CHAPTER II

THE RISE OF THE CUZCO DYNASTY

[Illustration: AN INCAIC DOORWAY.]

Throughout the annals of history there is found no parallel to the

extraordinary character and development of the great empire of the

Incas, whose glory and splendor attained such supremacy and shone with

such lustre, under a benign though despotic sovereignty, as to eclipse

all earlier culture in pre-Columbian America. Whatever may have been the

heritage which the Children of the Sun received from their predecessors,

they carefully avoided giving it any importance in their records. The

Inca Garcilaso de la Vega, who wrote the history of his people more than

half a century after the Conquest, says that this rich and mighty

monarchy was founded in the midst of barbarism and degradation and

developed in all its magnificence through the divine direction of noble

princes, who derived their power from heaven alone, and who were both

the spiritual and the temporal rulers of the people, by right of their

celestial origin.

A romantic charm envelopes the fame of the Incas and their brilliant

court, their spectacular religion with its temples prodigally ornamented

with gold and silver, and, above all, their own royal personality, so

impressive in the dignity and sanctity of heaven-born greatness. One

must even confess to resentment when meddlesome scholars seek to take

away any of the prestige of these picturesque Conquerors of the Andes in

favor of an earlier race, or of successive races, whose identity is lost

in a mist of fable and legend, and who can present no such fascinating

pageant to our imagination as do the heroes of Cuzco, with their

mythical genealogy, the fame of their refined theocracy, and the prowess

of their splendid legions. After all, it has not yet been proved that

the lords of Cuzco were not of the same race and origin as the authors

of the most ancient civilization of Peru, and, even, of all America.

Scholars who have studied the language, customs, and monuments of the

ancient Peruvians, find what is evidently a parent influence making

itself felt through all the changing conditions of successive periods,

and in spite of seemingly foreign and unrelated cultures that have

appeared in various localities during the course of the ages. The two

languages which are most generally spoken by the Indians throughout the

territory formerly included in the Incas’ dominion—the Aymará and the

Quichua—are apparently derived from a common stock. May it not be true

that the people who spoke these languages, and to whom are credited the

monuments of Tiahuanaco and Cuzco, were the heirs of a common ancestry,

and that their progenitors were the authors of the earliest culture in

Peru?

Out of the confusion of many legends that are related by the Indians to

account for the origin of the Incas’ empire, the one which is best

known, and most generally approved, because of the poetic beauty of the

conception, tells us that the Sun, the creator of mankind, through

compassion for the deplorable degradation of the world, sent two of his

children, Manco-Ccapac and Mama Ocllo, to regenerate humanity and to

teach the arts of civilized life. The celestial pair, who were not only

brother and sister, but husband and wife, appeared first on an island in

the midst of Lake Titicaca, and from this point they set forth on their

benevolent mission. Lake Titicaca is supposed to have been chosen as the

place of departure because, since it was the first to receive the rays

of the sun when Viracocha dispersed the darkness, it was fitting that

the first messengers of the light of civilization should also appear on

its sacred island. They carried a rod of gold about two feet long and of

the thickness of a man’s finger, having received from their father, the

Sun, instructions to establish themselves in the place where the rod

should sink into the earth at the first stroke. In the _cerro_ of

Huanacaure the golden rod was buried out of sight as soon as it struck

the soil, and here was founded the great empire of the Incas,—“Inca”

meaning “lord,”—which was to flourish and extend its dominion from the

northern border of the present republic of Ecuador to the south of Chile

and from the Pacific Ocean to the eastern valleys of the Andean chain,

covering a territory of more than a million square miles, and giving

protection to at least ten million faithful and industrious subjects,

obedient to the Inca’s laws.

[Illustration: TERRACE OF THE INCA’S PALACE, OLLANTAYTAMBO.]

