I think the Emperor's are very clever.

"And the operetta?" inquired the Empress.

"I hope your Majesties will be indulgent," I replied.

Monsieur de Laferrière was next to me at dinner. He was as much interested

in the operetta as other people seemed to be. I took advantage of his

being my neighbor to ask him to manage it so that we could leave the salon

before the _cercle_ commenced, as we had to dress, and if any of us were

late I dared not think what the effect would be on the nervous Marquis.

The Emperor raised his glass during dinner, though I sat very far down the

table. I suppose he wanted to inspire me with hope and courage.

Monsieur de Laferrière arranged everything for us most amiably. We rushed

off to our rooms to dress. I, for one, was not long over my toilette, and,

followed by my maid, hurried through the long corridors to the theater.

We were all there except Monsieur de V----, who was no doubt still

pottering over his raiment. The artist he had ordered from Paris was

already there, brush in hand, ready to paint us. The result was very

satisfactory. When we looked at ourselves in the glass we wondered why one

should not be beautiful every day with so simple an art.

We were rather taken back when Monsieur d'Espeuilles appeared in a wig and

a false mustache; but he hastened to say there was nothing like being

disguised to put one at one's ease. The gentlemen of the chorus, not

willing to go to any extra expense, had _culottes courtes_ and white

stockings; the ladies had tried to be more in harmony, but they thought

that with rakes, spades, and basket they had quite enough _couleur

locale_.

The chamberlain came to ask whether their Majesties should come now.

Prince Metternich answered that we were waiting for them, A tedious delay

occurred before the audience had settled into their places in accordance

with their rank, to the great annoyance of Prince Metternich, shut up in

the small prompter's box, and the Marquis d'Aoust, fidgeting at the piano,

and driving us almost to distraction by his repeated questions and

exhortations: "Do you think you know your part? Don't forget to"--etc.

At last! at last! No retreating now, _Coûte que coûte!_ we must take in

the plank and embark on our shaky craft.

The Marquis attacked the overture by playing some vigorous arpeggios and

pompous chords. The curtains were drawn aside and the lord of the manor

entered. After his monologue, which he did very well, he hesitated a

moment. This agitated the Marquis to such a degree that he stood up and

waved his hand as a signal to him to commence his song, and gave him the

note on the piano. Monsieur de V---- started in all right and sang his

song with due sentiment, and very well. I even think as far back as the

sixth row of seats they were conscious that he was singing. His acting and

gestures were faultless. All Frenchmen can act.

I thought, when I came in, the public was chilly, and I felt cold shivers

running down my back. My courage was oozing out of me, and when the lord

of the manor said to me, "Rosette, que fais-tu ici?" and I had to answer,

"Ce que je fais, Monsieur; mais vous voyez bien, je ne fais rien," I

thought I should die of fright and collapse on the spot. However, I pulled

myself together and began my silly little song.

The moment I began to sing I felt at ease, and I flatter myself I gave a

certain glaze to the emptiness of the music. Madame Conneau sang her

dramatic aria beautifully, and created quite a _furore_. I only wish the

music had been more worthy of her. The love duet between the friend and

myself was, much to my surprise, a great success. It was encored, and we

sang it again.

When we came to the minor passage (the stumbling-block) the Marquis, who

was perspiring at every pore in his dread that I should not hit the right

note, pounded it on the piano loud enough to be heard all over the

theater. I gave him a withering look, which he pretended not to see.

Perhaps he did not, for his attention, like mine, was startled by seeing

the false mustache of Monsieur d'Espeuilles ungluing and threatening to

drop into his mouth. The Marquis began wagging his head and making frantic

signs. Monsieur d'Espeuilles was horribly confused, and I feared for the

success of our _da capo;_ but he patted the now limp offender back on

his lip, and we continued the duet. During the applause the Marquis took

the occasion to wipe the perspiration from his bald head.

In spite of our qualms the final quartette was not so bad after all. When

it was time for me to come down from my upward flight in order to help the

tenor, the Marquis again waved his right hand in the air to attract my

attention, while he thundered a tremolo with his left, to keep the

accompaniment going until he was sure that everything was right. The

chorus came on in due order, and flourished their rakes and spades as

though they were waving flags, in participation of the joy and gladness of

the reconciliation. There was one moment of genuine hilarity, when the

little fox-terrier belonging to the Empress's niece rushed on to the stage

to join his mistress, who, with great _sang-froid,_ picked him up and

went on singing, to the immense amusement of the audience.

