With this came the poem since published in one of her volumes and

entitled “Renunciation”; and also that beginning “Of all the sounds

dispatched abroad,” thus fixing approximately the date of those two. I

must soon have written to ask her for her picture, that I might form some

impression of my enigmatical correspondent. To this came the following

reply, in July, 1862:—

Could you believe me without? I had no portrait, now, but am

small, like the wren; and my hair is bold like the chestnut

bur; and my eyes, like the sherry in the glass, that the guest

leaves. Would this do just as well?

It often alarms father. He says death might occur and he has

moulds of all the rest, but has no mould of me; but I noticed

the quick wore off those things, in a few days, and forestall

the dishonor. You will think no caprice of me.

You said “Dark.” I know the butterfly, and the lizard, and the

orchis. Are not those _your_ countrymen?

I am happy to be your scholar, and will deserve the kindness I

cannot repay.

If you truly consent, I recite now. Will you tell me my fault,

frankly as to yourself, for I had rather wince than die. Men do

not call the surgeon to commend the bone, but to set it, sir,

and fracture within is more critical. And for this, preceptor,

I shall bring you obedience, the blossom from my garden, and

every gratitude I know.

Perhaps you smile at me. I could not stop for that. My business

is circumference. An ignorance, not of customs, but if caught

with the dawn, or the sunset see me, myself the only kangaroo

among the beauty, sir, if you please, it afflicts me, and I

thought that instruction would take it away.

Because you have much business, beside the growth of me, you

will appoint, yourself, how often I shall come, without your

inconvenience.

And if at any time you regret you received me, or I prove a

different fabric to that you supposed, you must banish me.

When I state myself, as the representative of the verse, it

does not mean me, but a supposed person.

You are true about the “perfection.” To-day makes Yesterday

mean.

You spoke of “Pippa Passes.” I never heard anybody speak of

“Pippa Passes” before. You see my posture is benighted.

To thank you baffles me. Are you perfectly powerful? Had I a

pleasure you had not, I could delight to bring it.

YOUR SCHOLAR.

This was accompanied by this strong poem, with its breathless conclusion.

The title is of my own giving:—

THE SAINTS’ REST

Of tribulation, these are they,

Denoted by the white;

The spangled gowns, a lesser rank

Of victors designate.

All these did conquer; but the ones

Who overcame most times,

Wear nothing commoner than snow,

No ornaments but palms.

“Surrender” is a sort unknown

On this superior soil;

“Defeat” an outgrown anguish,

Remembered as the mile

Our panting ancle barely passed

When night devoured the road;

But we stood whispering in the house,

And all we said, was “Saved!”

[Note by the writer of the verses.] I spelled ankle wrong.

It would seem that at first I tried a little—a very little—to lead

her in the direction of rules and traditions; but I fear it was

only perfunctory, and that she interested me more in her—so to

speak—unregenerate condition. Still, she recognizes the endeavor. In this

case, as will be seen, I called her attention to the fact that while she

took pains to correct the spelling of a word, she was utterly careless of

greater irregularities. It will be seen by her answer that with her usual

naïve adroitness she turns my point:—

DEAR FRIEND,—Are these more orderly? I thank you for the truth.

I had no monarch in my life, and cannot rule myself; and when

I try to organize, my little force explodes and leaves me bare

and charred.

I think you called me “wayward.” Will you help me improve?

I suppose the pride that stops the breath, in the core of

woods, is not of ourself.

You say I confess the little mistake, and omit the large.

Because I can see orthography; but the ignorance out of sight

is my preceptor’s charge.

Of “shunning men and women,” they talk of hallowed things,

aloud, and embarrass my dog. He and I don’t object to them, if

they’ll exist their side. I think Carlo would please you. He is

dumb, and brave. I think you would like the chestnut tree I met

in my walk. It hit my notice suddenly, and I thought the skies

were in blossom.

Then there’s a noiseless noise in the orchard that I let

persons hear.

You told me in one letter you could not come to see me “now,”

and I made no answer; not because I had none, but did not think

myself the price that you should come so far.

I do not ask so large a pleasure, lest you might deny me.

You say, “Beyond your knowledge.” You would not jest with me,

because I believe you; but, preceptor, you cannot mean it?

All men say “What” to me, but I thought it a fashion.

