There was something about the bulk of Mapleson and the pendulous lines

of his clothes and person that made Chris feel when he was walking with

him that he was “knocking about town” and “mixing with the world.” He

was himself apprenticed to a firm of wall-paper manufacturers, and he

felt that Mapleson would be able to enlighten him on the prospects and

the outlook of the furnishing and decorating trade. He talked gaily of

antique furniture till they came to a gaunt yellow brick station.

On enquiry there seemed to be no trains that went from it to any

recognizable or habitable spot, but outside were two melancholy hackney

carriages. By this time Mapleson was desperate and a strange feeling of

giddiness possessed him.

He got in and told the driver vaguely “to drive up to London.” Chris

came to the rescue and explained to him that he might drive to

Shepherd’s Bush first. They started off and rattled once more through

the wilderness of dreary villas.

The young man accepted the position he found himself in with perfect

composure. He attributed Mapleson’s silence to an expansive boredom, and

he talked with discretion and with a sort of callous tact. Before they

reached Shepherd’s Bush, however, Mapleson muttered something about

feeling faint, and Chris immediately suggested that they should go and

have a drink. “You might bring me something in,” said Mapleson. “I’ll

have a brandy neat.” They drove helplessly through neat avenues and

roads for nearly ten minutes without passing anything in the way of a

public house. At last they came to a grocer’s shop, licensed to sell

spirits not to be consumed on the premises. “Go and buy me a bottle of

brandy,” said Mapleson. The young man got out and soon returned with a

six-and-sixpenny bottle of Hennessy’s three star brandy and a corkscrew.

He paid for it himself, relying on the natural honor of Mapleson to

settle up afterwards, but the matter was never mentioned again.

He drew the cork, and Mapleson took a long swig and then wiped the mouth

of the bottle and offered it to Chris. Chris behaved like a man and also

took a draft but spluttered rather.

For the rest of the journey Mapleson at regular intervals took

thoughtful and meditative swigs and gradually began to revive. He went

so far as to ask Chris if he knew anything about the little birds and

how long White had had them. Chris said he knew he had had the canaries

for four or five years and the bull-finch for two years. He didn’t know

much about the little Australian bird. This information seemed to cause

Mapleson to revert to his former gloom.

When they reached Shepherd’s Bush the cabman refused to go farther. So

they got out and got into another cab, Mapleson carrying the brandy

bottle under his arm. He took it upon himself to tell the cabman--this

time a taxi--“to drive round the Outer Circle of Hyde Park and to take

the damned hood down.”

It was about half-past four when they reached Hyde Park and the rain had

ceased a little. It was the fashionable hour for the afternoon drive.

Magnificent motors and two-horse phaëtons were ambling round well

within the regulation limit. Their cab was soon almost hemmed in by the

equipages of the great world. But after they had completed the circle

once, and Mapleson lay back with his feet on the opposite seat, and his

hat all brushed the wrong way, and without the slightest compunction

held the large brandy bottle to his lips every few yards, Chris began to

feel that there was a limit to his desire to “mix with the world.”

He got the cab to stop near the Marble Arch, and explained to Mapleson

that he must get out and take the tube to business.

And then there was a scene. Mapleson, who up to that time had not

addressed a personal word to Chris, suddenly became maudlin. He cried,

and said that he had never taken to any one as he had to Chris; he was

the dearest fellow in the world; he mustn’t leave him; now that White

was dead he was the only friend he had.

But people began to collect on the sidewalk and Chris simply ran off.

The taxi-driver began to be suspicious about his fare which was

registered fourteen shillings. But Mapleson gave him a sovereign on

account and told him to drive to Cleopatra’s Needle on the Embankment.

By the time they reached there the brandy bottle was three quarters

empty and tears were streaming down his cheeks. He offered the driver a

drink, but the driver was not “one of that sort” and gruffly suggested

that Mapleson “had better drive ’ome.” So he got out of the cab

pathetically and settled with the driver and sat on a seat of the

Embankment, hugging his bottle and staring at the river.

Now it is very difficult to know exactly what Mapleson did the rest of

that afternoon between the time when he dismissed the cabman and

half-past eight when he turned up in the bar of “The Monitor.”

