Like the origin of almost all the great religious movements in the

world's history, the beginnings of the Sibylline books are shrouded in

mystery. A later age, for whom history had no secrets, with a cheap

would-be omniscience told of the old woman who visited Tarquin and

offered him nine books for a certain price, and when he refused to pay

it, went away, burned three, and then returning offered him at the

original price the six that were left; on his again refusing she went

away, burned three more and finally offered at the same old price the

three that remained, which he accepted. Except as a sidelight on the

character of the early Greek trader the story is worthless. It is

doubtful even if the presence of the Sibylline books in Rome goes back

beyond the republic. The first dateable use of them was in the year B.C.

496, and there is one little fact connected with them which makes it

probable that they did not come in until the republic had begun. This is

the circumstance that in view of the great secrecy of the books it is

unthinkable that they should ever have been in Rome without especial

guardians, and yet the earliest guardians that we know of were a newly

made priesthood consisting originally of two men, the so-called "two men

in charge of the sacrifices" (_IIviri sacris faciundis_). Now the form

of this title is peculiar; it is not a proper name like the titles of

all the other priesthoods. Instead it is built on the plan of the titles

of the special committees appointed by the Senate for administrative

purposes; it bears every mark therefore of having arisen under the

republic, rather than under the kingdom, at a time when the Senate had

the supreme control. So much may be said regarding the time when they

were introduced into Rome; as for the place from which they came, this

was without doubt the Greek colonies of Southern Italy, probably the

oldest and most important of them, Cumae, so famous for its Sibyl. This

was not the first association that Rome had had with Cumae, for in all

probability the worship of Apollo had spread from there into Rome toward

the close of the kingdom. Apollo and the books were connected at Cumae,

for it was Apollo who inspired the Sibyl, and the oracles were his

commands, but it is almost certain that Apollo came to Rome in advance

of the oracles. He came there as a god of healing and was given a sacred

place outside the _pomerium_ in the Campus Martius, on the spot where

later (B.C. 431) a temple was built for him with his sister

Artemis-Diana and their mother Latona. This was the only state temple

that Apollo ever had, until Augustus built the famous one on the

Palatine. It was in the wake of Apollo that the Sibylline books came. As

for the books themselves, they were kept so secret that we cannot expect

to know much about them, but in rare cases where the seriousness of the

exigency warranted it, the Senate permitted the actual publication of

the oracle upon which its action was based, and of the oracles thus

published one or two have been preserved to us. They were of course

written in Greek and were phrased in the ambiguous style which for

obvious reasons was the most advantageous style for oracles. They

commanded the worship of certain specific deities, naturally all of them

Greek, and the performance of certain more or less complicated ritual

acts. When they were received in Rome, they were placed in the temple of

Juppiter Optimus Maximus on the Capitoline in the keeping of their

guardians, the new priesthood of the "two men in charge of the

sacrifices." This committee of two was enlarged to ten in B.C. 367 when

the great compromise between the Patricians and the Plebeians was made,

and the Plebeians were admitted into this one priesthood, with five

representatives. Subsequently Sulla made the number fifteen, which

continued as the official number from that time on, so that the

priesthood is ordinarily called the _Quindecemviri_, even when one of

the older periods is referred to. The real control of the books however

lay in the hands of the Senate. When the Senate saw fit, the priests

were ordered to consult the books, but without this special command even

their guardians dared not approach them. The priests reported to the

Senate what they had found, and the Senate then decreed whatever actions

the oracles commanded. The carrying out of these actions was again in

the charge of the Sibylline priests, who performed the ceremonies

demanded and were for all time to come responsible for the maintenance

of any new cults which might be introduced.

When we see how carefully these oracles were guarded and how

circumspectly their use was hedged about by senatorial control, and when

we think how relatively little harm the use of oracles had wrought in

Greece in all the centuries of her history, it may well seem as if the

statements made in the beginning of this chapter about the havoc caused

by these oracles were grossly exaggerated. But the efforts of the Senate

to safeguard these oracles only prove that the older and wiser men in

the community realised how dangerous they were, and the comparison with

Greece leads to a consideration of certain essential differences between

the Greek and the Roman temperament which made that which was meat for

one into poison for the other.