When much in the woods, as a little girl, I was told that the

snake would bite me, that I might pick a poisonous flower, or

goblins kidnap me; but I went along and met no one but angels,

who were far shyer of me than I could be of them, so I haven’t

that confidence in fraud which many exercise.

I shall observe your precept, though I don’t understand it,

always.

I marked a line in one verse, because I met it after I made it,

and never consciously touch a paint mixed by another person.

I do not let go it, because it is mine. Have you the portrait

of Mrs. Browning?

Persons sent me three. If you had none, will you have mine?

YOUR SCHOLAR.

A month or two after this I entered the volunteer army of the Civil War,

and must have written to her during the winter of 1862-63 from South

Carolina or Florida, for the following reached me in camp:—

AMHERST.

DEAR FRIEND,—I did not deem that planetary forces annulled, but

suffered an exchange of territory, or world.

I should have liked to see you before you became improbable.

War feels to me an oblique place. Should there be other

summers, would you perhaps come?

I found you were gone, by accident, as I find systems are,

or seasons of the year, and obtain no cause, but suppose it

a treason of progress that dissolves as it goes. Carlo still

remained, and I told him.

Best gains must have the losses’ test,

To constitute them gains.

My shaggy ally assented.

Perhaps death gave me awe for friends, striking sharp and

early, for I held them since in a brittle love, of more alarm

than peace. I trust you may pass the limit of war; and though

not reared to prayer, when service is had in church for our

arms, I include yourself.... I was thinking to-day, as I

noticed, that the “Supernatural” was only the Natural disclosed.

Not “Revelation” ’tis that waits,

But our unfurnished eyes.

But I fear I detain you. Should you, before this reaches you,

experience immortality, who will inform me of the exchange?

Could you, with honor, avoid death, I entreat you, sir. It

would bereave

YOUR GNOME.

I trust the “Procession of Flowers” was not a premonition.

I cannot explain this extraordinary signature, substituted for the now

customary “Your Scholar,” unless she imagined her friend to be in some

incredible and remote condition, imparting its strangeness to her.

Swedenborg somewhere has an image akin to her “oblique place,” where he

symbolizes evil as simply an oblique angle. With this letter came verses,

most refreshing in that clime of jasmines and mockingbirds, on the

familiar robin:—

THE ROBIN

The robin is the one

That interrupts the morn

With hurried, few, express reports

When March is scarcely on.

The robin is the one

That overflows the noon

With her cherubic quantity,

An April but begun.

The robin is the one

That, speechless from her nest,

Submits that home and certainty

And sanctity are best.

In the summer of 1863 I was wounded, and in hospital for a time, during

which came this letter in pencil, written from what was practically a

hospital for her, though only for weak eyes:—

DEAR FRIEND,—Are you in danger? I did not know that you were

hurt. Will you tell me more? Mr. Hawthorne died.

I was ill since September, and since April in Boston for a

physician’s care. He does not let me go, yet I work in my

prison, and make guests for myself.

Carlo did not come, because that he would die in jail; and the

mountains I could not hold now, so I brought but the Gods.

I wish to see you more than before I failed. Will you tell me

your health? I am surprised and anxious since receiving your

note.

The only news I know

Is bulletins all day

From Immortality.

Can you render my pencil? The physician has taken away my pen.

I inclose the address from a letter, lest my figures fail.

Knowledge of your recovery would excel my own.

E. DICKINSON.

Later this arrived:—

DEAR FRIEND,—I think of you so wholly that I cannot resist to

write again, to ask if you are safe? Danger is not at first,

for then we are unconscious, but in the after, slower days.

Do not try to be saved, but let redemption find you, as

it certainly will. Love is its own rescue; for we, at our

supremest, are but its trembling emblems.

YOUR SCHOLAR.

These were my earliest letters from Emily Dickinson, in their order. From

this time and up to her death (May 15, 1886) we corresponded at varying

intervals, she always persistently keeping up this attitude of “Scholar,”

and assuming on my part a preceptorship which it is almost needless

to say did not exist. Always glad to hear her “recite,” as she called

it, I soon abandoned all attempt to guide in the slightest degree this

extraordinary nature, and simply accepted her confidences, giving as much

as I could of what might interest her in return.

Sometimes there would be a long pause, on my part, after which would come

a plaintive letter, always terse, like this:—

“Did I displease you? But won’t you tell me how?”

Or perhaps the announcement of some event, vast in her small sphere, as

this:—

Amherst.

Carlo died.