It is only known that he struggled in there at that time, looking as

white as a sheet. He was wet through, and his clothes were covered with

mud. He struggled across to the corner where he and White used to sit,

and sat down. The bar was fairly crowded at the time, and young Chris

made his début there. He felt that he would be a person of interest.

When Mapleson appeared he went up to him, but Mapleson didn’t know him,

and said nothing.

Several others came up and advised Mapleson to go home and change his

clothes and have a drink first, but he just stared stupidly ahead and

made no comment. Some one brought some whisky and put it before him, but

he ignored it. They then came to the conclusion that he was ill, so

they sent for a cab and two of them volunteered to see him home.

Just as they were about to lead him out, he stood up. He then stretched

out his arms and waved them away. He picked up the glass of whisky and

raised it slowly to his lips. But before it reached them he dropped it

and fell backwards across the table.

* * * * *

“Women, you know,” said Charlie Maybird the other day, addressing two

friends in “The Monitor,” “are silly creatures. They think love and

friendship is all a question of kissin’ and cuddlin’. They think

business is all buyin’ and sellin’; they don’t think men can make

friendships in business. Crikey! I reckon there’s more friendships made

in business--real friendships, I mean--than ever there is outside. Look

at the case of White and Mapleson! I tell you those two men loved each

other! For over twenty years they were inseparable; there was nothing

they would not have done for each other; hand and glove they was over

everything. I’ve never seen a chap crumple up so as Mapleson did when

White died; in fact, from the very day when White was took ill. He went

about like a wraithe. I’ll never forget that night when he came in here

after the funeral. He sat over there, look, by the fireplace. He looked

as though his ’eart was broken! Suddenly he stood up and lifted his

glass and then dropped it and then fell backwards crash on to the floor!

They carried him and took him to the ’orspital, but he never regained

consciousness. The doctors said it was fatty degeneration of the ’eart,

’elped on by some kidney trouble. But I know better! He died of a broken

’eart. Lord, yes; I tell you there’s a lot of romance in the furnishing

trade!”

“Did he leave any money?” asked one of the friends.

“My word, yes! More than White,” answered the genial Charles. “White

never left a bean, and it seems his missus had not only been paying the

rent out of her millinery but allowed White some. White was a card, he

was!”

“And what did Mapleson leave?”

“Mapleson left nearly four pounds!”

“’S truth! is that all?”

“Four pounds and a wife and five kids, the eldest twelve!”

“A wife and five kids! How the hell does she manage to keep things

going?”

“Oh, Gawd knows! Come on, let’s go over to the Oxford and see what’s

on!”

THE PACKET

THE PACKET

I

Mr. Bultishaw stood leaning heavily against the bar in “The Duchess of

Teck,” talking to his friend, Mr. Ticknett. Their friendship had endured

for nearly twenty-seven years, and they still called each other “_Mr._”

Bultishaw and “_Mr._” Ticknett. They were on the surface a curiously

ill-matched couple, and the other salesmen and buyers from Cotterway’s

could never see what they had in common. Bultishaw was a big puffy man,

shabbily florid. He had a fat babyish face, with large bright eyes which

always seemed to be on the verge of tears, but whether this condition of

liquefaction was due to his excessive emotionalism, or to the generally

liquid state of his whole body, it would be difficult to decide. He was

of an excitable nature, and though his voice seemed to come wheezing

through various local derangements of his system, and was always pitched

in a low key, it suggested a degree of excitement--usually of a

querulous kind--quite remarkable in a person of his appearance. He was a

man of moods, too.... He was not always querulous, in fact his

querulousness might generally be traced to an occasional revolt of his

organic system against the treatment to which it was normally subjected.

There were times when he was genial, playful, kind, sentimental, and

maudlin. His clothes had a certain pretentiousness of style and wealth,

not sustained by the dilapidated condition of their linings and edges,

and the many stains of alcohol and the burns from matches and tobacco

carelessly dropped. He was the manager of the linoleum department at

Cotterway’s.

Ticknett had a similar position with regard to “soft goods” in the same

firm. But in appearance and character he was entirely dissimilar to

Bultishaw. One of the junior salesmen one day called him “The Chinese

God,” and there was indeed something a little Eastern in his reserved

manner, his suavity, and his great capacity for apparently minding his

own business and yet at the same time--well, nobody liked Ticknett, but

they all admired his ability, and most of them feared him. He was

admired because he had risen from the position of being a “packer” in

the yard to that of great influence, and he even shared the confidence

of Mr. Joseph Cotterway himself. His skin was rather yellow, and he had

very heavy black eyebrows and mustache and deep-set eyes with a slight

cast. His clothes were so well cut that in the bar of “The Duchess of

Teck” they seemed almost assertively unobtrusive.