In the older purer age of Greece the gods were never far away from men,

they lived almost side by side with them; there were to be sure many

gods of whom they were afraid and from whom they desired to keep as far

away as possible, but there were a great many other gods of whom they

liked to think. In constructing the records of their history they did

not work backwards from the light of the present into an ever darkening

past, but they began from the beginning in the full light of the gods

from whom all things sprang, and mythology passed into history by

imperceptible gradations. They knew more about the beginning when all

things were completely in the hands of the gods than they did about

their immediate past. Art began very early to make them familiar with

the appearance of the gods, so that there was little that was mysterious

about their religion, so little that the element of mystery had later to

be almost artificially cultivated in the "mysteries." They respected the

gods rather than feared them, and they felt that the gods would do them

no harm unless they themselves first sinned against them or their own

fellow-men, and the oracles of Delphi were no more terrifying to them

than the coming of the word of God was to the prophets of Israel. They

were accustomed to these messages, which were almost every-day affairs.

It was all a part of that marvellous poise of nature which made the

every-day mortal Greek almost as calm as the unperturbed imperturbable

faces of their gods as their great sculptors saw them.

In Rome all was very different. The superstitious element in the Italian

character, which amazes us so much to-day when cultured twentieth

century men and women in good society persecute their fellows because of

the evil eye, is a heritage of many thousand years. Sometimes it seems

as if it were the Italian birthright, the blight of Etruria which came

into their nature in spite of themselves. It required centuries to

educate the Roman into the concept of personal individual gods. He had

begun his theological career by terror of unknown powers all about him,

and by regarding religion as the science of propitiating the right power

on the right occasion. One could not know these powers, one did not

desire to. Their gods were at once their masters and their servants, but

never their companions. The early Roman knew no such thing as an oracle,

the only messages from the gods were the expressions of their wrath, in

the sending of prodigies and portents. They did indeed consult the gods

by watching the flight of birds or studying the entrails of the

sacrifice, but it was merely to obtain a "yes or no" answer to a

categorical question as to whether a certain act was pleasing to the

gods. Otherwise all about them lay mystery, and at the point where sight

failed, since neither imagination nor faith carried them any further,

superstition stepped in, and the more they thought of the gods the more

terrified they became. Now if you present to a people thus constituted a

divine book of infallible oracles, you increase their terror in greater

measure than the book itself can assuage it, and with the use of the

book the simpler forms of their old belief will grow less and less

effective in the face of this new "witchcraft," which can work wonders.

And no matter how you may hedge the use of the book about, it will be

used more and more as the craving for magic is increasingly aroused.

The study of the outward and the inward effects of the Sibylline books

is therefore the real history of religion in the first half of the

republic. The outward effects are seen in the introduction of a series

of Greek gods, who were in themselves in the main eminently respectable,

and whose presence was in itself no offence to good morals, and if we

stop there we fail to understand why the religious interest of the

Second Punic War should change so quickly to the scepticism of the

following century. The inward effects however, which, though they are

hard to see, may yet be discovered between the lines of the chronicle,

will explain all the undermining of foundation, until we wonder not why

the structure collapsed so suddenly but how it managed to last so long.

The history of the activity of the books begins peaceably enough. In the

year B.C. 496 Rome was in a bad way; her crops had failed and the

importation of grain from Latium was rendered very difficult because of

the war with the Latins in which she was engaged. In her distress she

turned to the Sibylline books, and on the occasion of this their first

recorded use, the oracles ordered the introduction into Rome of the cult

of three Greek deities, Demeter, Dionysos, and Kore. It was a most

appropriate and characteristic choice. In the first place the deities in

question were worshipped at Cumae, the home of the books, whence Rome

could, and probably did, borrow the cult; and in the second place

Demeter was the goddess of grain, and it was from Cumae that Rome was

already beginning to obtain her imported grain supply. Thus the coming

of the Cumaean Demeter into the religious world of Rome is but the

sacred parallel to the coming of Cumaean grain into the material world

of Rome. The Greek goddess of grain came with the grain, just as Castor

had come with the Greek cavalry, with this essential distinction however

that Demeter came by the incantation of the books and the enactment of

the Senate, whereas Castor's coming was a slow and normal development.

