It may well be doubted whether anything but such a great exigency would

ever have induced Rome to accept such an utterly foreign cult; and when

the nightmare of the war was past, the Senate awoke to the realisation

that a very serious act had been committed. To their credit be it said

that they did what they could to minimise the evil. The goddess had

brought her own priests with her, the cult was in their hands, and there

the law decreed it must stay, and no Roman citizen could become a

priest. That this law was really enforced is shown by several cases

where punishment, even transportation across the sea, was meted out to

transgressors. Then too the worship must be in the main confined to the

precincts of the temple on the Palatine, and only on certain days of the

year were the priests allowed to perform in the streets of the city. It

is significant of the strength of Roman law that these enactments held

good for three and a half centuries, and were not changed until the

reign of Antoninus Pius.

In the introduction of the Great Mother the Sibylline books performed

their last and most notable achievement. Hereafter they introduced no

new deities, and were consulted only occasionally, chiefly for political

purposes, for example in B.C. 87 against the followers of Sulla, and in

B.C. 56 in connexion with a scheme of purely political import. Their

work was done, and we have seen in what it consisted. For three hundred

years they had been encouraging the growth of superstition. From their

vantage ground of the temple of Juppiter Optimus Maximus, the essence of

all that was most patriotically Roman in Rome, they had been giving

forth these infallible oracles which seemed so much superior to the

simple "yes and no" answers with which the old Romans had been content

in their dealings with the gods. In times of peril by pestilence and by

battle they had given advice, and the pestilence had ceased and the

battle had turned to victory. It seemed indeed that the Sibyl deserved

the gratitude of Rome. Time alone could teach them what the books had

really given them. It was only in the coming generations that it became

evident that the abuse of faith, the substitution of incantation for

devotion, was destructive of true religion. It is the effect of this

substitution on the various classes of society under the new and trying

social conditions of the last two centuries of the republic that forms

the theme of our next chapter.

THE DECLINE OF FAITH

It is the fashion of our day to think no evil of Greece. In art we are

experiencing another Renaissance, not like that of the fourteenth and

fifteenth centuries in a revival of ancient Rome, but in a movement

leading behind Rome to the classic and even the pre-classic models of

Greece. In itself it is a healthful tendency, a needed corrective to the

sensational search for novelty which characterised the closing years of

the nineteenth century. But in our admiration for the Greek spirit we

ought not to forget that after Alexander that spirit lost much of its

beauty, and aged very rapidly. We may indeed regret the fact that Rome,

like certain persons of our acquaintance, seemed at times to possess a

strong faculty for assimilating the worst of her surroundings, while

occasionally curiously unresponsive to the better things; and yet we

ought in justice to strive to realise the fact that not only is the

Greek spirit at its best an unteachable thing, but that at the

historical moment when Rome came under that influence the Greek world

was very old and weary. It was Rome's misfortune and not her fault that

when she was old enough to go to school, Alexandrianism with its

pedantic detail was the order of the day in mythology, and the timorous

post-Socratic schools were the teachers of philosophy. Naturally if Rome

had been another Greece she would have worked back from these later

forms to the truer, purer spirit, but Rome was not Greece, and no

thoughtful man ever pretended that she was. In the third century before

Christ Greece began actively to influence Rome; before that time

Hellenic influence had been confined largely to the effects on religion

produced by the Sibylline books, and to the effects on society caused by

the presence of Greek traders. But now Greek thought as embodied in the

literature began to affect Roman thought, and to bring into being a

literature based on Greek models. Three centuries of Sibylline oracles

had produced for Rome the pathological religious condition of the Second

Punic War, when she did not think twice before breaking down the

religious barrier which had hitherto separated the national from the

adopted elements in her religion, and at the same time unhesitatingly

reached out to Asia Minor for an Oriental cult, masquerading in Greek

colours, and placed on the Palatine the Great Mother of Pessinus. From

this time on two influences were steadily at work which shaped the

history of Roman religion in the two remaining centuries till the close

of the republic: one, mythology, directly affecting the forms of the

cult and the beliefs concerning the individual gods; the other,

philosophy, attacking the whole foundation of religious belief in

general.

Greece gave her gods to Rome when she herself was weary of them, she

gave her the tired gods, exhausted by centuries of handling, long ago

dragged down from Olympus, and weary with serving as lay-figures for

poets and artists, and being for ever rigged out in new mythological

garments, or jaded with the laboratory experiments of philosophers who

tried to interpret them in every conceivable fashion or else to do away

with them entirely. It is no wonder that it did not take the Romans more

than a century to come to the end of these gods, to find that the only

one among them who could satisfy their religious desires was the least

Greek of them all, the Magna Mater, and having found this to go forth to

take to themselves more like unto her, in a word, to crave the

sensational cults of the Orient. And the philosophy which Greece gave

Rome was no better than the mythology. It is not strange that human

thought experienced a reaction after a century which contained both

Plato and Aristotle, but it is a pity that Rome should have learned her

philosophy from a period of doubt and scepticism, an age in which the

lesser masters, who had known the greater ones, had gone, leaving

nothing but pupils' pupils.

