heat it red hot back of the point. Now heat the point to a

uniform cherry-red heat, plunge 1-1/2 in. of this hot point into the

water and hold it there until it is quite cold. This is determined by

water clinging to the point when the chisel is taken out. Polish the

part cooled off with a piece of emery stone, an old brickbat, or any

rough polishing material. You will notice a group of temper colours

starting from the point where the tool came into contact with the

water. The heat in the body of the tool gives rise to these colours as

it is conducted through the cold point of the steel. In this group of

colours the first will be (1) pale yellow, (2) a full straw colour,

(3) brown, (4) purple, (5) dark blue, (6) full blue, (7) light blue,

(8) gray. This colour scheme corresponds to varying temperatures in

the metal. The first colour (pale yellow) accompanies a temperature of

430°, while the last colour, gray, means a temperature of 700°. The

colours show, too, a varying in the hardness or toughness of the steel.

A cold chisel should be tempered a blue; so when the blue reaches the

cutting end of the tool the end should be plunged immediately into

water and cooled off. This is the principle of hardening and tempering

all common tools.

[Illustration: Colors, left to right: pale yellow, straw color, brown,

purple, dark blue, full blue, light blue, gray]

However, these colours mean nothing so far as tempering is concerned

unless the cutting edge of the steel has been thoroughly hardened.

Then the colours have a real value. To prove that these colours are no

test unless hardening precedes, take a piece of brass, or copper, or

soft iron. Polish, then heat the piece in the fire to the temperature

given here. You find the same set of colours, but you cannot use any of

these metals for cutting tools.

The table of temper colours given in this book shows the colour

required for tempering tools most commonly used.

_Tempering of springs:_ Under the head of springs we may include every

variety, from the small spring used in locks and fire-arms to the

largest springs in use. They are made of spring steel of the required

thickness, forged into shape, then hardened and tempered.

This hardening and tempering of springs is done in some cases by

polishing and heating over a fire and drawing them to a blue colour.

Then they are plunged into oil to fix the temper. Sometimes springs are

heated red hot and cooled in oil, then held over the fire until the oil

burns with a bright flame on the spring. It is then allowed to cool in

the air. If the spring is found too hard, more oil is put on it and the

operation is repeated until the desired spring movement is obtained.

The Library of Work and Play: Working in Metals · 第 183 / 234 题