Bultishaw was a prolific talker, and Ticknett was a patient listener.

This was perhaps one of their principal bonds of mutual understanding.

They had, of course, one common interest of an absorbing nature. It

bubbled and sparkled in the innumerable glasses which, at all hours of

the day, Mrs. Clarke and Daphne and Gladys handed to them across the bar

of “The Duchess of Teck,” which in those days was always crowded with

the salesmen and the staff of Cotterway’s.

On this particular morning, Bultishaw was holding a glass in his fat

fingers, and breathing heavily between each sentence. He was saying:

“’Sperience is the thing that counts in the furnishing trade, like

anywhere else--ugh! Take any line you like--ugh!--buying cork carpets,

eating oysters, or extending the Empire--ugh!--it’s the man with

’sperience who counts. These young fellers!... ugh!...”

Bultishaw shrugged his shoulders expressively, and glanced round the

bar. Immediately a change came over his expression. His eyes sparkled

angrily, and he shook the dregs of whisky in his glass, and drank them

off with a spluttering gulp. Ticknett followed the glance of his friend

and was quickly observant of the reason of Bultishaw’s sudden

trepidation. “Percy” had entered the bar. Percy was Bultishaw’s

assistant and also his _bête-noir_.

He was a slim young man dressed in a most extravagant manner. He had a

pale face, and a slightly receding chin. He wore a small bowler hat with

a very narrow brim, pointed patent leather boots, a very shapely

overcoat which almost suggested that he wore corsets, a pale lemon tie

held together by a gold pin, and a spotted green waistcoat.

Percy was a very high-spirited young person--an irrepressible--with a

genius for taking stage center. He was invariably accompanied by several

friends of his own age, and he had a habit of greeting a whole barful of

men, whether he knew them or not, with a cheering cry of:

“Hullo! hullo! HULLO! So here we all are!”

He would deliver this greeting with such a gay abandon that every one

would look up and laugh. Men would nod, and call out:

“Hullo! here’s Percy! How do, Percy?”

And even those who did not know him would be conscious of some

contagious fever of geniality. The conversation would grow louder and

livelier, and Percy would invariably become the center of a laughing

group.

In spite of his extravagance of manner, his irresponsibility, his

passion for misquoting poetry, he had been marked down by several

discriminating heads of the firm as “a smart boy.”

He was indeed a very smart boy, from his gay clothes to his sparkling

repartée with Daphne and Gladys. To Daphne it was known that he was an

especial favorite. He would hold her hand across the bar, and smile at

her engagingly, and say:

“And how is the moon of my delight?” And other enigmatic and brilliant

things.

And Daphne would look at him with her sleepy, passionate eyes, and say:

“Oh, go on! You are a one!”

She was a silent little thing, incredibly ignorant. She was not pretty,

but she had masses of gold-brown hair, and a figure rather

over-developed. There was about her something extremely attractive to

the men who frequented “The Duchess of Teck,” a kind of brooding

motherliness. She had an appealing way of sighing, and her eyes were

always watchful, as though in the face of every stranger she might

discover the solution of her troubles.

Bultishaw hated Percy for several reasons. One was essentially a

question of personality. He hated his aggressive exuberance, his

youthfulness, his ridiculous clothes, his way of brushing back his hair,

and incidentally of scoring off Bultishaw. He hated him because he had

the habit of upsetting the placid calm of “The Duchess of Teck.” He

created a restlessness. People did not listen so well when Percy was in

the room.

Moreover, he hated the way he took possession of Daphne. It is difficult

to know what Bultishaw’s ideas were with regard to Daphne. He was

himself a widower, aged fifty-six, and he lived in a small flat in

Bloomsbury with his two daughters, who were both about Daphne’s age. He

never made love to her, but he treated her with a sort of proprietary

sense of confidence. He told her all about himself. In the morning when

the bar was empty he would expatiate on the various ailments which had

assailed him overnight, his sleeplessness, his indigestion, his loss of

appetite. And he found her very sympathetic. She would say:

“Oh, reely, Mr. Bultishaw! I _am_ sorry! It’s too bad! Have you ever

tried Ponk’s Pills?”