According to a tradition, which Sebastian Lorente gives us, Manco-Ccapac

was the son of a _curaca_, or chief, of Pacaritambo, in the Apurimac

valley, a youth so beautiful that he was called “the son of the Sun.” He

was left an orphan at an early age, and the fortune-tellers easily

persuaded him that he was of celestial origin. At eighteen or twenty

years of age the boy entered on his great mission. A humble orator, he

erected an altar to Huanacaure, the principal idol of his forefathers,

which the Incas never after failed to invoke in time of danger. With a

few followers he established his dominion, attracting some by promises

and forcing others by threats, while he fascinated the masses by his

magnificent personality. He wore a tunic embroidered in silver, on his

breast glistened a disk of gold, jewels adorned his arms, and gorgeous

plumes formed his headdress. By various means he succeeded in gaining

command over his compatriots, who served his ambition and obeyed his

laws. There is something reasonable and matter-of-fact about this

tradition which inclines one to think that it may have foundation in

truth. It is seen that Manco-Ccapac worshipped the principal idol of his

forefathers, which shows that his plan was to incorporate in the new

religion the most venerated beliefs of the people, and not to antagonize

them by an iconoclastic policy; he set up his government in Cuzco, where

the inhabitants were by nature docile and easily disciplined; he

appeared at the psychological moment when Peru was ready for a new cult

and a new system of laws; and, also, he was dowered with extraordinary

gifts, looked like a king, and was thoroughly acquainted with the

character of his people. There can be no doubt that Manco-Ccapac was a

native of the country, whether he came originally from the Titicaca

plateau and was of Aymará descent, as some authorities claim, or had his

birthplace in the valley of the Apurimac and spoke the language of the

Quichuas, the people “of the green valleys” as the word _Quichua_

signifies. It is said that the Incas themselves spoke neither Aymará nor

Quichua, but a language unknown to the people and not allowed to be

spoken by anyone but royalty.

[Illustration: WALL OF THE PALACE OF ONE OF THE INCAS, CUZCO.]

The dynasty founded by Manco-Ccapac at Cuzco is generally believed to

have dated from the twelfth century. All the genealogies furnished by

historians are more or less incomplete, limiting to thirteen or

fourteen, at most, the number of monarchs who reigned during that long

period of four hundred years. The list of Incas given by Garcilaso de la

Vega, and regarded as the most reliable, contains the names of thirteen

Princes of the Sun. Most of the authorities of importance name

Manco-Ccapac as the founder of the Empire of the Incas, with Mama Ocllo

as Coya, or Empress; though opinion is greatly divided as to their

origin and the date of their imperial accession. One well-known

historian of the Conquest, Montesinos, places the period of the first

appearance of this royal line in the sixth century after the Deluge. It

is related that, during that remote age, there arrived in Cuzco a family

of four couples who civilized this region. The eldest of the four

brothers, having gained possession of the territory, divided it into

four portions, or _suyos_, from which it took the name of Tahuantinsuyo,

“the kingdom of the four regions.” The territory to the south was called

Collasuyo, to the west Cuntisuyo, to the north Chinchasuyo, and to the

east Antisuyo. The youngest brother afterward secured command of the

kingdom and became the first of a line of princes who governed Peru up

to the time of the Spanish Conquest. The most interesting feature of

this tradition is the division of the rule of these monarchs into three

great dynasties, of which the first was that of the Pirhuas (from

_pyru_, meaning “fire,” apparently indicating that they were

fire-worshippers), the second, that of the Amauttas, or wise men, and

the third the Inca dynasty. The first of the Pirhuas founded the city of

Cuzco in the name of Viracocha, “the Supreme Being,” and one of his

successors built a great temple in Cuzco (perhaps Sacsahuaman, which is

believed to antedate the Inca period), while another ruler of the same

royal line is credited with having reformed the calendar, built public

roads and established severe rules in religion. One of these kings, the

record says, “died while repressing an invasion of depraved people from

the plains.” The Amauttas made many wise laws, reformed the calendar and

the religion of Viracocha, organized the military forces of the kingdom

and repelled the Chimus of the plains. During the reign of the last of

the Amauttas, we are told, “was fulfilled the fourth sun of the

Amauttas, and there took place a great invasion of ferocious tribes who

attacked the kingdom in different parts, obliging the sovereigns of

Cuzco to flee to the grottos of Tamputoko for four hundred years, during

which they lost their literature and a great part of the Amautta

culture; the advent of the Incaic dynasty restored the power of the

royal line, and made Cuzco again the centre of a great and beneficent

civilization.” In the light of modern research, which is continually

causing a revision of former ideas regarding the origin and antiquity of

the Peruvian empire, the story of the three dynasties appears to be more

than “the mere fable” which it has been designated by some modern

writers on the subject. It particularly appeals to one as a solution of

the problem of the Incas’ origin, since every feature of Incaic

civilization proves it to be of native character, even though the

predecessors of the “third dynasty” may have arrived from foreign

shores.