E. Dickinson.

Would you instruct me now?

Or sometimes there would arrive an exquisite little detached strain,

every word a picture, like this:—

THE HUMMING-BIRD

A route of evanescence

With a revolving wheel;

A resonance of emerald;

A rush of cochineal.

And every blossom on the bush

Adjusts its tumbled head;—

The mail from Tunis, probably,

An easy morning’s ride.

Nothing in literature, I am sure, so condenses into a few words

that gorgeous atom of life and fire of which she here attempts the

description. It is, however, needless to conceal that many of her

brilliant fragments were less satisfying. She almost always grasped

whatever she sought, but with some fracture of grammar and dictionary

on the way. Often, too, she was obscure, and sometimes inscrutable; and

though obscurity is sometimes, in Coleridge’s phrase, a compliment to the

reader, yet it is never safe to press this compliment too hard.

Sometimes, on the other hand, her verses found too much favor for her

comfort, and she was urged to publish. In such cases I was sometimes put

forward as a defense; and the following letter was the fruit of some such

occasion:

DEAR FRIEND,—Thank you for the advice. I shall implicitly

follow it.

The one who asked me for the lines I had never seen.

He spoke of “a charity.” I refused, but did not inquire. He

again earnestly urged, on the ground that in that way I might

“aid unfortunate children.” The name of “child” was a snare to

me, and I hesitated, choosing my most rudimentary, and without

criterion.

I inquired of you. You can scarcely estimate the opinion to one

utterly guideless. Again thank you.

YOUR SCHOLAR.

Again came this, on a similar theme:—

DEAR FRIEND,—Are you willing to tell me what is right? Mrs.

Jackson, of Colorado [“H. H.,” her early schoolmate], was with

me a few moments this week, and wished me to write for this.

[A circular of the “No Name Series” was inclosed.] I told her

I was unwilling, and she asked me why? I said I was incapable,

and she seemed not to believe me and asked me not to decide

for a few days. Meantime, she would write me. She was so

sweetly noble, I would regret to estrange her, and if you would

be willing to give me a note saying you disapproved it, and

thought me unfit, she would believe you. I am sorry to flee so

often to my safest friend, but hope he permits me.

In all this time—nearly eight years—we had never met, but she had sent

invitations like the following:—

AMHERST.

DEAR FRIEND,—Whom my dog understood could not elude others.

I should be so glad to see you, but think it an apparitional

pleasure, not to be fulfilled. I am uncertain of Boston.

I had promised to visit my physician for a few days in May, but

father objects because he is in the habit of me.

Is it more far to Amherst?

You will find a minute host, but a spacious welcome....

If I still entreat you to teach me, are you much displeased? I

will be patient, constant, never reject your knife, and should

my slowness goad you, you knew before myself that

Except the smaller size

No lives are round.

These hurry to a sphere

And show and end.

The larger slower grow

And later hang;

The summers of Hesperides

Are long.

Afterwards, came this:—

AMHERST.

DEAR FRIEND,—A letter always feels to me like immortality

because it is the mind alone without corporeal friend. Indebted

in our talk to attitude and accent, there seems a spectral

power in thought that walks alone. I would like to thank you

for your great kindness, but never try to lift the words which

I cannot hold.

Should you come to Amherst, I might then succeed, though

gratitude is the timid wealth of those who have nothing. I am

sure that you speak the truth, because the noble do, but your

letters always surprise me.

My life has been too simple and stern to embarrass any. “Seen

of Angels,” scarcely my responsibility.

It is difficult not to be fictitious in so fair a place, but

tests’ severe repairs are permitted all.

When a little girl I remember hearing that remarkable passage

and preferring the “Power,” not knowing at the time that

“Kingdom” and “Glory” were included.

You noticed my dwelling alone. To an emigrant, country is idle

except it be his own. You speak kindly of seeing me; could it

please your convenience to come so far as Amherst, I should be

very glad, but I do not cross my father’s ground to any house

or town.

Of our greatest acts we are ignorant. You were not aware that

you saved my life. To thank you in person has been since then

one of my few requests.... You will excuse each that I say,

because no one taught me.