They would discuss Ponk’s Pills exhaustively, and their effect on the

system, but eventually Mr. Bultishaw would say that he thought he would

try “just a wee drop of Scotch.” And so he would start his day.

It must, alas! be acknowledged that the accumulated years of his

convivial mode of life were beginning to tell on Bultishaw. He was not

the man he was. At his best he was a good salesman. He knew the cork

lino industry inside out. He had had endless experience. But there were

days of fuddlement, days when he would make grievous mistakes, forget

appointments, go wrong in his calculations. And the directors were not

unobservant of the deterioration of his work and of his personal

appearance. There was a very big rumor that Bultishaw was to be

superseded by a younger man. This rumor had reached Bultishaw himself,

and he accepted it with ironic incredulity.

“How can any one manage lino without ’sperience?” he said.

Nevertheless the rumor had worried him of late, and had increased his

sleeplessness. He was conscious of himself--the vast moral bulk of

himself rolling down the hill. He knew he would never be able to give up

drinking. He had no intention of trying. He had been at it too long. He

had managed in his time to save nearly a thousand pounds. If he were

sacked it would bring in a little bit, but not enough to live on. About

fifty pounds a year, but he spent quite this amount in the bar of “The

Duchess of Teck” alone. He would have to hunt round for another job. It

would be ignominious, and it might be difficult to secure at his age.

This was, then, another reason for disliking Percy, for “the smart

boy’s” name had been mentioned in this very connection. And what did

this soapy-headed young fool know about cork carpets? What ’sperience

had he had? A paltry two years. He was, too, so insufferably familiar

and insolent. He had even once had the audacity to address Bultishaw as

“Mr. Bulky-chops,” a pseudonym that was not only greeted with roars of

laughter but had been adopted by others.

On this morning then when Percy made his accustomed entrance with its

bravura accompaniment: “Hullo! hullo! HULLO! So here we all are!” Mr.

Bultishaw’s hand trembled, and he turned his back and muttered:

“That young--!”

The yellow face of Ticknett turned in the direction of Percy, but it was

quite expressionless and he made no comment. He lighted another

cigarette and looked across the bar at Daphne. The girl’s cheeks were

dimpled with smiles. Percy was talking to her. Suddenly Ticknett said to

her in his chilling voice:

“I want two more Scotch whiskies and a split soda.”

The girl looked up, and the dimples left her cheeks. She seemed almost

imperceptibly to shrink within herself. She poured out the drinks and

handed them to Ticknett. Bultishaw continued his querulous complaints

about the insolence of young and ignorant men, trying to oust older and

more experienced men from their hardly fought for positions.

And Ticknett listened, and his dark mustache moved in a peculiar way as

he said:

“Yes, yes, I quite agree with you, Mr. Bultishaw. It’s too bad.”

II

A week later there was a sudden and dramatic turn of events in the firm

of Cotterway’s. Much to everybody’s surprise, Percy was suddenly sacked

without any reason being given, and Bultishaw was retained. In fact,

Bultishaw was given another two years’ contract on the same terms as

before.

To what extent Ticknett was responsible for this development or what was

really at the back of it all, nobody was ever quite clear. It is

certain that on the day of Percy’s dismissal these two friends dined

together, and spent an evening of a somewhat bacchanalian character. It

is known that at that time Ticknett had been conspicuously successful

over some deal in tapestries with a French firm, and that he had lunched

one day alone with Mr. Joseph Cotterway. It is doubtful even whether he

ever gave the precise details of his machinations to Bultishaw himself.

The result certainly had the appearance of quickening their friendship.

They called each other “dear old feller,” and there were many whispered

implications about “insolent young swine.”

The career of Percy was watched with interest. Of course he took his

dismissal with a laugh, and entertained a party of his friends to a

hilarious farewell supper.

But it happened that that summer was a peculiarly stagnant one in the

furnishing world. The brilliant youth did not find it so easy to secure

another situation. He was observed at first swinging about the West End

in his splendidly nonchalant manner, and he still frequented the bar of

“The Duchess of Teck.” But gradually these appearances became more rare.