[Illustration: RUINS OF THE PALACE OF MANCO-CCAPAC, CUZCO.]

Manco-Ccapac, or, as his name would be written in English, Manco the

Great, occupies a position in among the heroes of the world’s history

not inferior to the exalted pedestal on which we have placed the

founders of empires in the Old World. He possessed the same rare gifts

of bold judgment and fearless initiative which belonged to Alexander the

Great, to Charlemagne, and to other sovereigns who have been “Great”

because they have known both the strength and the weakness of their

people, and by conciliating the one and dominating the other, have made

themselves masters and leaders of mankind. Had Manco-Ccapac not

thoroughly understood the conditions existing at the time when he

entered on his mission, and had he not possessed judgment, tact, and the

dominant qualities of leadership to enable him to win a host of

followers, even his upright character and his humanitarian purpose would

not have proved sufficient to ensure the wonderful success which he

achieved in founding an empire more extensive than ancient Rome, and as

rich as the fabled monarchies of the Orient. Throughout the Inca’s realm

the principles of honesty, industry, and justice were inculcated in

every subject from his cradle, the moral duties of a good Peruvian being

embodied in the Quichua motto of the nation: _Ama sua, Ama aqquella, Ama

llula_, which translated literally means, “Not a thief, Not idle, Not a

cheat.” It is a form of salutation among the Indians of Cuzco to this

day, the response being _Ccampas Ginallattac!_ “The same to you!”

The record of historical events, as they occurred throughout the long

reign of the Inca dynasty, was preserved only by a system of _quipus_,

or knotted cords, the art of writing being unknown to the Incas, or,

according to some authorities, prohibited by law. Only the

_Quipucamayos_, the authorized guardians of the _quipus_, were able to

decipher them. This career was considered one of great honor, and

instruction therein was given in all the provinces, under the direction

of the _Amauttas_, the Savants of the empire. The chief archives of the

state were preserved in Cuzco, where an immense collection of _quipus_

was found by the invading Spaniards, who destroyed the greater part of

them, without having them interpreted. As a consequence, the information

secured by the historians of the Conquest and by writers of later date,

relative to the genealogy and history of the Incas is necessarily

incomplete and, no doubt, inaccurate; though the descriptions of the

appearance, laws, customs, and national development of the people of

Tahuantinsuyo may be considered as generally faithful and reliable.

According to the genealogy given by Garcilaso de la Vega, the first

Inca, Manco-Ccapac, was succeeded by Sinchi Rocca, a peaceful and

prudent ruler, who is said to have taken the first census of his

kingdom, and is credited by some authorities with having made the

division of the empire into the four regions previously named; though,

according to Cieza de Leon, one of the most reliable authors, these

names were applied to four great highways which extended from Cuzco to

the extreme limits of the empire, northward, eastward, southward, and

westward. In any case, the Incas built broad and level roads, from six

to eight feet wide, and in the mountain regions, where they skirted the

steep slopes of the Andean range, they were prevented from wearing away

by the construction of stone embankments; on the plains, the highway was

indicated, as in many countries at the present day, by guide posts at

intervals along its course. Also, _tambos_, or inns, were built at the

distance of a day’s journey apart, and here the traveller could always

find shelter for the night. The third Inca, Lloque Yupanqui, conquered

the Canas, a powerful people of Ayaviri and Pucará, after a struggle

which depopulated their settlements, and forced the emperor to introduce

_mitimaes_, or colonists, to replace them. He also subjugated the Collas

of the present department of Puno.

[Illustration: NICHE IN THE FAÇADE OF THE PALACE OF MANCO-CCAPAC.]