At last, after many postponements, on August 16, 1870, I found myself

face to face with my hitherto unseen correspondent. It was at her

father’s house, one of those large, square, brick mansions so familiar in

our older New England towns, surrounded by trees and blossoming shrubs

without, and within exquisitely neat, cool, spacious, and fragrant with

flowers. After a little delay, I heard an extremely faint and pattering

footstep like that of a child, in the hall, and in glided, almost

noiselessly, a plain, shy little person, the face without a single good

feature, but with eyes, as she herself said, “like the sherry the guest

leaves in the glass,” and with smooth bands of reddish chestnut hair. She

had a quaint and nun-like look, as if she might be a German canoness of

some religious order, whose prescribed garb was white piqué, with a blue

net worsted shawl. She came toward me with two day-lilies, which she put

in a childlike way into my hand, saying softly, under her breath, “These

are my introduction,” and adding, also under her breath, in childlike

fashion, “Forgive me if I am frightened; I never see strangers, and

hardly know what I say.” But soon she began to talk, and thenceforward

continued almost constantly; pausing sometimes to beg that I would

talk instead, but readily recommencing when I evaded. There was not a

trace of affectation in all this; she seemed to speak absolutely for her

own relief, and wholly without watching its effect on her hearer. Led

on by me, she told much about her early life, in which her father was

always the chief figure,—evidently a man of the old type, _la vieille

roche_ of Puritanism,—a man who, as she said, read on Sunday “lonely and

rigorous books”; and who had from childhood inspired her with such awe,

that she never learned to tell time by the clock till she was fifteen,

simply because he had tried to explain it to her when she was a little

child, and she had been afraid to tell him that she did not understand,

and also afraid to ask any one else lest he should hear of it. Yet she

had never heard him speak a harsh word, and it needed only a glance at

his photograph to see how truly the Puritan tradition was preserved in

him. He did not wish his children, when little, to read anything but

the Bible; and when, one day, her brother brought her home Longfellow’s

“Kavanagh,” he put it secretly under the pianoforte cover, made signs

to her, and they both afterwards read it. It may have been before this,

however, that a student of her father’s was amazed to find that she and

her brother had never heard of Lydia Maria Child, then much read, and

he brought “Letters from New York,” and hid it in the great bush of

old-fashioned tree-box beside the front door. After the first book, she

thought in ecstasy, “This, then, is a book, and there are more of them.”

But she did not find so many as she expected, for she afterwards said to

me, “When I lost the use of my eyes, it was a comfort to think that there

were so few real books that I could easily find one to read me all of

them.” Afterwards, when she regained her eyes, she read Shakespeare, and

thought to herself, “Why is any other book needed?”

She went on talking constantly and saying, in the midst of narrative,

things quaint and aphoristic. “Is it oblivion or absorption when things

pass from our minds?” “Truth is such a rare thing, it is delightful to

tell it.” “I find ecstasy in living; the mere sense of living is joy

enough.” When I asked her if she never felt any want of employment, not

going off the grounds and rarely seeing a visitor, she answered, “I never

thought of conceiving that I could ever have the slightest approach to

such a want in all future time”; and then added, after a pause, “I feel

that I have not expressed myself strongly enough,” although it seemed to

me that she had. She told me of her household occupations, that she made

all their bread, because her father liked only hers; then saying shyly,

“And people must have puddings,” this very timidly and suggestively, as

if they were meteors or comets. Interspersed with these confidences came

phrases so emphasized as to seem the very wantonness of over-statement,

as if she pleased herself with putting into words what the most

extravagant might possibly think without saying, as thus: “How do most

people live without any thoughts? There are many people in the world,—you

must have noticed them in the street,—how do they live? How do they

get strength to put on their clothes in the morning?” Or this crowning

extravaganza: “If I read a book and it makes my whole body so cold no

fire can ever warm me, I know that is poetry. If I feel physically as if

the top of my head were taken off, I know that is poetry. These are the

only ways I know it. Is there any other way?”

I have tried to describe her just as she was, with the aid of notes taken

at the time; but this interview left our relation very much what it was

before;—on my side an interest that was strong and even affectionate, but

not based on any thorough comprehension; and on her side a hope, always

rather baffled, that I should afford some aid in solving her abstruse

problem of life.

The impression undoubtedly made on me was that of an excess of tension,

and of something abnormal. Perhaps in time I could have got beyond that

somewhat overstrained relation which not my will, but her needs, had

forced upon us. Certainly I should have been most glad to bring it down

to the level of simple truth and every-day comradeship; but it was not

altogether easy. She was much too enigmatical a being for me to solve in

an hour’s interview, and an instinct told me that the slightest attempt

at direct cross-examination would make her withdraw into her shell; I

could only sit still and watch, as one does in the woods; I must name my

bird without a gun, as recommended by Emerson.

