A clear, flowing sound, with moderate pitch.
108. _What is the Orotund?_
Pure tone intensified.
109. _For what is it adapted?_
To express sublime and pathetic emotions.
110. _What is the Aspirated tone?_
An expulsion of breath, the words being spoken in a whisper.
111. _What is the Guttural quality?_
Deep undertone.
112. _What does it express?_
Hatred, contempt, loathing, etc.
113. _What is the Trembling tone?_
A constant waver of the voice.
114. _What does it express?_
An intense degree of suppressed excitement, or personates old age.
115. _What are Pauses?_
Suspensions of the voice in reading or speaking.
116. _How many kinds of pauses are there?_
Two.
117. _What are they?_
Grammatical and Rhetorical.
118. _What is Suspensive quantity?_
Prolongation of the voice at the end of a word without making an
actual pause.
119. _What does Quantity embrace?_
Force and rate.
120. _What quality of voice is mostly used in speaking and reading?_
Pure tone.
121. _What is meant by Prose?_
All composition which is not written in verse.
122. _What are some of the varieties of Prose?_
Letters, Essays, Travels, History, and Discourses.
123. _What is a Letter as a variety of prose?_
A written communication addressed by the writer to some other
person.
124. _What is an Essay?_
A written discourse on some special subject.
125. _What are Travels?_
Records of journeys.
126. _What is History?_
A record of past events.
127. _What is a Discourse?_
A performance read or spoken to an audience.
128. _Should the voice agree in style with the different varieties
of prose?_
It should, and the performer should endeavor to produce the exact
sentiments of the writer.
129. _What is Poetry?_
A discourse written in verse and metrical language.
130. _What is a Verse?_
A single line of metrical language.
131. _Is it correct to use the term verse in speaking of a
division of prose?_
It is not.
132. _What should we call such division?_
Paragraph or Division.
133. _What is a Stanza?_
A number of metrical lines, or verses, combined according to a
regular system.
134. _How many kinds of metrical language?_
Two.
135. _What are they?_
Rhyme and Blank Verse.
136. _What is Rhyme?_
That language in which the concluding syllables of the verses have
a similarity of sound.
137. _How many kinds of Rhyme?_
Two.
138. _What are they?_
Perfect and imperfect.
139. _What is a Perfect rhyme?_
Where the vowels have the same sound.
140. _What is an Imperfect rhyme?_
Where the vowels have a different sound.
141. _What is Blank Verse?_
A kind of metrical language in which there is no similarity of
sound.
142. _What is the Cæsura pause?_
A rhythmic pause occurring in a verse.
143. _How many rules should be observed in the use of the Cæsura?_
Three.
144. _Give Rule 1._
The pause should be near the middle of the verse.
145. _Give Rule 2._
It should never divide a word.
146. _Give Rule 3._
Should not separate words from their modifiers, as adjectives from
nouns, adverbs from verbs, etc.
147. _Do all verses have the Cæsura pause?_
They do if over three feet in length.
148. _What is meant by a Foot in verse?_
A certain portion of a line divided according to accent.
149. _When melody comes in contact with accent, which should yield?_
Accent.
150. _Is there any other rhythmic pause than the Cæsura?_
There is; the demi-cæsura is sometimes used.
151. _How many kinds of Poetry are there?_
Seven.
152. _What are they?_
Epic, Dramatic, Lyric, Elegiac, Didactic, Satiric and Pastoral.
153. _What is an Epic poem?_
A poetical recital of some great and heroic enterprise.
154. _Are there many Epic poems?_
There are not; most nations have one.
155. _Name the three Epics of greatest note._
Homer's Iliad, Virgil's Æneid, and Milton's Paradise Lost.
156. _What language were these poems written in?_
The Iliad in Greek, Æneid in Latin, and Paradise Lost in English.
157. _What does the Iliad describe or narrate?_
The downfall of Troy, which was the most memorable event in the
early history of the Trojans and Greeks.
