Mr. TURNER. Over the drive.
Mr. HUBERT. Over this drive so that automobiles passing wouldn’t pass
over the cables?
Mr. TURNER. That’s right.
Mr. HUBERT. Then you dropped them down the opposite side from where
they had been?
Mr. TURNER. No; we stayed up in the ceiling with them. That’s right.
We had to stay up in the ceiling because any cars running over the
cables--running over them knocked them out.
Mr. HUBERT. So, you strung them along the roof and so forth?
Mr. TURNER. That’s right.
Mr. HUBERT. All right, now, where did that camera ultimately come to
rest?
Mr. TURNER. From position “1” here, which is marked “1” on this. We
moved it to--from--I am now marking “4,” in a box and that is our
position that we moved it to from where we had our position at one time.
Mr. HUBERT. All right. Now, you were--that camera was left, and
remained left----
Mr. TURNER. That’s right, sir, it remained left. Slang [phonetic], the
director, took it. We had two other cameras working.
Mr. HUBERT. Where were they?
Mr. TURNER. One was up on the third floor of the city jail, around the
hallway elevator shaft, and another camera was on top of a remote truck
which was parked on Commerce Street on top the remote truck, to pick up
when they made the exit with Oswald. We were trying to think ahead.