Practice and
The Practice and Science of Drawing
作者：Speed, Harold, 1873-1957
体例：段 章数：17
字数：356,604 来源：Project Gutenberg
版本与结构
- 来源版本
- 本站收录 1 个来源：Project Gutenberg（356,604 字）。
- 分章依据
- 按「段」标记切分为 17 段（Gutenberg 卷册标记）。
- 篇幅分布
- 平均每段 20,976 字；最长 In the representation of a fine mountain, for instance, ther（39,896 字），最短 There is even a glass pen, consisting of a sharp-pointed con（16,342 字）。
- 原文溯源
cache/epub/14264/pg14264.txt（Project Gutenberg）
章节目录
共 17 段- In the representation of a fine mountain, for instance, ther
- These rays of light when reflected from an object, and again
- The accumulation of the details of visual observation in art
- But perhaps the chief mistake in Art Schools has been that t
- Vertical and horizontal lines are also of the utmost importa
- Lines drawn down the forms give an appearance of great stren
- In all the strokes illustrated it is assumed that the brush
- There is at the basis of every picture a structure of lines
- The strength and sublimity of Norman architecture is due to
- Botticelli has first the long line of the horizon echoed in
- It will be as well to try and explain what is meant by tone
- Now, to represent this scale of tones in painting we have wh
- And in art we have the same play of opposing factors, straig
- A pleasing proportion that often occurs in nature and art is
- The giving of lifelike expression to a painting is not so si
- Do not rub out, if you can possibly help it, in drawings tha
- There is even a glass pen, consisting of a sharp-pointed con