158. _What does the Æneid narrate?_
The perils and labors of Æneas, who was the reputed founder of the
Roman race.
159. _What does Paradise Lost describe?_
The downfall of not only the Human but of the Angelic host.
160. _What is a Dramatic poem?_
One similar in many respects to an Epic.
161. _Name some point of difference._
Epic relates past events; the Drama represents events as taking
place at the present time.
162. _Name the greatest Dramatic writer of the English._
Shakespeare.
163. _What is a Drama called that is set to music?_
An opera.
164. _What is a Melodrama?_
A dramatic poem some parts of which are spoken and some are sung.
165. _What is Lyric Poetry?_
It is the oldest kind of poetry, and was originally intended to be
sung to the accompaniment of the lyre.
166. _What are Sonnets?_
A kind of Lyric Poems.
167. _What is an Elegy?_
A poem of a mournful kind, usually celebrating the virtues of some
person deceased.
168. _What is an Epitaph?_
A short Elegy inscribed on a monument, or written in praise of any
one.
169. _What is a Pastoral poem?_
One that describes country life.
170. _What is a Didactic poem?_
One the aim of which is to give instruction.
171. _What is Meditative Poetry?_
A kind of Didactic poetry.
172. _Name two noted Didactic poems._
Bryant's "Thanatopsis," and Campbell's "Pleasures of Hope."
173. _What is a Satire?_
One that holds up the follies of men to ridicule.
174. _Is a Satire personal?_
It is not.
175. _What is a Lampoon?_
A poem that attacks individuals.
176. _What is Gesture?_
Expression given to language by movements of the body, limbs, etc.
177. _What kind of Gesture is most appropriate?_
That which is natural.
178. _What attitude should be used in reading and speaking?_
Standing.
179. _Which hand should hold the book?_
The left, if possible.
180. _Should a Reader keep his eyes on the book constantly?_
He should not; but cast the eyes away from the page as often as
possible.
181. _Should a gesture be made while the eyes are looking on the
book?_
It should not.
182. _In what kind of language are gestures inappropriate?_
Didactic or unimpassioned discourse.
183. _Should a Speaker begin to gesticulate as soon as he begins
his discourse?_
Very seldom, before he has entered fully into the discourse.
184. _How many positions are recognized for the hand when not used
in gesticulating?_
Three.
185. _What are they?_
Hanging naturally at the side; resting upon the hip with the elbow
thrown backward; and resting on your bosom.
186. _What are Descriptive gestures?_
Those used in describing objects.
187. _What are Significant gestures?_
Those which have special signification.
188. _Name some Significant gestures of the head._
It drops in grief and shame, and nods in assent; shakes in
dissent, and leans forward in attention.
189. _Name some Significant gestures of the eyes._
Raised in prayer, weep in sorrow, burn in anger, and are cast on
vacancy in thought.
190. _Name some of the passions of the mind._
Love, anger, joy, sorrow, fear, and courage.
191. _What tone of voice should be used in the expression of Love?_
Soft, smooth, and languishing voice.
192. _What tone of voice should be used to express Anger?_
Strong, vehement, and elevated voice.
193. _Where is the best place to practice elocution and reading?_
In the open air, or in a well ventilated room.
194. _Should a Reader or Speaker pay strict attention to the rules
of elocution?_
He should not, but study nature rather.
195. _What is the Soul of Oratory?_
Emotion.
196. _What is meant by the Compass of the voice?_
The range in which it can be properly controlled.
197. _How may the Compass of the voice be increased?_
By continued practice on a very low and very high key.
198. _Should a Reader or Speaker drink any liquid while exercising
the voice?_
He should not, for it is injurious to the vocal chords.
199. _What effect does Tobacco have on the voice?_
It enfeebles the nervous system and breathing organs, and makes
the voice dry, harsh, and ungovernable.