It was during the reign of the fourth Inca, Maita-Ccapac, that the power

and genius of the imperial monarchs began to extend its influence as

never before, and greater pomp and magnificence than had previously been

known attended the coronation and other ceremonials honored by the

sacred and royal presence of the Inca.

Following the course of training required of every heir to the Inca

throne, Maita-Ccapac had, when a youth, passed through the _Huaracu_, a

ceremonial of the greatest importance, and one in which all the young

Inca nobles of his own age—the title of Inca being borne by every

descendant of Manco-Ccapac through the male line—participated, after

having been trained in the same military exercises as the royal prince.

A description of the Huaracu is interesting as showing that these people

had an institution not unlike that of mediæval chivalry in Europe: From

his earliest years, the hereditary prince was given into the care of the

_Amauttas_, to be taught science and religion, especially the latter, as

the Inca was the highest spiritual authority on earth; great attention

was also paid to the military training, as it was desirable that, not

only in wisdom but in military skill, the prince should excel all

contemporaries. At sixteen years of age, the young heir, Maita-Ccapac,

and his companions, following the sacred custom of their race, were

submitted to a public test, supervised and directed by elderly and

distinguished Inca nobles, which included trials of ability in athletics

such as wrestling, jumping, running, besides sham battles, which were

held as a trial of valor, and were so severe that many of the youths

were wounded and a few killed. The royal prince had not shown the least

fear nor evidence of fatigue, though put to the very limit of endurance;

“for,” he said, “if I am afraid of the shadow of a combat, how shall I

be able to meet the enemy in real warfare?” These exercises lasted for

thirty days, during which the prince slept on the ground, went

barefooted and dressed simply, thus showing his sympathy with the

poorest of his future subjects. The tests concluded, the order of

knighthood was conferred by the Inca emperor, father of Maita-Ccapac,

all the young nobles who had taken part in the exercises kneeling with

the royal heir, one after another, while the emperor pierced their ears

with the _yauri_, a kind of gold needle made for the purpose, which

remained in the ears until the hole was large enough to permit the

insertion of the earrings peculiar to the Incas; these were not hung

from the ears but were placed in the pierced opening, and replaced from

time to time by rings of larger circumference, until, as in the case of

Maita-Ccapac, the cartilage of the lobe was so stretched that it touched

the shoulder. After this ceremony the greatest of the Inca nobles placed

on the feet of the royal heir the sandals of his particular order; a

scarf of similar significance to the _toga virilis_ of the Romans was

wound around his waist, and his head was adorned with a wreath of

flowers,—to indicate that clemency and goodness should adorn the

character of the valiant warrior,—while evergreen, intertwined with the

flowers, symbolized the eternal endurance of such virtues. A fillet of

finest vicuña wool was bound around his head, and a yellow _masca

paicha_, a kind of fringe, also woven of vicuña wool, was added to this

headdress, falling over the brows. The yellow _masca paicha_ was the

peculiar insignia of the heir-apparent. As soon as this ceremony was

concluded, all the Inca nobles knelt before the prince and rendered him

homage as their sovereign. From this time, he was entitled to take his

seat among the advisers of his father, so that he might be initiated

into the art of governing and become familiar with politics and

administration. Being recognized as of age, and the heir to the throne,

he was given command of his father’s armies and was entitled to display

the royal standard of the rainbow in his military campaigns.

The coronation of Maita-Ccapac was the occasion of grand pageants,

continued fiestas, and a brilliant display of royal magnificence. We are

told that he “was crowned with a blue _masca paicha_ and wore a tunic of

white and green, dotted with crimson butterflies.” His royal robe was

made of finest vicuña wool and was ornamented with gold and precious

stones. The headdress of all Inca emperors was particularly

distinguished by two feathers which were placed upright in the front of

the encircling _llautu_, or fillet; these feathers were plucked from the

wing of the sacred bird _Cori-quenca_, a species of gull, black and

white in color, one feather being taken from the right wing of the male

and the other from the left wing of the female, to adorn the royal

crown. These birds may still be seen in the vicinity of Lake Vilcanota,

near Cuzco.

