Thus the matter that was first discussed over “a gill and a het pint,”

was concluded on the strength of “a dinner of dead fish,” and all

that remained to do was the tying of the nuptial knot. The coalman

and the creelwife belonged to a class not in very close touch with

the Church—they were representative of the “lapsed masses” in a time

before that phrase was coined—and they did not, therefore, trouble

themselves about marriage in the orthodox fashion. A “Cheap Priest” was

requisitioned. He tied the Gordian knot as securely as the Moderator of

the General Assembly could have done, and as perfunctorily as the High

Priest of Gretna Green would have done if an enraged parent had been

knocking at the door for admission with the butt-end of a well-primed

pistol. The slipshod manner was not altogether lost on the creelwife.

The priest,[18] says Graham, gave them “twa-three words and

twa-three lines, took their penny and a good drink, wished

them joy, and gaed his wa’s. ‘Now,’ said auld Be-go, ‘if that

be your minister, he’s but a drunken ——; mony a ane drinks

up a’, but he leaves naething; he’s got that penny for deevil

a haet; ye micht hae cracked lufes on’t, tane ane anither’s

word, a kiss and a hoddle at a hillock side, and be as well

if no better; I hae seen some honest men say mair o’er their

brose nor what he said a’ thegither; but an ye’re pleased, am

pleased; a bout in the bed ends a’ and makes firm wark, sae

here’s to you and joy to the bargain—it’s ended now, weel I

wat!’”

The _History of the Haverel Wives_, another of Graham’s chapbooks,

differs widely from those already mentioned, but is not the least

important of his works. Many editions have been issued. One, printed at

Stirling by William Macnie, bears the following elaborate title:—

“_The History of the Haverel Wives; or, The Folly of Witless

Women Displayed._ Written by Humphrey Clinker, the Clashing

Wives’ Clerk. Being a Comical Conference between Maggy and

Janet, his Two Old Aunts. With Janet’s advice to Maggy

concerning marriage, with the manner in which she courted her

husband, which began by taking him by the twa lugs and kissing

him. To which is added, An Oration on the Virtues of the Old

Women and the Pride of the Young. Dictated by Janet Clinker,

and written by Humphrey Clinker, the Clashing Wives’ Clerk.”

This dual production—the _History_ was sometimes published apart from

the _Oration_—is freer from indecencies than certain others of Graham’s

compositions. In it the author indulges his satire against “clashing

wives.” A prefatory note reads:—

“It is a certain old saying, That where women are conven’d

in crowds, there can be but little silence; and some have

acknowledged that it was a great bondage for them to hold their

peace in the church; and where there is much talk by ignorant

speakers, it is diverting for persons of understanding to hear

them. Therefore, we have furnished the public with a small

collection of old wives’ noted sayings and wonders, which they

relate happened in their own time, also what has been told them

by their forefathers.”

With this preface, we are introduced to Maggy and Janet busily “cracking”

“at their rocks.” The first subject they discuss is Maggy’s age, and

this leads to an interesting description of Scottish life and custom in

pre-Reformation times.

“‘Indeed, Janet,’ replies Maggy, in answer to the question of

how old she may be, ‘that’s what naebody kens, for my father

and mother had sae mony o’ us they ne’er counted how auld ane

o’ us was; they minded ay wha o’ us was born first, and wha was

neist ane anither, and that was a’ that e’er we socht to ken

aboot it; but I ha’e mind o’ the mirk Munanday.’[19]

“‘Hout, tout, woman, the mirk Munanday,’ exclaims Janet, ‘I

mind since there was na Munandays at a’, and Sabbath days

was nae come in fashion; there was a day they ca’d Sunday

came ance i’ the ouk for it; we ken’d ay when it came, for

my father cow’d ay his beard when the bell rang, and then

everybody ran to the kirk that had onything to do, gin it were

to buy saut or shune, for the chapman chiels set up a’ their

creims at the kirk door, and the lasses wad a gotten keeking

glasses, red snoods, needles, prins, elshinirons, gimblets,

brown bread, and black saep, forby sweety wives’ things, and

rattles for restless little anes; the men wad a bought pints

o’ ale and gotten a whang o’ gude cheese to chew i’ the time

o’ drinking o’t. Ay, ay, there was braw markets on Sunday i’

the time o’ paepery; we had nae ministers then but priests,

mess Johns, black friars and white friars, monks, abbots,

and bishops; they had nae wives, yet the best o’ them wad a

spoken baudy language, and kissed the lasses; fickle, sykin

bodies they were, unco ill to please; they wad baith curs’d

folk and bless’d them just as we paid them; indeed, they were

unco greedy o’ the penny, and pray’d ay to the dead fouk, and

gard the living pay them for’t; and although they had play’d

the loon wi’ a poor hizey, she durst na speak o’t for her very

life, for they could gie ony body o’er to the de’il when they

liket. They didna gar fouk learn to read, and pray like our new

ministers, but thump on your breast, strake your fingers o’er

aboon your nose, tell your beads, and rin bare-fit thro’ amang

hard stanes and cauld snaw.”