200. _What effect do Stimulants have on the voice?_
Irritate and inflame the vocal organs, which results in
hoarseness and produces too high a key, which terminates in a
squeaking tone.
201. _In faulty articulation what sounds are usually mispronounced?_
The vowel sounds of the unaccented syllables.
202. _What Consonants are often incorrectly dropped?_
The final consonants.
203. _How may distinct Articulation be acquired?_
By continued practice of the elementary sounds.
204. _What are the most prominent Elements of all words?_
The vowels.
205. _Which sounds should be practiced first?_
The vowels; as they are the most easily uttered.
206. _Can the sounds of the Consonants be given alone?_
They can by practice.
207. _What is the source of the greatest defect in Articulation?_
Improper sounding of the consonants.
208. _What kind of Inflection is generally given to words of great
emphasis?_
The falling; unless the sentiment requires the rising.
209. _When is the Inflection of a question changed from the
falling to the rising?_
When it is repeated or made emphatic.
210. _In the introductory part of a sentence, where the sense is
incomplete, what inflection is used?_
Unless great emphasis is required, the rising should be used.
211. _The names of persons addressed in formal speech require what
inflection?_
The falling should always be used in such cases.
212. _General statements require what inflection?_
The falling.
213. _For the sake of harmony, what principle should govern the
reader?_
When a sentence ends with the falling inflection, the rising
should precede it.
214. _When sentences commence with verbs, what inflection is
required?_
Mostly the rising.
215. _What is meant by an Echo in reading?_
Interrogative exclamations, where the question is repeated.
216. _Give an example of Echo._
What's the trouble? What's the trouble? trouble enough.
217. _What inflection should be given to members of sentences
connected disjunctively?_
First member, the rising; second member, the falling.
218. _When several Emphatic words or members come together, how
should they be inflected?_
The most emphatic, the falling; and the others the rising.
219. _What is a Simple Series in reading?_
A series of particulars that is composed of single words.
220. _What is meant by a Compound Series?_
One that is composed of clauses is called compound.
221. _What determines Accent?_
The usage of our best speakers and writers of the present.
222. _To whom does it belong to determine and record such usage?_
The Lexicographers.
223. _Are there any cases in which we can trace the reason for the
accent?_
There are; in discriminating accent where it is used to determine
the parts of speech.
224. _Do we ever have two sets of Antitheses in the same sentence?_
We do; as each member may contain an antithesis.
225. _Give an example._
John was hurt; William escaped.
226. _How many sets of Antitheses may be used in one sentence?_
Often three; but seldom more.
227. _Should there be any difference in the tone of voice used in
reading verse and prose?_
There should be a difference.
228. _What different style ought to be used?_
The monotone and rising inflection are more frequently used in
verse than in prose.
229. _What is the greatest difficulty met with in reading or
declaiming poetic selections?_
In giving it that measured flow which distinguishes it from prose,
without falling into a continued monotone.
230. _What is a good method to break up this habit?_
Reduce the selection to prose, and deliver it in an earnest,
conversational style.
231. _Why should there be a short pause at the end of each line of
poetry, even where the sense does not require it?_
In order that the measure of the poem may be more perceptible to
the ear.
232. _What is it that constitutes the melody of a poem?_
The pauses and accents chiefly.
233. _What rule should govern the reader in the use of pauses and
accents?_
Use variety, and not make them too prominent.
234. _What tone of voice should be used in reading a Simile in
poetry?_
The simile should be read in a lower tone than the rest of the
passage.
235. _What, with regard to the voice, is an important object to
every speaker and reader?_
The important object is to have a full, even tone of voice.
236. _What key of the voice should be most diligently improved?_
The natural key, or that which is used most.
237. _What is meant by the natural key or pitch?_
That which is peculiar to the individual, and in which he can use
most easily to himself, and most agreeably to others.
238. _How can the natural tone of voice be strengthened?_
By reading and speaking as loud as possible, without suffering the
voice to rise into a higher key.