It was suffocatingly hot in the little theater, and we were glad to think

that we had arrived at the end of our perilous journey. The red on our

cheeks was getting paler; the powder was becoming paste; the black on the

eyebrowless actors began to run down their cheeks; Monsieur d'Espeuilles's

wig and mustache were all on one side.

All these details mattered little, now that the end had come, and the

performance had concluded with great _éclat_.

The happy Marquis (though I think he aged ten years that hour at the

piano) was radiant with his success. Every emotion had swept over him:

ambition, vanity, hope, pride, forbearance, patience, long-suffering.

The curtain fell amid great applause, as spontaneous as it was persistent

and, I hope, genuine.

We stayed in our costumes for the tea in the Emperor's salon.

Both their Majesties complimented the Marquis, and thanked us all

separately for the pleasure they had had and the trouble we had given

ourselves. The Emperor said to me, "Vous vous êtes surpassée ce soir." I

courtesied and asked him what he thought of the music.

He hesitated before answering. "I don't know much about music; but it

seems to me, as Rossini said of the music of Wagner: 'Il y a de jolis

moments, mais de mauvais quarts d'heures!' All the same, it was very

pretty."

Every one praised the Marquis to the skies, and he was really in the

seventh heaven of delight.

I am only afraid his head will be turned, and that he will write another

_chef-d'oeuvre_.

I was glad when their Majesties bade us good night, for I was completely

exhausted.

PARIS, _December 5th_.

It seems nice, all the same, to be at home again. We arrived in Paris at

six o'clock, and at half-past seven I was in my bed, completely worn out.

However, I must tell you how our visit ended the day before yesterday. Was

it only the day before yesterday? It seems months ago. At _déjeuner_ the

Princess Metternich sat on the right of the Emperor, and the Empress's

brother-in-law, Duke d'Albe, gave me his _avant-le-déluge_ arm, and put me

on the left of his Majesty.

I thought the Emperor looked tired and ill, and I noticed he frequently

put his hand on his back, as if he was in pain. The Princess Metternich

engrossed the Emperor's attention. She is so witty and lively that every

one must listen when she talks. All the same, the Emperor talked with me a

good deal, and thanked me for having done so much to amuse them. Never

would they forget the pleasure they had had.

When we went up to our rooms to put on our cloaks there was no pretentious

majordomo demanding his fee, and our particular valet looked sad, and did

not meet my eye when I tried to catch his to give a smile of adieu, and

persistently fixed his gaze on something at the other end of the corridor.

I rather liked the old way better, as one felt that in a measure one had

made some little compensation for all the delightful days spent there.

I asked my maid how the servants felt about this change. She said that in

their _salle à manger_ almost all the maids and valets belonging to the

guests gave _pourboires_.

After we had made our adieux, and taken our seats in the different

carriages, their Majesties came out on the balcony to see us depart. They

waved their hands in farewell as we drove off.

The journey back to Paris was a silent one. Every one was occupied with

his own thoughts. Prince Metternich sat in a corner talking with the

impervious diplomat; I wondered if he were relating the salad's

complicated relationships. We all bade one another good-by, adding, with

assumed enthusiasm, that we hoped to meet soon again, when perhaps we were

rejoicing in the thought that we would not do so for a long time to come.

What insincere creatures we are!

_May, 1870._

We were invited to a picnic at Grand Trianon, given by the Emperor and

Empress for the Archduke of Austria.