Dougal was never a friend of the Roman hierarchy. In his metrical

_History of the Rebellion_ he apostrophises the children of the Pope in

lines beginning—

“You Papists are a cursed race,”

and the _History of the Haverel Wives_ testifies that he was equally

unfriendly in prose. The description of a Scottish Sunday before the

Reformation is historically true, and proves that the prolific pedlar was

not ignorant of the social life of an earlier day. Maggy, after listening

to the harangue of her friend, and learning that the priests were

possessed of all power over men and death and devils, asks pertinently

enough—

“What’s come o’ them a’ now? I’m sure the like o’ thae fouks

that had sae meikle power needed neither dee nor yet be sick:

they wad live a’ their days.”

The answering of this question affords Janet another opportunity of

indulging her antipathy to “Paepery,” and gives her a chance to air

her views on Episcopacy. This part of the chapbook is interesting as

preserving a fair reflection of the minds of the common people on the

subject of Prelacy. Lonely graves on the moorlands of the west, and

memories of the Grassmarket of Edinburgh, could still move men to

tears; the terrible sufferings of the Covenant days were things but of

yesterday, and—rightly or wrongly—Bloody Claverhouse and his Dragoons,

and relentless Archbishop Sharp, were still emissaries of the devil

and typical representatives of Scottish Episcopacy. In these days a

good true-blue Presbyterian can sit down to breakfast and make a hearty

meal in spite of the fact that his newspaper tells him the Churches are

“praying for union;” but at the time when the chapbook was written,

things were very different. Every Presbyterian held the same opinion as

the Skellat Bellman of Glasgow, and only refrained from expressing it

because, unlike Dougal Graham, he was seldom “unco glib at the pen.”

The most of the priests, says Janet, are “dead and rotten, and

the rest o’ them gade awa to Italy, where the auld Pape their

faither, the deil, the witches, brownies, and fairies dwal;[20]

and than we gat anither sort o’ gospel fouks they ca’d

curits—fine sort o’ dainty honest fouks they war, but geyan

greedy.... They bid to hae tithes o’ everything that grew; mony

a time my faither wisht they wad tak tithes o’ his hemp too, if

it were to hang themsels. They were ay warst whare a puir man

or wife died, though they left weans fatherless and mitherless:

a deed they wad a sent their bellman, and wi’ his lang prelatic

fingers he wad a harled the upper pair o’ blankets aff o’ the

poor things’ bed for some rent that they gard fouks pay for

dying, a sae did they een, and yet they keepit a hantle o’ braw

haly days and days o’ meikle meat—Fastren’s-e’en and Yule days,

when we got our wames fou o’ fat brose, and suppit Yule sowens

till our sarks had been like to rive; and, after that, eaten

toasted cheese and white puddings well spiced. O! braw times

for the guts! Well, I wat, onybody might live then that had

onything to live on.”

In this strain, Janet “haivers” on to the end of the chapter, in answer

to Maggy’s questions. She discusses the devil and his wife (is there any

other record of Satan having added matrimony to his sins?); blackamoors

and what they are made of; and that fruitful subject of discussion in

all ages—the minister. Janet points out, in a woman’s unerring way, the

many faults of the minister, his wife, and “twa gigglet, gilliegaukies

o’ dochters;” and tells how _she_ would preach if she had the chance of

“wagging her pow in the pu’pit.” Then she proceeds to give her younger

sister some advice concerning marriage; and the chapbook—in some of its

editions—concludes with her “Oration on the Virtues of the Old Women and

the Pride of the Young.” In a humorous fashion she expatiates on her sex,

pointing out their many vices, and wherein they have fallen from the high

estate they enjoyed when she, “Janet, was a Janet.” She regrets that they

will not speak their mother tongue, and will not even swear in it, “but

must have southern oaths.” Having said her say, she imparts some advice

to her readers as to waling a good husband or a perfect wife.

