Que qui n'entendit pas le remords l'entendrait--

there is the very note of conscience done into speech, cast into form,

forged into substance.

Avec de l'équité condensée en airain.

But this couplet for immensity of imaginative range, is of one birth

with the sublimest verses in the Book of Job:--

Et toute l'épouvante éparse au ciel est sœur

De cet impénétrable et morne avertisseur.

From the magnificent overture to the second series, in which the poet

has embodied in audible and visible symbol the vision whence this book

was conceived--a vision so far surpassing the perhaps unconsciously

imitative inspiration of the Apocalypse, with its incurably lame and

arduously prosaic efforts to reproduce the effect or mimic the majesty

of earlier prophecies, that we are amazed if not scandalized to find

that book actually bracketed in one sublime passage of this prelude with

the greatest spiritual poem in the world, the Oresteia of Æschylus--the

reader would infer that any student wishing to give a notion of the

_Légende des Siècles_ ought to have dwelt less than I have done upon a

few of its innumerable beauties, and more than I have done upon the

impression of its incomparable grandeur. But samples of pure sweetness

and beauty are more easily and perhaps more profitably detached for

quotation from their context than samples of a sublimity which can only

be felt by full and appreciative study of an entire and perfect poem.

And it is rather from the prelude itself than from any possible

commentary on it that a thoughtful and careful reader will seek to

gather the aim and meaning of the book. It is there likened to a vast

disjointed ruin lit by gleams of light--"le reste effrayant de Babel"--a

palace and a charnel in one, built by doom for death to dwell in:--

Où se posent pourtant parfois, quand elles l'osent,

De la façon dont l'aile et le rayon se posent,

La liberté, lumière, et l'espérance, oiseau.

Victor Hugo(#60466) · 第 23 / 25 题