239. _What is the best method of strengthening the natural key?_
By speaking and reading strong, animated passages in a small room.
240. _How may low tones be acquired?_
By continued practice in a lower key than the natural.
241. _How may a high key be acquired?_
In the same manner as a low key; by pitching the voice first
a little higher than the natural, and mastering that
thoroughly, then still higher and higher.
242. _What is meant by Rotundity of the voice?_
That peculiar form of tone which the Romans called "Ore rotundo,"
which signifies "Round mouth."
243. _In what kind of sentences is the Rotundity of the voice
exemplified?_
In the hailing of vessels, and is used especially by sailors and
officers.
244. _Which is the most difficult: to raise the voice to a higher
pitch, or to bring it to a lower?_
The lowering of the voice is more difficult, and requires great
care and practice.
245. _What is a common fault with most public speakers?_
To run the voice into too high a key, and thus weary the hearers.
246. _What is a good rule by which to govern the voice?_
To start on a key lower than the natural, and thus avoid running
too high.
247. _What are the principal styles of different reading
selections?_
Descriptive, Narrative, Senatorial, Moral, Didactic, Dramatic, and
Amusing.
248. _What tone of voice should be used in reading a Descriptive
selection?_
The ordinary, natural tone, with a careful use of emphasis.
249. _What tone of voice is best adapted to the reading of a
Narration?_
The conversational tone, with as little reference to the printed
page as possible.
250. _What style is the best adapted to Senatorial reading?_
An imitative style and tone, being careful in the use of the
emphatic pause.
251. _What tone is best adapted to the reading of Moral and
Religious selections?_
Low and moderate tone, expressing feeling and sentiment, being
careful not to read too fast.
252. _What style is best adapted to Didactic reading?_
That peculiar style which is best adapted to impart instruction,
laying special stress on the important idea.
253. _What style and tone are best adapted to the reading of
Dramatic selections?_
A style and tone which are entirely imitative in character.
254. _What tone or character of voice is best suited to the
rendering of Amusing selections?_
That which will bring out the mirthful sentiment, to the exclusion
of all rules for accent, emphasis, etc.
255. _Should all persons use the same tones of voice and style in
reading selections?_
They should not; as individuals are differently constituted,
so they have different ways of expressing their ideas and
sentiments.
MISCELLANEOUS EXERCISES.
SPELLING ALPHABETICALLY ARRANGED.