The rendezvous was to be at St. Cloud, and we were asked to be there at

four o'clock. On arriving we found the Metternichs, Édouard Delesert,

Duperré, and Count Dehm, the Austrian Secretary. Their Majesties and the

Prince Imperial joined us when we were all assembled. We then mounted the

two _char-à-bancs_ which were waiting for us in front of the chateau,

with their postilions and four horses; the _piqueurs,_ in their saddles,

were all ready to precede us. The Emperor, Empress, the Prince Imperial,

Princess Metternich, and the Archduke were in the first carriage; the rest

of us were in the second--about fourteen people in all. We drove through

the lovely forest of Marly, the long, tiresome avenues of Versailles, and

through many roads known probably only to the postilions, and perhaps used

only on rare occasions such as this royal excursion, for they were in such

a bad condition, ruts and stones everywhere, that our heads and shoulders

were bumping continually against our neighbors'. Finally we reached Petit

Trianon, where we left the carriages and servants, who were ordered to

meet us at Grand Trianon later, bringing our extra wraps with them. The

air was deliciously balmy and warm, and was filled with the perfume of

lilacs and acacias.

We wandered through the park, admiring the skill of the artist who had

laid it out so cleverly, just like Petit Val. This is not surprising, as

it was the same person who planned them both. All the surroundings recall

the charming life which Marie Antoinette must have lived in the midst of

this pastoral simplicity.

I wondered if the same thought passed through the Empress's mind which

passed through mine. Could history ever repeat this unfortunate queen's

horrible fate? We continued our walk to Grand Trianon, and found the table

spread for our dinner under the wide _charmille,_ near the lake. The

Princess Metternich sat on the right of the Emperor, and I on his left.

The Emperor was in excellent spirits, and bandied repartees with Monsieur

Delesert, who surpassed himself in wit, and told many and sometimes rather

risky stories, which made every one laugh. The Prince Imperial could

hardly wait till the end of the dinner, he was so impatient to get to the

rowboat which was ready waiting for him on the lake. The Empress was quite

nervous, and stood on the edge of the lake all the time he was on the

water, calling to him, "Prends garde, Louis!" "Ne te penches pas, Louis!"

and many other such counsels like any other anxious mother, and she never

took her eyes from the little boat which was zigzagging about under the

hands of the youthful prince.

It was after nine o'clock when we started to return to St. Cloud by

another route. The _piqueur_, finding the gate locked through which we had

to pass, knocked on the door of the lodge-keeper, who, awakened from his

slumbers, appeared in a _déshabillé_ more than hasty, intending to

administer a _savon_ (scolding) to such tardy comers. But on hearing from

the _piqueur_ that the monarch of all he surveyed was waiting in the

carriage, he flew to open the gate, disclosing his scanty night-attire.

The funniest part of it was that, as soon as he realized the situation, he

thought it his duty to show his patriotism, so he stood on the steps of

his lodge and, as we passed through the gate, he chanted a hoarse and

sleepy! "Vive l'Empereur!" and waved his smoking candle.

The Emperor was convulsed with laughter. I, who sat behind him, could see

his shoulders shaking.

The ball of the _plébiscite_ was the most splendid thing I ever saw.

The architects and decorators had outdone themselves. The gardens of the

Tuileries beyond the fountain had been hedged in by orange-trees, and

other large trees moved there in their tubs. The whole _parterre_ of

flowers was festooned with lanterns and little colored lamps, making this

fairy scene as bright as day. The ballroom and adjoining salons, of which

the windows had been removed as well as the iron railing outside of them,

led on to a large platform which occupied the space of six such windows or

doors; these gave out into two colossal staircases which descended into

the garden. It was such a beautiful night, so warm that we ladies could

walk about in our ball-dresses without any extra wraps; there were about

six thousand people invited, they said. It seemed as if all Paris was

there.

After the _quadrille d'honneur_ their Majesties circulated freely about.

Every one was eager to offer congratulations to the Emperor. Was it not

the greatest triumph of his reign to have the unanimous vote of all

France--this overwhelming proof of his popularity? As he stood there

smiling, with a gracious acknowledgment of the many compliments, he looked

radiantly happy to thus receive the homage of his country. As the Emperor

passed near me I added my congratulations, to which he replied, "Merci, je

suis bien heureux."

Their Majesties stood on the dais with the members of the Imperial family,

and after watching the dance they all went in to the _Pavillon de Flore_,

where supper was served for the notabilities.

For the others there was arranged a supper in the theater; an orchestra on

the stage played all the time; the balconies were festooned with flowers

and filled with guests; there were supper-tables in the parquet and in the

largest _loges_, and plants and shrubs placed in every available spot.

In the Courts of Memory, 1858-1875; from Contemporary Letters · 第 87 / 153 题