The history of religion in Rome during the last two centuries of the

republic is the story of the action and reaction of these two

tendencies--the one toward the novel and sensational in worship, which

we may call superstition, the other the philosophy of doubt, which we

may call scepticism--in the presence of the established religion of the

state. This much the two centuries have in common, but here their

resemblance ends. In the first of these centuries (B.C. 200-100) the

state religion was able to hold her own, at least in outward appearance,

and to wage war against both tendencies. In the other century (B.C. 100

to Augustus) politics gained control of the state religion and so robbed

her of her strength that she was crushed between the opposing forces of

superstition and scepticism. It is to the story of the earlier of these

two centuries, the second before Christ, that we now turn.

With the close of the Second Punic War there began for Rome a period of

very great material prosperity. This prosperity was, to be sure, not

exactly distributed, and it is not without its resemblance to some of

our modern instances of commercial prosperity, in that it was not so

much a general bettering of economic conditions as the very rapid

increase of the wealth of a relatively small number, an increase gained

at the expense of positive detriment to a large element in the

population. Thus it was that a century of which the first seventy years

provide an almost unparalleled spectacle of the increase of national

territory, accompanied, according to the ancient methods of taxation, by

a vast increase in national wealth, should close with the tragedies of

Tiberius and Gaius Gracchus and the legacy of class hatred which

produced the civil wars. This growth in wealth and territory was not

without its effects on the outward appearance of the state religion. The

territory was gained by a series of minor wars in the course of which

many temples were vowed; and the spoils of the war provided the means

for the fulfilment of the vows. Thus to the outward observer it might

well have seemed that the religion of the state was enjoying a time of

great prosperity. Between the close of the Punic War (B.C. 201) and the

year of Tiberius Gracchus (B.C. 133) we have accurate knowledge of the

dedication of no less than nineteen state temples, and there were

undoubtedly many others of which we have no record. Another apparently

good sign is the fact that the Sibylline books are silent, so far as the

introduction of new deities is concerned. Yet these surface indications

are deceptive. As for the Sibylline books, now that the _pomerium_ line

had been broken down, and the temples of Greek gods might be placed

anywhere in the city, it was a very simple matter for the state to bring

in any Greek god that it pleased, and likening him to a more or less

similar Roman god and calling him by the Roman name, to put up a temple

to him anywhere. It was also true that, as Roman theology was now based

on the principle that every Roman god had his Greek parallel and _vice

versa_, there were no gods left, whose names would have occurred at all

in the Sibylline books, who could not be brought in now without them.

And as for the vowing of new temples, this represented at best merely

the habit formed during more devout days; religion was moving by the

momentum acquired during the Second Punic War, and the gods to whom

these temples were erected were really Greek gods under Roman names. In

a word, not only was the state religion becoming more and more of a form

day by day, but the form was that of Greece and not of Rome. It is

extremely interesting to trace this movement in detail, to look behind

the outward appearance and see the remarkable changes that were really

taking place.

If we look at the temples which were built in the years following the

Second Punic War, we shall have no difficulty in finding examples of the

introduction of Greek gods under Roman names. During the war itself in

the year B.C. 207 a Roman general had vowed a temple to Juventas on the

occasion of a battle near Siena. Juventas was an old Roman goddess, one

of those abstract deities which had been produced by the breaking off

and becoming independent of a cult-title. She was intimately associated

with Juppiter, and had a special shrine in the Capitoline temple.

Juventas was the divine representative of the putting away of childish

things and the assumption of the responsibilities and privileges of

young manhood. This act was symbolised by the Romans in the beautiful

ceremony of putting on the toga of manhood (_toga virilis_), when the

lad was led by his father to the Capitoline temple to make sacrifices to

Juppiter, and at the same time a contribution was made to the treasury

of Juventas. But this was not the goddess in whose honour the temple

vowed at Siena was built at the Circus Maximus and dedicated B.C. 191.

This Juventas was nothing more or less than the Greek Hebe, the female

counterpart of Ganymedes, as cupbearer to the gods. Similarly in B.C.

179 a temple was dedicated to Diana at the Circus Flaminius, but this

was not the old goddess of Aricia, whose cult Rome had adopted for the

sake of increasing her influence in the Latin league. It was the Greek

Artemis, who at her first coming into Rome had been associated with

Apollo in the temple built in B.C. 431, and was now given a temple of

her own. Perhaps the strangest of all is the temple which was erected to

Mars in the Campus Martius in B.C. 138. It might well be supposed that

the Romans would keep holy the reputed father of their race, the god to

whom, under Juppiter, their success was due. On the contrary in B.C.