After my visit came this letter:—

Enough is so vast a sweetness, I suppose it never occurs, only

pathetic counterfeits.

Fabulous to me as the men of the Revelations who “shall not

hunger any more.” Even the possible has its insoluble particle.

After you went, I took “Macbeth” and turned to “Birnam Wood.”

Came twice “To Dunsinane.” I thought and went about my work....

The vein cannot thank the artery, but her solemn indebtedness

to him, even the stolidest admit, and so of me who try, whose

effort leaves no sound.

You ask great questions accidentally. To answer them would be

events. I trust that you are safe.

I ask you to forgive me for all the ignorance I had. I find no

nomination sweet as your low opinion.

Speak, if but to blame your obedient child.

You told me of Mrs. Lowell’s poems. Would you tell me where

I could find them, or are they not for sight? An article of

yours, too, perhaps the only one you wrote that I never knew.

It was about a “Latch.” Are you willing to tell me? [Perhaps “A

Sketch.”]

If I ask too much, you could please refuse. Shortness to live

has made me bold.

Abroad is close to-night and I have but to lift my hands to

touch the “Heights of Abraham.”

DICKINSON.

When I said, at parting, that I would come again some time, she replied,

“Say, in a long time; that will be nearer. Some time is no time.” We

met only once again, and I have no express record of the visit. We

corresponded for years, at long intervals, her side of the intercourse

being, I fear, better sustained; and she sometimes wrote also to my wife,

inclosing flowers or fragrant leaves with a verse or two. Once she sent

her one of George Eliot’s books, I think “Middlemarch,” and wrote, “I am

bringing you a little granite book for you to lean upon.” At other times

she would send single poems, such as these:—

THE BLUE JAY

No brigadier throughout the year

So civic as the jay.

A neighbor and a warrior too,

With shrill felicity

Pursuing winds that censure us

A February Day,

The brother of the universe

Was never blown away.

The snow and he are intimate;

I’ve often seen them play

When heaven looked upon us all

With such severity

I felt apology were due

To an insulted sky

Whose pompous frown was nutriment

To their temerity.

The pillow of this daring head

Is pungent evergreens;

His larder—terse and militant—

Unknown, refreshing things;

His character—a tonic;

His future—a dispute;

Unfair an immortality

That leaves this neighbor out.

THE WHITE HEAT

Dare you see a soul at the white heat?

Then crouch within the door;

Red is the fire’s common tint,

But when the vivid ore

Has sated flame’s conditions,

Its quivering substance plays

Without a color, but the light

Of unanointed blaze.

Least village boasts its blacksmith,

Whose anvil’s even din

Stands symbol for the finer forge

That soundless tugs within,

Refining these impatient ores

With hammer and with blaze,

Until the designated light

Repudiate the forge.

Then came the death of her father, that strong Puritan father who had

communicated to her so much of the vigor of his own nature, and who

bought her many books, but begged her not to read them. Mr. Edward

Dickinson, after service in the national House of Representatives and

other public positions, had become a member of the lower house of the

Massachusetts legislature. The session was unusually prolonged, and he

was making a speech upon some railway question at noon, one very hot day

(July 16, 1874), when he became suddenly faint and sat down. The house

adjourned, and a friend walked with him to his lodgings at the Tremont

House, where he began to pack his bag for home, after sending for a

physician, but died within three hours. Soon afterwards, I received the

following letter:—

The last afternoon that my father lived, though with no

premonition, I preferred to be with him, and invented an

absence for mother, Vinnie [her sister] being asleep. He seemed

peculiarly pleased, as I oftenest stayed with myself; and

remarked, as the afternoon withdrew, he “would like it to not

end.”

His pleasure almost embarrassed me, and my brother coming, I

suggested they walk. Next morning I woke him for the train, and

saw him no more.

His heart was pure and terrible, and I think no other like it

exists.

I am glad there is immortality, but would have tested it

myself, before entrusting him. Mr. Bowles was with us. With

that exception, I saw none. I have wished for you, since my

father died, and had you an hour unengrossed, it would be

almost priceless. Thank you for each kindness....

Later she wrote:—

When I think of my father’s lonely life and lonelier death,

there is this redress—

Carlyle's laugh, and other surprises · 第 11 / 16 段