[Illustration: INCA FOUNTAIN AT CUZCO.]

An invincible warrior, Maita-Ccapac extended the power of the empire to

the remote borders of Collasuyo (now Bolivia) and beyond the Apurimac to

Arequipa and Moquegua. His name is connected with one of the most

notable works achieved in the history of the mediæval world, as he is

said to have been the author of the method and plans used, by his

command, in the construction of the first suspension bridge ever built.

Over this bridge, which was swung across the Apurimac River, he passed

with an army of twelve thousand men, making an easy conquest of the

enemy, who were struck with awe in the presence of such a wonderful

feat. A second bridge, built by one of the successors of Maita-Ccapac,

is still to be seen near the site of the original construction. Many of

the _andenes_, of which traces are to be observed to-day in various

parts of the country, were also constructed during the reign of

Maita-Ccapac, though the origin of these terraced farms on the mountain

side is placed by some authorities back in pre-Incaic times. The andenes

were so named from Anti, a province east of Cuzco, and were formed by

building stone walls on the mountain sides, at short distances one above

the other from the base to the summit, and filling the enclosed space

with fertile soil, some of it being mixed with guano from the Chincha

Islands, as the Incas knew the fertilizing value of this deposit and

made general use of it in their agriculture. A tradition of the time of

the fourth Inca relates that the loyal subjects in one of the provinces

built a grand palace of copper in which to entertain Maita-Ccapac and

his Coya when they visited that part of the kingdom; and, though this

story is no doubt a fable, yet it is certain that mining made great

progress during this reign. It is marvellous that, with only the

primitive means at their command, without iron, powder, or machinery,

these people extracted gold both from quartz and placer mines, and

obtained silver, tin, and copper as well. The metal was smelted in small

furnaces and then emptied into moulds; the beautiful ornaments which

were made for the adornment of the temples and palaces and for the

Inca’s wear, afford a proof of the remarkable ingenuity of these

primitive artifices. The successor of Maita-Ccapac, Inca-Ccapac

Yupanqui, “the Avaricious,” did not achieve great fame, though he spent

the greater part of his reign in subduing turbulent subjects in various

parts of the kingdom. He was a miser, and ordered that all who died

should be interred with their gold and jewels, his object being to

secure this treasure later for the royal coffers.

[Illustration: RUINS AT OLLANTAYTAMBO.]

Inca Rocca, the sixth monarch of the royal house of Cuzco, was one of

its greatest warriors and most renowned statesmen. The fame of his

conquests spread to the most remote regions, and the wisdom of his

administration was no less widely known and admired. Everywhere great

palaces were reared to display the grandeur of his imperial house, and

it was decreed that, at his death, all the vast treasures collected for

their adornment should be used to ornament his tomb and for the service

of his family; his successors followed his example, and the brilliancy

of the Inca’s court increased with each subsequent reign. He founded

schools for the education of the nobility under the direction of the

Amauttas, though the children of the common people were not admitted,

because, according to his view, it was enough for them to learn the

trade of their fathers. He was, however, very solicitous for the welfare

and protection of all his subjects, and made strict laws that punished

with death homicides, incendiaries, and thieves.

[Illustration: STONE WALLS OF THE PALACE OF OLLANTA, OLLANTAYTAMBO.]