“If a puir man want a perfect wife, let him wale a weel-blooded

hissie, wi’ braid shouders and thick about the haunches, that

has been lang servant in ae house, tho’ twice or thrice awa’

and ay fied back; that’s weel liket by the bairns and the

bairns’ mither; that’s naeway cankard to the cats nor kicks

the colley-dogs amang her feet; that wad let a’ brute beasts

live, but rats, mice, lice, flaes, neits, and bugs, that

bites the wee bairns in their cradles; that carefully combs

the young things’ heads, washes their faces and claps their

cheeks, snites the snotter frae their nose as they were a’ her

ain—that’s the lass that will mak’ a good wife; for them that

dauts the young bairns will ay be kind to auld folk an they had

them.

“And ony hale-hearted, halsome lassie that wants to halter a

good husband, never tak’ a widow’s ae son, for a’ the wifely

gates in the world will be in him, for want of a father to

teach him manly actions; neither tak’ a sour-looking sumf wi’

a muckle mouth and a wide guts, who will eat like a horse and

soss like a sow, suffer none to sup but himsel’, eat your meat

and the bairns’ baith; when hungry angry, when fu’ of pride,

ten sacks will not haud his sauce, tho’ a pea-shap wad haud his

siller. But go, tak’ your chance, and, if cheated, chamer not

on me, for fashionable fouk flee to fashionable things, for

lust is brutish blind and fond love is blear-ey’d.”

The three works of Dougal Graham, with which we have dealt, and from

which we have given extracts illustrative of their style and the

subjects of which they treat, are, in certain respects, different from

the other productions attributed to the Skellat Bellman’s pen. They show

that their author was possessed of an inventive faculty, and that he

could create characters and make them play their parts in the development

of a plot. The plot was never intricate, but the sketches had a dramatic

construction which is wanting in his other chapbooks. Such histories,

for example, as those which relate the _Entertaining Exploits of George

Buchanan_, or the _Comical Transactions of Lothian Tom_, are merely a

number of stories gathered from many sources, and thrown together with a

certain amount of local colour. _John Falkirk the Merry Piper_, _Paddy

from Cork_, and _Simple John_—like George Buchanan and Lothian Tom—are

called into service merely to enable Graham to weave his anecdotes, wise

and otherwise, and his witticisms, new and old, into a composite whole.

It would seem, indeed, as though the Skellat Bellman, like authors of

a later date, had found it impossible to keep up a continuous output

of original matter, and had descended to mere hackwork or pot-boiling.

To say this is not to say that there is nothing of interest in these

collections of facetious anecdotes and droll misfortunes. Like his other

sketches, they are valuable for the light they shed on Scottish life and

custom in a by-gone time.

Two chapbooks, attributed to Graham, differ in construction from the

anecdotal compilations such as _The Exploits of George Buchanan_, or

the dramatic sketches of the nature of _Jockey and Maggy’s Courtship_.

These are _John Cheap the Chapman_, and _Leper the Taylor_. The former is

understood to be autobiographical in part. “John Cheap” is an interesting

fellow, and in his company—though often-times it is more agreeable than

polite—we can wander over a large stretch of lowland Scotland and learn

something of the life he lived. He got his

“name of John Cheap the chapman, by his selling twenty needles

for a penny, and twa leather laces for a farthing. He swore no

oaths but one, Let me never sin; and he used no imprecations

but, Let me never cheat nor be cheated, but rather cheat than

be cheated.”

Many a man in a higher walk of life than that in which John Cheap moved,

could plead guilty to harbouring the same wish.

In this sketch, the author paints with a broad brush. The trials of

a pedlar’s life are duly set forth. One quotation will suffice for

illustration.

“I prevailed,” says John Cheap, “to get staying in a great

farmer’s house, about two miles from Haddington; they were

all at supper when I went in; I was ordered to sit down

behind their backs. The goodwife then took a dish, went

round the servants, and collected a sowp out of every cog,

which was sufficient to have served three men. The goodwife

ordered me to be laid in the barn all night for my bed, but

the bully-fac’d goodman swore he had too much stuff in it to

venture me there; the guidwife said I should not ly within the

house, for I would be o’er near the lasses’ bed; then the lads

swore I should not go with them, for I was a forjesket little

fellow, and (wha kens whether I was honest or not) he may fill

his wallet wi’ our cloaths and gang his wa’ or daylight. At

last I was conducted out to the swine’s stye, to sleep with an

old sow and seven pigs, and there I lay for two nights.”

