PART FIRST

I

The Prince had always liked his London, when it had come to him;

he was one of the modern Romans who find by the Thames a more

convincing image of the truth of the ancient state than any they

have left by the Tiber. Brought up on the legend of the City to

which the world paid tribute, he recognised in the present London

much more than in contemporary Rome the real dimensions of such a

case. If it was a question of an Imperium, he said to himself,

and if one wished, as a Roman, to recover a little the sense of

that, the place to do so was on London Bridge, or even, on a fine

afternoon in May, at Hyde Park Corner. It was not indeed to

either of those places that these grounds of his predilection,

after all sufficiently vague, had, at the moment we are concerned

with him, guided his steps; he had strayed, simply enough, into

Bond Street, where his imagination, working at comparatively

short range, caused him now and then to stop before a window in

which objects massive and lumpish, in silver and gold, in the

forms to which precious stones contribute, or in leather, steel,

brass, applied to a hundred uses and abuses, were as tumbled

together as if, in the insolence of the Empire, they had been the

loot of far-off victories. The young man's movements, however,

betrayed no consistency of attention--not even, for that matter,

when one of his arrests had proceeded from possibilities in faces

shaded, as they passed him on the pavement, by huge beribboned

hats, or more delicately tinted still under the tense silk of

parasols held at perverse angles in waiting victorias. And the

Prince's undirected thought was not a little symptomatic, since,

though the turn of the season had come and the flush of the

streets begun to fade, the possibilities of faces, on the August

afternoon, were still one of the notes of the scene. He was too

restless--that was the fact--for any concentration, and the last

idea that would just now have occurred to him in any connection

was the idea of pursuit.

He had been pursuing for six months as never in his life before,

and what had actually unsteadied him, as we join him, was the

sense of how he had been justified. Capture had crowned the

pursuit--or success, as he would otherwise have put it, had

rewarded virtue; whereby the consciousness of these things made

him, for the hour, rather serious than gay. A sobriety that might

have consorted with failure sat in his handsome face,

constructively regular and grave, yet at the same time oddly and,

as might be, functionally almost radiant, with its dark blue

eyes, its dark brown moustache and its expression no more sharply

"foreign" to an English view than to have caused it sometimes to

be observed of him with a shallow felicity that he looked like a

"refined" Irishman. What had happened was that shortly before, at

three o'clock, his fate had practically been sealed, and that

even when one pretended to no quarrel with it the moment had

something of the grimness of a crunched key in the strongest lock

that could be made. There was nothing to do as yet, further, but

feel what one had done, and our personage felt it while he

aimlessly wandered. It was already as if he were married, so

definitely had the solicitors, at three o'clock, enabled the date

to be fixed, and by so few days was that date now distant. He

was to dine at half-past eight o'clock with the young lady on

whose behalf, and on whose father's, the London lawyers had

reached an inspired harmony with his own man of business, poor

Calderoni, fresh from Rome and now apparently in the wondrous

situation of being "shown London," before promptly leaving it

again, by Mr. Verver himself, Mr. Verver whose easy way with his

millions had taxed to such small purpose, in the arrangements,

the principle of reciprocity. The reciprocity with which the

Prince was during these minutes most struck was that of

Calderoni's bestowal of his company for a view of the lions. If

there was one thing in the world the young man, at this juncture,

clearly intended, it was to be much more decent as a son-in-law

than lots of fellows he could think of had shown themselves in

that character. He thought of these fellows, from whom he was so

to differ, in English; he used, mentally, the English term to

describe his difference, for, familiar with the tongue from his

earliest years, so that no note of strangeness remained with him

either for lip or for ear, he found it convenient, in life, for

the greatest number of relations. He found it convenient, oddly,

even for his relation with himself--though not unmindful that

there might still, as time went on, be others, including a more

intimate degree of that one, that would seek, possibly with

violence, the larger or the finer issue--which was it?--of the

vernacular. Miss Verver had told him he spoke English too well--

it was his only fault, and he had not been able to speak worse

even to oblige her. "When I speak worse, you see, I speak

French," he had said; intimating thus that there were

discriminations, doubtless of the invidious kind, for which that

language was the most apt. The girl had taken this, she let him

know, as a reflection on her own French, which she had always so

dreamed of making good, of making better; to say nothing of his

evident feeling that the idiom supposed a cleverness she was not

a person to rise to. The Prince's answer to such remarks--genial,

charming, like every answer the parties to his new arrangement

had yet had from him--was that he was practising his American in

order to converse properly, on equal terms as it were, with Mr.

Verver. His prospective father-in-law had a command of it, he

said, that put him at a disadvantage in any discussion; besides

which--well, besides which he had made to the girl the

observation that positively, of all his observations yet, had

most finely touched her.

"You know I think he's a REAL galantuomo--'and no mistake.' There

are plenty of sham ones about. He seems to me simply the best man

I've ever seen in my life."

"Well, my dear, why shouldn't he be?" the girl had gaily

inquired.

It was this, precisely, that had set the Prince to think. The

things, or many of them, that had made Mr. Verver what he was

seemed practically to bring a charge of waste against the other

things that, with the other people known to the young man, had

failed of such a result. "Why, his 'form,'" he had returned,

"might have made one doubt."

"Father's form?" She hadn't seen it. It strikes me he hasn't got

any."

"He hasn't got mine--he hasn't even got yours."

"Thank you for 'even'!" the girl had laughed at him. "Oh, yours,

my dear, is tremendous. But your father has his own. I've made

that out. So don't doubt it. It's where it has brought him out--

that's the point."

"It's his goodness that has brought him out," our young woman

had, at this, objected.

"Ah, darling, goodness, I think, never brought anyone out.

Goodness, when it's real, precisely, rather keeps people in." He

had been interested in his discrimination, which amused him. "No,

it's his WAY. It belongs to him."

The Golden Bowl — Volume 1 · 第 5 / 89 题