1. Abaissement.
2. Abductor.
3. Abelmoschus.
4. Aberration.
5. Abies.
6. Ablepsy.
7. Abnormal.
8. Abouchement.
9. Abscess.
10. Abscission.
11. Absinthium.
12. Abstergent.
13. Abominable.
14. Aborigines.
15. Abridgment.
16. Absinthe.
17. Abstemious.
18. Abstrusely.
19. Abysmal.
20. Acacia.
21. Academician.
22. Acanthus.
23. Acarpous.
24. Acaulous.
25. Accede.
26. Accelerate.
27. Accessible.
28. Accessory.
29. Accomplice.
30. Accostable.
31. Accoutre.
32. Acephalous.
33. Acerbity.
34. Acescent.
35. Acetify.
36. Acetometer.
37. Ache.
38. Achievable.
39. Achromatic.
40. Acicular.
41. Acolyte.
42. Acoustic.
43. Acquiesce.
44. Acquittal.
45. Acreage.
46. Acrobat.
47. Acropolis.
48. Acrostic.
49. Actualize.
50. Aculeate.
51. Baa.
52. Bacchanal.
53. Backsheesh.
54. Baconian.
55. Bagatelle.
56. Balk.
57. Bandelet.
58. Barbican.
59. Baryta.
60. Barru.
61. Basalt.
62. Basic.
63. Basilica.
64. Basilisk.
65. Bastile.
66. Baccae.
67. Caboodle.
68. Cacoethes.
69. Cacophony.
70. Cadaverous.
71. Cadenza.
72. Caducus.
73. Caduceus.
74. Caique.
75. Caisson.
76. Cæcal.
77. Calaboose.
78. Calciferous.
79. Caffeine.
80. Calcined.
81. Caldarium.
82. Caligo.
83. Calorimeter.
84. Caltha.
85. Calx.
86. Catechu.
87. Cellular.
88. Chemosis.
89. Chiastre.
90. Chilblain.
91. Chymification.
92. Cilium.
93. Clematis.
94. Cochineal.
95. Codeia.
96. Contagious.
97. Coronoid.
98. Dacryoma.
99. Dahline.
100. Daphne.
101. Datura.
102. Deciduous.
103. Decollation.
104. Dactylology.
105. Dahlia.
106. Decumbent.
107. Degmus.
108. Dawdle.
109. Dengue.
110. Deltoid.
111. Debut.
112. Decastyle.
113. Deliquium.
114. Decennial.
115. Dentatus.
116. Dentagra.
117. Demesne.
118. Diaphysis.
119. Diastole.
120. Didym.
121. Desuetude.
122. Echinus.
123. Echinops.
124. Ecarte.
125. Ebullition.
126. Eclat.
127. Edacious.
128. Eclysis.
129. Ecphlysis.
130. Eider.
131. Eke.
132. Effete.
133. Elysian.
134. Egophony.
135. Empiric.
136. Empyrean.
137. Encaustic.
138. Enceinte.
139. Elaine.
140. Encore.
141. Encyclical.
142. Encysted.
143. Elephas.
144. Enmity.
145. Ensconce.
146. Facet.
147. Facetious.
148. Facial.
149. Factitious.
150. Falderals.
151. Falsetto.
152. Fantasia.
153. Fascicle.
154. Fauces.
155. Fauna.
156. Febrile.
157. Felly.
158. Felloe.
159. Fuzz.
160. Gala.
161. Gamboge.
162. Gamut.
163. Ganoid.
164. Gaol.
165. Garrote.
166. Gawk.
167. Gelatine.
168. Gelid.
169. Gemini.
170. Genial.
171. Geode.
172. Geognosy.
173. Geodesy.
174. Georama.
175. Hegira.
176. Heifer.
177. Helix.
178. Helve.
179. Hernia.
180. Hexahedron.
181. Hexastyle.
182. Hockle.
183. Hone.
184. Hookah.
185. Horologe.
186. Icarian.
187. Ibis.
188. Ibex.
189. Ichor.
190. Ichneumon.
191. Ichthyolite.
192. Ides
193. Idiom.
194. Idyl.
195. Ignescent.
196. Iguana.
197. Ileum.
198. Impede.
199. Impennate.
200. Indocile.
201. Inebriate.
202. Insidious.
203. Jabber.
204. Jacinth.
205. Jackal.
206. Jaconet.
207. Jalap.
208. Jaguar.
209. Janitor.
210. Jeer.
211. Jejune.
212. Jujube.
213. Junket.
214. Juno.
215. Kale.
216. Katydid.
217. Kistvaen.
218. Kyanize.
219. Lac.
220. Labyrinth.
221. Lachrymal.
222. Landwehr.
223. Limbo.
224. Llama.
225. Loo.
226. Mab.
227. Macaw.
228. Machinate.
229. Madrigal.
230. Magenta.
231. Monolith.
232. Nard.
233. Naphtha.
234. Nadir.
235. Naiad.
236. Niggard.
237. Nympha.
238. Obesity.
239. Obloquy.
240. Obverse.
241. Occiput.
242. Ochre.
243. Pabulum.
244. Palanquin.
245. Paletot.
246. Replevin.
247. Resuscitate.
248. Sabaoth.
249. Sacerdotal.
250. Sacrum.
251. Sadducee.
PROPER NOUNS TO SPELL.