To the pictures of early Church life, which are found in the _History of

the Haverel Wives_, may be added one from _Leper the Taylor_. It belongs

to a later age, and while the others dealt with the Church in the days

of Popery and Episcopacy, this gives us a glimpse of matters as they

existed under Presbytery. It illustrates ecclesiastical life in Glasgow

at the time when Dougal Graham held the position of Skellat Bellman. The

Kirk-Session, acting in conjunction with the Town Council, appointed

certain officers, known as “civileers,” whose duty was to see that

everybody attended Church at both diets of worship on Sabbath.[21] These

functionaries pounced upon Leper on one occasion, and the following

extract narrates the sequel:—

“Leper was in use to give his lads their Sunday’s supper, which

obliged him to stay from the kirk in the afternoon, he having

neither wife nor servant maid; so on Sunday afternoon, as he

was at home cooking his pot, John Muckle-cheeks and James

Puff-and-Blaw, two Civileers, having more zeal than knowledge,

came upon him and said, What’s the matter, Sir, you go not to

the kirk? Leper replied, I am reading my book, and cooking my

pot, which I think is the work of necessity. Then says the one

to the other, Don’t answer the graceless fellow, we’ll make

him appear before his betters; so they took the kail-pot, and

puts a staff through the bowls, and bears it to the Clerk’s

chamber. Leper, who was never at a loss for invention, goes

to the Principal of the College, his house, no body being at

home but a lass roasting a leg of mutton; Leper says, My dear,

will you go and bring a pint of ale, and I’ll turn the spit

till you come back; the lass was no sooner gone than he runs

away with the leg of mutton, which served his lads and him

for his supper. When the Principal came home, he was neither

to bin nor ha’d, he was so angry; so on Monday he goes and

makes complaint to the Lord Provost, who sends two officers for

Leper, who came immediately. My Lord asked him, How he dared to

take away the Principal’s mutton? Leper replied, How came your

Civileers to take away my kail-pot? I am sure there is less sin

in making a pot-full of kail than roasting a leg of mutton:

Law-makers should not be law-breakers, so I demand justice on

the Civileers. The Provost asked him what justice he would

have? Says he, Make them carry the pot back again; as for the

Principal, a leg of mutton won’t make him and me fall out. So

they were forced to carry the pot back again, and Leper caused

the boys to huzza after them to their disgrace.”

Of the other humorous chapbooks attributed to Graham, no lengthy mention

need be made. At most, as has been indicated, he was only editor of them;

and they are, for the greater part, merely collections of _facetiæ_.

Many of the stories were chestnuts even in Dougal’s time, and some of

them are none the fresher for the fact that they have been fathered on

every beadle and minister of distinction within the last decade. He had

an eye for a good story, and one seldom lost anything in being retailed

by him. If the George Buchanan of his pages is rather a buffoon than the

first statesman of his age, it should be borne in mind that the Bellman

wrote for a people who demanded mirth, and that the George Buchanan of

history—if Graham had chosen to treat him seriously—would have cut a

sorry figure in the company of Paddy from Cork and Lothian Tom, and would

not have been so much appreciated as the ribald courtier of a ribald age.

Besides the Skellat Bellman of Glasgow, there were a number of others

who contributed humour to Scottish chapbook literature. One of the most

notable of these was William Cameron, who in certain respects was a

fitting successor to Dougal Graham. He, like Graham, was born within

sight of Stirling Castle; like him, too, he wandered over a large part of

Scotland as a “flying stationer;” and, like him, he ultimately settled

down in Glasgow and became one of the worthies of St. Mungo.[22] Cameron

has a connection with Graham’s work in respect that he edited _Janet

Clinker’s Oration_, and, giving it a new title, sent it forth on a fresh

lease of life. His own words are:—

“I fell in with _Janet Clinker’s Oration on the Wit of the

Old Wives and the Pride of the Young Women_. This piece never

fails. I have turned it ‘heels over head’ many times; and, when

it would sell no longer, I gave it a fresh name, as well as a

new introduction, and sold it as freely as ever.... I changed

its title to _Grannie M’Nab’s Lecture on the Women_, and sold

it through the West of Scotland.”

Cameron was author of one or two chapbooks. He wrote _The Prophecies of

‘Hawkie’: a Cow_, which poked fun at a prophet who “prophesied in Fife

and appeared in Glasgow, and converted numbers.” The book sold well, and

secured for Cameron the name by which he was subsequently known—he was

“Hawkie” to two generations of Glaswegians. Another of his productions is

_The Gauger’s Journey to the Land of Darkness: what he discovered there

and his journey back_. It narrates the story of an exciseman who, being

found drunk and asleep by some colliers, was taken down a pit and laid in

a corner. When he awoke, he fancied he was in another world.

