LAND AND PEOPLE

Ever since the Jewish people lost its national independence and

sovereignty and began to live in dispersion among the nations of the

earth, it has lost the opportunity and possibility of continuing the

work of its national civilization and has had to be satisfied with

producing cultural values only. Everything that individual Jews have

achieved in the past two thousand years in the domain of civilization

has been an enrichment of the civilization of the peoples among whom

they have lived. Jews have always been prominent in commerce and

industry, but there was no national Jewish commerce and no national

Jewish industry, even when those who created and developed certain

branches of commerce were all Jews. Their commercial and industrial

activities and accomplishments strengthened the other nations among

whom the Jews lived, but not themselves. In many cases they have

endangered and imperiled the Jewish people, because they became the

arsenal of anti-Semitic weapons. The individual has profited by Jewish

industrial and commercial achievements, but not the Jewish collective

body. In short, all our work and energy in the domain of practical

civilization has reached not the Jewish people, but other nations, and

only a few have given us credit for these achievements.

Often enough have we been blamed for them. The Dutchman is full of

envy of the Jew to the present day for having monopolized the diamond

cutting industry; the Turks are still angry when they remember that

Baron de Hirsch built their railroads. In Switzerland people are

blaming the Jews for having monopolized the silk and watch industries;

the Russians antagonize them because of their big share in the

development of the petrol wells in the Caucasus and in the lumber

business in western Russia. A famous German professor, Werner Sombart,

has written a voluminous book of five hundred pages in which he indicts

us for having developed capitalism, while others are accusing the Jews

of having produced anti-capitalistic forces. In short, not only have

the activities of individual Jews in the domain of civilization not

been of profit to them as a people, but they have in too many cases

served as a basis of attack.

The cause of these peculiar phenomena was our diaspora life. We had

no homeland of our own. We had no national soil beneath us and no

national sky above us. We were a wandering people and as such could

not produce a national civilization, which involves and presupposes a

static and not a dynamic order of things. But as soon as the Jews can

lead a normal national life, all this, unhappy and tragic, will change

radically and an entirely new order of things will arise. Not the

Jewish individual, as heretofore, but the Jewish people at large, will

be the agency of the Jewish genius and whatever the Jewish individual

has to contribute to civilization he will contribute through the Jewish

people. While his achievements in this domain will serve humanity,

as heretofore, they will at the same time enrich the life of his own

people and become a source of strength instead of weakness; when the

Jews have an opportunity to be active for civilization as Jews, Jewish

individualism, the curse of our racial life, will gradually disappear.

Only a few of us realize the fact that this individualism, which finds

its unpleasant expression in petty factionalism, communal strife, party

quarrels and lack of discipline among the rank and file, is in the main

to be ascribed to the fact that the Jews have no national civilization.

If we had one, many an unpleasant phenomenon in our public life would

be impossible. If the Jews had common political responsibilities, if

they had all to look to the safety of their country, if they had all to

look after their national economic interests, the national intellect

would be more uniform and two Jews would not have three different

opinions. It is the lack of a national Jewish civilization that makes

the Jewish intellect queer and misshapen. The mind of a people can

only be trained by its national civilization, and is orientated by

it. But since the Jews have lacked national civilization for the

last two thousand years, the intellect of the nation has lost its

uniformity, has become atomized and has in many cases gone astray.

This has added to our inner misery and has driven many an idealistic

Jew to despair. At the moment when the Jews begin to lead a national

life on national soil and under their own sky, which give out line

and color to the soul of a nation, many negative energies which are

active in our life because of the effects of diaspora existence must

necessarily disappear. The intellectual discipline of the nation will

be re-established and the life of its soul will again assume normal

proportions. There will be a Jewish public opinion in the best meaning

of the term, not merely the opinion of individual Jews.

It is generally asserted that, though the Jews as such have not

produced a civilization during their life in diaspora, they have

produced a culture. This is sincerely believed by all Jews, by

believers and disbelievers, orthodox and reform, nationalists and

assimilationists. Though one lays more stress on the spiritual and the

other more on the secular aspect of the so-called Jewish culture, the

outstanding fact is, however, that the belief in the Jewish culture

produced in the diaspora is general. But if it is true that culture is

a superstructure of civilization and has civilization as its basis, it

is hard to see how it is possible to assume for one moment that the

Jews have produced anything like a culture during their diaspora life.

It is true that Jews have written books among which some are famous

in world-literature. It is true that the Jews have painted good

pictures. It is also true that the Jews have composed good music. But

the question is often more than justified whether or not the Jewish

genius has drawn the material from Jewish sources and Jewish life. Are

all the good books Jews have written Jewish books? Are all the good

pictures Jews have painted Jewish art? And is the good music Jews have

composed Jewish music? In some cases they are partly Jewish. In the

overwhelming majority of cases they are not Jewish at all. Neither

Spinoza nor Bergson, neither Heine nor Hoffmannsthal, are Jews in the

sense that they have been inspired exclusively by Jewish motives and

that they have drawn their inspiration from Jewish sources alone. But

we can go even further and maintain that even those great Jews from

Philo of Alexandria to Maimonides and from Maimonides to Herman Cohen,

who were always conscious of their Judaism and who thought that they

were working as Jews and that their creations were Jewish, stood much

more under the spell of alien than Jewish influence, and in their work

were less Jews than is generally supposed. In spite of their racial

enthusiasm, their intellect was hyphenated. Philo was at least as much

Greek as he was Jew, Maimonides at least as much Greek and Arab, and

Cohen is at least as much German as he is Jew, if not more.

We are quick in our condemnation of those who wrote on the tombstone of

Maimonides, "Heretic and Disbeliever." We are angry at the "fanatics"

of Amsterdam who excommunicated Spinoza, and we are often angry at

those who utter severe criticism of Herman Cohen as a Jew. But these

fanatics, wrong as they may be in their methods, are not entirely

wrong in their motives and ideas. They are Jews in whom strong Jewish

instincts are alive and these Jews, gifted with more original instincts

than the average Jew, see more quickly what is Jewish and what is not

in the work of a great Jew; it is the un-Jewish motive in these works

by which they are repulsed.

Even the Jewish religion has been largely influenced, not only by

non-Jewish surroundings, but also by non-Jewish religious motives. The

truth of the matter is that national Jewish culture ceased to be with

the destruction of the Jewish state. From that time on, individual

Jews have cultivated Jewish thoughts and Jewish feelings, but they

could not prevent their thoughts and feelings from being so mingled

with and darkened by non-Jewish thoughts and feelings as to lose

their original strength. Much of our so-called national literature is

not organic, but consists of a number of books written by individual

Jews who were only too often inspired by motives more non-Jewish than

Jewish. The same is true of Jewish art, Jewish music, etc. Only when

our culture touches upon our classical past or upon our national

future, that is to say, when it is not influenced by the chaos of the

present, is it truly Jewish.

When the Jews return to Palestine and begin to develop a national

civilization, their culture will be built up not only on the past or

the future, but also on the present. It will grow with the growth

of civilization and it will not be a culture of individuals who are

inspired by one thought appearing in different colors as the result

of various influences; it will be the culture of a nation, an organic

essence produced and developed with the help of the entire nation.

This will be the consequence of a national Jewish homeland in

Palestine.

On the Eve of Redemption · 第 6 / 23 题