It is important to notice closely exactly what happened when these

deities were introduced, partly because they form the first recorded

instance, and hence may well have acted as a model for subsequent

repetitions of the act, but also because we have a more definite

knowledge of the phenomena in this case than in many others. In the

first place it is clear that the deities were felt to be foreign: not

only was their temple built out the Aventine way, in the valley of the

Circus Maximus, outside the _pomerium_, but--a much more significant

fact--their Greek names were dropped, and they were given Roman names

instead, to make them seem less out of place. Then too these Roman names

were not new names, translations of their Greek titles, but were the

names of already existing Roman deities with whom they were easily

identified, so that we see at once that their coming was no real

enrichment of the Roman Olympus; what they stood for was already

represented there, and their coming was simply a reduplication, with the

consequent result that as these parvenus increased in prominence and

influence, they robbed of all their vitality the sober old Roman deities

to whom they had attached themselves. What were these original deities

who were thus doomed to death in B.C. 496? Demeter took the name of the

old Roman goddess Ceres, a goddess of fertility, about whom we know just

enough to assert that she belonged to the old religion of Numa and that

she was at heart quite a different person from Demeter. All the rest is

lost, submerged under the new Demeter-Ceres with her temple built by

Greek architects and her April games. It is this new Ceres who soon

develops an extraordinary political importance because her temple is to

the Plebeians as a class what the temple of Minerva is to the unions of

organised labour. It is there that they have their meeting-place, and

the temple itself is always their treasury as contrasted with the Saturn

temple, the treasury of the state as a whole. The very officers of the

Plebeians, the famous Plebeian aediles, get their name from association

with this temple (_aedes_). This political side of her activity is the

only real advantage, except the grain itself, connected with her

importation; the two form at best a poor economic compensation for the

ever increasing immoral effects of the public games of Ceres.

But though Ceres is the most important of the three deities economically

and politically, we must not forget the other two, both of whom are

interesting, though one of them more for what she is not than for what

she is. Along with Demeter came Dionysos and Demeter's daughter Kore:

the three were associated in the solemn mysteries of Eleusis, but none

of the beauty of these ideas went over into the Roman cult. Demeter was

merely the deified grain-traffic, and Dionysos was little else than the

god of wine, while poor Kore fell out without any particular content for

a curious reason that we shall see in a moment. The only old Roman deity

with whom Dionysos could be identified was the god Liber, who had had a

rather interesting history, and who had done enough along the line of

self-development to deserve a better fate than to be crushed to

insignificance under the prominence of his new namesake. Liber was at

this time a flourishing god of fertility and, since the introduction of

the grape into Italy, especially the patron of the fruit of the vine,

but he had made his own career, and there was a time when he had no

individuality of his own but was merely a cult-adjective of the great

god Juppiter, the giver of all fertility in every phase of life. Thus

out of the original Juppiter-Liber there had grown the independent god

Liber; and now this Liber lost his individuality by identification with

Dionysos. Finally comes Kore, Demeter's daughter. Here the Romans were

hard put to it to find a goddess who represented any similar content,

and after all this was no light task because Kore has little meaning

unless she is taken also as Persephone, Pluto's bride--a process which

required a mythological knowledge and appreciation in which the Romans

of the early republic were totally lacking. But there was an old goddess

Libera, a shadowy potentiality contrasted and paired with the masculine

Liber, and they chose her and gave Kore her name. We have a curious

proof of how little the Romans knew of Kore-Libera, and of how purely

mechanical both the introduction of Kore and her identification with

Libera were, in the fact that about two hundred and fifty years later,

as we shall see, Persephone, the real Kore, was introduced into Rome as

an altogether new deity, and existed there side by side with Libera for

at least a century before people began to realise that Proserpina and

Libera stood for the same Greek goddess.

