Part II. of my “Languages and Races of Dardistan,” though mainly from a

linguistic standpoint, that I have nothing to say here about the products

and animals of that country. Nor need I say anything about the dress

of its people, except that its rolled-up woollen cap is, practically,

the sign of the brotherhood (sometimes like that of Cain) among all

members of the Dard race, and, at once, distinguishes them from Pathans,

Affghans, Kashmiris, and others. The beautifully-knit stockings are also

a Dard art, and seem to have suggested, rather than followed, Kashmir

patterns. Above all, the quasi-Celtic brass brooches of the women, and

the family axes of the Hunza-Nagyris denote the antiquity of the Dard

race. Curious is also the dress, light as air and softly warm, made of

the fluff of the white giant vulture or of that of the wild fowl. I

must also refer the reader who wishes to know details about the rivers,

mountains, etc., of Dardistan, and the occupations of its peoples, to

Dardistan in 1866, 1886 and 1893 Being an account of the history, religions, customs, legends, fables, and songs of Gilgit, Chilas, Kandia (Gabrial), Dasin, Chitral, Hunsa, Nagyr, and other parts of the Hindukush, as also a supplement to the second edition of the Hunza and Nagyr handbook and an epitome of part III of the author's "The languages and races of Dardistan" · 第 3 / 8 章