1. Aaron.
2. Abdiel.
3. Abiezer.
4. Adolphus.
5. Albion.
6. Alexander.
7. Alonzo.
8. Alpheus.
9. Alvah.
10. Alwin.
11. Ammi.
12. Amos.
13. Andronicus.
14. Antony.
15. Apollos.
16. Aristarchus.
17. Artemas.
18. Azariah.
19. Augustus.
20. Asher.
21. Baldwin.
22. Barnabas.
23. Barnaby.
24. Bartholomew.
25. Basil.
26. Benedict.
27. Benoni.
28. Barnard.
29. Bertram.
30. Brian.
31. Bruno.
32. Cæsar.
33. Caleb.
34. Calvin.
35. Cephas.
36. Clarence.
37. Claudius.
38. Clement.
39. Cornelius.
40. Crispus.
41. Cyril.
42. Cyrus.
43. Daniel.
44. Darius.
45. Demetrius.
46. Denis.
47. Dionysius.
48. Donald.
49. Duncan.
50. Ebenezer.
51. Edgar.
52. Edwin.
53. Elbert.
54. Eleazer.
55. Elias.
56. Elisha.
57. Ellis.
58. Elnathan.
59. Eneas.
60. Enoch.
61. Enoz.
62. Erasmus.
63. Erie.
64. Esau.
65. Everard.
66. Erwin.
67. Fernando.
68. Festus.
69. Frederic.
70. Gamaliel.
71. Germanie.
72. Gershon.
73. Godfrey.
74. Gregory.
75. Guy.
76. Hannibal.
77. Heman.
78. Hercules.
79. Herbert.
80. Hezekiah.
81. Hillel.
82. Homer.
83. Hubert.
84. Hugo.
85. Immanuel.
86. Ingram.
87. Ivan.
88. Jabez.
89. Jairus.
90. Japheth.
91. Jason.
92. Jeremy.
93. Jerome.
94. Jess.
95. Joel.
96. Jonah.
97. Josiah.
98. Jotham.
99. Judah.
100. Julius.
101. Justus.
102. Justun.
103. Jonathan.
104. Kennett.
105. Marion.
106. Philip.
107. Philander.
WORDS TO SPELL AND DEFINE, ARRANGED PROMISCUOUSLY.
1. Sirup.
2. Skyey.
3. Proxy.
4. Piquant.
5. Pibroch.
6. Monkery.
7. Irascible.
8. Conceit.
9. Controllable.
10. Coquet (Verb).
11. Coquette (Noun).
12. Cyclopedia.
13. Fascine.
14. Steelyard.
15. Precious.
16. Seize.
17. Beeves.
18. Civilize.
19. Resuscitate.
20. Heinous.
21. Contemptible.
22. Transitory.
23. Conspiracy.
24. Feminine.
25. Petite.
26. Police.
27. Valise.
28. Verdigris.
29. Routine.
30. Douche.
31. Whorl.
32. Truffle.
33. Debut.
34. Cæsura.
35. Connoisseur.
36. Sumac.
37. Hymeneal.
38. Keelson.
39. Coterie.
40. Recipe.
41. Sapphire.
42. Cognac.
43. Restaurant.
44. Homicide.
45. Patricide.
46. Fratricide.
47. Regicide.
48. Suicide.
49. Matricide.
50. Infanticide.
WORDS TO BE MARKED DIACRITICALLY.