217, when they were carrying out a Greek ceremony of offering a banquet

to a set of gods, arranged in pairs, they showed no hesitation in

grouping together Mars and Venus to represent the Greek pair Ares and

Aphrodite, thus doing violence to Mars by bringing him into a

relationship with Venus which was entirely foreign to old Roman thought,

and identifying him with Ares, with whom he had nothing to do. Now in

B.C. 138 a temple is built to Ares under the name of Mars, close beside

the venerable old altar of Mars, one of the oldest and most sacred of

Roman shrines.

But this passion for identifying Greek gods with Roman ones did not

confine itself to finding a parallel for the greater gods of Greece; and

less known deities were introduced into Rome in the same way. The old

Roman god, Faunus, in whose honour the ancient festival of the

_Lupercalia_ was yearly celebrated, had as his associate a goddess,

Fauna, who was better known as the "good goddess" (Bona Dea). Eventually

this new title Bona Dea crowded out the old title Fauna, so that it was

almost entirely forgotten. Bona Dea was a goddess of women, and the most

characteristic feature of her worship was the exclusion of men from

taking part in it. Now there was a Greek goddess, called Damia, also a

goddess of women, from whose cult also men were excluded, and her cult

spread from Greece to the Greek colonies of Southern Italy, especially

Tarentum, and so eventually to Rome. But by the time she arrived in Rome

the connexion of Fauna and Bona Dea had been entirely forgotten. Damia

was surely a Bona Dea, yes she was _the_ Bona Dea, for was not the proof

at hand in the fact that men were excluded from both cults? So a temple

was built for her, probably shortly after the Second Punic War, and from

the time no one ever thought of poor Fauna again, except scholars and

poets, who amused themselves, as was their wont, by putting her in

various genealogical relationships to Faunus, as sister, wife, or

daughter, while Damia lived and prospered under the stolen title of the

Bona Dea.

We see from this on what a small resemblance such identifications were

based, in this case merely on the presence of a similar minor injunction

in the laws of each cult. But we have here at least a genuine cult which

had arrived and was asking for admission, and in so far we are better

off than in most instances, where nothing substantial was gained by the

identification. Two forces were now at work assisting in this fusion of

Greek and Roman gods, namely art and literature. The capture of Syracuse

marked an epoch in Rome's artistic career; for several centuries she had

employed Greek architects and had also become acquainted with the

artistic types of certain Greek gods, but now all at once a wealth of

Greek sculpture was disclosed to her, and she could not rest content

until all her gods were represented in the fashion of man. The adoption

of the Greek type, in those cases where an identification had already

been effected, was not difficult and was in the main successful, though

there followed almost inevitably an enrichment of the Greek element in

the Roman god because of the presence of some attribute in the statue,

which brought its own myth with it. But there were certain Roman gods

for whom Greek parallels could not be found, and in these cases a

compromise, usually rather an awkward one, had to be effected, as for

example when the Roman gods of the storeroom, the _Di Penates_, were

represented by statues of the Greek Castor and Pollux. In such cases

confusion was sure to follow, and subsequent antiquarians would be

tempted to write treatises proving the original connexion of Castor or

Pollux with the Penates, as gods of protection in general, etc.

Literature too in its own way was fully as misleading, and Roman

scholars became fascinated with the labyrinths of Alexandrian mythology,

and straightway began to build Roman myths as rapidly as possible,

establishing lists of old Latin kings and all sorts of genealogies, and

weaving as many Greek mythological figures as possible into the legends

of the foundation of Italic towns.

It was the ceremonial of the cult however which most often offered the

best means of identification, as we have seen above in the case of Bona

Dea-Damia, where the exclusion of men from the rites was the main point

of similarity. In a similar way the old Roman god of the harvest,

Consus, was identified with the Greek ocean-god Poseidon because

horse-races were a characteristic feature of the festivals of each; and

the old Roman goddess of women and of childbirth was given as her Greek

parallel the Greek goddess Leukothea, the helper of those in peril at

sea, because in both cases slaves were forbidden to take part in the

cult.

But the effect of the capture of Rome by these Greek gods and Greek

ceremonials was not confined to the mere addition of new ideas, and the

transformation of certain old Roman deities. This would have been

comparatively harmless, but there was inevitably another result: the

consequent neglect of all Roman deities for whom no Greek parallels were

forthcoming, and the forgetting of all the original Roman ideas which

were crowded into the background by the novel and more brilliant Greek

ideas. Even the festivals of the old Roman year were treated in the same

cavalier manner. The interest of the people continued only with those

ceremonies which frightened them or pleased them. There were certain

festivals, for example the _Lupercalia_, the old ceremony of

purification on February 15, for which a reverence was still felt; and

others like the _Parilia_, the birthday of Rome, on April 21, or the

Anna Perenna festival on March 15, which involved open-air celebrations

and picnics. These and others like them were always kept up, while many

others were totally neglected. Naturally for the present the forms were

continued by the state; the festivals were celebrated at least by the

priests; and every temple received sacrifice on its birthday. The wheels

of the state religion were still running, but the power behind them had

stopped, and it was only momentum which kept them in motion.

