THE LIMIT.

(_THE JAZZ IS REPORTED TO HAVE ABOUT SEVENTY DIFFERENT STEPS._)

I have waltzed for half a day

In Milwaukee (U.S.A.),

I have danced at village "hops" in Transylvania;

I have can-canned all alone

In a fever-stricken zone,

And I've done the kitchen-lancers in Albania.

I've performed the "tickle-toe"

With its forty steps or so,

I have learnt a native dance in Costa Rica;

I've fox-trotted in Stranraer,

Irish-jigged in Mullingar,

And I've danced the Dance of Death at Tanganyika.

I have "bostoned" with the best

At a ball in Bukharest,

I've reversed with Congo pigmies, dark and hairy;

I have one-stepped in Sing-Sing

And performed the Highland Fling,

I have razzled in the reel at Inveraray.

I have tangoed in Koran,

Danced quadrilles in Ispahan

(Though I haven't done the polka in Shiraz yet);

But I've followed in the train

Of Terpsichore in vain,

For I haven't mastered _one_ step of the Jazz yet.

* * * * *

"THE LEXICOGRAPHER'S EASY CHAIR.

"In this column, to decide questions concerning the current use

of words, ----'s Dictionary is consulted as arbiter.

"'N.H.R.,' Starkville, Miss.--'What is the meaning of the word

_Eothen_, and what is its derivation?'

"_Eöthen_ is Greek for 'it is used' or 'accustomed,' and is the

title of a celebrated work by Alexander Kinglake."--_American

Magazine_.

We fear that the lexicographer found his easy chair so easy that he

did not take the trouble to get out of it to consult the dictionary.

* * * * *

Punch, or the London Charivari, Volume 156, February 26, 1919 · 第 27 / 36 题