It was necessary to go into these details in order that we might

understand as much as possible of the process by which the gods of the

Sibylline books were assimilated into the body of Roman religion. We see

how in the main they were superfluous and therefore unnecessary and even

undesirable because by their presence they robbed old Roman deities of

their existence, and how those elements in them which were least in

accord with the old Roman spirit were most apt to develop, and how in

general their adoption was a purely mechanical process, like any act in

witchcraft, where the form is all important because the meaning cannot

be understood, and how totally different therefore the estate of these

gods was in Rome from what it had been in Greece, because in Rome they

were introduced, stripped of all their mythology, worshipped only for

their practical bearings, and compelled therefore to work for their

living.

The importation of grain from Cumae meant more to Rome than the mere

satisfaction of her physical needs; it meant much more than the addition

of three deities to her state-cult, for the grain thus imported was

carried from Cumae to Ostia by sea and so up the Tiber to Rome, and the

whole matter therefore marks one of the important steps in Rome's

interest in commerce generally but especially in ocean commerce. As yet

she did not do the actual carrying herself, but she began to be

interested in it, and the sea began to mean something to this inland

town. This increased interest in trade in general and this inceptive

interest in those who "go down to the sea in ships" have both of them

left their reflexion in the religious life of the time; two new deities

are introduced, both of them almost certainly by means of the Sibylline

oracles, though some accidental blanks in our historical tradition have

deprived us of details.

The chronicle of the year B.C. 495 tells us that there was a dispute in

that year as to who should dedicate the temple of Mercury. This is

Mercury's first appearance in our sources. The circumstances of the

vowing of the temple have been omitted through some oversight, but in

spite of this the connexion of his introduction with the Sibylline books

is beyond all reasonable doubt, for the simple reason that the guardians

of the oracles always looked after his cult in all subsequent time.

Notwithstanding the suddenness of his appearance and the silence of the

chronicle, his story is quite clear and his past history easy to

restore, at least in outline.

The versatile Hermes, who as messenger of the gods plays a part in so

many Greek myths, became in the course of time among other things

associated with travelling, as god of roads, and also with trade,

partly because trading necessitates travelling, and partly because

Hermes was also the protector of the market-place in which the trading

was done. Thus he was called "Hermes Protector of the Merchant"

(_Empolaios_) and in this capacity went into the colonies of Greece,

including those of Southern Italy. Thus Hermes travelled with the grain

merchant from Cumae and became known to the Romans. They however knew

him merely as the god of trade, and their name for him is nothing but

the translation into Latin of his Greek cult-title: _Empolaios_ =

_Mercurius_. For a long time it was thought that there had existed a

Mercurius among the original gods of Rome, but the traces of this old

god are apparent rather than real and suggest one phase of that pastime

of which the later Romans were so fond, that of writing history

backwards and putting an artificial halo of antiquity about the gods

whom they borrowed from Greece. Thus Mercury was received into the

state-cult at about the time when the grain trade began, and was, as it

were, the divine representative of the interest which the Roman state

took in the whole transaction. His temple was outside the _pomerium_ on

the Aventine side of the Circus Maximus. It was in this temple of the

merchant god that the primitive Chamber of Commerce (_collegium

mercatorum_) had its beginning, an association, partly sacral, partly

commercial, whose members, the _mercuriales_, are frequently met with

in literature and also in inscriptions, one of which has been found as

far away as the island of Delos. In the actual cult of the Romans

Mercury never regained the many-sidedness which he had lost in coming to

them merely as a god of trade. In this capacity he appears on the

sextans of the old copper coinage, and under the empire he went into the

provinces as the companion of Mars, since the merchant went side by side

with the soldier. On the contrary when in the third century before

Christ Greek literature came to Rome, this simple idea of Mercury was

reinforced by many new Greek ideas and he entered into Roman poetry with

all the attributes and functions of Hermes; but this had little or no

effect on the cult and there were no great rivals to the old temple near

the Circus Maximus, no cult-centre with advanced Greek ideas, as we have

seen spring up in the case of Hercules, Castor, Minerva, and Diana.