It is only when we realise these things that we can understand how it

was possible that the most learned scholars at the close of the republic

were so desperately ignorant concerning old Roman religion. In regard to

many of the old Roman gods they know absolutely nothing, and try to

disguise their ignorance behind a show of learning based on etymological

sleight-of-hand; in regard to the rest their information is so tangled

with Greek ideas that it is often almost impossible to unravel the mass

and separate the old from the new. This unravelling has been the tedious

occupation of the last half century in the study of Roman religion; and

so patiently and successfully has it been accomplished that, although we

would give almost anything for a few books of Varro's _Divine

Antiquities_, it is tolerably certain that the possession of these books

would not change in the least the fundamental concepts underlying the

modern reconstruction of ancient Roman religion; though it is equally

certain that these books would emphasise just so much more strongly,

what we already realise, that this modern reconstruction is in distinct

contradiction to many of Varro's favourite theories. It is an

accomplishment of which History may well be modestly proud, that modern

scholars have been able to eliminate, to a large degree, the personal

equation and the myopic effects of his own time from the statements of

the greatest scholar of Roman antiquity, and thus though handicapped by

the possession of merely a small percentage of the facts which Varro

knew, to arrive at a concept of the whole matter infinitely more correct

than that which his books contained.

During this second century before Christ, therefore, the state religion

was apparently unchanged so far as the outward form was concerned. The

terminology and the ceremonies were much the same as before, but the

content was quite different: Greek gods and Greek ideas had displaced

Roman gods and Roman ideas, and the official representatives of

religion, the state priests, were carrying the whole burden of worship

on their own shoulders, because popular interest had been in the main

deflected and was working along other lines. These lines of rival

interest were superstition and scepticism, phenomena which at first

sight appear as distinct opposites, but which are on the contrary very

closely akin, so that they usually occur together not only in the same

age, but frequently even in the same individual. They are purely

relative terms, and the essence of superstition consists in its surplus

element, just as the essence of scepticism lies in its deficiency. No

religion judged from the standpoint of the worshipper can properly be

called a superstition, but if once we can establish the essential things

in a religion, then any large addition to those essential things savours

of superstition. Speaking with historical sympathy we have no right

therefore to designate early Roman religion as a superstition--it may of

course be relatively so in comparison with other religious forms--but

once we have established the essential elements in that early religion,

we may consider the introduction of new and entirely different elements

as superstition. The old religion of Rome consisted in the exact and

scrupulous fulfilment of a large number of minute ceremonials. The

result of this careful fulfilment of ritual was that the powers around

man did him no harm but rather good, and that was the end of the whole

matter. Religion did not command or even permit special inquiries into

these powers; it was not only not man's duty to try to know the gods, it

was his positive duty to try not to. Through the influence of Greece

there had now come into Rome an altogether new idea, nourished largely

by the Sibylline books, and represented most fully in the Magna Mater,

the idea of the perpetual service of a god, a consecration to him, to

the exclusion of all other things, and a life given over to the

orgiastic performance of cult acts, which produced a state of ecstasy

and consequently a communion with the deity. Along with this there went

a belief in the possibility, by means of certain books and certain men,

of obtaining from the gods a knowledge of the future. It is these

surplus beliefs, quite contrary to the spirit of old Roman religion,

which may justly be called superstition.

The Sibylline books had aroused these feelings, a knowledge of the

oracle at Delphi had increased them, the rites of Aesculapius had

carried them farther, but it was not until the Magna Mater came that

they seem to have burst forth in any large degree. But aside from the

rapid growth of the Magna Mater cult itself we have in this second

century two instances of this tendency. The first was connected with the

god Dionysos-Liber, innocent enough at his first reception in B.C. 493,

in the company of Demeter-Ceres and Kore-Libera. To be sure the state

had introduced him merely as the god of wine, but the mystery element in

Dionysos took firm hold on private worship, and the Bacchanalian clubs

or societies began to spread over Italy. In the course of about three

centuries they had become a formidable menace to the morals and even the

physical security of the inhabitants of Rome. Their meetings instead of

occurring three times a year took place five times a month, and finally

in B.C. 186 the famous Bacchanalian trial took place, of which Livy (Bk.

xxxix.) gives such a graphic account, and to which a copy of the

inscription of the decree of the Senate, preserved to our day, gives

such eloquent testimony, providing as it does severe penalties for

subsequent offenders, and recognising on the other hand large liberty of

conscience.

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