When the sceptre passed from Inca Rocca to Yahuar Huaccac, whose name

signifies “he who weeps blood,” the great fiestas that were held to

celebrate his coronation gave little premonition of the sad ending that

was to befall this unhappy monarch, who was deposed and died alone in

the desert, some say, at the hand of an assassin. The coronation

ceremony was as brilliant and imposing as that of his illustrious father

had been, the young king wearing “a black tunic and a blue manta dotted

with lizards, with a white _masca paicha_ and plumage of gold.” It is

said that the cause of his “weeping blood” was the arrogant,

self-willed, and quarrelsome disposition of the heir-apparent, and the

impossibility of holding him under restraint. At last, his patience

exhausted, the emperor banished his unmanageable son from court and

condemned him, under penalty of death if he disobeyed, to spend the

remainder of his life among the shepherds on the hills of Chitapampa, a

league away from Cuzco. Three years the young prince passed in herding

sheep, and, as subsequent events proved, in learning other things

besides. At the end of that time he braved his father’s sentence of

death and returned to the royal palace, where, upon being received by

the Inca, he related a remarkable story of a vision that had appeared to

him while he was tending his flocks—a vision of a majestic personage,

clad in a tunic that reached the ground, and wearing a long beard—and

thus spoke to him: “I am the god Viracocha, who created man and all that

is on the earth; yet you hold me in no more veneration than the sun, the

lightning, and other works of my hands. I come to notify you that the

tribes of Chinchasuyo are gathering a great army to advance against the

holy city. Announce it to your father, by my order, so that he may be

warned in time to repel the invaders. For yourself, never fear; in

whatever adversity I will be with you and will give you the help you

need.” The emperor discredited the prince’s story and made no

preparations for war; but the son was soon informed through various

channels that an army of thirty thousand men was marching toward Cuzco;

and, as the royal legions were scattered—it being the custom among the

Incas, as among the Romans, to dismiss their soldiers after a campaign

and to keep no large standing army—the banished prince took matters into

his own hands, and, as his father fled from the capital, he entered it,

gathered a large military force by the power of his eloquence and the

indomitable spirit of a born warrior, and went forth to meet the enemy.

After a prolonged and sanguinary struggle the invaders were driven back,

and the victor entered Cuzco in triumph, amidst the acclaims of a

grateful people. He was immediately crowned Inca Emperor, with the name

of Viracocha.

[Illustration: RUINS OF THE TEMPLE OF THE INCA VIRACOCHA, NEAR CUZCO.]

[Illustration: SEATS FROM WHICH THE INCA AND HIS SUITE VIEWED THE

SACRIFICES.]

It is related of Viracocha that, upon his return from the battlefield,

he sent three messages; the first to the Temple of the Sun and its

priests, commanding that sacrifices be offered in thanks; the second to

the Mamaconas, or abbesses, in the convent of the vestal virgins; and

the third to his father. The Incas never forgot the obligations of their

dual sovereignty, and in proportion as their earthly power was extended

and increased, the evidences of their spiritual glory became more

impressive, and might be seen in the greater riches of the temple, the

increased splendor of the annual feasts, and the higher interpretation

given to their religion. The priests in the various provinces numbered

more than the imperial army, four thousand being engaged in the service

of the temple in Cuzco alone. The high priest who stood at the head of

the order held his divine office for life and was a near relative of the

Inca, as were his colleagues in charge of the various temples throughout

the provinces, the rest of the priesthood being chosen from among the

_curacas_, who were chiefs of conquered territories, and formed one of

the three orders of nobility. The highest nobility of the realm was

represented in the princes and princesses of the blood royal, either

children of the Coya, the queen-mother, or of the numerous wives in the

royal seraglio; next in rank were the Incas “by privilege,” who were

descended from the companions and followers of Manco-Ccapac, and who, in

dignities and dress, were hardly to be distinguished from the royal

family; and finally, the rank of the Curacas, which depended greatly

upon the importance of the territory over which they had ruled before

its conquest by the Inca; though in every case the Curacas held a

position of authority, their number increasing in proportion to the

extension of the Inca’s empire. The Incas were obliged to grant especial

privileges to the Curacas, as otherwise they could not have held in

obedience the conquered people, who regarded these chiefs with great

reverence.

[Illustration: THE RODADERO, CUZCO, SITE CHOSEN FOR RUNNING CONTESTS OF

THE HUARACU.]

It was also in accordance with religious sentiment that the second

message of Viracocha should have been directed to the Mamaconas, who

were the guardians of the vestal virgins, and were appointed to this

office after they had themselves grown old in watching over the sacred

fire that burned forever on the altar. Not only did the Virgins of the

Sun watch over the sacred fire, but they wove all the beautiful garments

of vicuña wool used in the apparel of the Inca and his family, they

worked the exquisite embroideries that adorned the hangings of the

temple, and they were indispensable in the preparation of the

magnificent feasts that celebrated the Inca’s triumphs; probably it was

this last fact which led Viracocha to send his second message to the

Mamaconas; for the splendors of the festivities held in honor of his

triumph over the enemy and his coronation as Inca Emperor eclipsed all

previous celebrations, not only in the capital but throughout the

empire. The message from Viracocha to his royal father could hardly have

afforded unalloyed satisfaction, since it evidently conveyed the

intention of the victor to possess the spoils, in the form of the

imperial _llautu_, and to occupy the throne which his energy and courage

had successfully guarded, when the cowardly flight of Yahuar Huaccac

exposed it to destruction.

