LONDON, _June, 1870._

DEAR M.,--What will you think of your dissipated daughter? Do you not

think that she is insatiable? I am sure that you will say that I ought to

be contented after the long season of gaiety and excitement in Paris, and

settle down in lovely Petit Val, where the lilacs and the violets call one

with scented voices.

However, we decided to go to London.

Did I write to you of our breakfast at Armenonville? After Lord Lyons's

ball, which lasted until six o'clock in the morning, Prince Metternich and

several others thought that it would be a good idea to go home, change our

ball-dresses for morning-dress, and go out to the Bois for our morning

coffee. We did it.

I confess that it was a crazy thing to do after dancing all night; but the

beautiful May morning, the glorious sunshine, and our spirits inspired us

to carry out this wild whim, much to the disgust of our sleepy coachmen.

This excursion was not a success; we were all tired and longed for bed.

One cannot be amusing or _en train_ at seven o'clock in the morning.

And as for the family, when we returned home all the comment they made

was, "What fools!" They did not see any fun in it; neither did we, to tell

the truth.

The Rothschilds, Lord Lyons, and Prince and Princess Metternich gave us

what must have been very powerful letters, for we had hardly been in

London more than a few days before we knew every one worth knowing, and

all doors worth opening were opened to us, and I found myself what one

calls _lancée_.

We took rooms in Park Street; that is, we had the two stories of the

house. The landlady lived downstairs, and gave us our meals when we were

at home. As soon as we got settled we left our cards and letters of

introduction.

Invitation followed invitation in the most bewildering manner, sometimes

several for the same day.

I could not begin to tell you all that we have already done. Writing

letters seems to be the one thing which I have no time for. It is a

perpetual push and rush from morning till night.

Our first dinner was at Baron and Baroness Rothschilds', where the Prince

and Princess of Wales and a great many distinguished people were invited.

I sat next to a Mr. Osbourne--everybody called him Dick. He told me that

he was the most dined-out and tired-out man in London, and that he had not

eaten at home for six months.

I had not seen their Royal Highnesses since their visit to Paris during

the Exposition. They said that they remembered me; but I cannot think it

possible that they can have such wonderful memories.

I never saw such a splendid collection of orchids as there was on the

table, and each lady had a bouquet of orchids and roses by her plate.

I was asked to sing, and was delighted to do it. The Rothschilds' ballroom

was a glorious place in which to make a debut.

Michael Costa, the well-known musician, came after dinner and accompanied

me in the "Cavatina" from "Rigoletto," and the waltz from the "Pardon de

Ploërmel."

Lady Sherbourne, a charming lady whom I fell in love with at first sight,

sang also. She has a beautiful, rich contralto voice, and sang with a

great deal of expression an English song called, "Out on the rocks when

the tide is low."

In your last letter you wrote, "I am afraid that you are on the way to

become conceited." I am afraid myself I am, still I cannot resist telling

you, this once, that my audience was very enthusiastic and Mr. Costa said

--well, I won't tell you what he said; it might sound conceited. The last

thing I sang was "Beware!" which was immensely appreciated.

The Prince of Wales said: "That is a bewitching song. I never heard it

before. Who composed it?"

I told him that it was written for me by my husband, and Longfellow had

written the words.

The Princess, before leaving, said, "I cannot tell you how much pleasure

you have given us this evening; we hope to see you often while you are in

London." She is very beautiful, even handsomer than when I saw her last.

Baroness Rothschild kissed me, and thanked me for having sung for her.

Call me vain and conceited if you will, my head is turned, and there is

nothing more to be said about it!

A luncheon at "Caroline, Duchess of Montrose's," at two o'clock upset me

for the whole day. I am not accustomed to those big _déjeuners-

dinatoires_. I was sleepy and felt good for nothing the rest of the day;

and when we dined at Lady Molesworth's that evening, "to meet their

Royal Highnesses the Prince and Princess of Wales," and wanted to be extra

up-to-the-mark, I felt just the contrary. However, after dinner the Prince

of Wales asked me to sing, and I did not refuse, and even sang most of the

evening. There was a charming Baron Hochschild, the Swedish Minister, who

sang delightfully. He is a thorough musician, and accompanied himself

perfectly with all the aplomb of an artist. He has a deep, rich barytone,

and his _répertoire_ consisted of all the well-known old Italian songs.

Lady Molesworth is a beautiful old lady, who must have been a great beauty

in her youth. She wears curls just like yours, dear mama, which made me

love her. I met here Arthur Sullivan; he was full of compliments.

The next day we were invited to a _matinée musicale_ at Lady Dudley's,

preceded by a luncheon, which Mr. Osbourne called "a snare," because, he

said, I could not refuse to sing. I did not want to refuse, either. The

piano was in the beautiful picture-gallery, all full of Greuze's pictures

bought from the Vatican; it has the most wonderful acoustics, and the

voice sounded splendidly in it. Lady Dudley is a celebrated beauty. Lord

Dudley--before he succeeded to the title--was Lord Ward. The Duke and

Duchess of Sutherland asked us to dine. This was a very imposing affair;

the Duke of Cambridge was at the dinner as the _grosse pièce_, and there

were many diplomats. After dinner several artists came from Covent Garden,

and among them Madame Patti, who sang the "Cavatina" of "Lucia," with

flute accompaniment, and how beautifully!

When I was introduced to her I said, "The first time I heard you sing was

years ago when I was a little girl and you were in short dresses."

"In Rochester," I replied. "I shall never forget how exquisitely you sang

'Ah! non giunge' and 'Ernani.'"

"Yes, I remember quite well. I was singing in concerts with Ole Bull; but

that was a long time ago."

"It was indeed," I said; "but I have never forgotten your voice, nor a

lovely song you sang which I have never heard since, called 'Happy

Birdling of the Forest.' And your trill! Just like the bird itself!"

We became quite good friends, and she made me promise to come to see her.

She is charming. Every one was most enthusiastic. Some one said she gets a

thousand pounds for an evening. The Marquis de Caux (her husband) looked

rather out of place. It seemed queer to see him again, not as the

brilliant Marquis of the Tuileries (the "beau" _par excellence_), but

simply as the husband of Patti. He did not find a chance to speak to me.

Some days later Lady Anglesey gave a luncheon for me. On the invitations

were, "To meet Mrs. Moulton." I read between the lines: to hear Mrs.

Moulton sing. They always put on their invitations, "To meet" so and so.

Mr. Quimby said to me, "I liked you from the first moment I saw you, but I

had no idea you were going to be such a beast." "Beast!" I echoed. "That

is not very complimentary." "A lion is a beast, isn't it?" he jokingly

replied.

"Am I going to be a lion? I did not know it."

"Well, you are a lioness, which is better."

He is considered the wit of London, and this is a specimen of his wit.

What do you think?

At the luncheon there were Jacques Blumenthal, the famous pianist and

composer, and Arthur Sullivan, who asked me to sing in his little

operetta, which some amateurs are rehearsing for a _soirée_ at Lady

Harrington's; and on my acceptance he brought the music for me to try over

with him the next morning. The _soirée_ was to be three days later. The

music is nothing remarkable; in fact, the whole thing (it is called "The

Prodigal Son") is not worthy of him. I have not met any of my fellow-

performers yet. Forgive this jerky letter; I have been interrupted a

thousand times. Charles thinks it is time to go back to Paris; but we have

just received an invitation from Baron Alfred Rothschild to spend Ascot

week--a _séjour de sept jours_--with a party at a house he has hired

for the race-week there, and I could not resist.

In the Courts of Memory, 1858-1875; from Contemporary Letters · 第 88 / 153 题