LXXI

NOT many days had passed before, my medal being finished, I stamped it

in gold, silver, and copper. After I had shown it to Messer Pietro, he

immediately introduced me to the Pope. It was on a day in April after

dinner, and the weather very fine; the Pope was in the Belvedere. After

entering the presence, I put my medals together with the dies of steel

into his hand. He took them, and recognising at once their mastery of

art, looked Messer Pietro in the face and said: “The ancients never had

such medals made for them as these.”

While he and the others were inspecting them, taking up now the dies and

now the medals in their hands, I began to speak as submissively as I was

able: “If a greater power had not controlled the working of my

inauspicious stars, and hindered that with which they violently menaced

me, your Holiness, without your fault or mine, would have lost a

faithful and loving servant. It must, most blessed Father, be allowed

that in those cases where men are risking all upon one throw, it is not

wrong to do as certain poor and simple men are wont to say, who tell us

we must mark seven times and cut once. [1] Your Holiness will remember

how the malicious and lying tongue of my bitter enemy so easily aroused

your anger, that you ordered the Governor to have me taken on the spot

and hanged; but I have no doubt that when you had become aware of the

irreparable act by which you would have wronged yourself, in cutting off

from you a servant such as even now your Holiness hath said he is, I am

sure, I repeat, that, before God and the world, you would have felt no

trifling twinges of remorse. Excellent and virtuous fathers, and masters

of like quality, ought not to let their arm in wrath descend upon their

sons and servants with such inconsiderate haste, seeing that subsequent

repentance will avail them nothing. But now that God has overruled the

malign influences of the stars and saved me for your Holiness, I humbly

beg you another time not to let yourself so easily be stirred to rage

against me.”

The Pope had stopped from looking at the medals and was now listening

attentively to what I said. There were many noblemen of the greatest

consequence present, which made him blush a little, as it were for

shame; and not knowing how else to extricate himself from this

entanglement, he said that he could not remember having given such an

order. I changed the conversation in order to cover his embarrassment.

His Holiness then began to speak again about the medals, and asked what

method I had used to stamp them so marvelously, large as they were; for

he had never met with ancient pieces of that size. We talked a little on

this subject; but being not quite easy that I might not begin another

lecture sharper than the last, he praised my medals, and said they gave

him the greatest satisfaction, but that he should like another reverse

made according to a fancy of his own, if it were possible to stamp them

with two different patterns. I said that it was possible to do so. Then

his Holiness commissioned me to design the history of Moses when he

strikes the rock and water issues from it, with this motto: 'Ut bibat

populus.' [2] At last he added: “Go Benvenuto; you will not have

finished it before I have provided for your fortune.” After I had taken

leave, the Pope proclaimed before the whole company that he would give

me enough to live on wealthily without the need of labouring for any one

but him. So I devoted myself entirely to working out this reverse with

the Moses on it.

Note 1. 'Segnar sette e tagliar uno.' A proverb derived possibly from

felling trees; or, as some commentators interpret, from the points made

by sculptors on their marble before they block the statue out.

Note 2. The medal commemorated a deep well sunk by Clement at Orvieto.

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