As the months went by he began to lose a little of his self-assurance

and swagger, and it is even to be regretted that his gay clothes began

to show evidences of wear. He once secured a situation at a small firm

in Bayswater, but at the end of three weeks he was again dismissed, the

proprietor going bankrupt owing to some unfortunate speculation. It

would be idle to imagine what Percy’s career would have been had not the

war broken out in August when he was still out of employment. He

volunteered for service the morning after war was declared, and then

indeed there was a great scene of bibulous enthusiasm in “The Duchess

of Teck.” He was toasted and treated, and every one was crying out:

“Well, good luck, Percy, old man.”

And Percy was in the highest spirits, and borrowed money from every one

to stand treat to every one else. And Daphne cried quite openly, and in

the corner of the bar Bultishaw was whispering to Ticknett:

“This’ll knock the starch out of the young swine.”

And Ticknett replied:

“He’ll get killed.”

There was at times a certain curious finality about Ticknett’s

statements that had a way of making people shudder.

Bultishaw laughed uncomfortably and repeated:

“It’ll knock the starch out of him.”

The departure of Percy was soon almost forgotten in the bewilderment of

drama that began to convulse Europe. Others went also. There was

upheaval, and something of a panic in the furnishing world. Every man

had his own interests to consider, and there was the big story unfolding

day by day to absorb all spare attention. Perhaps the only man among all

the devotees of “The Duchess of Teck” who thought considerably about

Percy was Bultishaw. It was very annoying, but he could not dismiss the

young man from his thoughts.

When the autumn came on, and the cold November rains washed the London

streets, Bultishaw would suddenly think of Percy and he would shiver.

Percy had been sent to some camp in Essex for his training, and often in

the night Bultishaw would wake up and visualize Percy sleeping out in

the open, getting wet through to the skin, possibly getting rheumatic

fever. He was a ridiculously delicate-looking young man, quite unfitted

to be a soldier. It occurred to Bultishaw more than once that if he and

Ticknett hadn’t ... if Percy had secured _his_ position, which everybody

said was his due ... he wouldn’t have been sent out into all this.

And “all this” was a terrible thing to Bultishaw. During the fifty-six

years of his life he had made a god of comfort. He loved warmth, good

cheer, food, drink, security. The alternative seemed to him hell. He

could not believe that there could be any sort of compensation in

discomfort, and hardship, in restraint, and discipline, and

self-abnegation. It was the thing he could not understand. And then at

the end was the Awful Thing itself. He could not bear to dwell on that.

He drank more prodigiously than ever.

The firm of Cotterway’s was reorganized, and Bultishaw would undoubtedly

have had the sack if it had not been for his two years’ contract. As it

was, expenses in every respect were cut down, and Bultishaw’s royalties

only amounted to a very small sum. He lived above his salary, and broke

into his capital. He seemed more and more to rely on Ticknett. The

manager of soft goods seemed to him the one stable thing in a shifting

world.

When Percy one day made his sudden, meteoric, and final appearance in

“The Duchess of Teck” the whole thing seemed like a dream. The usual

crowd was gathered just before lunch, drinking gins and bitters, and

whisky, and beer, and talking about “_our_” navy, and “_our_” army, and

“_our_” Government, and what “_we_” should do to the Germans, when the

level hum of conversation was broken by a loud and breezy:

“Hullo! hullo! HULLO! So here we all are!”

And lo! and behold, there was Percy, looking somehow bigger than usual,

the general gaiety of his appearance emphasized by a pink complexion, a

distinct increase of girth, and a beautiful khaki suit. And Bultishaw

found himself clapped on the back and the same voice was exclaiming:

“Well, ’ow are you, Bulky-chops? Lookin’ better than ever, ’pon my

word!”

And then the bar was immediately in a roar of conviviality. Everybody

struggled for the honor of standing Percy drinks, for he explained that

he was off the next day to France. It is to be feared that during that

afternoon Percy got rather drunk. He certainly indulged in violent moods

between boisterous hilarity and a certain sullen pugnacity. At intervals

he would continually ask for Ticknett, but to Bultishaw’s surprise,

Ticknett had disappeared almost immediately Percy entered the bar, and

was not seen again that day. While, on the other side, Daphne stood

cowering against the mahogany casings, looking deadly pale, with great

black rings around her eyes.

The friends, and other stories · 第 2 / 6 段