We have already seen how the rise of the grain trade brought four new

deities to Rome, but there is one more chapter to our story. The grain

itself and the trade itself had now obtained their divine complements,

but the sea had not yet received its due; it too must have its parallel

among the gods of Rome. And so it came to pass that again under the

influence of the fateful books, though exactly when or how we cannot

say, the Greek Poseidon came into Rome. The sea had always meant much

to the Greeks, and the joyful shout of Xenophon's troops "The sea! the

sea!" finds an echo all through the centuries of Greek history before

and after the Anabasis. But the multitude of islands and harbours in

Greece is in marked contrast to the dearth of them in Italy, where even

to-day there is no good port of call on the west coast between Naples

and Civitavecchia--and the latter would be useless, were it not for

Trajan's mole. In Italy accordingly the sea-god Poseidon was worshipped

only in the Greek colonies, where however he had two famous cults, one

at Tarentum, later called Colonia Neptunia, and one at Paestum, whose

old name was Poseidonia. The Romans had worshipped deities of water in

abundance, as became an agricultural people, for water meant life, and

drought, death; but their deities were those of the sweet waters of

springs and rivers, they knew no god of the sea. But when the oracles

brought Poseidon to Rome he was identified with an old Roman water-god

Neptune, whose cult henceforward included the sea. We do not know where

the shrine of the old sweet-water Neptune had been, but his old festival

had occurred on July 23. The new Poseidon-Neptune was given a temple

outside the _pomerium_ in the Campus Martius, but the new was connected

with the old in so far at least that the dedication day of the new

temple was July 23, the day of the old Neptune festival.

With the introduction of Neptune, the sea-god, the state had

accomplished, as it were, a sort of divine marine insurance; the

transport of the grain was now watched over by a Roman god; but it was

not to be expected that the cult of a sea-god would ever mean very much

to the Romans. The maritime commerce of the Eternal City was very slow

in developing, and it grew to its subsequent proportions, not because

the Romans of Italy engaged in it, but because those foreigners who took

to the sea by nature later became Romans. Nor did naval warfare fall to

her lot until the First Punic War, and even then her victories were

gained by the tactics of land fighting transferred to the decks of two

ships, her own and the enemy's, fastened together by landing-bridges,

and the glory of victory was due not to Neptune but to Mars. It was not

until the civil wars at the close of the republic that real naval

battles occurred, and that Neptune received his share of glory for the

victory at Actium in B.C. 31, and later over Sextus Pompeius, in a

temple erected by Agrippa in the Campus Martius, behind the beautiful

columns of which the Roman Stock-Exchange transacts its business to-day.

In the first decade of the republic therefore, as we have seen, a group

of Greek gods was introduced by the Sibylline oracles, no one of whom

can be said to have been really needed, no one of whom except the

sea-element in Neptune represented any new and vital principles not

already present in the religious world, if not of Numa, at least of

Servius. The best that can be said of these gods is that one or two of

them, notably Mercury and Neptune, exerted no positively detrimental

influences on later generations. For the next two centuries our

chronicles are silent, so far as the actual introduction of new deities

by the aid of the books is concerned, and it is not until B.C. 293 that

the narrative of new gods begins again. But in other ways the oracles

were not idle during these two hundred years. We must rid ourselves of

the idea that it was necessary that their consultation should always

result in the importation of some new Greek deity. The oracles might

order the carrying out of some new religious rite regarding the deities

already present, and these religious rites, especially the public

processions so frequently performed, feed the ever-growing superstition

of the populace. It is essential to a charm or incantation that it

should contain something strange or foreign, it is above all things help

from without; and when the gods send prodigies and portents, when their

statues weep and sweat blood, when cattle speak, and meteors fall from

the sky, something strange and unusual must be done to counteract these

things. Among the foreign acts thus ordered the sacred procession occurs

frequently. It started from the temple of Apollo in the Campus Martius

and passed into the city through the Porta Carmentalis, went across the

Forum and then outside the _pomerium_ again to the temple of Ceres, and

then to the temple of Juno Regina on the Aventine. It was therefore a

power from without which came into their city to purify them and to

carry away out of the city again the impurities of which it had rid the

community.

It is also characteristic of such semi-magical things that they lose

their effects after a few applications, and other things must be sought

always more complicated and more strange. Thus from the beginning of the

republic down through the Second Punic War we have a series of

extraordinary measures, growing more and more complicated until in the

religious frenzy of the years after Cannae even human sacrifices are

performed at the command of the books. In this the third century before

Christ deities begin again to be introduced, and it is to this century

that we now turn.

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