In the first year of his eventful reign, Viracocha ordered the

construction of the sumptuous temple of which the majestic ruins are

still to be seen twenty miles south of Cuzco. The walls of the temple

were erected on an elevated base, which was built with five _andenes_,

or steps, leading up to it from the level of the plain, and the temple

covered an area one hundred and twenty feet long by twenty-five feet

wide, the wall being built of hewn stone from the ground up to half its

height, and of adobe for the remainder. The edifice had eight lofty

doors and as many windows, and on one side stood an altar with a statue

of the deity Viracocha, representing him, as he appeared to the prince

during his banishment, “with a flowing beard.” It is believed by many

writers that this temple, which shows a different architecture from that

of all other Incaic edifices, was constructed before the advent of

Manco-Ccapac by the Canas (whom the third Inca subjugated at great

cost), and that Viracocha did no more than to restore and embellish it.

Viracocha took advantage of all means to extend and increase the power

of his monarchy, and, in addition to the famous temple “Viracocha,” he

ordered the construction of many others, as well as of new palaces and

gardens in various parts of the empire. He made journeys to all the

conquered provinces, and while in Collasuyo, at the head of an army of

thirty thousand men, he received ambassadors from Charcas, who came to

render homage to so great a prince; it is said that from these

emissaries the Incas first received information about a country to the

south, called “Chile,” which was destined later to be added to the

territories in vassalage to the emperors of Cuzco. During Viracocha’s

reign, eleven provinces were added to the empire.

One of the greatest engineering feats accomplished under the

civilization of the Incas, was the construction, by Viracocha’s order,

of an extensive irrigating canal, twelve feet in depth and nearly four

hundred miles long, which, crossing the present departments of

Huancavelica and Ayacucho, watered the plains of Castrovireina and

Cangallo, making them green and flourishing pasture lands. This

enterprise is the more remarkable when the nature of the country is

considered, as the work was carried on at an altitude of from twelve to

sixteen thousand feet above sea level, and in the face of such obstacles

as gigantic rocks that had to be removed without blasting machinery or

iron implements, great ravines to be bridged and mountain torrents to be

harnessed and utilized. The hydraulic works constructed by the Incas are

the wonder and admiration of all who have seen the evidences of their

extent and perfection that remain to this day in the sierra and the

coast region. Natural lakes at the head of the coast valleys were in

many instances enlarged, and immense dams and aqueducts were built to

conduct to the irrigating canals the water which descended from the

mountain summits to the barren coast land.

At the death of Viracocha the sceptre passed to his eldest son, who,

however, was too dull and weak, the records say, to rule over an empire

composed of so many elements that had not as yet become settled and

consolidated into a united people. It required a strong hand and clear

judgment to direct the affairs of state so that rebellion should not

overturn the rapidly growing power of the Incas, and that successful

insurrection might not lessen the prestige of a monarchy that claimed

celestial origin. The second son of Viracocha, Pachacutec, was the

opposite of his brother in character, and possessed all the requirements

of a monarch which the other lacked. He was elevated to the throne on

his brother’s death, about the middle of the fourteenth century, and

began his reign by cementing the bonds that held the various tributary

provinces loyal to the sovereignty of Cuzco, and by making new

conquests, in which the military genius of his son, the heir-apparent,

was displayed in deeds as valorous and noble as those performed by his

illustrious father.

[Illustration: FOREIGN TOURISTS AT OLLANTAYTAMBO.]

[Illustration: INCA OBSERVATORY, INTI-HUATANA, AT PISAC, NEAR CUZCO.]

The old and the new Peru · 第 2 / 36 章