_The Life of Mansie Wauch, Tailor in Dalkeith_, is a notable chapbook,

and cannot be overlooked in this connection. It is—as many of the

chapbooks were—a condensation of a larger work, and, in its extended

form, is still widely esteemed. There is this difference between

“Delta’s”[23] creation and all of those of Graham, that he is always

respectable. Mansie, like many other mortals in chapbook literature,

finds himself in strange places and the victim of unfortunate

circumstances—such as his experience of “calf-love” and his adventures in

the playhouse—but he never loses his self-respect or finds it necessary

to be obscene to be emphatic. Doubtless these very characteristics led to

his being less widely appreciated by the common people, but he has this

much to his credit that when, in later times, a movement originated to

suppress or supplant the coarse productions of the Skellat Bellman, it

did not—because it could not—affect him.

There were a number of chapbooks in verse which deserve to be noticed

under the present heading. One of the most popular of these was Alexander

Wilson’s[24] humorous poem, _Watty and Meg; or, the Wife Reformed—Owre

True a Tale_, which was first published in 1792, and considered worthy

of the Ayrshire Bard. Another was, _The Comical Story of Thrummy Cap and

the Ghost_, from the pen of John Burness,[25] a cousin of the national

poet. Both of these effusions enjoyed a wide popularity as chapbooks;

they were reprinted time and again, down to the very close of the period

when these books may be said to have ceased to be vended; and then

they passed on into standard collections of our national verse, through

which they are known to a wide circle of readers. Two other publications

which were popular, but which had not that fate, are—(1) _The Comical

Tale of Margaret and the Minister_, which narrates how Margaret, having

been invited to dinner at the manse, accepted the invitation; and then,

through ignorance or misadventure, affixed the table-cover instead of a

napkin to her breast: all went well until, having swallowed some mustard,

she beat a hasty retreat from the room to hide her discomfiture, and

dragged the cloth and dishes with her; (2) _The Dominie Deposed, with a

Sequel_, by William Forbes, A.M., late schoolmaster of Petercoulter. This

sets forth in vigorous verse the lamentation of a dominie, who had the

misfortune to sweetheart, as Mr. Henley might say, “with all his heart,

and soul, and strength.”[26]

While these were the most important of the humorous chapbooks, there were

many others of a similar kind but of lesser merit. Graham called forth

numerous imitators, and stories of love, courtship, and marriage fell

fast from the chapbook press. _The Art of Courtship_,[27] a somewhat

commonplace production, which, in Professor Fraser’s judgment, “bears

strong signs of having been written or edited by Dougal Graham, or at

least suggested by his writings,” was one; _A Diverting Courtship_,[28]

and _The Pleasures of Matrimony_,[29] were others. Subjects of such a

nature lent themselves to broad treatment; and the chapbook writer of a

century ago—like the enterprising publisher of to-day—gave the public

what it wanted, rather than what was good for it. If Graham was imitated

in these productions, he also had companions who issued publications

after the style of _Paddy from Cork_ and the _Exploits of George

Buchanan_.

A collection of amusing, and sometimes coarse, anecdotes was published

at Glasgow in 1767, under title, _The Comical Notes and Sayings of the

Reverend Mr. John Pettigrew, Minister in Govan_,[30] and a budget of

stories of a more general character was issued with the name of _The

Scotch Haggis_.[31] In addition to these, there were _Odds and Ends; or,

a Groat’s Worth of Fun for a Penny_,[32] and _Grinning Made Easy; or,

Funny Dick’s Unrivalled Collection of Jests_.[33] By way of description,

these books of _facetiæ_ do not call for much attention. Anything in the

way of wit and humour was pressed into service. The editors did what

they could to caricature Scotland, before _Punch_ and other enterprising

London periodicals found this a pleasant and paying duty. Many of the

more characteristically Scottish anecdotes in these chapbooks have been

made familiar to modern readers through the dignified pages of Dean

Ramsay’s volume and the works of other gleaners in the field of Scottish

story.

II.

INSTRUCTIVE.

Under the heading of “Instructive Chapbooks,” much falls to be noticed.

It is a section which readily sub-divides itself, although at the

same time it is difficult to arrive at any very exact classification.

Following Professor Fraser’s plan, which, unfortunately, he did not

elaborate, an attempt will be made to range the productions under one or

another of these five heads:—(_a_) Historical; (_b_) Biographical; (_c_)

Religious and Moral; (_d_) Manuals of Instruction; (_e_) Almanacks.

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