Morituri: Three
Morituri: Three One-Act Plays Teja—Fritzchen—The Eternal Masculine
作者：Sudermann, Hermann, 1857-1928; Alexander, Archibald, 1855-1917 [Translator]
体例：题 章数：118
字数：95,815 来源：Project Gutenberg
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cache/epub/34359/pg34359.txt（Project Gutenberg）
章节目录
共 118 题- Produced by Charles Bowen, from page scans provided by the Web Archive
- 2. The diphthong oe is represented by [oe].
- 3. See footnote 3 explaining correction of printing error.
- MORITURI
- MORITURI
- THREE ONE-ACT PLAYS
- TEJA--FRITZCHEN--THE ETERNAL MASCULINE
- BY
- HERMANN SUDERMANN
- TRANSLATED FROM THE GERMAN
- BY
- ARCHIBALD ALEXANDER
- Copyright, 1910, by
- CHARLES SCRIBNER'S SONS
- Published September, 1910
- CONTENTS
- Teja
- Fritzchen
- The Eternal Masculine
- TEJA
- A DRAMA IN ONE ACT
- PERSONS
- TEJA
- TWO CAMP WATCHERS.
- I stand so bent, because thus hunger gripes me less.
- I wield my sword, King.
- King ... my mother ... taught me ... (_She stops_.)
- I will speak to thee, because bitterness devoureth thy soul.
- I ask thee, what remaineth?
- Make thy obeisance! (_Balthilda obeys_.)
- Hereby ye know, men: the ships are lost. (_Tumult. Cries of horror_.)
- The foresail bound crosswise and----
- I thank thee, Sire! Why ask whether I come!
- I speak of thy wife, Sire.
- I waited on thy call, Sire.
- Yea, Sire. (_Makes as if to go_.)
- I was, Sire. For a long time I have ceased to be.
- Yea, Sire. (_Exit_.)
- TEJA. ILDIBAD.
- Good-night! (_Exit_ Ildibad.)
- I am indeed thy wife, King.
- I am the Queen, Sire.
- I see, thou hast still a request to make of me. I pray thee, speak!
- Sire--I----
- I should have seen only thee, Sire dear, dear Sire!
- I am hungry.
- Yea. (_She sits beside him_.)
- I fear there is not enough for thee.
- I know not. It should be!
- I will love thee!
- I will tell thee in thine ear.
- Thou hast a downy beard.[1]
- THE SAME. ILDIBAD.
- TEJA. BALTHILDA.
- Yea, I know it!... (_Silence. They look at each other_.)
- Here hast thou thy child! (_Exeunt_ Amalaberga _and_ Balthilda.)
- II
- FRITZCHEN
- A DRAMA IN ONE ACT
- PERSONS
- FRITZCHEN
- I have just heard the Major. He will be here directly--there he is now!
- Very well, Major. (_Exit_.)
- Uncle! (_Presses her hands to her face_.)
- I think I have controlled myself, uncle?
- Very well, Major. (_Exit to the right_.)
- I beg pardon a thousand times if I startled you.
- At Braun's? I think you know, Herr von Hallerpfort, that this house----
- Good-bye, then! And be reassured, it is all about a joke--about----
- Oh, that--that is deceptive. (_Exit quickly to the right_.)
- THE SAME. MAJOR. WILHELM.
- Ah, it is surely only restlessness. Ah, I wish he were only----
- Yes, yes. (_Tosses down a glass_.)
- No, indeed, mother--stay here, mother. (_He grasps her hands_.)
- MAJOR. FRITZ.
- I should think I did remember it.
- I don't understand that, Fritz.
- I reported myself to the old man, that very night.
- What does that mean? Is it possible that you will--to Lanski?----
- Man, yet have--yet consider----
- I?
- No! (_Sinks down in his chair_.)
- My fault!--my----
- Thank God! (_They embrace_.)
- Fifteen paces--advance--five paces barrier--exchange of shots----
- Major, as your son's best friend----
- THE SAME. FRAU VON DROSSE.
- I love you.
- I shall always love you, Fritz!
- MAJOR. FRAU VON DROSSE. AGNES.
- CURTAIN.
- III
- THE ETERNAL MASCULINE
- A PLAY IN ONE ACT
- PERSONS
- THE ETERNAL MASCULINE
- SONG OF THE MAIDS OF HONOUR.
- I want to get down! My legs are cold.
- I am one!
- I pray, your Majesty, still a little farther to the right.
- I wonder if she truly loves him?
- I have a right to be angry!
- I believe it. One of them is asleep.
- THE MARQUISES. THE PAINTER.
- Sure enough.... Yet when I consider----
- I meant, just to the centre.
- I will beg you, sir, I will conjure you.
- THE SAME. THE MARSHAL.
- THE MARSHAL. THE PAINTER.
- I may be a judge, but I am not an executioner. So do me the favour----
- I am sorry for you.
- I said nothing at all.
- Yet plainly----
- Is he laughing? Is he laughing? (_Silence_.)
- If you choose to call them "adventures."
- THE SAME. THE VALET DE CHAMBRE. THE QUEEN. THE TWO MAIDS OF HONOUR.
- FOOTNOTE:
- End of Project Gutenberg's Morituri: Three One-Act Plays, by Hermann Sudermann