1. Sice.
2. Says.
3. Phthisic.
4. Ennui.
5. Vignette.
6. Cortege.
7. Myrrh.
8. Chamois.
9. Sergeant.
10. Boudoir.
11. Hiccough.
12. Bureau.
13. Again.
14. Discern.
15. Bijou.
16. Flambeau.
17. Said.
18. Croquet.
19. Salon.
20. Suave.
21. Shew.
22. Strew.
23. Bouffe.
24. Enough.
25. Suffice.
26. Squirrel.
27. Busy.
28. Cough.
29. Buoy.
30. Many.
31. Pretty.
32. Canon.
33. Chapeau.
34. Menage.
35. Once.
36. Cafe.
37. Colonel.
38. Cuirass.
39. Gunwale.
40. Dahlia.
41. Soiree.
42. Sapphire.
43. Cognac.
44. Sacrifice.
45. Escritoire.
46. Barege.
47. Soldier.
48. Fortune.
49. Nephew.
50. Lettuce.
51. Entree.
52. Regime.
53. Physique.
54. Protege.
55. Sleuth.
56. Blonde.
57. Coiffure.
58. Afghan.
59. Glebe.
60. Chenille.
61. Chasseur
62. Gyves.
63. Guy.
64. Banyan.
65. Lapel.
66. Kerchief.
67. Gnostic.
68. Corymb.
69. Chevron.
70. Eleve.
71. Touch.
72. Chintz.
73. Meerschaum.
74. Buhr-stone.
75. Camphene.
76. Cigar.
77. Deleble.
78. Polyglot.
79. Diamond.
80. Courier.
81. Sorcery.
82. Extirpate.
83. Gaseous.
84. Docible.
85. Alias.
86. Potpourri.
87. Soprano.
88. Apparel.
89. Palaver.
90. Anchovy.
91. Hygiene.
92. Alchemy.
93. Ascendant.
94. Syzygy.
95. Barbecue.
96. Proboscis.
97. Carbine.
98. Disown.
99. Forbade.
100. Farewell.
101. Resource.
102. Extol.
103. Diverge.
104. Contour.
105. Bourgeois.
106. Disarm.
107. Whither.
108. Water.
109. Larynx.
110. Soul.
111. Crypt.
112. Fleche.
113. Weevil.
114. Lacquer.
115. Phenix.
116. Roguish.
117. Wheyey.
118. Sachel.
119. Rhymer.
120. Psychic.
121. Ptisan.
122. Calker.
123. Depot.
124. Catarrh.
125. Condemn.
126. Bristle.
127. Wriggle.
128. Christen.
129. Naphtha.
130. Chalky.
131. Gherkin.
132. Fraught.
133. Qualm.
134. Vault.
135. Knob.
136. Papaw.
137. Gauging.
138. Cologne.
139. Quadrille.
140. Skyish.
141. Sorghum.
142. Survey.
143. Victuals.
144. Scissors.
145. Gnomon.
146. Ghastly.
147. Phlegm.
148. Gnarl.
149. Gnash.
150. Tertian.
151. Phantom.
152. Livre.
153. Lyrist.
154. Nuisance.
155. Scheme.
156. Chief.
157. Siege.
158. Keyed.
159. Caucus.
160. College.
161. Leather.
162. Caught.
163. Skein.
164. Coerce.
165. Policy.
166. Legacy.
167. Codicil.
168. Domicile.
169. Hypocrite.
170. Tortoise.
171. Mortise.
172. Porridge.
173. Eagle.
174. Greasy.
175. Pardon.
176. Poleax.
177. Deanery.
178. Mechanics
179. Dialogue.
180. Inveigher.
181. Solstitial.
182. Official.
183. Reprieve.
184. Barter.
185. Succeed.
186. Accede.
187. Salmon.
188. Verger.
189. Wooed.
190. Sausage.
191. Pigeon.
192. Chloral.
193. Balance.
194. Silence.
195. Fallible.
196. Prelacy.
197. Foretell.
198. Going.
199. Chyle.
200. Fascinate.
201. Secrecy.
202. Vacillate.
203. Paralyze.
204. Advertise.
205. Ecstasy.
206. Exertion.
207. Cynical.
208. Article.
209. City.
210. Busily.
211. Guttural.
212. Scholar.
213. Sibyl.
214. Abscess.
215. Guinea.
216. Voracity.
WORDS TO BE DEFINED.