Wotan frets underbreath, "Loge is long acoming!"

Freia's cries, as the giants lay hands upon her, bring her brothers

Donner and Froh--the god of Thunder and the god of the Fields--quickly

to her side. A combat between them and the giants is imminent, when

Wotan parts the antagonists with his spear, "Nothing by violence!"

and he adds, what it might be thought he had lost sight of, "My

spear is the protector of bargains!"

And then finally, finally, comes in sight Loge. Wotan lets out his

breath in relief: "Loge at last!"

The music has introduced Loge by a note-painting as of fire climbing

up swiftly through airiest fuel. There is a quick flash or two, like

darting tongues of flame. A combination of swirling and bickering

and pulsating composes the commonest Loge-motif, but the variety

is endless of the fire's caprices. Fantastical, cheery, and light

it is mostly, sinister sometimes, suggestive of treachery, but

terrible never; its beauty rather than its terror is reproduced.

So characteristic are the fire-motifs that after a single hearing a

person instinctively when one occurs looks for some sign or suggestion

of Loge.

He stands now upon the rock, a vivid, charming, disquieting apparition,

with his wild red hair and fluttering scarlet cloak. The arch-hypocrite

wears always a consummately artless air. He comes near winning

us by a bright perfect good-humour, which is as of the quality

of an intelligence without a heart. The love of mischief for its

own sake, which is one of his chief traits, might be thought to

account easily for his many enemies.

He is related to the gods, a half-god, but is regarded coldly by

his kin. Wotan is his single friend in the family, and with Wotan

he preserves the attitude of a self-acknowledged underling. He

stands in fear of his immediate strength, while nourishing a hardly

disguised contempt for his wit, as well as that of his cousins

collectively. A secret hater of them all, and clear-minded in estimating

them. A touch of Mephistophelian there is in the pleasure which he

seems to find in the contemplation of the canker-spot in Wotan's

nature, drawing from the god over and over again, as if the admission

refreshed him, that he has no intention of dealing justly toward

the Rhine-maidens.

"Is this your manner of hastening to set aright the evil bargain

concluded by you?" Wotan chides, as he appears from the valley.

"How? What bargain concluded by me?..."

Pinned down to accounting for himself, "I promised," he says, "to

think over the matter, and try to find means of loosing you from

the bargain.... But how should I have promised to perform the

impossible?" Under the pressure of all their angers, he finally

airily delivers himself: "Having at heart to help you, I travelled

the world over, visiting its most recondite corners, in search

of such a substitute for Freia as might be found acceptable to

the giants. Vainly I sought, and now at last I plainly see that

nothing upon this earth is so precious that it can take the place

in man's affection of the loveliness and worth of woman."

Struck and uplifted by this thought, the gods, moved, look in one

another's faces, and the music expresses the sweet expansion of

the heart overflowing with thoughts of beauty and love. It is one

of the memorable moments of the Prologue.

"Everywhere," proceeds Loge, "far as life reaches, in water, earth,

and air, wherever is quickening of germs and stirring of nature's

forces, I investigated and inquired what there might be in existence

that a man should hold dearer than woman's beauty and worth? Everywhere

my inquiry was met with derision. No creature, in water, earth, or

air, is willing to renounce love and woman."

As he pauses, the gods again gaze at one another, with tender tearful

smiles, in an exalted emotion over the recognition of this touching

truth; and the music reexpresses that blissful expansion of the

heart.

"Only one did I see," Loge says further--the light fading out of

the music--"who had renounced love; for red gold he had forsworn

the favor of woman." He relates Alberich's theft of the gold, as

it had been told him by the Rhine-daughters, who had made him their

advocate with Wotan, to procure its restitution.

But their plea meets with a deaf ear. "You are stupid, indeed,

if not perverse," the god answers Loge, when he delivers their

appeal. "You find me in straits myself, how should I help others?"

The giants have been listening to this talk about Alberich, an

ancient enemy of theirs. The cleverer brother asks Loge, "What

great advantage is involved in the possession of the gold, that

the Nibelung should find it all-sufficient?" Loge explains. There

drift back to Wotan's memory runes of the Ring, and the thought

readily arises that it would be well he possessed the ring himself.

"But how, Loge, should I learn the art to shape it?" At the reply

that he who would practise the magic by which it could be shaped

must renounce love, the god turns away in conclusive disrelish.

Loge informs him that he would in any case have been too late:

Alberich has already successfully forged the ring.

This alters the face of things.

"But if he possesses a ring of such power," says simple Donner, "it

must be taken from him, lest he bring us all under its compulsion!"

The Wagnerian Romances · 第 16 / 52 题